{"id":43532,"date":"2020-09-13T00:20:52","date_gmt":"2020-09-12T22:20:52","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=43532"},"modified":"2020-09-13T00:24:02","modified_gmt":"2020-09-12T22:24:02","slug":"announcing-criterions-november-2020-new-releases","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=43532","title":{"rendered":"Announcing Criterion\u2019s November 2020 New Releases…"},"content":{"rendered":"

Our November Titles<\/h3>\n

We may not be able to gather around a table this November, but our latest releases are sure to unite film lovers far and wide. Martin Scorsese\u2019s aging-gangster opus, Jim Jarmusch\u2019s offbeat samurai cult classic, Claudia Weill\u2019s trailblazing tale of female friendship, and Cher\u2019s Oscar-winning romantic-comedy turn all join the collection this fall. Plus, our previously announced 15-Blu-ray\u00a0Essential Fellini <\/em>box set brings together fourteen films from one of art-house cinema\u2019s most legendary showmen.<\/p>\n

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For further information on\u00a0Criterion<\/span>\u00a0and our products, please visit our website at\u00a0criterion<\/span>.com.<\/a>\u00a0To start streaming the Criterion<\/span> Channel, please visit criterionchannel.com.<\/a>\u00a0If you are not already on our mailing list and would like to be added, please\u00a0click here<\/a>\u00a0to register at\u00a0criterion<\/span>.com.<\/a>\u00a0To unsubscribe,\u00a0click here.<\/a><\/p>\n

\u00a9 2020\u00a0The\u00a0Criterion<\/span>\u00a0Collection :: 215 Park Ave S. New York, NY 10003<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Thinking about a getaway? Think again . . . Plus: Robert Siodmak and Dr. Seuss<\/h3>\n

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What\u2019s Playing<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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A guide to the Criterion<\/span> Channel. If you haven\u2019t already subscribed, click\u00a0here<\/a>\u00a0for a 14-day free trial and explore the more than 2,000 titles and thousands of supplemental features available to stream.<\/h4>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Bad Vacations<\/a><\/h3>\n

Wishing you could get away this summer? This collection of some of cinema\u2019s most memorably disastrous trips will have you reconsidering the comforts of home. Shining an unsettling light on destinations as lovely as the French Riviera and the canals of Venice, filmmakers such as Catherine Breillat, Paul Schrader, Joanna Hogg, Lucrecia Martel, and Otto Preminger catalog an array of holiday horrors ranging from\u00a0existential ennui to full-throttle terror.<\/p>\n

Looking for a place to start?<\/strong>
\nBegin with the gentler disquiet of Joanna Hogg\u2019s Unrelated\u00a0<\/strong><\/em>before venturing out into wilder territory: the nature\u2019s-revenge nightmare of Long Weekend,<\/strong><\/em> or the haunting desert journey of Bernardo Bertolucci\u2019s The Sheltering Sky.<\/strong><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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We\u2019re Here to Help<\/h3>\n

If you have questions, comments, or feedback about the Criterion<\/span> Channel, please reach out to channelhelp@criterion<\/span>.com<\/a>! We\u2019d love to hear from you.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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Rafiki<\/em><\/a><\/h3>\n\n\n\n
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Initially banned in Kenya for its positive portrayal of queer romance, Wanuri Kahiu\u2019s tender love story bursts with the\u00a0colorful street style and music of Nairobi\u2019s youth culture.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Three by Robert Siodmak<\/a><\/h3>\n

With his\u00a0expressionist style and hard-bitten sensibility, Robert Siodmak directed some of the greatest classic noirs ever made.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Bacurau<\/a><\/em><\/h3>\n

Exclusive streaming premiere: a furiously entertaining model of genre art as a vehicle for political resistance, this sci-fi thriller from Brazil is streaked with antiracist and anticolonialist rage.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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The 5,000 Fingers of Dr. T<\/a><\/em><\/h3>\n

The only film written by Theodor Seuss Geisel (a.k.a. Dr. Seuss) is a one-of-a-kind children\u2019s film that doubles as a triumph of genuine avant-garde imagination.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Art of Darkness<\/a><\/h3>\n

Wim Wenders and Joseph Losey paint sinister portraits of moral corruption in a pair of spellbinding, coolly stylized tales of unscrupulous art dealers embroiled in dangerous underworlds.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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August releases from the Criterion<\/span> Collection<\/h3>\n

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Our August\u00a0Releases<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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The Complete Films of Agn\u00e8s Varda<\/a><\/h3>\n

A founder of the French New Wave who became an international art-house icon, Agn\u00e8s Varda was a fiercely independent, restlessly curious visionary whose work was at once personal and passionately committed to the world around her. This landmark collection brings together her entire body of work for the first time.<\/p>\n

Special Features:<\/strong> Introductions by Varda, hours of archival programs and interviews, rare footage, and more.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Town Bloody Hall<\/a><\/h3>\n

In 1971, D. A. Pennebaker captured a no-holds-barred debate on the women\u2019s movement between Norman Mailer, Germaine Greer, Jacqueline Ceballos, Jill Johnston, and Diana Trilling. Several years later, Chris Hegedus turned the footage into this riveting snapshot of a singular cultural moment.<\/p>\n

