{"id":62815,"date":"2026-09-13T01:36:41","date_gmt":"2026-09-12T23:36:41","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=62815"},"modified":"2026-09-13T01:36:41","modified_gmt":"2026-09-12T23:36:41","slug":"vukovar-film-festival-2026-minotaur-osvrt-darko-plesa","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=62815","title":{"rendered":"VUKOVAR FILM FESTIVAL 2026: Minotaur [osvrt Darko Ple\u0161a]"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Andrej Zvjagincev svojim je debitantskim filmom &#8216;Povratak&#8217; iz 2003.godine, osvojio Zlatnog lava na Venecija Film Festivalu, te je samim time postao redatelj \u010diji se svaki naredni film s nestrpljenjem o\u010dekuje. Od te daleke 2003.godine sam Zvjagincev je pre\u0161ao put od miljenika ruske javnosti i re\u017eima, do persone non grata zbog svojega beskompromisnog prikaza \u017eivota u Rusiji i utjecaja politike na isti. Od prethodnog filma Andreja Zvjaginceva, &#8216;Bez Ljubavi&#8217;, pro\u0161lo je dugih devet godina koje nam izgledaju kao da su bile i davnije nego \u0161to jesu, a zasigurno samom redatelju je taj dojam jo\u0161 i sna\u017eniji.<\/strong><\/p>\n<p style=\"text-align: justify;\">Nakon \u0161to je u ljeto 2021. primio rusko cjepivo Sputnik V, dobio je visoku temperature i potom zavr\u0161io na intenzivnom odjelu moskovske bolnice. Nakon \u0161to je u bolnici dobio bolni\u010dku infekciju, preba\u010den je u njema\u010dku bolnicu gdje je stavljen u induciranu komu. Nakon \u0161to mu je koma prekinuta obolio je od polineuropatije. Nakon toga nije mogao hodati, sjediti ni govoriti, a plu\u0107a su mu izgubila na kapacitetu. Nakon \u0161to je po bolnicama proveo skoro godinu dana, danas je ponovo samostalan u svemu nakon \u0161to je morao ponovo u\u010diti hodati. U vrijeme njegova boravka u njema\u010dkoj bolnici, Rusija je pokrenula invaziju na Ukrajinu, te je Andrej Zvjagincev odlu\u010dio ne vratiti se u Rusiju, nego se nastanio u Francuskoj.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/image.tmdb.org\/t\/p\/original\/1L8rap893Q3RDGP3EprYBl8bS59.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\" https:\/\/www.themoviedb.org\/movie\/848700-minotaure \" target=\"_blank\" rel=\"noopener noreferrer\"> TMDB<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">S obzirom na to da je Zvjagincev \u010desto znao istaknuti svoju ljubav i privr\u017eenost francuskoj kinematografiji, te i \u010dinjenica da trenuta\u010dno \u017eivi u Francuskoj, ne bi trebalo biti iznena\u0111enje da je njegov novi film obrada filma Claude Chabrola &#8216;Nevjerna \u017eena&#8217; iz 1969. godine. Film je to koji od ranije ima ameri\u010dki remake iz 2002. godine u re\u017eiji Adrian Lyna, tako da je radnja istog ve\u0107 poznata. Mu\u017e posumnja da ga \u017eena vara. Mu\u017eeve se sumnje brzo potvrde. Ipak kako to filmovima Zvjaginceva uvijek i biva stvari su u ovom filmu malo slo\u017eenije. Na po\u010detku filma upoznajemo imu\u0107ni ruski par, Gleba i Galinu, dio poslovne elite, koji s maloljetnim sinom \u017eive u ku\u0107i koja izgleda kao da je iz nekog kataloga. Gleb je \u0161ef u prijevozni\u010dkom poduze\u0107u, a Galina se brine za sina i ku\u0107anstvo, te kod nje nezadovoljstvo nao\u010digled po\u010dinje rasti.<\/p>\n<p style=\"text-align: justify;\">Radnja filma se doga\u0111a u trenutku po\u010detka ruske invazije na Ukrajinu. Gleb zati\u010de u svojoj firmi djelatnike koji na YouTube prate vijesti o ratu i vijest da su neki radnici oti\u0161li iz Rusije. Sve to Glebu ote\u017eava njegov posao jer uslijed svega prijevozni\u010dki posao postalo te\u017ee i kompleksnije kvalitetno obavljati. Uslijed svih tih problema, s drugim uspje\u0161nim biznismenima pozvan je kod gradona\u010delnika koji im prenosi da svaki mora odrediti 14 ljudi koji \u0107e iz njihovih kompanija biti unova\u010deni i poslani na boji\u0161te (od tuda, izme\u0111u ostalog, i naslov filma &#8216;Minotaur&#8217;, kojem se uvijek prinosila \u017ertva od 14 ljudi). Za to vrijeme Glebu se potvr\u0111uju sumnje u Galinu nevjeru i on sad tra\u017ei na\u010dina kako da rije\u0161i sve te probleme i iza\u0111e iz labirinta.