{"id":43521,"date":"2020-09-11T22:00:05","date_gmt":"2020-09-11T20:00:05","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=43521"},"modified":"2020-09-11T22:21:45","modified_gmt":"2020-09-11T20:21:45","slug":"animafest-2020-hrvatski-filmovi-na-animafestu","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=43521","title":{"rendered":"Animafest 2020: Hrvatski filmovi na Animafestu"},"content":{"rendered":"<p style=\"text-align: justify;\"><b>HRVATSKI FILMOVI ANIMAFESTA 2020: MODERNI I DUHOVITI ZAPLETI, FOUND FOOTAGE I KLASICI ZAGREBA\u010cKE \u0160KOLE<\/b><\/p>\n<p style=\"text-align: justify;\"><b>Zagreb, 10. rujna 2020. <\/b>\u2013 Uz \u010detiri rada iz najpresti\u017enijeg Velikog natjecanja kratkometra\u017enog filma (<i>Arka<\/i>, <i>Umorstvo u katedrali<\/i>, <i>The Closing Door<\/i> i <i>Toomas ispod doline divljih vukova<\/i>) te dva iz tako\u0111er me\u0111unarodnog Natjecanja studentskog filma (<i>I&#8217;m Not Feeling Very Well<\/i> Sun\u010dane Brkulj i <i>Cockpera<\/i> Kate Gugi\u0107), 30. Svjetski festival animiranog filma \u2013 Animafest Zagreb 2020 prikazat \u0107e jo\u0161 13 novih djela doma\u0107e animacije u Natjecanju hrvatskog filma, jedan u Natjecanju filmova za djecu (<i>Grmljaaav<\/i> produktivne Ivane Gulja\u0161evi\u0107 Kuman), dva u Obiteljskom programu (<i>Spava\u010d<\/i> i <i>Prvo su do\u0161li&#8230;<\/i> grupa autora), kao i hrvatsku premijeru dugometra\u017enog filma <i>Slu\u010dajna rasko\u0161 prozirnog vodenog rebusa<\/i> Dalibora Bari\u0107a. Prava poslastica za &#8220;klasi\u010dare&#8221; s druge je strane velika retrospektiva Pavla \u0160taltera, kako njegovih samostalnih djela, tako i onih koje je ostvario s drugim autorima \u0160kole. Radujemo se stoga novom gledanju <i>Petog<\/i>, <i>Maske crvene smrti<\/i>, <i>Sedam plamen\u010di\u0107a<\/i>, <i>Usisa\u010da<\/i> (iz serije <i>Ptica i crvek<\/i>), <i>Ku\u0107e br. 42<\/i>, <i>Posljednje stanicu<\/i> i recentnijeg <i>Wiener Bluta<\/i>.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" http:\/\/s3-eu-west-1.amazonaws.com\/animafest.production\/p\/176c4d071266180ec591074f81e9f6ea\/21c7c2fdca93d091248d0cc898ba7b4a.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio Animafest<\/p>\n<p style=\"text-align: justify;\">Zahvaljuju\u0107i Natjecanju hrvatskog filma Animafest Zagreb 2020 najreprezentativnija je demonstracija aktualnog stanja doma\u0107e animacije u svjetskom kontekstu. Ovdje brojno\u0161\u0107u prednja\u010de filmovi nastali u produkciji Akademije likovnih umjetnosti iz koje (u koprodukciji sa Zagreb filmom) dolazi i <i>Cockpera<\/i>, humoristi\u010dna animirana opera nadahnuta Ezopovom basnom. Kata Gugi\u0107 realizirala je persifla\u017eu opernih konvencija uz komentar pijetlovsko-ljudske ta\u0161tine i mnogozna\u010dnosti rije\u010di <i>cock<\/i>. <i>I&#8217;m Not Feeling Very Well<\/i> Sun\u010dane Brkulj, odabran i u konkurenciju diplomskih filmova festivala u Annecyju, s druge je strane pomalo makabri\u010dan, <i>heavy-metal<\/i> prikaz raspjevanih pticolikih kostura koji u tehnici <i>cut-outa<\/i> pru\u017ea tra\u010dak psihodelije pri pra\u0107enju <i>riffova<\/i> istoimene pjesme doma\u0107eg benda Crawander te je svakako jedan od \u201enajenergi\u010dnijih\u201c filmova ovogodi\u0161njeg festivala. Humorni pastelni SF <i>Kap koja je prelila \u010da\u0161u<\/i> Stelle Hartman naslanja se, pak, na njezinu prethodnu uspje\u0161nicu originalnim senzibilitetom za boje i geg te promi\u0161ljanjem osobnog prostora i svakodnevnih predmeta, no rije\u010d je o razra\u0111enijem djelu u kojemu <i>gadgeti<\/i> jednog metropolitanskog stana odbijaju poslu\u0161nost. <i>Na sliku svoju <\/i>Jakova Piplice zanatski je umje\u0161no ostvaren meditativno-filozofski film koji se mo\u017ee \u010ditati kao religijska alegorija, promi\u0161ljanje odnosa s ocem ili otvoreno metafizi\u010dko djelo, dok je <i>Cleithro <\/i>Morane Buni\u0107 vrijedan predstavnik lutka-filma u ovom natjecanju. <i>Taksimetar<\/i> <i>i osrednje psihoze <\/i>Mihaele Erceg pri\u010da je o anksioznom studentu kojega namagar\u010di taksist, a ilustrira i autori\u010dinu sklonost apsurdu i uporabi flomastera neobi\u010dnih boja.