Special Features:<\/strong>\u00a0Audio commentary by Hegedus and Greer, archival footage of Greer and Mailer, and more.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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The Comfort of Strangers<\/a><\/h3>\n

Director Paul Schrader and screenwriter Harold Pinter craft a spellbinding atmosphere of sumptuous dread in this Venice-set erotic thriller starring Rupert Everett, Natasha Richardson, Christopher Walken, and Helen Mirren.<\/p>\n

Special Features:<\/strong>\u00a0Interviews with Schrader, Walken, Richardson, cinematographer Dante Spinotti, editor Bill Pankow, and novelist Ian McEwan.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Toni<\/a><\/h3>\n

Set in a community of immigrants working on the margins of society in the South of France, this\u00a0marvel of poetic feeling by Jean Renoir became a precursor to Italian neorealism and a favorite of the directors of the French New Wave.<\/p>\n

Special Features:<\/strong>\u00a0An introduction by Renoir, audio commentary by critics Kent Jones and Phillip Lopate, a television profile of Renoir directed by Jacques Rivette, and more.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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The Lost Honor of Katharina Blum<\/a><\/h3>\n

Based on the novel by Heinrich B\u00f6ll, this political thriller by Volker Schl\u00f6ndorff and Margarethe von Trotta\u00a0is\u00a0a stinging commentary on state power, individual freedom, and media manipulation that is as relevant today as when it was released.<\/p>\n

Special Features:<\/strong>\u00a0Interviews with Schl\u00f6ndorff, von\u00a0Trotta, and director of photography Jost Vacano and a documentary on B\u00f6ll.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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The King of Indie Animation . . . Plus: Amy Seimetz and Stephen Cone<\/h3>\n
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What\u2019s Playing<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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A guide to the Criterion<\/span> Channel. If you haven\u2019t already subscribed, click\u00a0here<\/a>\u00a0for a 14-day free trial and explore the more than 2,000 titles and thousands of supplemental features available to stream.<\/h4>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Films by Bill Plympton<\/a><\/h3>\n

Bill Plympton\u2019s wonderfully weird creations are unmistakable: the wriggly, hand-sketched style, warped humor, and endlessly shape-shifting, transmogrifying images are the hallmarks of a singularly bizarre and brilliant imagination.\u00a0A self-described \u201cblend of Magritte and R. Crumb,\u201d Plympton is a one-of-a-kind auteur of the absurd, an underground-animation hero whose films hold a funhouse mirror up to the innate strangeness of everyday reality.<\/p>\n

Looking for a place to start?<\/strong>
\nBegin with Your Face, <\/strong><\/em>the Oscar-nominated musical short that introduced many to Plympton\u2019s surreal sensibility. Then join a lovestruck songwriter on his quest to compose from the heart in the kaleidoscopic\u00a0The Tune,\u00a0<\/em><\/strong>considered by many to be the first animated feature entirely hand-drawn by a single artist.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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We\u2019re Here to Help<\/h3>\n

If you have questions, comments, or feedback about the Criterion<\/span> Channel, please reach out to channelhelp@criterion<\/span>.com<\/a>! We\u2019d love to hear from you.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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Sun Don\u2019t Shine<\/a><\/em><\/h3>\n

Director Amy Seimetz (She Dies Tomorrow<\/em>) introduces her feature debut, a\u00a0simmering work of pulp poetry that tracks\u00a0a tense and mysterious road trip through central Florida.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Directed by Kathleen Collins<\/a><\/h3>\n

Held over by popular demand: Trailblazing writer-filmmaker Kathleen Collins left behind a cinematic legacy rich in insight, humor, and warmth.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Poetry in Motion<\/a><\/h3>\n

Filmmakers Michael Almereyda and Billy Woodberry bring the words of visionary poets John Ashbery and Bob Kaufman to life in these richly cinematic odes to American genius.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Three by Stephen Cone<\/a><\/h3>\n

Accompanied by a new interview with the director, these triumphs of subtle, empathetic storytelling\u00a0showcase one of independent cinema\u2019s most thoughtful and compassionate artists.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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John McEnroe: In the Realm of Perfection<\/a><\/em><\/h3>\n

Far from a traditional sports film, this innovative documentary narrated by Mathieu Amalric is a study of a \u201cman who played on the edge of his senses.\u201d<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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Leaving August 31<\/h3>\n

The clock is ticking on a number of great movies we\u2019ve programmed on the Criterion<\/span>\u00a0Channel. Here are some of the most popular titles:<\/p>\n

Death in Venice<\/strong><\/em>\u00a0(Luchino Visconti, 1971)
\nWho\u2019s Afraid of Virginia Woolf?\u00a0<\/em><\/strong>(Mike Nichols, 1966)
\nHusbands\u00a0<\/em><\/strong>(John Cassavetes, 1970)
\nA Separation\u00a0<\/strong><\/em>(Asghar Farhadi, 2011)
\nThe Last House on the Left\u00a0<\/em><\/strong>(Wes Craven, 1972)
\nMeek\u2019s Cutoff\u00a0<\/strong><\/em>(Kelly Reichardt, 2010)<\/p>\n

Click here<\/a> for a full list of films\u00a0leaving\u00a0the service August 31.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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[izvor informacije Criterion<\/strong><\/a>]<\/p>\n<\/div>\n

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