{"id":48784,"date":"2022-05-07T20:20:53","date_gmt":"2022-05-07T18:20:53","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=48784"},"modified":"2022-05-07T20:20:53","modified_gmt":"2022-05-07T18:20:53","slug":"film-the-matrix-resurrections-4dx-znanstveno-fantasticni-osvrt-tihoni-brcic","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=48784","title":{"rendered":"FILM: THE MATRIX RESURRECTIONS &#8211; 4DX, znanstveno-fantasti\u010dni [osvrt Tihoni Br\u010di\u0107]"},"content":{"rendered":"<p style=\"text-align: justify;\">Iako je zgodno imati priliku dodatno pogledati film u imerzivnom 4DX formatu, nekada to i nije ba\u0161 najbolji izbor, \u0161to zbog prirode filma koji nije ba\u0161 pogodan za 4DX, \u0161to zbog nema\u0161tovitosti 4DX monta\u017eera. Kako filmovi pri snimanju nikada nisu predvi\u0111eni za dodavanje multiosjetilnih efekata poput vjetra, svjetla i micanja sjedala, tako je te\u0161ko predvidjeti da li \u0107e film funkcionirati u 4DX formatu. Na 4DX monta\u017eerima je da se prilagode materijalu kako god znaju, \u0161to nekada ba\u0161 i ne urodi plodom.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/i.postimg.cc\/MTg7DBSv\/4-DX-tmatrix-resurrections-ustupio-Tihoni-Brcic.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio TB<\/p>\n<p style=\"text-align: justify;\">Takav je slu\u010daj bio s filmom \u201cBlade Runner 2049\u201d a sada i sa najnovijim nastavkom \u201cThe Matrix Resurrections\u201d. Film je dosta &#8220;miran&#8221; i ne obiluje akcijskim sekvencama, a i redateljica Lana Wachowski je odlu\u010dila re\u017eirati ga realisti\u010dnije u odnosu na dosada\u0161nju stiliziranu trilogiju. Sve navedeno dovelo je do toga da film jednostavno nije bio prikladan za 4DX monta\u017eu. 4DX efekata ima malo, a nekada se uop\u0107e ne pojavljuju u du\u017eim intervalima, pa gledatelji lako i zaborave da su uop\u0107e u 4DX kinu.<\/p>\n<p style=\"text-align: justify;\">Jedini zanimljivi efekt bila je fizi\u010dka manifestacija Neovih mo\u0107i. U filmu je prikazana dosta slabo &#8211; banalnim gestama rukama i laganim distorzijama slike, koji do\u010daravaju svojevrsno energetsko polje. No, 4DX dodatkom prikazana je njihova mo\u0107nost tako da sjedala po\u010dnu vibrarati pod \u017eestinom energetskih polja, tako da su gledatelji mogli osjetiti njihovo djelovanje.<\/p>\n<p style=\"text-align: justify;\">Neobi\u010dna je bila uporaba slatkastog mirisa u dva prizora u kojima se pojavljuje Trinity. Prvi je u susretu s Neom u kafi\u0107u, a drugi u klimaksu na vrhu zgrade gdje osvje\u0161tava da se nalazi u Matrixu. Vjerojatno su 4DX monta\u017eeri htjeli do\u010darati bljeskove prisje\u0107anja Trinity kako na prija\u0161nju vezu s Neom, tako i na prija\u0161nji \u017eivot van Matrixa. U svakom slu\u010daju, efekt je bio vi\u0161e distraktivan i konfuzam, nego komplementiraju\u0107i i imerzivan.<\/p>\n<p style=\"text-align: justify;\">Ostali efekti bili su povremena mala doza mlaznica zraka koje su simulirale metke i udarce, pomicanja i vibracije sjedala pri borbama i jurnjavama vozila, te ne\u0161to malo \u201cki\u0161e\u201d i stroboskopskih bljeskova. Stvar su malo podignule stropne turbinama za generiranja vjetra, koje uvijek dojmljivo djeluju u do\u010daravanju vjetra, pa je tako bio slu\u010daj i ovdje u nekoliko prizora.<\/p>\n<p style=\"text-align: justify;\"><strong>Tihoni Br\u010di\u0107<\/strong><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.matrixresurrections.net\/\"><strong>Matrix Uskrsnu\u0107a \u2013 Movie Site<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.imdb.com\/title\/tt10838180\/?ref_=nv_sr_srsg_0\"><strong>The Matrix Resurrections \u2013 IMDb<\/strong><\/a><\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2F5289092241129406&amp;show_text=true&amp;width=500\" width=\"500\" height=\"339\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"https:\/\/film-mag.net\/wp\/?p=48784\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Iako je zgodno imati priliku dodatno pogledati film u imerzivnom 4DX formatu, nekada to i nije ba\u0161 najbolji izbor, \u0161to zbog prirode filma koji nije ba\u0161 pogodan za 4DX, \u0161to zbog