{"id":56592,"date":"2024-09-26T11:38:56","date_gmt":"2024-09-26T09:38:56","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=56592"},"modified":"2024-09-26T11:38:56","modified_gmt":"2024-09-26T09:38:56","slug":"25-fps-2024-treci-dan-festivala-u-znaku-egzistencijalnih-zagonetki-i-meduovisnosti-svjetla-i-tame","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=56592","title":{"rendered":"25 FPS 2024: Tre\u0107i dan festivala u znaku egzistencijalnih zagonetki i me\u0111uovisnosti svjetla i tame"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Na dana\u0161njem rasporedu su dva bloka iz natjecateljskog programa, retrospektivno predstavljanje \u017eirijevke Eve Heller i posebno kurirani program francuskog-australskog filmologa Charlija Hewisona, gosta simpozija Analogni film u digitalnom dobu.<\/strong><\/p>\n<p style=\"text-align: justify;\">Zagreb, 26.09.2024. &#8211; Prvi na programu je filmolog Charlie Hewison, filmski istra\u017eiva\u010d koji se u svom radu bavi materijalnim filmom, suvremenim fotokemijskim praksama i ekokritikom. U 14 sati predstavit \u0107e sedam \u0161arolikih eksperimentalnih filmova koji nagla\u0161avaju materijalnost filma i, kako navodi, \u201eputem biokemijskih reakcija stvaraju nove \u017eivopisne, tajnovite i hipnoti\u010dke oblike pred na\u0161im o\u010dima\u201c.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/sto-je-novo.25fps.hr\/img\/modelImages\/GalleryItem\/default\/Pk065wVaPYDtjTM7ZEoKTKqmU7Mw2kNt.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Z\u030civotinjama je bolje ; Fotografiju ustupio <strong><a href=\"https:\/\/www.25fps.hr\/novosti\/treci-festivalski-dan-1\" target=\"_blank\" rel=\"noopener noreferrer\"> 25 FPS<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">U 16 sati slijedi retrospektivni program ameri\u010dke filma\u0161ice Eve Heller, \u010dlanice velikog \u017eirija. Predstavit \u0107e osam filmova koji su nastajali u vi\u0161e od tri desetlje\u0107a stvarala\u0161tva, osam \u201eegzistencijalnih zagonetki\u201c, kako ih naziva, koje nastaju iz nakupljanja slika na (pod)svjesnoj razini.<\/p>\n<p style=\"text-align: justify;\">Tre\u0107i blok filmova koji se natje\u010du za Grand prix, Ono \u0161to ostaje, na rasporedu je u 18 sati. Provodnu temu pet filmova \u010dine ra\u0161irene i\/ali potonule slike kulture, prizori vi\u0161ka i onoga \u0161to nastupa nakon kraja predstave. Na razgovoru \u0107e nam se pridru\u017eiti redatelj filma \u017divotinjama je bolje, Nathan Ghali, redateljica i monta\u017eer filma sol u na\u0161oj krvi, u na\u0161em znoju, u na\u0161im suzama, Nastja S\u00e4de R\u00f6nkk\u00f6 i Luke Turner, te jedan od redatelja filma Sunce je za mene mrak, Oscar Mangione.<\/p>\n<p style=\"text-align: justify;\">U 20.30 sati gledamo Tamno svjetlo, \u010detvrtu programsku cjelinu iz natjecateljskog programa, u kojoj je okupljeno pet filmova o me\u0111uigri i me\u0111uovisnosti svjetla i tame, kako u doslovnom smislu, tako i na metafori\u010dkom planu. Nakon projekcije razgovarat \u0107emo s filma\u0161icom Asako Ujita (I\u0161\u010dezavanje), vizualnom umjetnicom Rebeccom Jane Arthur (Bosonogi ro\u0111endani na neslomljivom staklu) i producentima posljednjeg filma Ivana Faktora, Bol, Jelenom Duh i Damirom \u010cu\u010di\u0107em.<\/p>\n<p style=\"text-align: justify;\">[izvor informacije <strong><a href=\"https:\/\/www.25fps.hr\/\" target=\"_blank\" rel=\"noopener noreferrer\"> 25 FPS<\/a><\/strong>]<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid02hW9e9gXvyvTxGtSfx83x4H88qDHTDzgMz5KzJxDxzyjnmfSzY4WHv96Yy3yotNfl&amp;show_text=true&amp;width=500\" width=\"500\" height=\"665\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"https:\/\/film-mag.net\/wp\/?p=56592\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Na dana\u0161njem rasporedu su dva bloka iz natjecateljskog programa, retrospektivno predstavljanje \u017eirijevke Eve Heller i posebno kurirani program francuskog-australskog filmologa Charlija Hewisona, gosta simpozija Analogni film u digitalnom dobu. Zagreb, 26.09.2024. &#8211; Prvi na programu je filmolog Charlie Hewison, filmski istra\u017eiva\u010d koji se u svom radu bavi materijalnim filmom, suvremenim fotokemijskim praksama i ekokritikom. U [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[9,22,17050],"tags":[780,26445,241,94,15976],"class_list":["post-56592","post","type-post","status-publish","format-standard","hentry","category-film","category-filmski-festivali","category-press","tag-25-fps","tag-25-fps-2024","tag-eksperimentalni-film","tag-filmski-festivali-2","tag-kino-kinoteka"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>25 FPS 2024: Tre\u0107i dan festivala u znaku egzistencijalnih zagonetki i me\u0111uovisnosti svjetla i tame - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=56592\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"25 FPS 2024: Tre\u0107i dan festivala u znaku egzistencijalnih zagonetki i me\u0111uovisnosti svjetla i tame - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Na dana\u0161njem rasporedu su dva bloka iz natjecateljskog programa, retrospektivno predstavljanje \u017eirijevke Eve Heller i posebno kurirani program francuskog-australskog filmologa Charlija Hewisona, gosta simpozija Analogni film u digitalnom dobu. Zagreb, 26.09.2024. &#8211; Prvi na programu je filmolog Charlie Hewison, filmski istra\u017eiva\u010d koji se u svom radu bavi materijalnim filmom, suvremenim fotokemijskim praksama i ekokritikom. 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