{"id":37181,"date":"2018-10-15T01:02:01","date_gmt":"2018-10-14T23:02:01","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=37181"},"modified":"2025-12-31T21:19:00","modified_gmt":"2025-12-31T20:19:00","slug":"film-slatka-mala-tajna-triler-osvrt-robert-jukic","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=37181","title":{"rendered":"FILM: SLATKA MALA TAJNA, triler [osvrt Robert Juki\u0107]"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>A Simple Favor (2018.)<\/strong><br \/>\n<strong>Redatelj: Paul Feig<\/strong><\/p>\n<p style=\"text-align: justify;\">Privla\u010dne samouvjerene \u017eene koje koriste \u010dinjenicu da su privla\u010dne i kako bi ostvarile svoje ciljeve, susre\u0107emo i u \u017eivotu i na filmu. Spomenimo jedan od najpoznatijih naslova, &#8216;Sirove strasti&#8217; (Basic Instinct; 1992.) Paula Verhoevena, ili malo dalje u pro\u0161losti, crnobijeli klasik &#8216;Dvostruko osiguranje&#8217; (Double Indemnity; 1944.) Billyja Wildera. U trileru &#8216;Slatka mala tajna&#8217; jedna takva \u017eena manipulira svojom okolinom, pronalaze\u0107i kod onih koji su joj potrebni slabosti kako bi ih mogla iskoristiti, ali to je samo jedan od aspekata filma.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/i.postimg.cc\/BbMmMThK\/Slatka-mala-tajna-Naslovnica.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Slatka mala tajna ; Ustupio Blitz Film &amp; Video<\/p>\n<p style=\"text-align: justify;\">Glavne glumice, Anna Kendrick i Blake Lively, u ulogama ru\u017enog pa\u010deta i nao\u010ditog labuda, a razlika je \u010dak i u visini, dok je jedna sitna, druga je visoka. Stephani Smothers (Anna Kendrick) samohrana je majka i Vlogerica. A kada joj u \u0161koli zbog dru\u017eenja u\u010demika s njezinim sinom pri\u0111e njegova nao\u010dita mama, bit \u0107e to po\u010detak prijateljstva. Emily Nelson ima posao snova i mu\u017ea pisca, a \u017eivi u modernisti\u010dkoj luksuznoj vili. Njih dvije sprijateljit \u0107e se, iako je pitanje prijateljstva takve dvije osobe upitno. Stephani \u0107e zbog prijateljstva Emily raditi male usluge, kao \u0161to je \u010duvanje djeteta. A onda Emily jednog dana nestane, a Stephanie ponudi rame za plakanje ucviljenom suprugu\u2026<\/p>\n<p style=\"text-align: justify;\">Intrigantan zaplet \u010dije razrje\u0161enje ipak ima niz dramatur\u0161kih nedoumica koje dolaze do izra\u017eaja u drugoj polovici filma. \u010cinjenica je da je film ra\u0111en prema debitantskom romanu Darcey Bell, pa su se po\u010detni\u010dki nedostaci provukli i u film.<\/p>\n<p style=\"text-align: justify;\">Redatelj Paul Feig, koji ina\u010de snima komedije, svoj &#8216;rukopis&#8217; zadr\u017eao je i u ovom filmu, iako se radi o trileru. Drugi redatelj ne bi dopustio da humorni elementi nadvladaju sumornu situaciju u kojoj su se na\u0161li glavni junaci. Sjetimo se <a href=\"http:\/\/film-mag.net\/wp\/?p=17982\"><strong>&#8216;Nestale&#8217;<\/strong><\/a> (Gone Girl; 2014.) Davida Finchera. U slu\u010daju &#8216;Slatke male tajne&#8217; nedostaci postaju bitni jer u kontekstu zapleta pri\u010du \u010dine neuvjerljivom. Ali kako precizirati, a ne otkriti \u0161to se dogodilo. Autori se\u017eu u pro\u0161lost nestale \u017eene i u pri\u010du ulazi jo\u0161 jedan lik koji \u0107e sve na kraju poslo\u017eiti. Stephanie \u0107e svojim Vlogom privu\u0107i brojne gledatelje, i krenuti u razrje\u0161avanje misterije Emilyne smrti, pa pokazati koliko se putem medija mo\u017ee posti\u0107i.