{"id":60937,"date":"2026-02-18T14:56:41","date_gmt":"2026-02-18T13:56:41","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=60937"},"modified":"2026-02-18T14:56:41","modified_gmt":"2026-02-18T13:56:41","slug":"izlozba-ekologije-bauhausa-mreze-kontinuiteta-u-msu","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=60937","title":{"rendered":"Izlo\u017eba &#8216;Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta&#8217; u MSU"},"content":{"rendered":"<p style=\"text-align: justify;\">Izlo\u017eba\u00a0<strong>Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta<\/strong>\u00a0polazi od pitanja mo\u017ee li se povijesni Bauhaus \u010ditati iz perspektive ekologije. Ekologija se pritom ne razumije samo kao tema nego kao na\u010din mi\u0161ljenja, kao mre\u017ea odnosa izme\u0111u materijala i ideja, pro\u0161lih i sada\u0161njih praksi, umjetnosti i svakodnevice. U takvom okviru ekologija povezuje materijal, tehnologiju i dru\u0161tvene uvjete, a recikliranje postaje jedan od klju\u010dnih postupaka \u010ditanja i povezivanja radova, odnosno na\u010din na koji se oblici i metode modernizma uvode u umjetni\u010dke prakse od druge polovice 20. stolje\u0107a do danas. Time povijest ne ostaje zatvorena u arhivu, nego se vra\u0107a u sada\u0161njost kao polazi\u0161te za razmi\u0161ljanje o prostoru, materijalu i zajedni\u010dkom svijetu.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/www.infozagreb.hr\/media\/21\/medium_d1ca56f5-4dbc-4bb7-8647-581b3b6e08a5.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\" https:\/\/www.infozagreb.hr\/hr\/istrazi-zagreb\/kultura\/muzeji\/muzej-suvremene-umjetnosti \" target=\"_blank\" rel=\"noopener noreferrer\"> InfoZagreb<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta<br \/>\nMSU, 1. kat povremenih izlo\u017ebi \/ 24. 2. &#8211; 24. 5. 2026.<\/p>\n<p style=\"text-align: justify;\">Avangardni umjetnici ve\u0107 su 1920-ih promi\u0161ljali o budu\u0107nosti prirode, okoli\u0161a i klime, a u potrazi za novim na\u010dinima izra\u017eavanja umjetnike Bauhausa inspirirale su razli\u010dite misaone struje, uklju\u010duju\u0107i biocentrizam, filozofiju prirode, holisti\u010dke interpretacije i organicizam. U tom se svjetlu ekolo\u0161ko mi\u0161ljenje na Bauhausu ne pojavljuje kao izdvojena tema, nego se prepoznaje u temeljnim principima rada \u0161kole, u u\u010denju kroz praksu, u istra\u017eivanju odnosa materijala, forme, funkcije i prostora te u zajedni\u010dkom radu koji se razvijao na razme\u0111i tehnologije i dizajna, umjetnosti i svakodnevice.<\/p>\n<p style=\"text-align: justify;\">Polazi\u0161te izlo\u017ebe\u00a0<em>Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta<\/em>\u00a0umjetni\u010dki su radovi iz zbirke Muzeja suvremene umjetnosti povezani s naslje\u0111em Bauhausa i njegovim odjecima u poslijeratnim umjetni\u010dkim praksama. Radovi Otti Berger, Ivane Tomljenovi\u0107 Meller i grupe EXAT 51 tri su to\u010dke iz kojih se modernizam mo\u017ee promatrati kao \u017eivi sustav, mre\u017ea procesa, odnosa i transformacija. Rad tekstilne dizajnerice Otti Berger otvara pitanja materijala, strukture i taktilnosti, zatim film i fotografije Ivane Tomljenovi\u0107 Meller pokazuju kako ritam i ponavljanje oblikuju percepciju vremena i prostora te odnos svakodnevice prema prirodnim ciklusima, dok \u010dlanovi grupe EXAT 51 razvijaju prostorne sustave u kojima oblikovanje postaje metoda organizacije prostora kao sustava odnosa i na\u010dina na koji se prostor gradi, koristi i dijeli. U tom se \u010ditanju povijesnih djela ekologija pojavljuje kao na\u010din mi\u0161ljenja, u smislu onoga \u0161to francuski filozof i psihoanaliti\u010dar F\u00e9lix Guattari naziva \u201etrostrukom ekologijom\u201c \u2013 ekologija okoli\u0161a, dru\u0161tvenih odnosa i uma. Modernizam se pritom ne promatra kao dovr\u0161en povijesni stil, nego kao otvoreni arhiv mogu\u0107nosti koji se mo\u017ee kriti\u010dki \u010ditati i iznova stavljati u suvremeni dru\u0161tveni i ekolo\u0161ki kontekst. Guattarijeva trostruka perspektiva u izlo\u017ebi nalazi paralelu u trima razinama povezivanja umjetni\u010dkih radova \u2013 materijalnoj, konceptualnoj i dru\u0161tvenoj \u2013 kroz koje se prate promjene materijala, odnosa i zna\u010denja tijekom vremena.<\/p>\n<p style=\"text-align: justify;\">Klju\u010dna metoda povezivanja povijesnoga i suvremenoga jest recikliranje, shva\u0107eno kao postupak prevo\u0111enja i promjene zna\u010denja, ujedno i na\u010din \u010ditanja mre\u017ee odnosa me\u0111u radovima. U materijalnom smislu podrazumijeva ponovno kori\u0161tenje i prenamjenu materijala, ali i rad s tragovima vremenskih slojeva koji su u njima ostali zabilje\u017eeni. Na konceptualnoj razini recikliranje ozna\u010dava pomak u \u010ditanju i reinterpretaciji povijesnih pojmova, metoda i formi, njihovo prevo\u0111enje i premje\u0161tanje u novi kontekst, dok se na dru\u0161tvenoj razini javlja kao razmjena znanja i suradni\u010dkih praksi, ali i kao odnos prema kolektivnoj i institucionalnoj memoriji.