{"id":56435,"date":"2024-09-10T22:52:35","date_gmt":"2024-09-10T20:52:35","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=56435"},"modified":"2024-09-10T22:54:26","modified_gmt":"2024-09-10T20:54:26","slug":"vukovar-2024-do-kraja-zivota-drama-osvrt-darko-plesa","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=56435","title":{"rendered":"VUKOVAR 2024: Do kraja \u017eivota, drama [osvrt Darko Ple\u0161a]"},"content":{"rendered":"<p style=\"text-align: justify;\">Hrvatsku premijeru njema\u010dkog filma <strong><a href=\"https:\/\/www.imdb.com\/title\/tt27165281\/?ref_=tt_mv_close\" target=\"_blank\" rel=\"noopener noreferrer\"> \u2018Sterben\u2019<\/a><\/strong>, nespretnog prijevoda \u2018Do kraja \u017eivota\u2019, imali smo priliku vidjeti na nedavno odr\u017eanom Vukovar Film Festivalu. Svjetsku premijeru \u2018Sterben\u2019 je imao na Me\u0111unarodnom filmskom festivalu u Berlinu 2024. godine, gdje je i dobio nekoliko nagrada. Izme\u0111u ostalih za najbolji scenarij, koji je potpisao Matthias Glasner koji je ujedno i redatelj filma.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/media.themoviedb.org\/t\/p\/w533_and_h300_bestv2\/4WBATV7YAhwczVKZVuTDMpEemiF.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\"https:\/\/www.themoviedb.org\/movie\/1232781-sterben\" target=\"_blank\" rel=\"noopener noreferrer\"> TMDB<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">Film prati obitelj Lunies, podijeljen u nekoliko kratkih, povezanih pri\u010da. Na po\u010detku upoznajemo Lissy (Corinna Harfouch; hrvatskoj publici poznatoj po naslovnoj ulozi u filmu Lara, prikazanom 2019. godine na Zagreb Film Festivalu) i Gerda (Hans-Uwe Bauer), starije \u010dlanove obitelji te saznajemo da je Gerd bolestan i nefunkcionalan za samostalan \u017eivot, ali i da Lissy ima svoje zdravstvene probleme. Dalje kroz pri\u010de upoznajemo sina Toma (Lars Eidinger) dirigenta i njegove slo\u017eene odnose s biv\u0161om djevojkom (Anna Bederke) s kojom je postao roditelj djeteta kojem nije biolo\u0161ki otac, kao i slo\u017een odnos s Bernardom (Robert Gwisdek), kompozitorom \u010diju skladbu &#8220;Dying&#8221; premijerno treba orkestrirati. Probe za &#8220;Dying&#8221; protje\u010du tako da Bernard mijenja partiture za vrijeme probe, napada \u010dlanove orkestra, sva\u0111a se s Tomom i \u010ditav proces ote\u017eava svojim pona\u0161anjem. Zadnju upoznajemo k\u0107erku Ellen koja, kako saznajemo, rijetko zove i ne posje\u0107uje roditelje i ne javlja se bratu. Iako je njen lik najvi\u0161e optere\u0107en kli\u0161ejima, Lilith Stangenberg, glumica koja tuma\u010di Ellen, donosi nam lik koji djeluje \u017eivotno, podjednako i privla\u010dnu i odbojnu \u017eenu. Razlog njene samodestrukcije, alkohol i promiskuitet, ostaje malo u magli.<\/p>\n<p style=\"text-align: justify;\">Kompletni gluma\u010dki ansambl odradio je vrhunski posao u ovoj slo\u017eenoj drami. Posebno dojmljiva scena je razgovor izme\u0111u Lissy i Toma u kojem postoje samo pitanja, ali ne i odgovori, i iz kojeg dobivamo malo precizniji uvid u Lissyn hladan karakter, kao i naznake Tomovih problema. Uz nabrojane glumce u filmu se u manjim ili ve\u0107im epizodnim ulogama pojavljuju i glumci koji su od ranije poznati na\u0161oj &#8220;festivalskoj&#8221; publici ; Ronald Zehrfeld (Barbara, Feniks ) i Saskia Rosendahl (Djelo bez autora).<\/p>\n<p style=\"text-align: justify;\">Film koji traje tri sata, od samog po\u010detka dr\u017ei pa\u017enju, iako je dojam da u zadnjih sat vremena, malo gubi na snazi u odnosu na prve dvije tre\u0107ine filma, dok neke situacije djeluju malo isforsirane. A mo\u017eda \u010ditavu dramati\u010dnost treba gledati kao da se radi o klasi\u010dnoj skladbi za orkestar?<\/p>\n<p style=\"text-align: justify;\">Drama o (ne)obiteljskim odnosima, depresiji, prihva\u0107anju, osje\u0107aju manje vrijednosti i jo\u0161 koje\u010demu, film je koji vas uvu\u010de u svoj svijet, iako to zasigurno nije svijet kojem \u017eelite pripadati .<\/p>\n<p style=\"text-align: justify;\"><strong>Darko Ple\u0161a<\/strong><\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fweb.