{"id":57137,"date":"2024-11-16T00:42:36","date_gmt":"2024-11-15T23:42:36","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=57137"},"modified":"2024-11-17T01:08:02","modified_gmt":"2024-11-17T00:08:02","slug":"arhitektura-stambeni-kompleks-reverzibilna-sudbina-japan-pisu-tihoni-iva-brcic","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=57137","title":{"rendered":"ARHITEKTURA: Stambeni kompleks Reverzibilna sudbina, Japan [pi\u0161u Tihoni &#038; Iva Br\u010di\u0107]"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Japanski arhitekt Shusaku Arakawa i ameri\u010dka umjetnica Madeline Gins smatrali su da svakodnevica ljudima pru\u017ea neispunjen \u017eivot bez energije i motivacije. Iz takvog razmi\u0161ljanja proiza\u0161ao je koncept tzv. reverzibilne sudbine. Njime su bili fascinirani profesionalci iz razli\u010ditih polja djelovanja, poput umjetnika Marcela Duchampa i fizi\u010dara Nobelovca Wernera Heisenberga.<\/strong><\/p>\n<p style=\"text-align: justify;\">Arakawa i Gins su arhitekturom odlu\u010dili pozitivno utjecati na psihofizi\u010dko zdravlje, a samim time i dugovje\u010dnost ljudi (istra\u017eivanja pokazuju da nepredvidljiva okolina pozitivno utje\u010de na pobolj\u0161anje imunolo\u0161kog sustava). 1995. godine izgradili su eksperimentalni \u201cSite of Reversible Destiny\u201d u parku Yoro, nedaleko od Nagoye, na povr\u0161ini od 18.000 m2. Podsje\u0107a na veliki puzzle izvrnute perspektive, s gra\u0111evinama kroz \u010dije zidove prolazi namje\u0161taj, stropovi zrcale arhitekturu podnih povr\u0161ina i sl.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/i.postimg.cc\/N0VhnQTD\/Fotografija-Estate-of-Madeline-Gins-Objavljeno-s-dopus-tenjem-Zaklade-Madeline-Gins-Tihoni-Brc-i.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografija: Estate of Madeline Gins (Objavljeno s dopu\u0161tenjem Zaklade Madeline Gins) &amp; Tihoni Br\u010di\u0107<\/p>\n<p style=\"text-align: justify;\">Ovaj koncept je iza\u0161ao iz eksperimentalnog u prakti\u010dno okru\u017eenje 2005. godine, kad je izgra\u0111en stambeni kompleks \u201cReversible Destiny Lofts\u201d u gradi\u0107u Mitaki, u Tokiju. Koloristi\u010dki apartmani napravljeni su od betonskih modula kocki, kugli i valjaka i podsje\u0107aju na dje\u010dje gra\u0111evine od kocaka. Ima ih devet, a u sedam trajno \u017eive stanari, dok se ostala dva iznajmljuju kratkoro\u010dno.<\/p>\n<p style=\"text-align: justify;\">Zahvaljuju\u0107i tom potezu ljubitelji otka\u010dene arhitekture mogu iskusiti stanovanje u ovom neobi\u010dnom apartmanu, zapravo umjetni\u010dkoj instalaciji. Ostali mogu vidjeti ove apartmane kroz privatne arhitektonske ture, te u raznim reklamama, serijama i glazbenim spotovima.<\/p>\n<p style=\"text-align: justify;\">U apartmanu se nalaze zakrivljeni zidovi, grbavi podovi, \u0161arene cijevi po stropu, ljestve koje nikuda ne vode, plesna \u0161ipka, gimnasti\u010dke ru\u010dke i mre\u017ea za odmaranje. Sve usred centralne sobe koja je spojena s kupaonicom i kuglastom sobom koji nemaju vrata, a u samom centru dnevne sobe ukopana duboko u pod nalazi se kru\u017ena kuhinja sa \u0161ankom. U kupaonici dominira tu\u0161 kabina, tako\u0111er u centru, slu\u017ee\u0107i kao paravan iza kojeg se krije neogra\u0111eni visoko sofisticirani elektronski WC, tzv. washlet.<\/p>\n<p style=\"text-align: justify;\">Podovi su napravljeni od o\u010dvrsnute mje\u0161avine \u0161odra, zemlje i cementa. Namjerno su neravni i pod raznim kutevima. Ovi apartmani nemaju ormare, a i nemogu\u0107e ih je instalirati u neravni interijer. Sre\u0107om Japanci \u017eive minimalisti\u010dki pa se mogu sna\u0107i bez njih. Zato imaju kukice na koje se oka\u010de platnene vre\u0107e koje zamjenjuju ormare, ladice i kutije. Spava\u0107a soba ne\u0161to je normalnija pa ima ravni pod, dekorativni \u0161ljunak po kojem se mo\u017ee hodati i tradicionalna klizna vrata. Spava se na futonu japanskog stila direktno na podu.<\/p>\n<p style=\"text-align: justify;\">Da koncept reverzibilne sudbine djeluje na stanare, neki od njih su ve\u0107 nakon nekoliko mjeseci osjetili pobolj\u0161anja &#8211; odolijevaju prehladama, vitalniji su, gube tjelesnu te\u017einu&#8230; Jedan stanar je \u010dak usporedio \u017eivot u apartmanu s prakticiranjem Joge (\u0161to je idealno u \u017eutoj kuglastoj sobi).<\/p>\n<p style=\"text-align: justify;\">Ako posje\u0107ujete Tokio, svakako preporu\u010dujemo da preko Airbnba pogledate ponudu \u201cReversible Destiny Lofts\u201d i ako ni\u0161ta drugo, barem oti\u0111ete na privatnu turu stana i sami iskusite \u010dari ovog neobi\u010dnog koncepta. Iskustvo stanovanja, barem tih 3-5 dana koliko smo bili u par navrata, zaista je jedinstveno. Poti\u010de dobro raspolo\u017eenje, zaigranost, znati\u017eelju, stimulira sva osjetila (pogotovo taktilno &#8211; kad udarite no\u017enim prstima u grbavi pod), te druk\u010diji pogled na svijet u kojem \u017eivimo.