<\/p>\n<p style=\"text-align: justify;\">U ovom slojevitom filmu, uz dvoje glavnih glumaca Dmitrija Mazurova i Iris Lebedeva, svoju bitnu ulogu odigrala je i Latvija koja je \u201eglumila\u201c Rusiju. Mihail Kri\u010dman ponovo je, kao u svim prethodnim Zvjaginceovim filmovima direktor fotografije, te je njihova uskla\u0111enost jedan od aduta filma. &#8216;Minotaur&#8217; je za svoju pri\u010du s vi\u0161e slojeva nagra\u0111en na ovogodi\u0161njem Cannes Film Festivalu, gdje je imao i svoju svjetsku premijeru (nagra\u0111en je s Gran Prix nagradom). Na festivalu su nagradu dobili i bra\u0107a Galperine, Evgeueni i Sacha, za najbolju skladbu za film.<\/p>\n<p style=\"text-align: justify;\">Te\u0161ko je na\u0107i argumente protiv tvrdnje da je Andrej Zvjagincev jedan od najboljih redatelja 21.stolje\u0107a. u do sad snimljenih \u0161est dugometra\u017enih filmova nijedan nije lo\u0161, mo\u017eemo raspravljati je li neki od tih filmova odli\u010dan ili samo dobar, ali zasigurno nijedan nije lo\u0161. Statusom disidenta, kako to ve\u0107 biva zasigurno mu se pove\u0107avaju i \u0161anse da osvoji jo\u0161 i one nagrade koje jo\u0161 do sad nije osvojio. Andrej Zvjagincev, uz Jafara Panahia, zasigurno je jedan od najeminentnijih filmskih redatelja disidenata, ali svakako je njegova sudbina donekle usporediva s jednim drugim umjetnikom disidentom, Milanom Kunderom.<\/p>\n<p style=\"text-align: justify;\"><strong>Darko Ple\u0161a<\/strong><br \/>\nVukovar, 11.\/09.2026.<\/p>\n<p style=\"text-align: justify;\"><strong><a href=\" https:\/\/www.palacefilms.com.au\/minotaur \" target=\"_blank\" rel=\"noopener noreferrer\"> Minotaur &#8211; Palace Films<\/a><\/strong><br \/>\n<strong><a href=\" https:\/\/www.imdb.com\/title\/tt37118301\/?ref_=fn_t_1 \" target=\"_blank\" rel=\"noopener noreferrer\"> Minotaur &#8211; IMDb<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid0puA8AjWepReUsRuZXaEzhwnjcSM7BiyiVWJS1V2jH5uv9LVCEuvC9mimEWyd2dhml&amp;show_text=true&amp;width=500\" width=\"500\" height=\"392\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"https:\/\/film-mag.net\/wp\/?p=62815\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Andrej Zvjagincev svojim je debitantskim filmom &#8216;Povratak&#8217; iz 2003.godine, osvojio Zlatnog lava na Venecija Film Festivalu, te je samim time postao redatelj \u010diji se svaki naredni film s nestrpljenjem o\u010dekuje. Od te daleke 2003.godine sam Zvjagincev je pre\u0161ao put od miljenika ruske javnosti i re\u017eima, do persone non grata zbog svojega beskompromisnog prikaza \u017eivota u [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5955,9,22,4,48],"tags":[],"class_list":["post-62815","post","type-post","status-publish","format-standard","hentry","category-autorski-tekstovi","category-film","category-filmski-festivali","category-istaknuto","category-osvrti-na-filmove"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>VUKOVAR FILM FESTIVAL 2026: Minotaur [osvrt Darko Ple\u0161a] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=62815\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VUKOVAR FILM FESTIVAL 2026: Minotaur [osvrt Darko Ple\u0161a] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Andrej Zvjagincev svojim je debitantskim filmom &#8216;Povratak&#8217; iz 2003.godine, osvojio Zlatnog lava na Venecija Film Festivalu, te je samim time postao redatelj \u010diji se svaki naredni film s nestrpljenjem o\u010dekuje. Od te daleke 2003.godine sam Zvjagincev je pre\u0161ao put od miljenika ruske javnosti i re\u017eima, do persone non grata zbog svojega beskompromisnog prikaza \u017eivota u [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/film-mag.net\/wp\/?p=62815\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-12T23:36:41+00:00\" \/>\n<meta name=\"author\" content=\"Suradnik\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Suradnik\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62815#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62815\"},\"author\":{\"name\":\"Suradnik\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/9ffa18a59c8bc69aa9c3cacd71c61f3e\"},\"headline\":\"VUKOVAR FILM FESTIVAL 2026: Minotaur [osvrt Darko