{"id":40804,"date":"2019-11-12T16:47:41","date_gmt":"2019-11-12T15:47:41","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=40804"},"modified":"2025-10-25T01:25:31","modified_gmt":"2025-10-24T23:25:31","slug":"17-human-rights-film-festival-u-kinu-tuskanac-i-art-kinu-croatia","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=40804","title":{"rendered":"17. Human Rights Film Festival u Kinu Tu\u0161kanac i Art-kinu Croatia"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>17. HUMAN RIGHTS FILM FESTIVA<\/strong><br \/>\n<b>1. &#8211; 8.12.2019. Zagreb \/ 6.-8.12.2019. Rijeka <\/b><\/p>\n<p style=\"text-align: justify;\">Kino Tu\u0161kanac, Dokukino KIC, Art-kino Croatia, Organizatori: Multimedijalni institut, Udru\u017eenje za razvoj kulture<br \/>\n<b><br \/>\n<\/b><b>Premijerom vi\u0161estruko nagra\u0111ivanog dokumentarca \u2018Medena zemlja\u2019 1. prosinca po\u010dinje 17. Human Rights Film Festival<\/b><\/p>\n<p style=\"text-align: justify;\">Sedamnaesto izdanje festivala anga\u017eiranog autorskog filma, <b>Human Rights Film Festivala<\/b>, odr\u017eat \u0107e se u <b>Zagrebu<\/b> od <b>1. do 8. prosinca 2025. <\/b>i u <b>Rijeci od 6. do 8. prosinca 2025<\/b>. Prikazat \u0107e se mnogi od najzapa\u017eenijih novih igranih, dokumentarnih i inovativnih filmova me\u0111u kojima su i novi radovi cijenjenih redatelja i redateljica poput<b> Pedra Coste, C\u00e9line Sciamme, Sergeja Loznice, Madsa Bruggera, Patricia Guzm\u00e1na<\/b> te filmovi nove generacije svjetskih filma\u0161a poput <b>Pietra Marcella, Olivera Laxea, Shengze Zhu, Ivana Salati\u0107a <\/b>i<b> Ivana Markovi\u0107a<\/b>. Glavnina programa prikazivat \u0107e se u zagreba\u010dkom <b>kinu Tu\u0161kanac<\/b> te u <b>Dokukinu KIC<\/b>, a u Rijeci u <b>Art-kinu Croatia<\/b>. Iz bogatog popratnog programa HRFF-a posebno se izdvaja <b>Revija malih knji\u017eevnosti<\/b> u organizaciji knji\u017eevnog kluba Booksa u \u010dijem je ovogodi\u0161njem fokusu knji\u017eevnost <b>Egipta<\/b>. <b>Ulaz na sve projekcije i programe HRFF-a je slobodan<\/b>.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/www.themoviedb.org\/t\/p\/w1280\/oNMGHRRDVxK3yiK4jDxfAUBm0Lq.jpg \" \/><\/p>\n<p>Fotografiju ustupio <strong><a href=\" https:\/\/www.themoviedb.org\/movie\/575561-o-que-arde \" target=\"_blank\" rel=\"noopener noreferrer\"> TMDB<\/a><\/strong> &#8211; Fire Will Come (2019), Oliver Laxe<\/p>\n<p style=\"text-align: justify;\">Premda je Kino Europa, dosada\u0161nja glavna festivalska lokacija, zatvorena, \u0161to je organizacijskom timu HRFF-a predstavljalo veliku prepreku u pripremi ovogodi\u0161njeg festivala, glavne programske cjeline realizirane su u sli\u010dnom obimu i uz pomnu selekciju izbornika <b>Petra Milata<\/b> \u0161to je rezultiralo i visokom kvalitetom programa. Festival \u0107e se sve\u010dano otvoriti 1. prosinca u kinu Tu\u0161kanac projekcijom vi\u0161estrukog dobitnika nagrada na festivalu u Sundanceu te dobitnikom dvadesetak drugih vrijednih nagrada \u2013 dokumentarnim filmom <b><i>Medena zemlja<\/i><\/b><b> Tamare Kotevske<\/b> i<b> Ljube Stefanova<\/b> o vrsnoj medarki Hatid\u017ei koja \u017eivi kilometrima daleko od razvijenog svijeta u ostacima makedonskog planinskog sela, bez puteva, struje i vode, no u fascinantnom paktu s p\u010delama i prirodom.