nema\u0161tovitosti 4DX monta\u017eera. Kako filmovi pri snimanju nikada nisu predvi\u0111eni za dodavanje multiosjetilnih efekata poput vjetra, svjetla i micanja sjedala, tako je te\u0161ko predvidjeti [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5955,9,4,48],"tags":[5547,6068,5664,1284,20007,19778,3759,2751,8519,12099,665,4300,99,452,1211,14693,2575,18900],"class_list":["post-48784","post","type-post","status-publish","format-standard","hentry","category-autorski-tekstovi","category-film","category-istaknuto","category-osvrti-na-filmove","tag-4dx","tag-autorski-tekst","tag-carrie-anne-moss","tag-filmska-kritika","tag-jada-pinkett-smith","tag-jonathan-groff","tag-keanu-reeves","tag-lana-wachowski","tag-neil-patrick-harris","tag-osvrt-na-film","tag-osvrti","tag-priyanka-chopra","tag-sf","tag-sf-film","tag-tihoni-brcic","tag-tihoni-brcic-osvrt-na-4dx","tag-tihoni-brcic-osvrt-na-film","tag-yahya-abdul-mateen-ii"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>FILM: THE MATRIX RESURRECTIONS - 4DX, znanstveno-fantasti\u010dni [osvrt Tihoni Br\u010di\u0107] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=48784\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FILM: THE MATRIX RESURRECTIONS - 4DX, znanstveno-fantasti\u010dni [osvrt Tihoni Br\u010di\u0107] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Iako je zgodno imati priliku dodatno pogledati film u imerzivnom 4DX formatu, nekada to i nije ba\u0161 najbolji izbor, \u0161to zbog prirode filma koji nije ba\u0161 pogodan za 4DX, \u0161to zbog nema\u0161tovitosti 4DX monta\u017eera. Kako filmovi pri snimanju nikada nisu predvi\u0111eni za dodavanje multiosjetilnih efekata poput vjetra, svjetla i micanja sjedala, tako je te\u0161ko predvidjeti [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/film-mag.net\/wp\/?p=48784\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2022-05-07T18:20:53+00:00\" \/>\n<meta name=\"author\" content=\"Tihoni Br\u010di\u0107\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tihoni Br\u010di\u0107\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=48784#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=48784\"},\"author\":{\"name\":\"Tihoni Br\u010di\u0107\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/ad717ee99080734ed176883c15c62f07\"},\"headline\":\"FILM: THE MATRIX RESURRECTIONS &#8211; 4DX, znanstveno-fantasti\u010dni [osvrt Tihoni Br\u010di\u0107]\",\"datePublished\":\"2022-05-07T18:20:53+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=48784\"},\"wordCount\":404,\"keywords\":[\"4DX\",\"autorski tekst\",\"Carrie-Anne Moss\",\"filmska kritika\",\"Jada Pinkett Smith\",\"Jonathan Groff\",\"Keanu Reeves\",\"Lana Wachowski\",\"Neil Patrick Harris\",\"osvrt na film\",\"osvrti\",\"Priyanka Chopra\",\"sf\",\"SF film\",\"tihoni br\u010di\u0107\",\"tihoni br\u010di\u0107 osvrt na 4DX\",\"tihoni br\u010di\u0107 osvrt na film\",\"Yahya Abdul-Mateen II\"],\"articleSection\":[\"Autorski tekstovi\",\"Film\",\"Istaknuto\",\"Osvrti na filmove\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=48784\",\"url\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=48784\",\"name\":\"FILM: THE MATRIX RESURRECTIONS - 4DX, znanstveno-fantasti\u010dni [osvrt Tihoni Br\u010di\u0107] - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\"},\"datePublished\":\"2022-05-07T18:20:53+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/ad717ee99080734ed176883c15c62f07\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=48784#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=48784\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=48784#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"FILM: THE MATRIX RESURRECTIONS &#8211; 4DX, znanstveno-fantasti\u010dni [osvrt Tihoni Br\u010di\u0107]\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/ad717ee99080734ed176883c15c62f07\",\"name\":\"Tihoni Br\u010di\u0107\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/12538c9d9957fba5d5c97ae4ff169f80f1b271bf87213dfe7177b001428b6203?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/12538c9d9957fba5d5c97ae4ff169f80f1b271bf87213dfe7177b001428b6203?