<\/p>\n<p style=\"text-align: justify;\">Redatelj Paul Feig poznat je hrvatskoj kinopublici. Gledali smo njegove filmove <a href=\"http:\/\/www.film-mag.net\/content.php?review.12140\"><strong>&#8216;Djeveru\u0161e&#8217;<\/strong><\/a> (Bridesmaids; 2011.), <a href=\"http:\/\/film-mag.net\/wp\/?p=9603\"><strong>&#8216;Specijalne agentice&#8217;<\/strong><\/a> (The Heat; 2013.), <a href=\"http:\/\/film-mag.net\/wp\/?p=19270\"><strong>&#8216;\u0160pijunka&#8217;<\/strong><\/a> (Spy; 2015.) i <a href=\"http:\/\/film-mag.net\/wp\/?p=28403\"><strong>&#8216;Istjeriva\u010di duhova&#8217;<\/strong><\/a> (Ghostbusters: Answer the Call; 2016.).<\/p>\n<p style=\"text-align: justify;\"><strong>Robert Juki\u0107, Oxford, 12.10.2018.<\/strong><\/p>\n<h3 style=\"text-align: justify;\"><strong>Informacije o filmu:<\/strong><\/h3>\n<p style=\"text-align: justify;\"><strong>Slatka mala tajna<\/strong><br \/>\nBRON Studios, Feigco Entertainment, 2018. \/ 2018., Blitz<br \/>\nTrajanje: 117 min.<br \/>\nFormat: 2.00 : 1<br \/>\nColor: Color<br \/>\nZvuk: Dolby Digital<br \/>\nGlume: Anna Kendrick, Ian Ho, Joshua Satine, Glenda Braganza, Andrew Rannells, Kelly McCormack, Aparna Nancherla, Jiah Mavji, Ava LaFramboise, Blake Lively, Henry Golding, Dustin Milligan, Danielle Bourgon, Gia Sandhu, Lila Yee<\/p>\n<p style=\"text-align: justify;\"><em>Film je pogledan u zagreba\u010dkom\u00a0<a href=\"https:\/\/www.blitz-cinestar.hr\/\">CineStar Branimir<\/a><\/em><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/asimplefavor.movie\/\"><strong>Slatka mala tajna \u2013 Movie Site<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.imdb.com\/title\/tt7040874\/?ref_=fn_al_tt_1\"><strong>A Simple Favor \u2013 IMDb<\/strong><\/a><\/p>\n<p>JO\u0160 NE\u0160TO O FILMU: <a href=\"http:\/\/film-mag.net\/wp\/?p=9896\"><strong>SPECIJALNE AGENTICE \u2013 \u0160mrklja iz nosa i Krv iz grla u komediji<\/strong><\/a> [osvrt Ada Juki\u0107]<\/p>\n<p style=\"text-align: justify;\">\n<div id=\"fb-root\"><\/div>\n<p><script>(function(d, s, id) {  var js, fjs = d.getElementsByTagName(s)[0];  if (d.getElementById(id)) return;  js = d.createElement(s); js.id = id;  js.src = 'https:\/\/connect.facebook.net\/hr_HR\/sdk.js#xfbml=1&version=v3.1';  fjs.parentNode.insertBefore(js, fjs);}(document, 'script', 'facebook-jssdk'));<\/script><\/p>\n<div class=\"fb-post\" data-href=\"https:\/\/www.facebook.com\/FILMmagnet\/photos\/ms.c.eJxFz9kNxEAIA9COVpwG~_m9sFQjk98n2DEKa6hoBIZX0nwwklyvAdmCdiFwoGaCD2cBuGLEkqiQPYkAWWLti9UEnGDuKSdSXmFfsfur1gJJeBb2BA0ffonWJnNE9zqQTjkt4TiVecLYHLPkPzzw9tg~-~-.bps.a.2038353459536650\/2038353776203285\/?type=3&amp;__tn__=HH-R&amp;eid=ARBvsfJDV5_2b5pOYQNSsvRL298YHcYP-tYf8hHvEa4BP6WKXRyz8RgzE_TjePAyTphnhk63UYCypYKr&amp;__xts__%5B0%5D=68.ARD_s1xjyHzMHNHjD6ZOxrVAMPe1i3SZRoWuDxqTesxAbCgujo7oBKYl-aqJ8kmIRIYpyyygt0OLA4hJ5Ur_yAaDOyttkVPm3RYo6bLTaXCdAIXUfiUtx6idCGznC3gW4zDOyZBVz9X_wVAad2pM0ZHn5i_Fjw89CD0AuwATFO8FRB6iKY0K5Q\" data-width=\"750\">\n<blockquote cite=\"https:\/\/www.facebook.com\/FILMmagnet\/posts\/2038353776203285\" class=\"fb-xfbml-parse-ignore\">\n<p>FILM: SLATKA MALA TAJNA, triler [osvrt Robert Juki\u0107], &gt;http:\/\/film-mag.net\/wp\/?p=37181. Fotografije ustupio Blitz Film &amp; Video<\/p>\n<p>Objavljuje <a href=\"https:\/\/www.facebook.com\/FILMmagnet\/\">F.I.L.M.<\/a> u&nbsp;<a href=\"https:\/\/www.facebook.com\/FILMmagnet\/posts\/2038353776203285\">Nedjelja, 14. listopada 2018.<\/a><\/p><\/blockquote>\n<\/div>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"https:\/\/film-mag.net\/wp\/?p=37181\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>A Simple Favor (2018.) Redatelj: Paul Feig Privla\u010dne samouvjerene \u017eene koje koriste \u010dinjenicu da su privla\u010dne i kako bi ostvarile svoje ciljeve, susre\u0107emo i u \u017eivotu i na filmu. Spomenimo jedan od najpoznatijih naslova, &#8216;Sirove strasti&#8217; (Basic Instinct; 1992.) Paula Verhoevena, ili malo dalje u pro\u0161losti, crnobijeli klasik &#8216;Dvostruko osiguranje&#8217; (Double Indemnity; 1944.) Billyja Wildera. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5955,9,4,48],"tags":[3377,1749,18565,6068,18560,14636,1284,521,18561,18562,18564,18563,665,3496,104,1168,450],"class_list":["post-37181","post","type-post","status-publish","format-standard","hentry","category-autorski-tekstovi","category-film","category-istaknuto","category-osvrti-na-filmove","tag-andrew-rannells","tag-anna-kendrick","tag-aparna-nancherla","tag-autorski-tekst","tag-bron-studios","tag-feigco-entertainment","tag-filmska-kritika","tag-filmski-triler","tag-ian-ho","tag-joshua-satine","tag-kelly-mccormack","tag-lenda-braganza","tag-osvrti","tag-paul-feig","tag-robert-jukic","tag-robert-jukic-osvrt-na-film","tag-triler"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>FILM: SLATKA MALA TAJNA, triler [osvrt Robert Juki\u0107] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=37181\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FILM: SLATKA MALA TAJNA, triler [osvrt Robert Juki\u0107] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"A Simple Favor (2018.) Redatelj: Paul Feig Privla\u010dne samouvjerene \u017eene koje koriste \u010dinjenicu da su privla\u010dne i kako bi ostvarile svoje ciljeve, susre\u0107emo i u \u017eivotu i na filmu. Spomenimo jedan od najpoznatijih naslova, &#8216;Sirove strasti&#8217; (Basic Instinct; 1992.) Paula Verhoevena, ili malo dalje u pro\u0161losti, crnobijeli klasik &#8216;Dvostruko osiguranje&#8217; (Double Indemnity; 1944.) Billyja Wildera. 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[&hellip;]","og_url":"https:\/\/film-mag.net\/wp\/?p=37181","og_site_name":"FILM-mag.net","article_published_time":"2018-10-14T23:02:01+00:00","article_modified_time":"2025-12-31T20:19:00+00:00","author":"Robert Juki\u0107","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Robert Juki\u0107","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/film-mag.net\/wp\/?p=37181","url":"https:\/\/film-mag.net\/wp\/?p=37181","name":"FILM: SLATKA MALA TAJNA, triler [osvrt Robert Juki\u0107] - FILM-mag.net","isPartOf":{"@id":"https:\/\/film-mag.net\/wp\/#website"},"datePublished":"2018-10-14T23:02:01+00:00","dateModified":"2025-12-31T20:19:00+00:00","author":{"@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/e10d389a3570afa6990a544a560b5ddb"},"breadcrumb":{"@id":"https:\/\/film-mag.net\/wp\/?p=37181#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/film-mag.net\/wp\/?p=37181"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/film-mag.net\/wp\/?p=37181#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"FILM: SLATKA MALA TAJNA, triler [osvrt Robert Juki\u0107]"}]},{"@type":"WebSite","@id":"https:\/\/film-mag.net\/wp\/#website","url":"https:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/e10d389a3570afa6990a544a560b5ddb","name":"Robert Juki\u0107","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9af3800a835f9caf36c524ed299e09ee?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9af3800a835f9caf36c524ed299e09ee?s=96&d=mm&r=g","caption":"Robert Juki\u0107"},"url":"https:\/\/film-mag.net\/wp\/?author=2"}]}},"_links":{"self":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/37181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=37181"}],"version-history":[{"count":4,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/37181\/revisions"}],"predecessor-version":[{"id":60572,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/37181\/revisions\/60572"}],"wp:attachment":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=37181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=37181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=37181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}