<\/p>\n<p style=\"text-align: justify;\">Izlo\u017eba je strukturirana u tri cjeline:\u00a0<em>Materijal kao struktura<\/em>, <em>Ritam slike<\/em>, <em>Prostor kao sustav<\/em>, pri \u010demu svaka uspostavlja vlastiti na\u010din \u010ditanja kontinuiteta povezuju\u0107i povijesna upori\u0161ta s umjetni\u010dkim radovima koji nastaju od druge polovice 20. stolje\u0107a do danas. Taj odnos ne po\u010diva na preuzimanju modernizma kao formalnoga jezika, nego na njegovu ponovnom \u010ditanju i premje\u0161tanju u druga\u010diji povijesni kontekst. Recikliranje se pritom pokazuje kao estetski i eti\u010dki na\u010din postupanja kojim se materijal i njegovi tragovi, ideje i znanje te kulturni slojevi iznova tuma\u010de i otvaraju prema novim zna\u010denjima.<\/p>\n<p style=\"text-align: justify;\">Izlo\u017eba\u00a0<em>Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta<\/em>\u00a0dio je me\u0111unarodnoga istra\u017eiva\u010dkoga projekta Bauhaus Ecologies, koji provode Stiftung Bauhaus Dessau, Muzej za arhitekturu i oblikovanje u Ljubljani (MAO) i Muzej suvremene umjetnosti u Zagrebu (MSU). Projekt polazi od analize zbirki triju institucija kroz prizmu ekologije, propituju\u0107i kako su se ideje modernizma oblikovale, cirkulirale i prenosile u suvremene umjetni\u010dke prakse. U okviru projekta, kroz program Bauhaus Study Rooms 2025 koji provodi Stiftung Bauhaus Dessau, sudjelovali su studenti Nastavni\u010dkoga odsjeka Akademije likovnih umjetnosti u Zagrebu, koji su proveli umjetni\u010dko istra\u017eivanje radova iz zbirke MSU-a pod mentorstvom Ivana Skvrcea, Nikole Boji\u0107a i Marka Tadi\u0107a.<\/p>\n<p style=\"text-align: justify;\">Umjetnice i umjetnici:\u00a0Otti Berger, Jagoda Bui\u0107, Jasmina Cibic, grupa EXAT 51, Ivan Ladislav Galeta, Mladen Gali\u0107, Mihael Giba, Tomislav Gotovac, Tina Gverovi\u0107, Hrvoje Hir\u0161l, Ana Hu\u0161man, Marijan Jev\u0161ovar, David Maljkovi\u0107, Zvonimir Malus, Hana Mileti\u0107, Antun Motika, Milan Pavi\u0107, Slavka Pavi\u0107, Mladen Stilinovi\u0107, Marko Tadi\u0107, Ivana Tkal\u010di\u0107, Ivana Tomljenovi\u0107 Meller, Silvio Vuji\u010di\u0107<\/p>\n<p style=\"text-align: justify;\">Kustosica izlo\u017ebe: Vesna Me\u0161tri\u0107<br \/>\nVizualni identitet i likovni postav: Oaza<br \/>\nIzlo\u017eba traje do 24. 5. 2026.<\/p>\n<p style=\"text-align: justify;\">[izvor informacije <strong><a href=\"http:\/\/www.msu.hr\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Muzej suvremene umjetnosti<\/a><\/strong>]<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid02vAihPFdRVRCWZTAqA93kS6H2fNCfYMV34EmyzQPi4mz8FUjq8HLPyfzwkBaQyojFl&amp;show_text=true&amp;width=500\" width=\"500\" height=\"628\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"https:\/\/film-mag.net\/wp\/?p=60937\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Izlo\u017eba\u00a0Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta\u00a0polazi od pitanja mo\u017ee li se povijesni Bauhaus \u010ditati iz perspektive ekologije. Ekologija se pritom ne razumije samo kao tema nego kao na\u010din mi\u0161ljenja, kao mre\u017ea odnosa izme\u0111u materijala i ideja, pro\u0161lih i sada\u0161njih praksi, umjetnosti i svakodnevice. U takvom okviru ekologija povezuje materijal, tehnologiju i dru\u0161tvene uvjete, a recikliranje postaje [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[64,13,17050],"tags":[],"class_list":["post-60937","post","type-post","status-publish","format-standard","hentry","category-izlozbe","category-likovnost","category-press"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Izlo\u017eba &#039;Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta&#039; u MSU - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=60937\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Izlo\u017eba &#039;Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta&#039; u MSU - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Izlo\u017eba\u00a0Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta\u00a0polazi od pitanja mo\u017ee li se povijesni Bauhaus \u010ditati iz perspektive ekologije. Ekologija se pritom ne razumije samo kao tema nego kao na\u010din mi\u0161ljenja, kao mre\u017ea odnosa izme\u0111u materijala i ideja, pro\u0161lih i sada\u0161njih praksi, umjetnosti i svakodnevice. U takvom okviru ekologija povezuje materijal, tehnologiju i dru\u0161tvene uvjete, a recikliranje postaje [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/film-mag.net\/wp\/?p=60937\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2026-02-18T13:56:41+00:00\" \/>\n<meta name=\"author\" content=\"PRESS\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PRESS\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=60937#article\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=60937\"},\"author\":{\"name\":\"PRESS\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"headline\":\"Izlo\u017eba &#8216;Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta&#8217; u MSU\",\"datePublished\":\"2026-02-18T13:56:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=60937\"},\"wordCount\":855,\"articleSection\":[\"Izlo\u017ebe\",\"Likovnost\",\"PRESS\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=60937\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=60937\",\"name\":\"Izlo\u017eba 'Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta' u MSU - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\"},\"datePublished\":\"2026-02-18T13:56:41+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"breadcrumb\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=60937#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=60937\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=60937#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Izlo\u017eba &#8216;Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta&#8217; u MSU\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\",\"name\":\"PRESS\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"caption\":\"PRESS\"},\"url\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?author=8\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Izlo\u017eba 'Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta' u MSU - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/film-mag.net\/wp\/?p=60937","og_locale":"en_US","og_type":"article","og_title":"Izlo\u017eba 'Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta' u MSU - FILM-mag.net","og_description":"Izlo\u017eba\u00a0Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta\u00a0polazi od pitanja mo\u017ee li se povijesni Bauhaus \u010ditati iz perspektive ekologije. Ekologija se pritom ne razumije samo kao tema nego kao na\u010din mi\u0161ljenja, kao mre\u017ea odnosa izme\u0111u materijala i ideja, pro\u0161lih i sada\u0161njih praksi, umjetnosti i svakodnevice. U takvom okviru ekologija povezuje materijal, tehnologiju i dru\u0161tvene uvjete, a recikliranje postaje [&hellip;]","og_url":"http:\/\/film-mag.net\/wp\/?p=60937","og_site_name":"FILM-mag.net","article_published_time":"2026-02-18T13:56:41+00:00","author":"PRESS","twitter_card":"summary_large_image","twitter_misc":{"Written by":"PRESS","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/film-mag.net\/wp\/?p=60937#article","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/?p=60937"},"author":{"name":"PRESS","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"headline":"Izlo\u017eba &#8216;Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta&#8217; u MSU","datePublished":"2026-02-18T13:56:41+00:00","mainEntityOfPage":{"@id":"http:\/\/film-mag.net\/wp\/?p=60937"},"wordCount":855,"articleSection":["Izlo\u017ebe","Likovnost","PRESS"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"http:\/\/film-mag.net\/wp\/?p=60937","url":"http:\/\/film-mag.net\/wp\/?p=60937","name":"Izlo\u017eba 'Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta' u MSU - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"datePublished":"2026-02-18T13:56:41+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"breadcrumb":{"@id":"http:\/\/film-mag.net\/wp\/?p=60937#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/film-mag.net\/wp\/?p=60937"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/film-mag.net\/wp\/?p=60937#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"Izlo\u017eba &#8216;Ekologije Bauhausa \u2013 mre\u017ee kontinuiteta&#8217; u MSU"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f","name":"PRESS","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","caption":"PRESS"},"url":"https:\/\/film-mag.net\/wp\/?author=8"}]}},"_links":{"self":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/60937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=60937"}],"version-history":[{"count":1,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/60937\/revisions"}],"predecessor-version":[{"id":60938,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/60937\/revisions\/60938"}],"wp:attachment":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=60937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=60937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=60937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}