{"id":19655,"date":"2015-02-03T23:20:49","date_gmt":"2015-02-03T22:20:49","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=19655"},"modified":"2015-02-03T23:23:03","modified_gmt":"2015-02-03T22:23:03","slug":"film-snajperist-drama-ratni-osvrt-ada-jukic","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=19655","title":{"rendered":"FILM: SNAJPERIST, drama \/ ratni [osvrt Ada Juki\u0107]"},"content":{"rendered":"<p style=\"text-align: justify;\">Redatelj kultnih &#8216;Unforgivena&#8217; (1992.) i &#8216;Djevojke od milijun dolara&#8217; (2004.) u novom filmu ne preispituje ideolo\u0161ke premise podloge po kojoj je film snimljen, \u0161to je i ina\u010de problem filmova koji se rade po ne\u010dijoj ispovijesti ili autobiografiji. Eastwood se ne distancira od interpretacije protagonista, koji je u trenutku zastoja svoje kaubojske karijere odlu\u010dio kao snajperist u Iraku za\u0161tititi interese &#8216;najbolje zemlje na svijetu&#8217;, i svoje ratne do\u017eivljaje i emocije opisao u knjizi. Ispunjen pietetom prema nacionalnom junaku koji je stradao ne na boji\u0161tu, ve\u0107 u vlastitoj zemlji i u mirnodopskoj funkciji, Eastwood radi filmsku ilustraciju autobiografskog vi\u0111enja glavnog junaka, koji je od oca preuzeo stav da se ljudi dijele na &#8216;ovce&#8217; i &#8216;vukove&#8217; i &#8216;pse \u010duvare&#8217;, i opremljen takvim metafori\u010dkim svjetonazorom ostaje tuma\u010d globalne svjetske politike.<\/p>\n<div class=\"mceTemp\" style=\"text-align: justify;\">\n<dl id=\"attachment_19657\" class=\"wp-caption alignnone\" style=\"width: 460px;\">\n<dt class=\"wp-caption-dt\"><a href=\"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2015\/02\/CineStar_Snajperist_1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-19657\" title=\"Snajperist ; Ustupio CineStar\" src=\"https:\/\/film-mag.net\/wp\/wp-content\/uploads\/2015\/02\/CineStar_Snajperist_1.jpg\" alt=\"Snajperist ; Ustupio CineStar\" width=\"450\" height=\"675\" srcset=\"https:\/\/film-mag.net\/wp\/wp-content\/uploads\/2015\/02\/CineStar_Snajperist_1.jpg 450w, https:\/\/film-mag.net\/wp\/wp-content\/uploads\/2015\/02\/CineStar_Snajperist_1-200x300.jpg 200w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><\/dt>\n<dd class=\"wp-caption-dd\">Snajperist ; Ustupio CineStar<\/dd>\n<\/dl>\n<\/div>\n<p style=\"text-align: justify;\">U crnom i bijelom autoprikazu naslovni junak je apsolutni pozitivac, a njegovi protivnici su, kako se u filmu eksplicira, &#8216;divljaci&#8217; koji \u017ertvuju svoju djecu i zavaravaju po\u0161tene protivnike, a \u0161to je najgore, tako\u0111er koriste snajperiste, koji su, umjesto za\u0161titara svojih suboraca, prikazani kao zlo\u010dinci. Me\u0111u neameri\u010dkim snajperistima isti\u010de se jedan, posebno okrutan, to jest, precizan, i tema filma postaje osobni obra\u010dun izme\u0111u &#8216;ameri\u010dke legende&#8217; i njegovog suparnika, koji u ratu zloupotrebljava sportsku olimpijsku reputaciju. Najnapetije su scene u kojima je prikazan napor ameri\u010dkog snajperista prilikom biranja ciljeva, kako bi izbjegao nevine \u017ertve, pri tome preuzimaju\u0107i \u017eivotni rizik. S druge strane, druga strana prikazana je kako otvoreno i bezobzirno napada ameri\u010dke snage koje napadaju samo u krajnjoj nu\u017edi i najgrublje su na rije\u010dima.<\/p>\n<p style=\"text-align: justify;\">U filmskoj pri\u010di &#8216;po \u017eivotnoj pri\u010di&#8217; iskusni i vi\u0161estruko nagra\u0111ivani redatelj nije izbjegao ne samo pristranost, ve\u0107 ni kli\u0161eje. Osobito se to odnosi na prikaz braka naslovnog junaka. Dosta vremena potro\u0161eno je na opis upoznavanja elitnog vojnika s lokalnom ljepoticom, za koju ne znamo \u010dime se zapravo bavi ni od kuda potje\u010de. Slijedi standardna bra\u010dna situacija u kojoj se mlada \u017eena \u017eali zato \u0161to vi\u0161e vremena ne provodi sa suprugom, iako se ne zna \u0161to bi zajedno radili. Supruga i uskoro majka (s detaljima trudno\u0107e, uklju\u010divo ultrazvuk), spo\u010ditava mu\u017eu \u0161to op\u0107e interese pretpostavlja obiteljskim i roditeljskim interesima. Sve zvu\u010di poznato. A kada se, nakon bra\u010dnih kriza koje se \u010dine nepremostivim, odnosi u obitelji prika\u017eu idili\u010dnim, slijedi tragedija&#8230;<\/p>\n<p style=\"text-align: justify;\">Uz kli\u0161eje, tu su i eksplicitni previdi i gubici u filmu, kao primjerice, slu\u010daj mla\u0111eg brata junaka, o kojemu ovaj brine od djetinjstva, u sklopu svoje uloge za\u0161titnika slabijih, a onda se zaboravi na njega&#8230;<\/p>\n<p style=\"text-align: justify;\">Daleko od paralele s kultnom vijetnamskom &#8216;Apokalipsom danas&#8217; ili sli\u010dnim kontroverznim prikazom ameri\u010dkih inozemnih anga\u017emana, Eastwood je snimio film koji \u0107e se svidjeti domicilnoj publici, jer je osloba\u0111a uznemiruju\u0107ih dvojba oko motiva jo\u0161 jednog prekooceanskog ratnog pohoda.