<\/p>\n<p style=\"text-align: justify;\"><em>Tihoni &amp; Iva Br\u010di\u0107<br \/>\n16.11.2024.<\/em><\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid022xPCPa9EDBSXntG9FTCn1UZJxKd3UzYfyEZL8g7mKafY66TSiscps5nTzKWu4xfMl&amp;show_text=true&amp;width=500\" width=\"500\" height=\"703\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"https:\/\/film-mag.net\/wp\/?p=57137\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Japanski arhitekt Shusaku Arakawa i ameri\u010dka umjetnica Madeline Gins smatrali su da svakodnevica ljudima pru\u017ea neispunjen \u017eivot bez energije i motivacije. Iz takvog razmi\u0161ljanja proiza\u0161ao je koncept tzv. reverzibilne sudbine. Njime su bili fascinirani profesionalci iz razli\u010ditih polja djelovanja, poput umjetnika Marcela Duchampa i fizi\u010dara Nobelovca Wernera Heisenberga. Arakawa i Gins su arhitekturom odlu\u010dili pozitivno [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5955,15,4,5897,81],"tags":[131,6068,6154,82,832,693,26787,6280,26786,2883,26785,1211],"class_list":["post-57137","post","type-post","status-publish","format-standard","hentry","category-autorski-tekstovi","category-ekologija","category-istaknuto","category-putopisi","category-stvarnost","tag-arhitektura","tag-autorski-tekst","tag-autorski-tekstovi-2","tag-ekologija-2","tag-iva-brcic","tag-japan","tag-madeline-gins","tag-putopisi-2","tag-shusaku-arakawa","tag-stvarnost-2","tag-tihoni-iva-brcic","tag-tihoni-brcic"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ARHITEKTURA: Stambeni kompleks Reverzibilna sudbina, Japan [pi\u0161u Tihoni &amp; Iva Br\u010di\u0107] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=57137\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ARHITEKTURA: Stambeni kompleks Reverzibilna sudbina, Japan [pi\u0161u Tihoni &amp; Iva Br\u010di\u0107] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Japanski arhitekt Shusaku Arakawa i ameri\u010dka umjetnica Madeline Gins smatrali su da svakodnevica ljudima pru\u017ea neispunjen \u017eivot bez energije i motivacije. Iz takvog razmi\u0161ljanja proiza\u0161ao je koncept tzv. reverzibilne sudbine. Njime su bili fascinirani profesionalci iz razli\u010ditih polja djelovanja, poput umjetnika Marcela Duchampa i fizi\u010dara Nobelovca Wernera Heisenberga. Arakawa i Gins su arhitekturom odlu\u010dili pozitivno [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/film-mag.net\/wp\/?p=57137\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2024-11-15T23:42:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-17T00:08:02+00:00\" \/>\n<meta name=\"author\" content=\"Tihoni Br\u010di\u0107\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tihoni Br\u010di\u0107\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=57137#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=57137\"},\"author\":{\"name\":\"Tihoni Br\u010di\u0107\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/ad717ee99080734ed176883c15c62f07\"},\"headline\":\"ARHITEKTURA: Stambeni kompleks Reverzibilna sudbina, Japan [pi\u0161u Tihoni &#038; Iva Br\u010di\u0107]\",\"datePublished\":\"2024-11-15T23:42:36+00:00\",\"dateModified\":\"2024-11-17T00:08:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=57137\"},\"wordCount\":575,\"keywords\":[\"arhitektura\",\"autorski tekst\",\"autorski tekstovi\",\"ekologija\",\"iva br\u010di\u0107\",\"japan\",\"Madeline Gins\",\"putopisi\",\"Shusaku Arakawa\",\"stvarnost\",\"Tihoni &amp; Iva Br\u010di\u0107\",\"tihoni br\u010di\u0107\"],\"articleSection\":[\"Autorski tekstovi\",\"Ekologija\",\"Istaknuto\",\"Putopisi\",\"Stvarnost\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=57137\",\"url\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=57137\",\"name\":\"ARHITEKTURA: Stambeni kompleks Reverzibilna sudbina, Japan [pi\u0161u Tihoni & Iva Br\u010di\u0107] - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\"},\"datePublished\":\"2024-11-15T23:42:36+00:00\",\"dateModified\":\"2024-11-17T00:08:02+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/ad717ee99080734ed176883c15c62f07\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=57137#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=57137\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=57137#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"ARHITEKTURA: Stambeni kompleks Reverzibilna sudbina, Japan [pi\u0161u Tihoni &#038; Iva Br\u010di\u0107]\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/ad717ee99080734ed176883c15c62f07\",\"name\":\"Tihoni Br\u010di\u0107\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/12538c9d9957fba5d5c97ae4ff169f80f1b271bf87213dfe7177b001428b6203?