<\/p>\n<p style=\"text-align: justify;\">Osim <i>Arke<\/i>, iz produkcije Kreativnog sindikata, ali i Zagreb filma dolaze i <i>Doga\u0111aji koje treba zaboraviti<\/i> Marka Tadi\u0107a, daljnja razrada dijela istoimene instalacije predstavljene na Venecijanskom bijenalu. Stop-animirani, 16-milimetarski film temeljen je na arhivskim, \u201ena\u0111enim i prera\u0111enim\u201c fotografijama u koje se intervenira crte\u017eom i slikom. Djelo pritom svjedo\u010di o trajnim interesima jednog od najva\u017enijih hrvatskih likovnih umjetnika srednje generacije za modernisti\u010dko naslje\u0111e i reinterpretacije povijesti. Zagreb film predstavlja i <i>Iris <\/i>Lucije Bu\u017ean\u010di\u0107, skicozni i metamorfni crtani \u201eportret\u201c inspiriran osuvremenjenim mitom o Narcisu koji uz sugestiju malo vodene boje donosi pregled \u017eivota i jednoga dana djevojke koja sebe imaginira u filmskim zapletima. <i>Uloga <\/i>Darka Bakli\u017ee iz iste produkcije eksperimentalni je film ostvaren tehnikom piksilacije te glumom Lucije Bari\u0161i\u0107 i Nata\u0161e Zlatovi\u0107 koji s naglaskom na tijelo promi\u0161lja tvorbu i granice identiteta pri gluma\u010dkom zanatu. Zagreb film supotpisuje i bosanskohercegova\u010dko-hrvatski film <i>Prirodni odabir <\/i>Alete Raji\u010d (prikazan i u programu Annecyja \u201ePerspectives\u201c), klasi\u010dno crtanu studiju melankolije i samo\u0107e ambijentiranu u urbanu svakodnevicu kojom se kre\u0107e \u017eena-srna. Laviraju\u0107i izme\u0111u ljudske i \u017eivotinjske prirode, otu\u0111uju\u0107eg posla stati\u010dnog izlo\u0161ka Prirodoslovnog muzeja, ku\u0107anskih poslova, ispraznog slobodnog vremena i uznemiruju\u0107ih snova, ona osje\u0107a potrebu u \u017eivot unijeti malo isko\u0161ene perspektive i naposljetku posegnuti za slobodom.<\/p>\n<p style=\"text-align: justify;\">Adriatic Animation u suradnji s portugalskim BAP Studiom donosi nam ispovjedni animirani dokumentarac transrodne tematike <i>Sve te senzacije u mom trbuhu<\/i> Marka Dje\u0161ke \u2013 svjedo\u010denje Matie Anne Ple\u0161e koje poetskim ilustracijama oboga\u0107uje Hana Tintor. Film nije fokusiran toliko na sam \u010din prijelaza, koliko na intimni svijet protagonistice i potragu za \u017eenskim rodnim i spolnim identitetom. Hrvatsko-srpski film <i>Florigami <\/i>Ive \u0106iri\u0107 grube zakone prirode premje\u0161ta iz \u017eivotinjskog u biljni svijet, uspijevaju\u0107i pritom biti napet poput kakva trilera. Vrijedan\u00a0 \u017eanrovski prilog Natjecanju hrvatskog filma nudi i <i>Soba <\/i>Hrvoja W\u00e4chtera, horor iz prvog lica koji gledatelja zatvara u sobu uklete ku\u0107e i smje\u0161ta u tijelo ustra\u0161ene djevojke koju spopada \u010dudovi\u0161te. Spektakularan prinos kompjuterske animacije <i>Pet Planet <\/i>Ratimira Rakulji\u0107a izgra\u0111en je, pak, na SF pretpostavci o planetu-igra\u010dki \u2013 modelu koji pod kupolom rekreira \u010ditavu povijest civilizacije, sve do neizbje\u017enog nuklearnog kraja. Naposljetku, hrvatsko-\u0161vedske <i>Tablete za alergiju<\/i> rukom su crtana, fiktivna animirana reklama s djevoj\u010dicom punom ljubavi za slatku crnu macu.