{"id":40091,"date":"2019-09-03T00:55:52","date_gmt":"2019-09-02T22:55:52","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=40091"},"modified":"2019-09-03T00:55:52","modified_gmt":"2019-09-02T22:55:52","slug":"film-plijen-horor-osvrt-iva-esterajher","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=40091","title":{"rendered":"FILM: PLIJEN, horor [osvrt Iva Esterajher]"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Neambiciozan ali zabavan ugriz<\/strong><br \/>\n<strong>Crawl (2019)<\/strong> \/\/ <strong>PLIJEN<\/strong><\/p>\n<p style=\"text-align: justify;\">Re\u017eija: Alexandre Aja<br \/>\nGlume: Kaya Scodelario, Barry Pepper, Morfydd Clark&#8230;<\/p>\n<p style=\"text-align: justify;\">Ovo je ili\/ili.<\/p>\n<p style=\"text-align: justify;\">Ili mo\u017eete zagristi u scenarije sa zlo\u0107udnim jedu\u0107im \u017eivotinjama ili su vam blesavi. Uz ovo potonje, nije kontradikcija ako \u010disto s filmofilske strane cijenite &#8216;Ralje&#8217;, remek-djelo \u017eanra.<\/p>\n<p style=\"text-align: justify;\">&#8216;Plijen&#8217; nisu &#8216;Ralje&#8217; ali ugriz je zabavan i dr\u017ei pa\u017enju. Re\u017eiju potpisuje Alexandre Aja koji je privukao pozornost sjajnim slasherom s LGBT podkontekstom, &#8216;Krvava romansa&#8217; (2003) i komercijalnim no efektivnim &#8216;Zrcalima&#8217; (2008). Niz je nastavio jeftinom eksploatacijom &#8216;Pirana 3D&#8217; (2010) ali i vrlo zanimljivom dark fantasy dramom &#8216;Rogovi&#8217; (2013). \u00a0Dakle, rije\u010d je o redatelju s mnogo potencijala usmjerenom na komercijalne horore i \u017eanrovske hibride.<\/p>\n<p style=\"text-align: justify;\">Uz re\u017eiju, svakako treba istaknuti da je jedan od producenata &#8216;Plijena&#8217; Sam Raimi, velikan poznat po re\u017eiji evergreena &#8216;Zla smrt&#8217; (1981), suvremenom klasiku &#8216;Odvuci me u pakao&#8217; (2009) ali i adaptaciji Marvelovog &#8216;Spidermana&#8217; (2002) i produkciji suvremenijih horora poput &#8217;30 dana no\u0107i&#8217; (2007).<\/p>\n<p style=\"text-align: justify;\">Velika imena svakako su adut filma no malo je afirmiranih filma\u0161a koji mogu kontinuirano odr\u017eati tempo i zadovoljiti publiku.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/i.postimg.cc\/wjh2kGSt\/Plijen-Ustupio-Blitz.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Plijen ; Fotografiju ustupio Blitz Film &amp; Video<\/p>\n<p style=\"text-align: justify;\">&#8216;Plijen&#8217; je sli\u010dno koncipiran kao &#8216;Opasnost iz dubine&#8217; (2016.) sa sjajnom Blake Lively koja je pokazala da itekako zna plivati u horor vodama. Ovdje je vode\u0107a uloga nepoznata ali vrlo uvjerljiva Kaya Scodelario, uz Barrya Peppera kojeg poimence rijetko tko zna ali uz pojavu na ekranu brzo pove\u017eete lice s upe\u010datljivim epizodnim ulogama u &#8216;Spa\u0161avanju vojnika Ryana&#8217; i &#8216;Zelenoj milji&#8217;.<\/p>\n<p style=\"text-align: justify;\">Pri\u010da ima neke neizbje\u017ene kli\u0161eje. Na dramatur\u0161kom planu: glavni lik sporta\u0161ice koju je u djetinjstvu previ\u0161e poticao otac-trener, do mjere da je ona po\u010dela patiti zbog manjka ljubavi a on, zbog osje\u0107aja krivnje. Na akcijskom planu: junakinja je skoro pa otporna na ugriz ne jednog nego \u010dak nekoliko aligatora. Kli\u0161eji tipi\u010dni za akcijske filmove devedesetih, recimo one u re\u017eiji Rennya Harlina (Umri mu\u0161ki 2, Duboko modro more, Cliffhanger&#8230;) gdje slutimo da stvari ne funckioniraju ba\u0161 tako u stvarnosti ali \u0161utimo ako nam je film kompatibilna cjelina.<\/p>\n<p style=\"text-align: justify;\">Isto tako, &#8216;Plijen&#8217; ima jedan ozbiljni gaf koji ne utje\u010de na kvalitetu filma ali op\u0107e kulture radi:<\/p>\n<p style=\"text-align: justify;\">&#8211; film je reklamirao ameri\u010dkog krokodila kao &#8216;negativca&#8217;, \u0161tovi\u0161e, u IMDb triviji kratki je ulomak da je odabran ameri\u010dki ne australski krokodil jer je pona\u0161anje ameri\u010dkog krokodila manje istra\u017eeno (plus, australski grabe\u017eljivac je s Lake Placidom dobio \u010dak sedam nastavaka, vjerojatno su se htjele izbje\u0107i usporedbe);<\/p>\n<p style=\"text-align: justify;\">&#8211; tijekom filma glavni likovi uspiju dozvati pomo\u0107 uz opservaciju da je okolica preplavljena aligatorima;<\/p>\n<p style=\"text-align: justify;\">Dakle, krokodil i aligator nisu ista \u017eivotinja (tu je jo\u0161 i ro\u0111ak kajman), \u010dak ni ameri\u010dki krokodil nije aligator iako obje vrste (me\u0111u ostalom) \u017eive na podru\u010djima SAD-a. Ne\u0107u pretjerivati s Nat Geo raspravama, kog zanima tu je Wikipedija i hrpa znanstvenih \u010dlanaka na temu ali i kratki edukacijski materijali.