{"id":35827,"date":"2018-05-13T23:20:12","date_gmt":"2018-05-13T21:20:12","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=35827"},"modified":"2018-05-13T23:20:12","modified_gmt":"2018-05-13T21:20:12","slug":"film-osveta-triler-osvrt-robert-jukic","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=35827","title":{"rendered":"FILM: OSVETA, triler [osvrt Robert Juki\u0107]"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Revenge (2017.)<\/strong><br \/>\n<strong> Redatelj: Coralie Fargeat<\/strong><\/p>\n<p style=\"text-align: justify;\">Proteklih mjeseci u kinima su zaredali filmovi o osveti, a najnoviji od njih je obaj francuski, vizualno gotovo dizajnersko atraktivni film s malom gluma\u010dkom ekipom. Poznato je da \u0161ira kino publika ne preferira komorne filmove, stoga autori moraju na neki drugi atraktivni na\u010din nadoknaditi taj &#8216;nedostatak&#8217;. U &#8216;Osveti&#8217; su samo \u010detiri lika, jedna \u017eena i tri mu\u0161karca. Jen (Matilda Anna Ingrid Lutz) atraktivna je djevojka manekenskog tipa koja je do\u0161la s jednim od mu\u0161karaca u njegovu osamljenu vikendicu negdje u divljini. Pridru\u017euju im se njegova dva poslovna partnera \u010dime nastaje svojevrsni \u010detverokut u erotski nabijenoj atmosferi. Nakon \u0161to njezin ljubavnik ode nakratko obaviti neki posao, jedan od partnera je siluje. Kada se njezin ljubavnik vrati, umjesto da je za\u0161titi, na njezino zaprepa\u0161tenje podr\u017ei svojeg poslovnog kolegu. Bje\u017ee\u0107i od njih djevojka pre\u017eivi smrtonosni pad, i kre\u0107e u osvetni\u010dki pohod\u2026<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/s25.postimg.cc\/558ubohr3\/Osveta.png \" \/><\/p>\n<p style=\"text-align: justify;\">Osveta ; Ustupio Blitz<\/p>\n<p style=\"text-align: justify;\">&#8216;Osvetu&#8217; ne bi trebalo gledati kao akcijski triler, iako ima mnogo tih \u017eanrovskih elemenata. Ve\u0107 i sama vjerodostojnost realnosti dolazi u pitanje, radnja filma ulazi u sferu nadrealnog. Jenin pad sa stijene nemogu\u0107e je pre\u017eivjeti, ali ona je uspjela i k tome funkcionira u surovom pustinjskom svijetu. Ako takve okolnosti zanemarite ili prihvatite kao premisu, film mo\u017ee solidno funkcionirati kao atraktivna dizajnerska drama, odnosno kao iskristalizirani odraz stvarnog svijeta u kojem su odnosi nametnuti s pozicije mo\u0107i. Dok Jen funkcionira kao podatna ljubavnica bez svojeg mi\u0161ljenja i stava, privla\u010dna je mu\u0161kom trojcu kao upotrebljiva roba. Me\u0111utim, kada se pobuni i ne odbije nametnutu ulogu, mora zbog neposlu\u0161nosti biti \u017eestoko ka\u017enjena. Njezina individualna osveta mo\u017ee donijeti poni\u017eenje za njezine zlostavlja\u010de, ali ni\u0161ta u kona\u010dnici ne\u0107e promijeniti u stvarnosti u kojoj \u017eivimo. Katarza ima svoju cijenu. &#8216;Osveta&#8217; je svakako jedan od vizualno najatraktivnijih filmova trenutnog doma\u0107eg kinorepertoara.<\/p>\n<p style=\"text-align: justify;\">To \u0161to film pomalo &#8216;miri\u0161i&#8217; na feministi\u010dki \u0161tih, nije \u010dudno, jer je djelo redateljice Corali Fargeat, kojoj je to igrani dugometra\u017eni prvijenac. A glavna (i jedina) glumica Matilda Anna Ingrid Lutz poznata je po filmovima kao \u0161to su drama &#8216;Mi chiamo Maya&#8217; (2015.; Tommaso Agnese), komedija &#8216;L&#8217;Universale&#8217; (2016.; Federico Micali), drama &#8216;Summertime&#8217; (L&#8217;estate addosso; 2016.; Gabriele Muccino) i horor &#8216;Rings&#8217; (2017.; F. Javier Guti\u00e9rrez).<\/p>\n<p style=\"text-align: justify;\"><strong>Robert Juki\u0107, Zagreb, 30.04.2018.<\/strong><\/p>\n<h3 style=\"text-align: justify;\"><strong>Informacije o filmu:<\/strong><\/h3>\n<p style=\"text-align: justify;\"><strong>Osveta<\/strong><br \/>\nM.E.S. Productions, Monkey Pack Films, Charades, 2017.<br \/>\nTrajanje: 108 min.<br \/>\nFormat: 2.35 : 1<br \/>\nColor: Color<br \/>\nZvuk: Dolby Digital<br \/>\nGlume: Matilda Anna Ingrid Lutz, Kevin Janssens, Vincent Colombe, Guillaume Bouch\u00e8de, Avant Strangel<\/p>\n<div id=\"fb-root\"><\/div>\n<p><script>(function(d, s, id) {  var js, fjs = d.getElementsByTagName(s)[0];  if (d.getElementById(id)) return;  js = d.createElement(s); js.id = id;  js.src = 'https:\/\/connect.facebook.net\/hr_HR\/sdk.js#xfbml=1&version=v3.0';  fjs.parentNode.insertBefore(js, fjs);}(document, 'script', 'facebook-jssdk'));<\/script><\/p>\n<div class=\"fb-post\" data-href=\"https:\/\/www.facebook.com\/FILMmagnet\/photos\/ms.c.eJxNj9sNAzAIAzeqgPDy~;otVCY3T35PxYW0LT88uhynyoz9Q0haxlACu0Z12QU3CbiJcNvBoghrARNruqARBDogLQg5onlScDlsXtJ5ECC05FmPHlBZLuw5wvwDYa~_Vpex3wp50txi01rwdfx2jlaTFaAswWf6U9HdyC0dZNYHk5tJZ8ASTWUwQ~-.bps.a.1825464640825534.1073742501.360984060606940\/1825464687492196\/?type=3\" data-width=\"750\">\n<blockquote cite=\"https:\/\/www.facebook.com\/FILMmagnet\/posts\/1825464687492196\" class=\"fb-xfbml-parse-ignore\">\n<p>FILM: OSVETA, triler [osvrt Robert Juki\u0107], &gt;http:\/\/film-mag.net\/wp\/?p=35827. Fotografije ustupio Blitz<\/p>\n<p>Objavljuje <a href=\"https:\/\/www.facebook.com\/FILMmagnet\/\">F.I.L.M.