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/12538c9d9957fba5d5c97ae4ff169f80f1b271bf87213dfe7177b001428b6203?s=96&d=mm&r=g\",\"caption\":\"Tihoni Br\u010di\u0107\"},\"url\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?author=9\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"FILM: THE MATRIX RESURRECTIONS - 4DX, znanstveno-fantasti\u010dni [osvrt Tihoni Br\u010di\u0107] - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/film-mag.net\/wp\/?p=48784","og_locale":"en_US","og_type":"article","og_title":"FILM: THE MATRIX RESURRECTIONS - 4DX, znanstveno-fantasti\u010dni [osvrt Tihoni Br\u010di\u0107] - FILM-mag.net","og_description":"Iako je zgodno imati priliku dodatno pogledati film u imerzivnom 4DX formatu, nekada to i nije ba\u0161 najbolji izbor, \u0161to zbog prirode filma koji nije ba\u0161 pogodan za 4DX, \u0161to zbog nema\u0161tovitosti 4DX monta\u017eera. Kako filmovi pri snimanju nikada nisu predvi\u0111eni za dodavanje multiosjetilnih efekata poput vjetra, svjetla i micanja sjedala, tako je te\u0161ko predvidjeti [&hellip;]","og_url":"https:\/\/film-mag.net\/wp\/?p=48784","og_site_name":"FILM-mag.net","article_published_time":"2022-05-07T18:20:53+00:00","author":"Tihoni Br\u010di\u0107","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Tihoni Br\u010di\u0107","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/film-mag.net\/wp\/?p=48784#article","isPartOf":{"@id":"https:\/\/film-mag.net\/wp\/?p=48784"},"author":{"name":"Tihoni Br\u010di\u0107","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/ad717ee99080734ed176883c15c62f07"},"headline":"FILM: THE MATRIX RESURRECTIONS &#8211; 4DX, znanstveno-fantasti\u010dni [osvrt Tihoni Br\u010di\u0107]","datePublished":"2022-05-07T18:20:53+00:00","mainEntityOfPage":{"@id":"https:\/\/film-mag.net\/wp\/?p=48784"},"wordCount":404,"keywords":["4DX","autorski tekst","Carrie-Anne Moss","filmska kritika","Jada Pinkett Smith","Jonathan Groff","Keanu Reeves","Lana Wachowski","Neil Patrick Harris","osvrt na film","osvrti","Priyanka Chopra","sf","SF film","tihoni br\u010di\u0107","tihoni br\u010di\u0107 osvrt na 4DX","tihoni br\u010di\u0107 osvrt na film","Yahya Abdul-Mateen II"],"articleSection":["Autorski tekstovi","Film","Istaknuto","Osvrti na filmove"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/film-mag.net\/wp\/?p=48784","url":"https:\/\/film-mag.net\/wp\/?p=48784","name":"FILM: THE MATRIX RESURRECTIONS - 4DX, znanstveno-fantasti\u010dni [osvrt Tihoni Br\u010di\u0107] - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"datePublished":"2022-05-07T18:20:53+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/ad717ee99080734ed176883c15c62f07"},"breadcrumb":{"@id":"https:\/\/film-mag.net\/wp\/?p=48784#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/film-mag.net\/wp\/?p=48784"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/film-mag.net\/wp\/?p=48784#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"FILM: THE MATRIX RESURRECTIONS &#8211; 4DX, znanstveno-fantasti\u010dni [osvrt Tihoni Br\u010di\u0107]"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/ad717ee99080734ed176883c15c62f07","name":"Tihoni Br\u010di\u0107","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/12538c9d9957fba5d5c97ae4ff169f80f1b271bf87213dfe7177b001428b6203?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/12538c9d9957fba5d5c97ae4ff169f80f1b271bf87213dfe7177b001428b6203?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/12538c9d9957fba5d5c97ae4ff169f80f1b271bf87213dfe7177b001428b6203?s=96&d=mm&r=g","caption":"Tihoni Br\u010di\u0107"},"url":"https:\/\/film-mag.net\/wp\/?author=9"}]}},"_links":{"self":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/48784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=48784"}],"version-history":[{"count":1,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/48784\/revisions"}],"predecessor-version":[{"id":48785,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/48784\/revisions\/48785"}],"wp:attachment":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=48784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=48784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=48784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}