{"id":41391,"date":"2020-01-05T18:42:15","date_gmt":"2020-01-05T17:42:15","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=41391"},"modified":"2020-01-05T18:43:26","modified_gmt":"2020-01-05T17:43:26","slug":"film-kletva-horor-osvrt-robert-jukic","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=41391","title":{"rendered":"FILM: KLETVA, horor [osvrt Robert Juki\u0107]"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>The Grudge (2020.)<\/strong><br \/>\nRedatelj: Nicolas Pesce<br \/>\nGlume: Betty Gilpin, Andrea Riseborough, William Sadler<\/p>\n<p style=\"text-align: justify;\">Japanci su svojevremeno napravili iskorak u \u017eanru horora, \u0161to je rezultiralo nizom nastavaka i ameri\u010dkih obnova (remakea), \u010dak i parodija za one koji ne spadaju u \u017eanrovske fanove. U nedostatku originalnih ideja holivudski mo\u0107nici posegnuli su za proku\u0161anim materijalom, i snimili jo\u0161 jedan film iz fran\u0161ize &#8216;Kletva&#8217;. Zadnji od tih filmova radnju prebacuje u Ameriku \u0161ezdesetih godina pro\u0161log stolje\u0107a. Rascjepkana i naizgled nepovezana radnja smje\u0161tena je u tri bliska vremenska razdoblja, 1964., 1965. i 1966. godinu. U pri\u010du se ni kriva ni du\u017ena uplete u slu\u010daj povezan s kletvom i policijska inspektorica, ina\u010de samohrana majka\u2026<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/i.postimg.cc\/VLYW4hmB\/Kletva-Ustupio-CF.png \" \/><\/p>\n<p>Kletva ; Fotografiju ustupio CF<\/p>\n<p style=\"text-align: justify;\">Na po\u010detku filma jedna \u017eena vra\u0107a se iz Japana u Ameriku ne slute\u0107i da sa sobom nosi prokletstvo. Ni\u010dim izazvana (kletva je ta koja uzrokuje nekontrolirani ubila\u010dki bijes) uboje obitelj i izvr\u0161i samoubojstva bez racionalnih razloga, a i oni koji \u0107e se truditi da ih razrije\u0161e i sami \u0107e se na\u0107i u smrtonosnoj zamci. Nitko nije po\u0161te\u0111en kletve, obitelji su posebno ranjive, jer najbli\u017ei su sebi najve\u0107i neprijatelji. Inspektorica na uvi\u0111aju jedne automobilske nesre\u0107e slu\u010dajno sazna da bi mogla biti povezana s jednim starijim slu\u010dajem tajanstvene smrti \u010ditave obitelji koji je vodio njezin partner. Na adresi gdje ta obitelj stanovala nalazi raspadaju\u0107i le\u0161 i poludjeli \u017eenu koja sama sebe ozlje\u0111uje\u2026<\/p>\n<p style=\"text-align: justify;\">Film se mo\u017ee pohvaliti jedno dobrom produkcijom, me\u0111utim, narativni postupak u povezivanju radnji iz tri godi\u0161ta nije najbolje odra\u0111en, radnja nije te\u010dna, a povremeno ni razumljiva. Autori su se u drugoj polovici filma, a naro\u010dito u zavr\u0161nici, nepotrebno poslu\u017eili poznatim \u017eanrovskim kli\u0161ejima (koji izazivaju vi\u0161e smijeh nego stravu) i u\u010dinili film jo\u0161 jednim prosje\u010dnim hororom koji se brzo zaboravlja.<\/p>\n<p style=\"text-align: justify;\">Spomenimo da je prvu &#8216;Kletvu&#8217; (Ju-on: The Grudge \/ Ju-on) snimio Takashi Shimizu 2002. godine u Japanu, a idu\u0107e 2003. nastavak &#8216;Ju-On: The Grudge 2 \/ Ju-on 2 &#8216;. Odmah nakon nastavka 2004. snimljen je ameri\u010dki remake pod istim naslovom (The Grudge). Dvije godine kasnije 2006. Shimizu snima ameri\u010dki nastavak &#8216;The Grudge 2&#8217;.<\/p>\n<p style=\"text-align: justify;\">Redatelj ove &#8216;Kletve&#8217; je Nicolas Pesce, poznat po hororima &#8216; Piercing&#8217; (2018.) i &#8216; The Eyes of My Mother&#8217; (2016.)<\/p>\n<p style=\"text-align: justify;\"><strong>Robert Juki\u0107, Zagreb, 04.01.2020.<\/strong><\/p>\n<h3 style=\"text-align: justify;\"><strong>Informacije o filmu:<\/strong><\/h3>\n<p style=\"text-align: justify;\"><strong>Kletva<\/strong><br \/>\nScreen Gems, Stage 6 Films, Ghost House Pictures, 2020.