{"id":62073,"date":"2026-06-17T20:41:27","date_gmt":"2026-06-17T18:41:27","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=62073"},"modified":"2026-06-17T20:41:27","modified_gmt":"2026-06-17T18:41:27","slug":"izlozba-dead-web-kraj-u-kontejneru","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=62073","title":{"rendered":"Izlo\u017eba &#8216;Dead Web \u2013 Kraj&#8217; u Kontejneru"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Nova izlo\u017eba u KONTEJNER-u \u201cDead Web \u2013 Kraj\u201d pita mo\u017eemo li zamisliti kraj interneta<\/strong><\/p>\n<p style=\"text-align: justify;\">Od 18. lipnja do 18. srpnja 2026. u KONTEJNER-u \u0107e biti postavljena skupna izlo\u017eba Dead Web \u2013 Kraj, kanadske kustosice Nathalie Bachand, nastala u suorganizaciji montrealske organizacije Molior i KONTEJNER-a. Okupljaju\u0107i radove kanadskih i hrvatskih umjetnika\/ica, izlo\u017eba propituje na\u0161 odnos prema internetu, ali i sam pojam povezanosti kao temeljnog na\u010dina uspostavljanja kontakta sa svijetom. Istodobno, poziva publiku na promi\u0161ljanje mogu\u0107ih oblika postinternetske budu\u0107nosti.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/www.kontejner.org\/images\/modules\/tn_large_1780916110-kontejner_dead-web_web.png \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\" https:\/\/www.kontejner.org\/program\/izlozba-dead-web-kraj-kustosice-nathalie-bachand-ca\/ \" target=\"_blank\" rel=\"noopener noreferrer\"> Kontejner<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">Na izlo\u017ebi sudjeluju kanadski umjetnici i umjetnice Baron Lanteigne i Dominique Sirois, Julien Boily, Fr\u00e9d\u00e9rique Lalibert\u00e9, Projet EVA i Julie Tremble, kao i hrvatski umjetnici Dina Gligo i Vedran Gligo \u2013 Format C koji predstavljaju novi rad Pivilion\/EXEno1: TOGETHERTOGETHER. Multimedijska umjetnica Dina Gligo ovogodi\u0161nja je dobitnica Nagrade Radoslav Putar, najzna\u010dajnijeg hrvatskog priznanja za likovne umjetnike i umjetnice do 40 godina.\u2028\u2028Otvorenje posljednje izlo\u017ebe pred ljetnu pauzu KONTEJNER-a odr\u017eat \u0107e se u \u010detvrtak, 18. lipnja, u 19 sati, a u sklopu programa otvorenja u 19:30 odr\u017eat \u0107e se razgovor s umjetnicima\/cama.<\/p>\n<p style=\"text-align: justify;\">Izlo\u017eba je prvi put predstavljena 2017. godine. Gotovo deset godina kasnije, slika interneta znatno se promijenila. Posebice se intenzivirala prisutnost umjetne inteligencije (AI): do 2024. godine botovi su nadma\u0161ili aktivnost ljudi na mre\u017ei; generativna umjetna inteligencija aktivno pridonosi \u0161irenju dezinformacija, dok su ogla\u0161iva\u010dki algoritmi postali nametljivo uporni, \u010dak uznemiruju\u0107i. Obe\u0107anje slobode koje je internet neko\u0107 nosio, danas manje ili vi\u0161e nalikuje dobrovoljnom pod\u010dinjavanju, a na\u0161a \u017eelja da se udaljimo od digitalnog zaslona gotovo je razmjerna na\u0161oj svakodnevnoj obvezi da ga upotrebljavamo. Re\u010denica \u201eKako je e-mail stigao do mene\u201c i s njom povezane slike, koje se \u0161ire kroz bezbrojne memove, precizno sa\u017eimaju na\u0161 dana\u0161nji odnos prema internetskoj kulturi i svepro\u017eimaju\u0107oj hiperpovezanosti koja je prati. \u0160to ako jednoga dana ti e-mailovi prestanu nalaziti put do nas\u2026? U kontekstu mogu\u0107eg naglog uru\u0161avanja mre\u017ee, mo\u017eemo poku\u0161ati zamisliti pad World Wide Weba i svijet koji bi iz toga proiza\u0161ao: prazni ostaci poslu\u017eitelja i more elektroni\u010dkog otpada? Digitalno ni\u0161tavilo na svim ekranima? Strojevi koji opona\u0161aju mre\u017eu? Ru\u010dno izra\u0111eni internet? Kako \u0107e odjednom dematerijalizirane i delokalizirane dinamike struktura mo\u0107i biti pogo\u0111ene, kako u o\u010ditim ekonomskim tako i u neizbje\u017enim politi\u010dkim pojavnostima, ako se mre\u017ea prekine? \u2026 U svjetlu ovih promi\u0161ljanja, okupljeni su umjetni\u010dki radovi koji odra\u017eavaju navedene ideje. [iz teksta kustosice izlo\u017ebe Nathalie Bachand]<\/p>\n<p style=\"text-align: justify;\">Izlo\u017eba ostaje otvorena do 18. srpnja 2026., i mo\u017ee se razgledati u radno vrijeme KONTEJNER-a (Odranska 1\/1): od ponedjeljka do petka od 16 do 20 sati te subotom od 11 do 15 sati. Nedjeljom, blagdanima i dr\u017eavnim praznicima KONTEJNER je zatvoren.<\/p>\n<p style=\"text-align: justify;\">Ulaz na izlo\u017ebu je besplatan.<\/p>\n<p style=\"text-align: justify;\">[izvor informacije <strong><a href=\"https:\/\/www.kontejner.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Kontejner<\/a><\/strong>]<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid02WAMjNigbdaLEgsqDGDfmK79uxDPD7rm2v2gYtKmhsPP9M3aELvYRK2VkkzfPBLiCl&amp;show_text=true&amp;width=500\" width=\"500\" height=\"665\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"https:\/\/film-mag.net\/wp\/?p=62073\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Nova izlo\u017eba u KONTEJNER-u \u201cDead Web \u2013 Kraj\u201d pita mo\u017eemo li zamisliti kraj interneta Od 18. lipnja do 18. srpnja 2026. u KONTEJNER-u \u0107e biti postavljena skupna izlo\u017eba Dead Web \u2013 Kraj, kanadske kustosice Nathalie Bachand, nastala u suorganizaciji montrealske organizacije Molior i KONTEJNER-a. Okupljaju\u0107i radove kanadskih i hrvatskih umjetnika\/ica, izlo\u017eba propituje na\u0161 odnos prema [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[64,13,17050],"tags":[],"class_list":["post-62073","post","type-post","status-publish","format-standard","hentry","category-izlozbe","category-likovnost","category-press"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Izlo\u017eba &#039;Dead Web \u2013 Kraj&#039; u Kontejneru - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=62073\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Izlo\u017eba &#039;Dead Web \u2013 Kraj&#039; u Kontejneru - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Nova izlo\u017eba u KONTEJNER-u \u201cDead Web \u2013 Kraj\u201d pita mo\u017eemo li zamisliti kraj interneta Od 18. lipnja do 18. srpnja 2026. u KONTEJNER-u \u0107e biti postavljena skupna izlo\u017eba Dead Web \u2013 Kraj, kanadske kustosice Nathalie Bachand, nastala u suorganizaciji montrealske organizacije Molior i KONTEJNER-a. Okupljaju\u0107i radove kanadskih i hrvatskih umjetnika\/ica, izlo\u017eba propituje na\u0161 odnos prema [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/film-mag.net\/wp\/?p=62073\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-17T18:41:27+00:00\" \/>\n<meta name=\"author\" content=\"PRESS\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PRESS\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62073#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62073\"},\"author\":{\"name\":\"PRESS\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"headline\":\"Izlo\u017eba &#8216;Dead Web \u2013 Kraj&#8217; u Kontejneru\",\"datePublished\":\"2026-06-17T18:41:27+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62073\"},\"wordCount\":476,\"articleSection\":[\"Izlo\u017ebe\",\"Likovnost\",\"PRESS\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62073\",\"url\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62073\",\"name\":\"Izlo\u017eba 'Dead Web \u2013 Kraj' u Kontejneru - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\"},\"datePublished\":\"2026-06-17T18:41:27+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62073#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62073\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=62073#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Izlo\u017eba &#8216;Dead Web \u2013 Kraj&#8217; u Kontejneru\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\",\"name\":\"PRESS\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"caption\":\"PRESS\"},\"url\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?author=8\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Izlo\u017eba 'Dead Web \u2013 Kraj' u Kontejneru - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/film-mag.net\/wp\/?p=62073","og_locale":"en_US","og_type":"article","og_title":"Izlo\u017eba 'Dead Web \u2013 Kraj' u Kontejneru - FILM-mag.net","og_description":"Nova izlo\u017eba u KONTEJNER-u \u201cDead Web \u2013 Kraj\u201d pita mo\u017eemo li zamisliti kraj interneta Od 18. lipnja do 18. srpnja 2026. u KONTEJNER-u \u0107e biti postavljena skupna izlo\u017eba Dead Web \u2013 Kraj, kanadske kustosice Nathalie Bachand, nastala u suorganizaciji montrealske organizacije Molior i KONTEJNER-a. Okupljaju\u0107i radove kanadskih i hrvatskih umjetnika\/ica, izlo\u017eba propituje na\u0161 odnos prema [&hellip;]","og_url":"https:\/\/film-mag.net\/wp\/?p=62073","og_site_name":"FILM-mag.net","article_published_time":"2026-06-17T18:41:27+00:00","author":"PRESS","twitter_card":"summary_large_image","twitter_misc":{"Written by":"PRESS","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/film-mag.net\/wp\/?p=62073#article","isPartOf":{"@id":"https:\/\/film-mag.net\/wp\/?p=62073"},"author":{"name":"PRESS","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"headline":"Izlo\u017eba &#8216;Dead Web \u2013 Kraj&#8217; u Kontejneru","datePublished":"2026-06-17T18:41:27+00:00","mainEntityOfPage":{"@id":"https:\/\/film-mag.net\/wp\/?p=62073"},"wordCount":476,"articleSection":["Izlo\u017ebe","Likovnost","PRESS"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/film-mag.net\/wp\/?p=62073","url":"https:\/\/film-mag.net\/wp\/?p=62073","name":"Izlo\u017eba 'Dead Web \u2013 Kraj' u Kontejneru - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"datePublished":"2026-06-17T18:41:27+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"breadcrumb":{"@id":"https:\/\/film-mag.net\/wp\/?p=62073#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/film-mag.net\/wp\/?p=62073"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/film-mag.net\/wp\/?p=62073#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"Izlo\u017eba &#8216;Dead Web \u2013 Kraj&#8217; u Kontejneru"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f","name":"PRESS","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","caption":"PRESS"},"url":"https:\/\/film-mag.net\/wp\/?author=8"}]}},"_links":{"self":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=62073"}],"version-history":[{"count":1,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62073\/revisions"}],"predecessor-version":[{"id":62074,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62073\/revisions\/62074"}],"wp:attachment":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=62073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=62073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=62073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}