Ple\u0161a]\",\"datePublished\":\"2026-09-12T23:36:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62815\"},\"wordCount\":733,\"articleSection\":[\"Autorski tekstovi\",\"Film\",\"Filmski festivali\",\"Istaknuto\",\"Osvrti na filmove\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62815\",\"url\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62815\",\"name\":\"VUKOVAR FILM FESTIVAL 2026: Minotaur [osvrt Darko Ple\u0161a] - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\"},\"datePublished\":\"2026-09-12T23:36:41+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/9ffa18a59c8bc69aa9c3cacd71c61f3e\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62815#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62815\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62815#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"VUKOVAR FILM FESTIVAL 2026: Minotaur [osvrt Darko Ple\u0161a]\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/9ffa18a59c8bc69aa9c3cacd71c61f3e\",\"name\":\"Suradnik\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g\",\"caption\":\"Suradnik\"},\"url\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?author=16\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"VUKOVAR FILM FESTIVAL 2026: Minotaur [osvrt Darko Ple\u0161a] - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/film-mag.net\/wp\/?p=62815","og_locale":"en_US","og_type":"article","og_title":"VUKOVAR FILM FESTIVAL 2026: Minotaur [osvrt Darko Ple\u0161a] - FILM-mag.net","og_description":"Andrej Zvjagincev svojim je debitantskim filmom &#8216;Povratak&#8217; iz 2003.godine, osvojio Zlatnog lava na Venecija Film Festivalu, te je samim time postao redatelj \u010diji se svaki naredni film s nestrpljenjem o\u010dekuje. Od te daleke 2003.godine sam Zvjagincev je pre\u0161ao put od miljenika ruske javnosti i re\u017eima, do persone non grata zbog svojega beskompromisnog prikaza \u017eivota u [&hellip;]","og_url":"https:\/\/film-mag.net\/wp\/?p=62815","og_site_name":"FILM-mag.net","article_published_time":"2026-09-12T23:36:41+00:00","author":"Suradnik","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Suradnik","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/film-mag.net\/wp\/?p=62815#article","isPartOf":{"@id":"https:\/\/film-mag.net\/wp\/?p=62815"},"author":{"name":"Suradnik","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/9ffa18a59c8bc69aa9c3cacd71c61f3e"},"headline":"VUKOVAR FILM FESTIVAL 2026: Minotaur [osvrt Darko Ple\u0161a]","datePublished":"2026-09-12T23:36:41+00:00","mainEntityOfPage":{"@id":"https:\/\/film-mag.net\/wp\/?p=62815"},"wordCount":733,"articleSection":["Autorski tekstovi","Film","Filmski festivali","Istaknuto","Osvrti na filmove"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/film-mag.net\/wp\/?p=62815","url":"https:\/\/film-mag.net\/wp\/?p=62815","name":"VUKOVAR FILM FESTIVAL 2026: Minotaur [osvrt Darko Ple\u0161a] - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"datePublished":"2026-09-12T23:36:41+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/9ffa18a59c8bc69aa9c3cacd71c61f3e"},"breadcrumb":{"@id":"https:\/\/film-mag.net\/wp\/?p=62815#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/film-mag.net\/wp\/?p=62815"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/film-mag.net\/wp\/?p=62815#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"VUKOVAR FILM FESTIVAL 2026: Minotaur [osvrt Darko Ple\u0161a]"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/9ffa18a59c8bc69aa9c3cacd71c61f3e","name":"Suradnik","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g","caption":"Suradnik"},"url":"https:\/\/film-mag.net\/wp\/?author=16"}]}},"_links":{"self":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=62815"}],"version-history":[{"count":1,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62815\/revisions"}],"predecessor-version":[{"id":62816,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62815\/revisions\/62816"}],"wp:attachment":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=62815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=62815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=62815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}