<\/a> u&nbsp;<a href=\"https:\/\/www.facebook.com\/FILMmagnet\/posts\/1825464687492196\">13. svibnja 2018<\/a><\/p><\/blockquote>\n<\/div>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"https:\/\/film-mag.net\/wp\/?p=35827\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Revenge (2017.) Redatelj: Coralie Fargeat Proteklih mjeseci u kinima su zaredali filmovi o osveti, a najnoviji od njih je obaj francuski, vizualno gotovo dizajnersko atraktivni film s malom gluma\u010dkom ekipom. Poznato je da \u0161ira kino publika ne preferira komorne filmove, stoga autori moraju na neki drugi atraktivni na\u010din nadoknaditi taj &#8216;nedostatak&#8217;. U &#8216;Osveti&#8217; su samo [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5955,9,4,48],"tags":[6068,17985,17979,17889,1284,521,17984,17983,17981,17977,17980,17978,665,104,1168,450,17982],"class_list":["post-35827","post","type-post","status-publish","format-standard","hentry","category-autorski-tekstovi","category-film","category-istaknuto","category-osvrti-na-filmove","tag-autorski-tekst","tag-avant-strangel","tag-charade","tag-coralie-fargeat","tag-filmska-kritika","tag-filmski-triler","tag-glume-matilda-anna-ingrid-lutz","tag-guillaume-bouchede","tag-kevin-janssens","tag-m-e-s-productions","tag-matilda-anna-ingrid-lutz","tag-monkey-pack-films","tag-osvrti","tag-robert-jukic","tag-robert-jukic-osvrt-na-film","tag-triler","tag-vincent-colombe"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>FILM: OSVETA, triler [osvrt Robert Juki\u0107] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=35827\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FILM: OSVETA, triler [osvrt Robert Juki\u0107] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Revenge (2017.) Redatelj: Coralie Fargeat Proteklih mjeseci u kinima su zaredali filmovi o osveti, a najnoviji od njih je obaj francuski, vizualno gotovo dizajnersko atraktivni film s malom gluma\u010dkom ekipom. Poznato je da \u0161ira kino publika ne preferira komorne filmove, stoga autori moraju na neki drugi atraktivni na\u010din nadoknaditi taj &#8216;nedostatak&#8217;. 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Redatelj: Coralie Fargeat Proteklih mjeseci u kinima su zaredali filmovi o osveti, a najnoviji od njih je obaj francuski, vizualno gotovo dizajnersko atraktivni film s malom gluma\u010dkom ekipom. Poznato je da \u0161ira kino publika ne preferira komorne filmove, stoga autori moraju na neki drugi atraktivni na\u010din nadoknaditi taj &#8216;nedostatak&#8217;. U &#8216;Osveti&#8217; su samo [&hellip;]","og_url":"https:\/\/film-mag.net\/wp\/?p=35827","og_site_name":"FILM-mag.net","article_published_time":"2018-05-13T21:20:12+00:00","author":"Robert Juki\u0107","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Robert Juki\u0107","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/film-mag.net\/wp\/?p=35827","url":"https:\/\/film-mag.net\/wp\/?p=35827","name":"FILM: OSVETA, triler [osvrt Robert Juki\u0107] - FILM-mag.net","isPartOf":{"@id":"https:\/\/film-mag.net\/wp\/#website"},"datePublished":"2018-05-13T21:20:12+00:00","author":{"@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/e10d389a3570afa6990a544a560b5ddb"},"breadcrumb":{"@id":"https:\/\/film-mag.net\/wp\/?p=35827#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/film-mag.net\/wp\/?p=35827"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/film-mag.net\/wp\/?p=35827#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"FILM: OSVETA, triler [osvrt Robert Juki\u0107]"}]},{"@type":"WebSite","@id":"https:\/\/film-mag.net\/wp\/#website","url":"https:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/e10d389a3570afa6990a544a560b5ddb","name":"Robert Juki\u0107","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9af3800a835f9caf36c524ed299e09ee?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9af3800a835f9caf36c524ed299e09ee?s=96&d=mm&r=g","caption":"Robert Juki\u0107"},"url":"https:\/\/film-mag.net\/wp\/?author=2"}]}},"_links":{"self":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/35827","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=35827"}],"version-history":[{"count":1,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/35827\/revisions"}],"predecessor-version":[{"id":35828,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/35827\/revisions\/35828"}],"wp:attachment":[{"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=35827"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=35827"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=35827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}