<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/B27ORUHlp6E\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"text-align: justify;\">Me\u0111u dvadeset i pet filmova iz glavnog festivalskog programa isti\u010de se novi maestralni film velikog portugalskog redatelja <b>Pedra Coste <\/b><b><i>Vitalina Varela<\/i><\/b> kojim nastavlja dokufikcijsku pri\u010du o Vitalini, muzi koju je publici predstavio jo\u0161 2014. u filmu <i>Konj zvan novac<\/i>. Vitalina, sredovje\u010dna udovica sa Zelenortskih otoka, dolazi u Portugal tri dana nakon mu\u017eeva pogreba. Njezin se mu\u017e tu doselio prije tridesetak godina u potrazi za boljim poslom, no ona ga nikad nije posjetila, a sada kona\u010dno ima priliku upoznati njegov drugi \u017eivot, proveden u siroma\u0161nom i derutnom predgra\u0111u. Film je dobitnik Zlatnog leoparda za najbolji film na festival u Locarnu, te nagrade za najbolju glavnu glumicu.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/_oN9fFrwzhM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Vrsni ukrajinski dokumentarist, vi\u0161estruko nagra\u0111ivani <b>Sergej Loznica<\/b>, predstavlja se novim filmom <b><i>Dr\u017eavni pogreb<\/i><\/b>, jo\u0161 jednom u nizu dojmljivih vizualnih studija o mo\u0107i ideologije i propagande kojima pripadaju i njegovi filmovi <i>Proces<\/i>, <i>Dan pobjede<\/i> i <i>Donbass<\/i>. U <i>Dr\u017eavnom pogrebu<\/i> secira Staljinovu petodnevnu pogrebnu ceremoniju koja je predstavljala vrhunac njegovog kulta li\u010dnosti, te pru\u017ea ironi\u010dni komentar na grotesknu i zastra\u0161uju\u0107u procesiju dekonstruiraju\u0107i ritual kao temelj krvavog re\u017eima. Film <b><i>Heimat je prostor u vremenu<\/i><\/b> velikog majstora dokumentarnog filma <b>Thomasa Heisea<\/b> monumentalni je povijesni esej koji nudi uvid u 100 godina njema\u010dke povijesti kroz prizmu autorove kompleksne genealogije. Film je sna\u017ena politi\u010dka gesta protiv rata i zaborava, a na festivalu u Berlinu progla\u0161en je najboljim filmom u sklopu programa Forum. Jo\u0161 jednim fascinantnim dokumentaristi\u010dkim esejom predstavit \u0107e se velikan \u010dileanskog filma, <b>Patricio Guzm\u00e1n, <\/b>koji nas u <b><i>Kordiljerima snova<\/i><\/b> vodi na putovanje Andama istovremeno rekonstruiraju\u0107i \u010dileansku povijest. Filmom zaklju\u010duje osobnu \u010dileanski trilogiju kojoj pripadaju i <i>Nostalgija za svjetlom<\/i> i<i> Pearl Button.<\/i><\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/JSvGX6syd_8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"text-align: justify;\">Na Kanskom festivalu nagra\u0111en za najbolji scenarij te dobitnik Queer Palme, <b><i>Portret djevojke koja izgara <\/i><\/b>\u010detvrti je dugometra\u017eni film renomirane francuske redateljice <b>C\u00e9line Sciamme<\/b> poznate po dramama <i>Ljiljani<\/i>, <i>Tomboy<\/i> i <i>Cure<\/i> koje se bave LGBT i posebno djevoja\u010dkim identitetima. Novim radom redateljica po prvi puta zakora\u010duje u klasi\u010dni \u017eanr povijesne kostimirane drame, ali i dalje ostaje vjerna svom redateljskom prosedeu koji te\u017ei afirmirati \u017eenski pogled u tradicionalno maskulinoj industriji. Preko pri\u010de o zabranjenoj ljubavi izme\u0111u slikarice i njezinog modela, Sciamma ispisuje povijest reprezentacije \u017eena u slikarstvu i propituje njihovu poziciju pasivnog objekta. Izvanrednim kostimom odlikuje se i <b><i>Martin Eden<\/i><\/b>, uzbudljiva i nekonvencionalna adaptacija istoimenog polu-autobiografskog romana Jacka Londona iz 1909. godine, \u010diju radnju nagra\u0111ivani redatelj <b>Pietro Marcello<\/b> transponira iz Oaklanda u idili\u010dnu, neimenovanu talijansku luku u neodre\u0111ene godine 20. stolje\u0107a.