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/12538c9d9957fba5d5c97ae4ff169f80f1b271bf87213dfe7177b001428b6203?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/12538c9d9957fba5d5c97ae4ff169f80f1b271bf87213dfe7177b001428b6203?s=96&d=mm&r=g\",\"caption\":\"Tihoni Br\u010di\u0107\"},\"url\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?author=9\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"ARHITEKTURA: Stambeni kompleks Reverzibilna sudbina, Japan [pi\u0161u Tihoni & Iva Br\u010di\u0107] - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/film-mag.net\/wp\/?p=57137","og_locale":"en_US","og_type":"article","og_title":"ARHITEKTURA: Stambeni kompleks Reverzibilna sudbina, Japan [pi\u0161u Tihoni & Iva Br\u010di\u0107] - FILM-mag.net","og_description":"Japanski arhitekt Shusaku Arakawa i ameri\u010dka umjetnica Madeline Gins smatrali su da svakodnevica ljudima pru\u017ea neispunjen \u017eivot bez energije i motivacije. Iz takvog razmi\u0161ljanja proiza\u0161ao je koncept tzv. reverzibilne sudbine. Njime su bili fascinirani profesionalci iz razli\u010ditih polja djelovanja, poput umjetnika Marcela Duchampa i fizi\u010dara Nobelovca Wernera Heisenberga. Arakawa i Gins su arhitekturom odlu\u010dili pozitivno [&hellip;]","og_url":"https:\/\/film-mag.net\/wp\/?p=57137","og_site_name":"FILM-mag.net","article_published_time":"2024-11-15T23:42:36+00:00","article_modified_time":"2024-11-17T00:08:02+00:00","author":"Tihoni Br\u010di\u0107","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Tihoni Br\u010di\u0107","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/film-mag.net\/wp\/?p=57137#article","isPartOf":{"@id":"https:\/\/film-mag.net\/wp\/?p=57137"},"author":{"name":"Tihoni Br\u010di\u0107","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/ad717ee99080734ed176883c15c62f07"},"headline":"ARHITEKTURA: Stambeni kompleks Reverzibilna sudbina, Japan [pi\u0161u Tihoni &#038; Iva Br\u010di\u0107]","datePublished":"2024-11-15T23:42:36+00:00","dateModified":"2024-11-17T00:08:02+00:00","mainEntityOfPage":{"@id":"https:\/\/film-mag.net\/wp\/?p=57137"},"wordCount":575,"keywords":["arhitektura","autorski tekst","autorski tekstovi","ekologija","iva br\u010di\u0107","japan","Madeline Gins","putopisi","Shusaku Arakawa","stvarnost","Tihoni &amp; Iva Br\u010di\u0107","tihoni br\u010di\u0107"],"articleSection":["Autorski tekstovi","Ekologija","Istaknuto","Putopisi","Stvarnost"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/film-mag.net\/wp\/?p=57137","url":"https:\/\/film-mag.net\/wp\/?p=57137","name":"ARHITEKTURA: Stambeni kompleks Reverzibilna sudbina, Japan [pi\u0161u Tihoni & Iva Br\u010di\u0107] - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"datePublished":"2024-11-15T23:42:36+00:00","dateModified":"2024-11-17T00:08:02+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/ad717ee99080734ed176883c15c62f07"},"breadcrumb":{"@id":"https:\/\/film-mag.net\/wp\/?p=57137#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/film-mag.net\/wp\/?p=57137"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/film-mag.net\/wp\/?p=57137#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"ARHITEKTURA: Stambeni kompleks Reverzibilna sudbina, Japan [pi\u0161u Tihoni &#038; Iva Br\u010di\u0107]"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/ad717ee99080734ed176883c15c62f07","name":"Tihoni Br\u010di\u0107","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/12538c9d9957fba5d5c97ae4ff169f80f1b271bf87213dfe7177b001428b6203?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/12538c9d9957fba5d5c97ae4ff169f80f1b271bf87213dfe7177b001428b6203?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/12538c9d9957fba5d5c97ae4ff169f80f1b271bf87213dfe7177b001428b6203?s=96&d=mm&r=g","caption":"Tihoni Br\u010di\u0107"},"url":"https:\/\/film-mag.net\/wp\/?author=9"}]}},"_links":{"self":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/57137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=57137"}],"version-history":[{"count":4,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/57137\/revisions"}],"predecessor-version":[{"id":57141,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/57137\/revisions\/57141"}],"wp:attachment":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=57137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=57137"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=57137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}