<\/p>\n<p style=\"text-align: justify;\">U me\u0111uvremenu je IMDb tim ispravio pogre\u0161ku (kad je film ve\u0107 bio debelo kino distribuciji), sad stoji da je negativac \u201eameri\u010dki aligator\u201c \u0161to je ne\u0161to to\u010dnije no pomalo konfuzno obzirom da su aligatori u odnosu na krokodile specifi\u010dniji stanovnici SAD-a. Iako nijedna kritika koju sam prethodno pro\u010ditala za film, ne spominje ovu zabunu. Dapa\u010de, ve\u0107ina IMDb osvrtnika koristi \u201ealigator\u201c i \u201ekrokodil\u201c kao sinonime no ostavimo snobizam po strani. Film mi se zapravo, svi\u0111a u danim elementima: solidna gluma, dobar CGI, dinami\u010dnost radnje, dobre akcijske sekvence, pone\u0161to pretjerivanja s aktivno\u0161\u0107u i mnogobrojno\u0161\u0107u grabe\u017eljivaca.<\/p>\n<p style=\"text-align: justify;\">Alexandre Aja ne poku\u0161ava biti Jean-Luc Godard i ne krije nagla\u0161enu zabavlja\u010dku komponentu svojih horora. I nema razloga da ga se zato omalova\u017eava. Bit \u0107u za horor milje pomalo blasfemi\u010dna i re\u0107i da vi\u0161e cijenim staromodni pristup Aje nego pretenciozni torture-porn Pascala Laugiera (Mu\u010denice, Incident u zemlji duhova plus, davno i sjajno &#8216;Vu\u010dje bratstvo&#8217;).<\/p>\n<p style=\"text-align: justify;\">Usporedimo li &#8216;Plijen&#8217; s akcijskim hitovima devedesetih, dok publika nije pretjerano re\u017eala na manjak realizma nego u\u017eivala u zabavi onda nema razloga da se i sad dobro ne zabavimo uz ovaj neambiciozan ali solidan ugriz.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.facebook.com\/CrawlMovieUK\/?brand_redir=750876385289714\"><strong>Plijen \u2013 Facebook<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.imdb.com\/title\/tt8364368\/?ref_=nv_sr_1?ref_=nv_sr_1\"><strong>Crawl \u2013 IMDb<\/strong><\/a><\/p>\n<p style=\"text-align: justify;\"><strong>Iva Esterajher<\/strong><\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2Fmedia%2Fset%2F%3Fset%3Da.2546224305416227%26type%3D3&amp;width=500\" width=\"500\" height=\"669\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"https:\/\/film-mag.net\/wp\/?p=40091\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Neambiciozan ali zabavan ugriz Crawl (2019) \/\/ PLIJEN Re\u017eija: Alexandre Aja Glume: Kaya Scodelario, Barry Pepper, Morfydd Clark&#8230; Ovo je ili\/ili. Ili mo\u017eete zagristi u scenarije sa zlo\u0107udnim jedu\u0107im \u017eivotinjama ili su vam blesavi. Uz ovo potonje, nije kontradikcija ako \u010disto s filmofilske strane cijenite &#8216;Ralje&#8217;, remek-djelo \u017eanra. &#8216;Plijen&#8217; nisu &#8216;Ralje&#8217; ali ugriz je zabavan [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5955,9,4,48],"tags":[10000,6068,1675,1284,158,580,19885,19886,19888,8818,19887,665,10781],"class_list":["post-40091","post","type-post","status-publish","format-standard","hentry","category-autorski-tekstovi","category-film","category-istaknuto","category-osvrti-na-filmove","tag-alexandre-aja","tag-autorski-tekst","tag-barry-pepper","tag-filmska-kritika","tag-horor","tag-horor-filmovi","tag-iva-esterajher","tag-iva-esterajher-osvrt-na-film","tag-jose-palma","tag-kaya-scodelario","tag-morfydd-clark","tag-osvrti","tag-ross-anderson"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>FILM: PLIJEN, horor [osvrt Iva Esterajher] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=40091\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FILM: PLIJEN, horor [osvrt Iva Esterajher] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Neambiciozan ali zabavan ugriz Crawl (2019) \/\/ PLIJEN Re\u017eija: Alexandre Aja Glume: Kaya Scodelario, Barry Pepper, Morfydd Clark&#8230; Ovo je ili\/ili. Ili mo\u017eete zagristi u scenarije sa zlo\u0107udnim jedu\u0107im \u017eivotinjama ili su vam blesavi. Uz ovo potonje, nije kontradikcija ako \u010disto s filmofilske strane cijenite &#8216;Ralje&#8217;, remek-djelo \u017eanra. &#8216;Plijen&#8217; nisu &#8216;Ralje&#8217; ali ugriz je zabavan [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/film-mag.net\/wp\/?p=40091\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2019-09-02T22:55:52+00:00\" \/>\n<meta name=\"author\" content=\"Suradnik\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Suradnik\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/film-mag.net\/wp\/?p=40091\",\"url\":\"https:\/\/film-mag.net\/wp\/?p=40091\",\"name\":\"FILM: PLIJEN, horor [osvrt Iva Esterajher] - FILM-mag.net\",\"isPartOf\":{\"@id\":\"https:\/\/film-mag.net\/wp\/#website\"},\"datePublished\":\"2019-09-02T22:55:52+00:00\",\"author\":{\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/9ffa18a59c8bc69aa9c3cacd71c61f3e\"},\"breadcrumb\":{\"@id\":\"https:\/\/film-mag.net\/wp\/?p=40091#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/film-mag.net\/wp\/?p=40091\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/film-mag.net\/wp\/?p=40091#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/film-mag.net\/wp\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"FILM: PLIJEN, horor [osvrt Iva Esterajher]\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/film-mag.net\/wp\/#website\",\"url\":\"https:\/\/film-mag.net\/wp\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/film-mag.net\/wp\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/9ffa18a59c8bc69aa9c3cacd71c61f3e\",\"name\":\"Suradnik\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/3253b24023797691d90b7897c43ac47a?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/3253b24023797691d90b7897c43ac47a?s=96&d=mm&r=g\",\"caption\":\"Suradnik\"},\"url\":\"https:\/\/film-mag.net\/wp\/?author=16\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"FILM: PLIJEN, horor [osvrt Iva Esterajher] - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/film-mag.net\/wp\/?p=40091","og_locale":"en_US","og_type":"article","og_title":"FILM: PLIJEN, horor [osvrt Iva Esterajher] - FILM-mag.net","og_description":"Neambiciozan ali zabavan ugriz Crawl (2019) \/\/ PLIJEN Re\u017eija: Alexandre Aja Glume: Kaya Scodelario, Barry Pepper, Morfydd Clark&#8230; Ovo je ili\/ili. Ili mo\u017eete zagristi u scenarije sa zlo\u0107udnim jedu\u0107im \u017eivotinjama ili su vam blesavi. Uz ovo potonje, nije kontradikcija ako \u010disto s filmofilske strane cijenite &#8216;Ralje&#8217;, remek-djelo \u017eanra. &#8216;Plijen&#8217; nisu &#8216;Ralje&#8217; ali ugriz je zabavan [&hellip;]","og_url":"https:\/\/film-mag.net\/wp\/?p=40091","og_site_name":"FILM-mag.net","article_published_time":"2019-09-02T22:55:52+00:00","author":"Suradnik","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Suradnik","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/film-mag.net\/wp\/?p=40091","url":"https:\/\/film-mag.net\/wp\/?p=40091","name":"FILM: PLIJEN, horor [osvrt Iva Esterajher] - FILM-mag.net","isPartOf":{"@id":"https:\/\/film-mag.net\/wp\/#website"},"datePublished":"2019-09-02T22:55:52+00:00","author":{"@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/9ffa18a59c8bc69aa9c3cacd71c61f3e"},"breadcrumb":{"@id":"https:\/\/film-mag.net\/wp\/?p=40091#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/film-mag.net\/wp\/?p=40091"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/film-mag.net\/wp\/?p=40091#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"FILM: PLIJEN, horor [osvrt Iva Esterajher]"}]},{"@type":"WebSite","@id":"https:\/\/film-mag.net\/wp\/#website","url":"https:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/9ffa18a59c8bc69aa9c3cacd71c61f3e","name":"Suradnik","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/3253b24023797691d90b7897c43ac47a?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3253b24023797691d90b7897c43ac47a?s=96&d=mm&r=g","caption":"Suradnik"},"url":"https:\/\/film-mag.net\/wp\/?author=16"}]}},"_links":{"self":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/40091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=40091"}],"version-history":[{"count":1,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/40091\/revisions"}],"predecessor-version":[{"id":40092,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/40091\/revisions\/40092"}],"wp:attachment":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=40091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=40091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=40091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}