Mjuzikl ‘Kosa’ vjerojatno je jedan od najpoznatijih u povijesti mjuzikla. Iako je tema vijetnamskog rata odavno ‘pro\u0161la’, mogu\u0107nost dru\u0161tvene prisile na pojedinca u okviru ‘napredne’ civilizacije, aktualna je i zastra\u0161uju\u0107a u bilo kojem kontekstu. Pri\u010da prati ‘pleme’ hipija koji demonstriraju svoj na\u010din \u017eivota, konzumaciju tjelesnih uzitaka i narkotika, pacifizam i zajedni\u0161tvo. Kada protagonist Claude dobije poziv za nova\u010denje u vijetnamskom ratu, cijela grupa osje\u0107a se pogo\u0111ena. Uz strah, nude se rje\u0161enja za izbjegavanje sudjeovanja u ratu i poziva na bijeg…Ali te\u0161ko je o\u010dekivati happy end u toj situaciji. Claude u kona\u010dnici prihva\u0107a poziv i njegova kosa, simbol hipi pokreta, osobnih uvjerenja protivnih ratu i patnji, biva o\u0161i\u0161ana.<\/p>\n
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Hair \u2013 The Musical; Fotografiju ustupio The New Theatre Oxford<\/p>\n
‘Kosa’ do\u017eivljava svoj revival u Velikoj Britaniji u glamuroznom izdanju.Vizualno impresivna scenografija djeluje plasti\u010dno, rekli bismo ovdje, ‘posh’, \u0161to je u odmaku od hipijevskog ‘modnog’ izri\u010daja, op\u0107enite ekspresije stavova, kupovne mo\u0107i i na\u010dina zivota. \u017divopisna vi\u0161ebojna scenografija djeluje poput idealiziranog meksi\u010dkog pejza\u017ea, kaktusa omotanih raznobojnim trakicama. Upotreba boja osobito je izra\u017eena tijekom ‘prikaza’ halucinacija – florescentne nijanse \u017eute i naran\u010daste isti\u010du se na prigu\u0161enoj, maglovitoj pozadini.<\/p>\n
Glumci\/pjeva\u010di su\u00a0 mladi i, kao i u ostalim mjuziklima koje smo pratili, iznimnih vokalnih sposobnosti, a njihova predanost ulozi izra\u017eava se i u ‘goloj sceni’ u kojoj se svi skinu pred publikom. Bend je prisutan na pozornici i glazbena podloga izvodi se u\u017eivo.<\/p>\n
Zanimljiv aspekt mjuzikla njegova je interaktivnost s publikom.\u00a0 Ne samo da izvo\u0111a\u010di\u00a0 komuniciraju s gledateljima, ve\u0107\u00a0 i ulaze u gledali\u0161te. Tijekom izvo\u0111enja naslovne pjesme glumci i bend napu\u0161taju svoje scenske pozicije i ‘ulaze’ u publiku, dodiruju i glade kosu prisutnih\u00a0 (sto du\u017ea kosa, du\u017ee milovanje \ud83d\ude42 ), a na samom kraju, publiku pozivaju na pozornicu (takozvani ‘Be-In’ finale).<\/p>\n
Najpoznatije pjesme su, dakako, ‘Aquarius’, ‘I got Life’, ‘Hare Krishna’ i ‘Let the Sunshine in’.<\/p>\n
Wine reception prije predstave i tijekom pauze dobrodo\u0161ao je aspekt PRESS ve\u010deri u ugodnom ambijentu ‘The Ambassador’ bara u kazali\u0161tu New Theatre Oxford.<\/p>\n
Spomenimo da je najpoznatija filmska interpretacija ‘Kose’ istoimena uspje\u0161nica Milosa Formana iz 1979. godine.<\/p>\n
Vendi Juki\u0107 Bu\u010da<\/strong>,Oxford, 27. lipnja 2019.<\/p>\n Legendary rock musical to tour UK<\/b><\/p>\n Following the critically-acclaimed 50th anniversary production of Hair \u2013 The Musical<\/i><\/b> at Hope Mill Theatre and sell-out transfer to The Vaults, London, the celebrated production will now embark on a nationwide tour.<\/p>\n And it will come to the New Theatre Oxford<\/b> from June 26 \u2013 29, 2019<\/b>.<\/p>\n This award-winning production (2018 WhatsOnStage Award \u2013 Best Off-West End Production) stars Dancing on Ice Winner Jake Quickenden, Daisy Wood-Davis (Hollyoaks\/ Dreamboats & Petticoats) and Marcus Collins (X-Factor Finalist\/ Kinky Boots).<\/p>\n Welcome to the \u2018Age of Aquarius\u2019. It\u2019s 1967 and HAIR\u2019s hippie \u2018tribe’ youngsters in the East Village of New York are yearning to change the world, questioning authority and the American flag. Wild, colourful, sexually liberated and free, they are united in protest and song, under the shadow of the Vietnam War.<\/i><\/b><\/p>\n Hair<\/i>, which is adored for its Grammy award-winning score featuring iconic hits such as \u2018Aquarius\u2019<\/i>, \u2018Let the Sun Shine In\u2019<\/i>, \u2018I Got Life\u2019<\/i> and \u2018Good Morning Starshine\u2019<\/i> is written by Gerome Ragni <\/b>(book and lyrics), James Rado<\/b> (book and lyrics) and Galt MacDermot<\/b> (music).<\/p>\n The 50th anniversary production is directed by Jonathan O\u2019Boyle (Pippin, Rain Man, Aspects Of Love)<\/i>, who is reunited with the brilliant creative team from Hope Mill Theatre: Gareth Bretherton (Musical Director), William Whelton (Choreographer), Maeve Black (Designer), Ben M Rogers (Lighting Designer), Calum Robinson (Sound Designer) and producers Katy Lipson for Aria Entertainment, Joseph Houston & William Whelton for Hope Mill Theatre, Ollie Rosenblatt for Senbla, and associate producer Guy James.<\/p>\n Tickets can be purchased from the New Theatre box office on George Street, by ringing 0844 871 3020<\/b> or by visiting our website at www.atgtickets.com\/oxford<\/a> (phone and internet bookings subject to booking\/transaction fee. Calls are charged at 7p per minute, plus your phone company’s access charge.<\/i>).<\/p>\n For bookings of 10 or more please call 0333 009 5392<\/b> (calls are charged at local rate \u2013 for group bookings only) and for access bookings please call 0800 912 6971<\/b> and speak to a member of our dedicated booking team.<\/p>\n [izvor informacije The New Theatre Oxford<\/strong><\/a>]<\/p>\n
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