{"id":42591,"date":"2020-05-18T19:45:46","date_gmt":"2020-05-18T17:45:46","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=42591"},"modified":"2020-05-18T19:47:20","modified_gmt":"2020-05-18T17:47:20","slug":"early-hollywoods-most-in-demand-screenwriter-plus-cannes-prizewinners-the-quay-brothers-and-more","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=42591","title":{"rendered":"Early Hollywood\u2019s most in-demand screenwriter… Plus: Cannes prizewinners, the Quay Brothers, and more"},"content":{"rendered":"\n\n\n
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A guide to the Criterion Channel. If you haven\u2019t already subscribed, click\u00a0here<\/a>\u00a0for a 14-day free trial and explore the more than 2,000 titles and thousands of supplemental features available to stream.<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Written by Frances Marion<\/a><\/h3>\n

Drawn to Hollywood at a time when women could still carve out a place for themselves in the burgeoning film industry, pioneering screenwriter Frances Marion became the top writer at MGM\u2014and the highest-paid in the business, male or female\u2014penning classics for stars such as Mary Pickford, Lillian Gish, Greta Garbo, Marie Dressler, Wallace Beery, and Jean Harlow. Known for her skill at adapting literary works and writing superb parts for women, Marion was equally adept when it came to\u00a0sparkling comedies\u00a0and gritty crime dramas. A staggeringly versatile talent\u00a0who helped shape the nascent art of script writing, Marion became the first\u00a0writer to win two Academy Awards.<\/p>\n

Looking for a place to start?<\/strong>
\nCheck out the pair of Wallace Beery vehicles that brought Marion Oscar gold: the heartfelt boxing tale The Champ\u00a0<\/i><\/strong>and the influential prison drama\u00a0The Big House. <\/em><\/strong>Then go back to the silent era, when she proved her brilliance\u00a0with scripts for masterpieces like\u00a0The Wind,<\/strong>\u00a0<\/em>directed by Victor Sj\u00f6str\u00f6m.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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We\u2019re Here to Help<\/h3>\n

If you have questions, comments, or feedback about the Criterion Channel, please reach out to channelhelp@criterion.com<\/a>! We\u2019d love to hear from you.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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Palme d\u2019Or Winners<\/a><\/span><\/h3>\n

Cannes may be cancelled this year, but we can still revisit the festival\u2019s\u00a0most memorable past prizewinners, from\u00a0Brief Encounter<\/strong><\/em> and Rome Open City <\/strong><\/em>to Secrets & Lies<\/strong><\/em> and Taste of Cherry.\u00a0<\/strong><\/em><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Short Films by the Quay Brothers<\/a><\/span><\/h3>\n

Identical twins Stephen and Timothy Quay have amassed an enormous cult following for their visionary blend of puppetry and stop-motion animation.<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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It Felt Like Love<\/a><\/span><\/em><\/h3>\n

Eliza Hittman, the acclaimed director of\u00a0Never Rarely Sometimes Always,\u00a0<\/em>presents her debut feature\u2014an unflinchingly honest coming-of-age tale\u2014and two shorts in a new introduction.<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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The Documentaries of Louis Malle<\/a><\/span><\/h3>\n

Parallel to his career as one of France\u2019s most acclaimed auteurs, Louis Malle created an even more personal body of work as a documentary filmmaker.<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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The Boy with Green Hair<\/a><\/span><\/em><\/h3>\n

The charmingly eccentric, supernatural-tinged debut from director Joseph Losey\u00a0features a superlative cast and a hit theme song by Nat King Cole.<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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[izvor informacije Criterion<\/strong><\/a>]<\/p>\n

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