<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/6sS4_CPqmY0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"text-align: justify;\">Tre\u0107i dugometra\u017eni film francusko-\u0161panjolskog redatelja <b>Olivera Laxea<\/b> <b><i>Bit \u0107e vatre<\/i><\/b> je humana studija o dru\u0161tvenoj stigmi i emocionalnom teretu koji nose biv\u0161i osu\u0111enici, te kriti\u010dki komentar na zapu\u0161tenost i izumiranje galicijskih sela u koje je autor smjestio protagoniste \u2013 majku i sina. Kineska dokumentaristica <b>Shengze Zhu<\/b> pratila je stotine <b>streamera<\/b> tijekom deset mjeseci, te je od 800 sati materijala napravila <b><i>Present.Perfect<\/i><\/b> \u2013 impresivan dvosatni portret suvremene generacije \u010diji se <i>online<\/i> i <i>offline<\/i> svjetovi tijesno isprepli\u0107u. Na pro\u0161logodi\u0161njem HRFF-u filmom <b><i>Ti ima\u0161 no\u0107<\/i><\/b> zagreba\u010dkoj publici predstavio se crnogorski redatelj <b>Ivan Salati\u0107<\/b>, a ove godine prikazat \u0107e se njegov kratkometra\u017eni film <b><i>Sinovi smo tvog stijenja<\/i><\/b> o \u010dovjeku progonjenom sumnjom da u blizini njegove ku\u0107e le\u017ee kosti davno strijeljanog talijaskog vojnika, o \u010demu njegovi suseljani imaju opre\u010dne pri\u010de. Srpski autor<b> Ivan Markovi\u0107<\/b>, ujedno i direktor fotografije Salati\u0107evog filma <b><i>Ti ima\u0161 no\u0107<\/i><\/b>, predstavit \u0107e se s \u010dak dva dokumentarna filma: <b><i>Centrom <\/i><\/b>u kojem besprijekornom kamerom portretira monumentalnu i zapu\u0161tenu zgradu beogradskog Sava Centra za \u0161to je na Beldocsu nagra\u0111en za najbolji srpski film, te s filmom <b><i>Od sutra po\u010dinjem da<\/i><\/b> (koredatelj <b>Wu Linfeng<\/b>) o dvoje radnika koji dijele stan i krevet u Pekingu, no nikad u njima ne borave zajedno zbog razli\u010ditih radnih smjena.<\/p>\n<p style=\"text-align: justify;\">Prikazat \u0107e se i dokumentarni filmovi s kontroverznim, fascinantnim ali i ozlogla\u0161enim protagonistima. <b><i>Stieg Larsson \u2013 \u010covjek koji se igrao vatrom<\/i><\/b> redatelja <b>Henrika Georgssona<\/b> portretira autora milenijske knji\u017eevne trilogije s posebnim fokusom na njegovu novinarsku borbu protiv ekstremista desnice i neonacista, opsjednutostima koje su za njega imale smrtonosne posljedice. Rad na dokumentarnom filmu <b><i>Su\u0111enje Ratku Mladi\u0107u<\/i><\/b> trajao je pet godina, a autori <b>Henry Singer <\/b>i<b> Rob Miller<\/b> dobili su ekskluzivan zakulisni pristup su\u0111enju ratnom zlo\u010dincu osu\u0111enom za najgori zlo\u010din po\u010dinjen u Europi nakon Drugog svjetskog rata. \u0160vedski redatelj <b>Mads Brugger<\/b> (<i>Ambasador<\/i>) predstavit \u0107e se provokativnim i napetim dokumentarnim filmom <b><i>Zaboravljeni slu\u010daj Hammarskj\u00f6ld<\/i><\/b> u kojem uz pomo\u0107 vi\u0161estruko isprepletenih teorija zavjere poku\u0161ava otkriti istinu o misterioznom padu zrakoplova generalnog sekretara Ujedinjenih naroda Daga Hammarskj\u00f6lda 1961. godine pri \u010demu je usmr\u0107ena cijela posada.<\/p>\n<h3><b>POPIS FILMOVA:<\/b><b><br \/>\n<\/b><b><\/b><b><\/b><\/h3>\n<h6><b>Bit \u0107e vatre <\/b>(Fire Will Come), r. Oliver Laxe<\/h6>\n<p><b>Centar <\/b>(Center), r. Ivan Markovi\u0107<\/p>\n<p><b>Dr\u017eavni pogreb <\/b>(State Funeral), r. Sergej Loznica<\/p>\n<p><b>Heimat je prostor od vremena <\/b>(Heimat Is a Space in Time), r. Thomas Heise<\/p>\n<p><b>Ju\u017eni terminal <\/b>(South Terminal), r. Rabah Ameur-Zaimeche<\/p>\n<p><b>Kordiljeri snova<\/b> (The Cordillera of Dreams), r. Patricio Guzm\u00e1n<\/p>\n<p><b>Kraj stolje\u0107a <\/b>(End of the Century), r. Lucio Castro<\/p>\n<p><b>Martin Eden<\/b>, r. Pietro Marcello<\/p>\n<p><b>Medena zemlja <\/b>(Honeyland), r. Tamara Kotevska, Ljuubomir Stefanov<\/p>\n<p><b>Obojena ptica<\/b> (Painted Bird), r. V\u00e1clav Marhoul<\/p>\n<p><b>Od sutra po\u010dinjem da<\/b> (From Tomorrow on, I will), r. Ivan Markovi\u0107, Wu Linfeng<\/p>\n<p><b>Parsi<\/b>, r. Eduardo Williams, Mariano Blatt<\/p>\n<p><b>Portret