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid0mkFoBbzwgmHVcvxsnhrBHQBPdq2Tup2GdBX6Yr1C9JrVYHayRp3rw97UtHATxV1fl&amp;show_text=true&amp;width=500\" width=\"500\" height=\"610\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"https:\/\/film-mag.net\/wp\/?p=56435\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Hrvatsku premijeru njema\u010dkog filma \u2018Sterben\u2019, nespretnog prijevoda \u2018Do kraja \u017eivota\u2019, imali smo priliku vidjeti na nedavno odr\u017eanom Vukovar Film Festivalu. Svjetsku premijeru \u2018Sterben\u2019 je imao na Me\u0111unarodnom filmskom festivalu u Berlinu 2024. godine, gdje je i dobio nekoliko nagrada. Izme\u0111u ostalih za najbolji scenarij, koji je potpisao Matthias Glasner koji je ujedno i redatelj filma. [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5955,9,4,48],"tags":[6068,6154,26459,20357,26414,1284,16204,26460,26458,1185,12099,665,20620,26382,709,26298],"class_list":["post-56435","post","type-post","status-publish","format-standard","hentry","category-autorski-tekstovi","category-film","category-istaknuto","category-osvrti-na-filmove","tag-autorski-tekst","tag-autorski-tekstovi-2","tag-corinna-harfouch","tag-darko-plesa","tag-darko-plesa-osvrt-na-film","tag-filmska-kritika","tag-lars-eidinger","tag-lilith-stangenberg","tag-matthias-glasner","tag-njemacki-film","tag-osvrt-na-film","tag-osvrti","tag-vff","tag-vff-2024","tag-vukovar-film-festival","tag-vukovar-film-festival-2024"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>VUKOVAR 2024: Do kraja \u017eivota, drama [osvrt Darko Ple\u0161a] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=56435\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VUKOVAR 2024: Do kraja \u017eivota, drama [osvrt Darko Ple\u0161a] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Hrvatsku premijeru njema\u010dkog filma \u2018Sterben\u2019, nespretnog prijevoda \u2018Do kraja \u017eivota\u2019, imali smo priliku vidjeti na nedavno odr\u017eanom Vukovar Film Festivalu. Svjetsku premijeru \u2018Sterben\u2019 je imao na Me\u0111unarodnom filmskom festivalu u Berlinu 2024. godine, gdje je i dobio nekoliko nagrada. Izme\u0111u ostalih za najbolji scenarij, koji je potpisao Matthias Glasner koji je ujedno i redatelj filma. [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/film-mag.net\/wp\/?p=56435\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2024-09-10T20:52:35+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-10T20:54:26+00:00\" \/>\n<meta name=\"author\" content=\"Suradnik\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Suradnik\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=56435#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=56435\"},\"author\":{\"name\":\"Suradnik\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/9ffa18a59c8bc69aa9c3cacd71c61f3e\"},\"headline\":\"VUKOVAR 2024: Do kraja \u017eivota, drama [osvrt Darko Ple\u0161a]\",\"datePublished\":\"2024-09-10T20:52:35+00:00\",\"dateModified\":\"2024-09-10T20:54:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=56435\"},\"wordCount\":442,\"keywords\":[\"autorski tekst\",\"autorski tekstovi\",\"Corinna Harfouch\",\"Darko Ple\u0161a\",\"Darko Ple\u0161a osvrt na film\",\"filmska kritika\",\"Lars Eidinger\",\"Lilith Stangenberg\",\"Matthias Glasner\",\"njema\u010dki film\",\"osvrt na film\",\"osvrti\",\"vff\",\"vff 2024\",\"vukovar film festival\",\"vukovar film festival 2024\"],\"articleSection\":[\"Autorski tekstovi\",\"Film\",\"Istaknuto\",\"Osvrti na filmove\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=56435\",\"url\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=56435\",\"name\":\"VUKOVAR 2024: Do kraja \u017eivota, drama [osvrt Darko Ple\u0161a] - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\"},\"datePublished\":\"2024-09-10T20:52:35+00:00\",\"dateModified\":\"2024-09-10T20:54:26+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/9ffa18a59c8bc69aa9c3cacd71c61f3e\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=56435#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=56435\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=56435#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"VUKOVAR 