<br \/>\nTrajanje: 93 min<br \/>\nFormat: 2.39 : 1<br \/>\nColor: Color<br \/>\nZvuk: Dolby Digital<br \/>\nScenarij: Nicolas Pesce<br \/>\nPri\u010da: Nicolas Pesce &amp; Jeff Buhler<br \/>\nOriginalni scenarij: Takashi Shimizu<br \/>\nGlazba: The Newton Brothers<br \/>\nJo\u0161 glume: Tara Westwood, Junko Bailey, David Lawrence Brown, Zoe Fish, John J. Hansen, Demi\u00e1n Bichir, Joel Marsh Garland, Bradley Sawatzky, Duk, Bruno The Dog, Lin Shaye, John Cho, Stephanie Sy, Steven Ratzlaff<\/p>\n<p style=\"text-align: justify;\"><em>Film je pogledan u kinu <a href=\"https:\/\/www.blitz-cinestar.hr\/\">CineStar Branimir<\/a><\/em><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.thegrudge.movie\/\"><strong>Kletva \u2013 Movie Site<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.imdb.com\/title\/tt3612126\/?ref_=fn_al_tt_1\"><strong>The Grudge \u2013 IMDb<\/strong><\/a><\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2Fmedia%2Fset%2F%3Fset%3Da.2814607391911249%26type%3D3&amp;width=500\" width=\"500\" height=\"669\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"https:\/\/film-mag.net\/wp\/?p=41391\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>The Grudge (2020.) Redatelj: Nicolas Pesce Glume: Betty Gilpin, Andrea Riseborough, William Sadler Japanci su svojevremeno napravili iskorak u \u017eanru horora, \u0161to je rezultiralo nizom nastavaka i ameri\u010dkih obnova (remakea), \u010dak i parodija za one koji ne spadaju u \u017eanrovske fanove. U nedostatku originalnih ideja holivudski mo\u0107nici posegnuli su za proku\u0161anim materijalom, i snimili jo\u0161 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5955,9,4,48],"tags":[6068,1284,12117,158,580,20110,665,104,1168,11160,18112],"class_list":["post-41391","post","type-post","status-publish","format-standard","hentry","category-autorski-tekstovi","category-film","category-istaknuto","category-osvrti-na-filmove","tag-autorski-tekst","tag-filmska-kritika","tag-ghost-house-pictures","tag-horor","tag-horor-filmovi","tag-nicolas-pesce","tag-osvrti","tag-robert-jukic","tag-robert-jukic-osvrt-na-film","tag-screen-gems","tag-stage-6-films"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>FILM: KLETVA, horor [osvrt Robert Juki\u0107] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=41391\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FILM: KLETVA, horor [osvrt Robert Juki\u0107] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"The Grudge (2020.) Redatelj: Nicolas Pesce Glume: Betty Gilpin, Andrea Riseborough, William Sadler Japanci su svojevremeno napravili iskorak u \u017eanru horora, \u0161to je rezultiralo nizom nastavaka i ameri\u010dkih obnova (remakea), \u010dak i parodija za one koji ne spadaju u \u017eanrovske fanove. U nedostatku originalnih ideja holivudski mo\u0107nici posegnuli su za proku\u0161anim materijalom, i snimili jo\u0161 [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/film-mag.net\/wp\/?p=41391\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-05T17:42:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-01-05T17:43:26+00:00\" \/>\n<meta name=\"author\" content=\"Robert Juki\u0107\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Robert Juki\u0107\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/film-mag.net\/wp\/?p=41391\",\"url\":\"https:\/\/film-mag.net\/wp\/?p=41391\",\"name\":\"FILM: KLETVA, horor [osvrt Robert Juki\u0107] - FILM-mag.net\",\"isPartOf\":{\"@id\":\"https:\/\/film-mag.net\/wp\/#website\"},\"datePublished\":\"2020-01-05T17:42:15+00:00\",\"dateModified\":\"2020-01-05T17:43:26+00:00\",\"author\":{\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/e10d389a3570afa6990a544a560b5ddb\"},\"breadcrumb\":{\"@id\":\"https:\/\/film-mag.net\/wp\/?p=41391#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/film-mag.net\/wp\/?p=41391\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/film-mag.net\/wp\/?p=41391#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/film-mag.net\/wp\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"FILM: KLETVA, horor [osvrt Robert Juki\u0107]\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/film-mag.net\/wp\/#website\",\"url\":\"https:\/\/film-mag.net\/wp\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/film-mag.net\/wp\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/e10d389a3570afa6990a544a560b5ddb\",\"name\":\"Robert Juki\u0107\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/9af3800a835f9caf36c524ed299e09ee?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/9af3800a835f9caf36c524ed299e09ee?s=96&d=mm&r=g\",\"caption\":\"Robert Juki\u0107\"},\"url\":\"https:\/\/film-mag.net\/wp\/?author=2\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"FILM: KLETVA, horor [osvrt Robert Juki\u0107] - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/film-mag.net\/wp\/?p=41391","og_locale":"en_US","og_type":"article","og_title":"FILM: KLETVA, horor [osvrt Robert Juki\u0107] - FILM-mag.net","og_description":"The Grudge (2020.) Redatelj: Nicolas Pesce Glume: Betty Gilpin, Andrea Riseborough, William Sadler Japanci su svojevremeno napravili iskorak u \u017eanru horora, \u0161to je rezultiralo nizom nastavaka i ameri\u010dkih obnova (remakea), \u010dak i parodija za one koji ne spadaju u \u017eanrovske fanove. U nedostatku originalnih ideja holivudski mo\u0107nici posegnuli su za proku\u0161anim materijalom, i snimili jo\u0161 [&hellip;]","og_url":"https:\/\/film-mag.net\/wp\/?p=41391","og_site_name":"FILM-mag.net","article_published_time":"2020-01-05T17:42:15+00:00","article_modified_time":"2020-01-05T17:43:26+00:00","author":"Robert Juki\u0107","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Robert Juki\u0107","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/film-mag.net\/wp\/?p=41391","url":"https:\/\/film-mag.net\/wp\/?p=41391","name":"FILM: KLETVA, horor [osvrt Robert Juki\u0107] - FILM-mag.net","isPartOf":{"@id":"https:\/\/film-mag.net\/wp\/#website"},"datePublished":"2020-01-05T17:42:15+00:00","dateModified":"2020-01-05T17:43:26+00:00","author":{"@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/e10d389a3570afa6990a544a560b5ddb"},"breadcrumb":{"@id":"https:\/\/film-mag.net\/wp\/?p=41391#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/film-mag.net\/wp\/?p=41391"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/film-mag.net\/wp\/?p=41391#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"FILM: KLETVA, horor [osvrt Robert Juki\u0107]"}]},{"@type":"WebSite","@id":"https:\/\/film-mag.net\/wp\/#website","url":"https:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/e10d389a3570afa6990a544a560b5ddb","name":"Robert Juki\u0107","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9af3800a835f9caf36c524ed299e09ee?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9af3800a835f9caf36c524ed299e09ee?s=96&d=mm&r=g","caption":"Robert Juki\u0107"},"url":"https:\/\/film-mag.net\/wp\/?author=2"}]}},"_links":{"self":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/41391","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=41391"}],"version-history":[{"count":1,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/41391\/revisions"}],"predecessor-version":[{"id":41392,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/41391\/revisions\/41392"}],"wp:attachment":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=41391"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=41391"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=41391"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}