djevojke koja izgara <\/b>(Portrait of a Lady on Fire), r. C\u00e9line Sciamma<\/p>\n<p><b>Prazni sati <\/b>(Vacant Hours), r. Mate Ugrin<\/p>\n<p><b>Present.Perfect<\/b>, r. Shengze Zhu<\/p>\n<p><b>Samo nemojte pomisliti da vri\u0161tim <\/b>(Just Don&#8217;t Think I&#8217;ll Scream), r. Frank Beauvais<\/p>\n<p><b>Sinovi smo tvog stijenja <\/b>(We Are the Sons of Your Rocks), r. Ivan Salati\u0107<\/p>\n<p><b>Stieg Larsson \u2013 \u010covjek koji se igrao vatrom <\/b>(Stieg Larsson: The Man Who Played with Fire), r. Henrik Georgsson<\/p>\n<p><b>Su\u0111enje Ratku Mladi\u0107u (The Trial of Ratko Mladi\u0107)<\/b>, r. Henry Singer, Rob Miller<\/p>\n<p><b>Transnistrija<\/b>, r. Anna Eborn<\/p>\n<p><b>Vitalina Varela<\/b>, r. Pedro Costa<\/p>\n<p><b>Wilcox<\/b>, r. Denis Cote<\/p>\n<p><b>Zaboravljeni slu\u010daj Hammarskj\u00f6ld<\/b> (Cold Case Hammarskj\u00f6ld), r. Mads Brugger<\/p>\n<p>[izvor informacije\u00a0<strong><a href=\"http:\/\/humanrightsfestival.org\/\">Human Rights Film Festival<\/a><\/strong>]<\/p>\n<p><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2Fmedia%2Fset%2F%3Fset%3Da.2691426167562706%26type%3D3&amp;width=500\" width=\"500\" height=\"669\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"https:\/\/film-mag.net\/wp\/?p=40804\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>17. HUMAN RIGHTS FILM FESTIVA 1. &#8211; 8.12.2019. Zagreb \/ 6.-8.12.2019. Rijeka Kino Tu\u0161kanac, Dokukino KIC, Art-kino Croatia, Organizatori: Multimedijalni institut, Udru\u017eenje za razvoj kulture Premijerom vi\u0161estruko nagra\u0111ivanog dokumentarca \u2018Medena zemlja\u2019 1. prosinca po\u010dinje 17. Human Rights Film Festival Sedamnaesto izdanje festivala anga\u017eiranog autorskog filma, Human Rights Film Festivala, odr\u017eat \u0107e se u Zagrebu od [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[9,22,170,17050],"tags":[261,94,1037,20180,247,662,308],"class_list":["post-40804","post","type-post","status-publish","format-standard","hentry","category-film","category-filmski-festivali","category-kalendar","category-press","tag-art-kino-croatia","tag-filmski-festivali-2","tag-human-rights-film-festival","tag-human-rights-film-festival-2019","tag-kino-tuskanac","tag-rijeka","tag-zagreb"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>17. Human Rights Film Festival u Kinu Tu\u0161kanac i Art-kinu Croatia - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=40804\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"17. Human Rights Film Festival u Kinu Tu\u0161kanac i Art-kinu Croatia - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"17. HUMAN RIGHTS FILM FESTIVA 1. &#8211; 8.12.2019. Zagreb \/ 6.-8.12.2019. Rijeka Kino Tu\u0161kanac, Dokukino KIC, Art-kino Croatia, Organizatori: Multimedijalni institut, Udru\u017eenje za razvoj kulture Premijerom vi\u0161estruko nagra\u0111ivanog dokumentarca \u2018Medena zemlja\u2019 1. prosinca po\u010dinje 17. Human Rights Film Festival Sedamnaesto izdanje festivala anga\u017eiranog autorskog filma, Human Rights Film Festivala, odr\u017eat \u0107e se u Zagrebu od [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/film-mag.net\/wp\/?p=40804\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2019-11-12T15:47:41+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-24T23:25:31+00:00\" \/>\n<meta name=\"author\" content=\"PRESS\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PRESS\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=40804#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=40804\"},\"author\":{\"name\":\"PRESS\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"headline\":\"17. 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