2024: Do kraja \u017eivota, drama [osvrt Darko Ple\u0161a]\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/9ffa18a59c8bc69aa9c3cacd71c61f3e\",\"name\":\"Suradnik\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g\",\"caption\":\"Suradnik\"},\"url\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?author=16\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"VUKOVAR 2024: Do kraja \u017eivota, drama [osvrt Darko Ple\u0161a] - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/film-mag.net\/wp\/?p=56435","og_locale":"en_US","og_type":"article","og_title":"VUKOVAR 2024: Do kraja \u017eivota, drama [osvrt Darko Ple\u0161a] - FILM-mag.net","og_description":"Hrvatsku premijeru njema\u010dkog filma \u2018Sterben\u2019, nespretnog prijevoda \u2018Do kraja \u017eivota\u2019, imali smo priliku vidjeti na nedavno odr\u017eanom Vukovar Film Festivalu. Svjetsku premijeru \u2018Sterben\u2019 je imao na Me\u0111unarodnom filmskom festivalu u Berlinu 2024. godine, gdje je i dobio nekoliko nagrada. Izme\u0111u ostalih za najbolji scenarij, koji je potpisao Matthias Glasner koji je ujedno i redatelj filma. [&hellip;]","og_url":"https:\/\/film-mag.net\/wp\/?p=56435","og_site_name":"FILM-mag.net","article_published_time":"2024-09-10T20:52:35+00:00","article_modified_time":"2024-09-10T20:54:26+00:00","author":"Suradnik","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Suradnik","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/film-mag.net\/wp\/?p=56435#article","isPartOf":{"@id":"https:\/\/film-mag.net\/wp\/?p=56435"},"author":{"name":"Suradnik","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/9ffa18a59c8bc69aa9c3cacd71c61f3e"},"headline":"VUKOVAR 2024: Do kraja \u017eivota, drama [osvrt Darko Ple\u0161a]","datePublished":"2024-09-10T20:52:35+00:00","dateModified":"2024-09-10T20:54:26+00:00","mainEntityOfPage":{"@id":"https:\/\/film-mag.net\/wp\/?p=56435"},"wordCount":442,"keywords":["autorski tekst","autorski tekstovi","Corinna Harfouch","Darko Ple\u0161a","Darko Ple\u0161a osvrt na film","filmska kritika","Lars Eidinger","Lilith Stangenberg","Matthias Glasner","njema\u010dki film","osvrt na film","osvrti","vff","vff 2024","vukovar film festival","vukovar film festival 2024"],"articleSection":["Autorski tekstovi","Film","Istaknuto","Osvrti na filmove"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/film-mag.net\/wp\/?p=56435","url":"https:\/\/film-mag.net\/wp\/?p=56435","name":"VUKOVAR 2024: Do kraja \u017eivota, drama [osvrt Darko Ple\u0161a] - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"datePublished":"2024-09-10T20:52:35+00:00","dateModified":"2024-09-10T20:54:26+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/9ffa18a59c8bc69aa9c3cacd71c61f3e"},"breadcrumb":{"@id":"https:\/\/film-mag.net\/wp\/?p=56435#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/film-mag.net\/wp\/?p=56435"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/film-mag.net\/wp\/?p=56435#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"VUKOVAR 2024: Do kraja \u017eivota, drama [osvrt Darko Ple\u0161a]"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/9ffa18a59c8bc69aa9c3cacd71c61f3e","name":"Suradnik","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g","caption":"Suradnik"},"url":"https:\/\/film-mag.net\/wp\/?author=16"}]}},"_links":{"self":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=56435"}],"version-history":[{"count":2,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56435\/revisions"}],"predecessor-version":[{"id":56437,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56435\/revisions\/56437"}],"wp:attachment":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=56435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=56435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=56435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}