<\/p>\n<p style=\"text-align: justify;\">Do sada najambiciozniji projekt Dalibora Bari\u0107a, prvaka doma\u0107eg <i>found footagea <\/i>na granici eksperimentalnog i animiranog filma, dugometra\u017eni je, filozofsko-revolucionarni, animirano-igrani i kola\u017eno-rotoskopski noir foto-krimi\u0107 <i>Slu\u010dajna rasko\u0161 prozirnog vodenog rebusa<\/i>. Animafestova publika mo\u0107i \u0107e ga premijerno vidjeti u \u010detvrtak 1. listopada u velikoj dvorani Kina SC (22 sata). U svome najnovijem radu, koji je prikazan i u natjecateljskom programu Annecyja, Bari\u0107 jo\u0161 sna\u017enije priziva <i>ready-made<\/i> sa sna\u017enim uplivima pop-kulturne, ali zadr\u017eava \u010dvr\u0161\u0107u pripovjednu liniju negoli smo od njega navikli te SF ostavlja tek u nagovje\u0161taju.<\/p>\n<p style=\"text-align: justify;\">Posjetitelji Animafesta 2020 tako\u0111er \u0107e mo\u0107i u\u017eivati u tradicionalnoj retrospektivi Zagreba\u010dke \u0161kole crtanog filma u izboru Borivoja Dovnikovi\u0107a \u2013 Borde koji je stigao do 1972. godine i klasika kao \u0161to su <i>Tup-tup<\/i>, <i>Konj<\/i>, <i>Ki\u0161obran<\/i>, <i>Doktor za \u017eivotinje<\/i> i epizode <i>Profesora Baltazara<\/i> (<i>Kroja\u010d Silvestar<\/i> i <i>Obla\u010dna pri\u010da<\/i>).<\/p>\n<ol style=\"text-align: justify;\" start=\"30\">\n<li style=\"list-style-type: none;\">\n<ol start=\"30\">\n<li><i> Svjetski festival animiranog filma \u2013 Animafest Zagreb 2020. odr\u017eava se od 28. rujna do 3. listopada u Kinu SC, Teatru &amp;TD i Kinoteci te na brojnim drugim gradskim lokacijama. Filmski program \u010dini vi\u0161e od 300 filmova, a uz presti\u017ena natjecanja tu su i panoramski program, fokus na kinematografiju Ma\u0111arske, s posebnim osvrtom na redateljice nove generacije, program Majstori animacije s retrospektivama Georgesa Schwizgebela, Pavla \u0160taltera i hrvatskih klasika iz 1972., proslava 60. godi\u0161njice ASIFA-e i festivala u Annecyju, s izborom nagra\u0111enih filmova iz njegove bogate povijesti te \u201epono\u0107nim\u201c programom WTF koji promi\u010de razli\u010ditost, Animafest PRO sa znanstvenim skupom Animafest Scanner VII i masterclassovima, trostruki izlo\u017ebeni program te bogat program za djecu i mlade, kao i Animafest u Va\u0161em kvartu. Zbog epidemiolo\u0161kih mjera i za\u0161tite mlade publike, Animafest ove godine osigurava online pra\u0107enje Natjecanja filmova za djecu u \u0161kolama i vrti\u0107ima. <\/i><\/li>\n<\/ol>\n<\/li>\n<\/ol>\n<p style=\"text-align: justify;\">[izvor informacije\u00a0<strong><a href=\"http:\/\/www.animafest.hr\/\">Animafest<\/a><\/strong>]<\/p>\n<p style=\"text-align: justify;\"><strong><a href=\"https:\/\/web.facebook.com\/FILMmagnet\/posts\/3453601534678495\">Facebook<\/a><\/strong><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"https:\/\/film-mag.net\/wp\/?p=43521\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>HRVATSKI FILMOVI ANIMAFESTA 2020: MODERNI I DUHOVITI ZAPLETI, FOUND FOOTAGE I KLASICI ZAGREBA\u010cKE \u0160KOLE Zagreb, 10. rujna 2020. \u2013 Uz \u010detiri rada iz najpresti\u017enijeg Velikog natjecanja kratkometra\u017enog filma (Arka, Umorstvo u katedrali, The Closing Door i Toomas ispod doline divljih vukova) te dva iz tako\u0111er me\u0111unarodnog Natjecanja studentskog filma (I&#8217;m Not Feeling Very Well Sun\u010dane [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[9,22,17050],"tags":[258,20667,110,94,173],"class_list":["post-43521","post","type-post","status-publish","format-standard","hentry","category-film","category-filmski-festivali","category-press","tag-animafest","tag-animafest-2020","tag-animirani-film","tag-filmski-festivali-2","tag-hrvatski-film"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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