<\/p>\n<p style=\"text-align: justify;\"><strong>Ada Juki\u0107, Zagreb, 2. 2. 2014.<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Vi\u0161e o filmu:<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><\/strong> <strong>Snajperist<\/strong><br \/>\n<strong>American Sniper (2014.)<\/strong><br \/>\nWarner Bros., Village Roadshow Pictures, Mad Chance Productions, 2014.<br \/>\nTrajanje: 132 min.<br \/>\nFormat: 2,35:1<br \/>\nColor: Color<br \/>\nZvuk: Dolby Atmos | Datasat | Auro 11.1<br \/>\nRedatelj: Clint Eastwood<br \/>\nGlume: Bradley Cooper, Kyle Gallner, Cole Konis, Ben Reed, Elise Robertson, Luke Sunshine, Troy Vincent, Brandon Salgado Telis, Keir O\u2019Donnell, Marnette Patterson, Jason Hall, Billy Miller, Leonard Roberts, Jason Walsh, Reynaldo Gallegos, Sienna Miller<\/p>\n<p style=\"text-align: justify;\"><strong><a href=\"http:\/\/www.americansnipermovie.com\/\">Snajperist \u2013 Movie Site<\/a><\/strong><br \/>\n<strong><a href=\"http:\/\/www.imdb.com\/title\/tt2179136\/?ref_=fn_al_tt_1\">American Sniper \u2013 IMDb<\/a><\/strong><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"https:\/\/film-mag.net\/wp\/?p=19655\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"https:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Redatelj kultnih &#8216;Unforgivena&#8217; (1992.) i &#8216;Djevojke od milijun dolara&#8217; (2004.) u novom filmu ne preispituje ideolo\u0161ke premise podloge po kojoj je film snimljen, \u0161to je i ina\u010de problem filmova koji se rade po ne\u010dijoj ispovijesti ili autobiografiji. Eastwood se ne distancira od interpretacije protagonista, koji je u trenutku zastoja svoje kaubojske karijere odlu\u010dio kao snajperist [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":19657,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5955,9,4,48],"tags":[204,1171,6068,11005,1529,9611,11004,11006,1284,9616,10979,665,9613,9662,4661],"class_list":["post-19655","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-autorski-tekstovi","category-film","category-istaknuto","category-osvrti-na-filmove","tag-ada-jukic","tag-ada-jukic-osvrt-na-film","tag-autorski-tekst","tag-ben-reed","tag-bradley-cooper","tag-clint-eastwood","tag-cole-konis","tag-elise-robertson","tag-filmska-kritika","tag-kyle-gallner","tag-mad-chance-productions","tag-osvrti","tag-sienna-miller","tag-village-roadshow-pictures","tag-warner-bros"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>FILM: SNAJPERIST, drama \/ ratni [osvrt Ada Juki\u0107] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=19655\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FILM: SNAJPERIST, drama \/ ratni [osvrt Ada Juki\u0107] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Redatelj kultnih &#8216;Unforgivena&#8217; (1992.) i &#8216;Djevojke od milijun dolara&#8217; (2004.) u novom filmu ne preispituje ideolo\u0161ke premise podloge po kojoj je film snimljen, \u0161to je i ina\u010de problem filmova koji se rade po ne\u010dijoj ispovijesti ili autobiografiji. Eastwood se ne distancira od interpretacije protagonista, koji je u trenutku zastoja svoje kaubojske karijere odlu\u010dio kao snajperist [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/film-mag.net\/wp\/?p=19655\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2015-02-03T22:20:49+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-02-03T22:23:03+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2015\/02\/CineStar_Snajperist_1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"450\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ada Juki\u0107\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ada Juki\u0107\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=19655#article\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=19655\"},\"author\":{\"name\":\"Ada Juki\u0107\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/92729891bbbc5097f13d47bdec3da0aa\"},\"headline\":\"FILM: SNAJPERIST, drama \\\/ ratni [osvrt Ada Juki\u0107]\",\"datePublished\":\"2015-02-03T22:20:49+00:00\",\"dateModified\":\"2015-02-03T22:23:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=19655\"},\"wordCount\":568,\"image\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=19655#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/wp-content\\\/uploads\\\/2015\\\/02\\\/CineStar_Snajperist_1.jpg\",\"keywords\":[\"ada juki\u0107\",\"Ada Juki\u0107 osvrt na film\",\"autorski tekst\",\"Ben Reed\",\"Bradley Cooper\",\"Clint Eastwood\",\"Cole Konis\",\"Elise Robertson\",\"filmska kritika\",\"Kyle Gallner\",\"Mad Chance Productions\",\"osvrti\",\"Sienna Miller\",\"Village Roadshow Pictures\",\"Warner Bros\"],\"articleSection\":[\"Autorski tekstovi\",\"Film\",\"Istaknuto\",\"Osvrti na filmove\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=19655\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=19655\",\"name\":\"FILM: SNAJPERIST, drama \\\/ ratni [osvrt Ada Juki\u0107] - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=19655#primaryimage\"},\"image\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=19655#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/wp-content\\\/uploads\\\/2015\\\/02\\\/CineStar_Snajperist_1.jpg\",\"datePublished\":\"2015-02-03T22:20:49+00:00\",\"dateModified\":\"2015-02-03T22:23:03+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/92729891bbbc5097f13d47bdec3da0aa\"},\"breadcrumb\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=19655#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=19655\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=19655#primaryimage\",\"url\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/wp-content\\\/uploads\\\/2015\\\/02\\\/CineStar_Snajperist_1.jpg\",\"contentUrl\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/wp-content\\\/uploads\\\/2015\\\/02\\\/CineStar_Snajperist_1.jpg\",\"width\":\"450\",\"height\":\"675\",\"caption\":\"Snajperist ; 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(1992.) i &#8216;Djevojke od milijun dolara&#8217; (2004.) u novom filmu ne preispituje ideolo\u0161ke premise podloge po kojoj je film snimljen, \u0161to je i ina\u010de problem filmova koji se rade po ne\u010dijoj ispovijesti ili autobiografiji. Eastwood se ne distancira od interpretacije protagonista, koji je u trenutku zastoja svoje kaubojske karijere odlu\u010dio kao snajperist [&hellip;]","og_url":"http:\/\/film-mag.net\/wp\/?p=19655","og_site_name":"FILM-mag.net","article_published_time":"2015-02-03T22:20:49+00:00","article_modified_time":"2015-02-03T22:23:03+00:00","og_image":[{"width":450,"height":675,"url":"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2015\/02\/CineStar_Snajperist_1.jpg","type":"image\/jpeg"}],"author":"Ada Juki\u0107","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Ada Juki\u0107","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/film-mag.net\/wp\/?p=19655#article","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/?p=19655"},"author":{"name":"Ada Juki\u0107","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/92729891bbbc5097f13d47bdec3da0aa"},"headline":"FILM: SNAJPERIST, drama \/ ratni [osvrt Ada Juki\u0107]","datePublished":"2015-02-03T22:20:49+00:00","dateModified":"2015-02-03T22:23:03+00:00","mainEntityOfPage":{"@id":"http:\/\/film-mag.net\/wp\/?p=19655"},"wordCount":568,"image":{"@id":"http:\/\/film-mag.net\/wp\/?p=19655#primaryimage"},"thumbnailUrl":"https:\/\/film-mag.net\/wp\/wp-content\/uploads\/2015\/02\/CineStar_Snajperist_1.jpg","keywords":["ada juki\u0107","Ada Juki\u0107 osvrt na film","autorski tekst","Ben Reed","Bradley Cooper","Clint Eastwood","Cole Konis","Elise Robertson","filmska kritika","Kyle Gallner","Mad Chance Productions","osvrti","Sienna Miller","Village Roadshow Pictures","Warner Bros"],"articleSection":["Autorski tekstovi","Film","Istaknuto","Osvrti na filmove"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"http:\/\/film-mag.net\/wp\/?p=19655","url":"http:\/\/film-mag.net\/wp\/?p=19655","name":"FILM: SNAJPERIST, drama \/ ratni [osvrt Ada Juki\u0107] - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"primaryImageOfPage":{"@id":"http:\/\/film-mag.net\/wp\/?p=19655#primaryimage"},"image":{"@id":"http:\/\/film-mag.net\/wp\/?p=19655#primaryimage"},"thumbnailUrl":"https:\/\/film-mag.net\/wp\/wp-content\/uploads\/2015\/02\/CineStar_Snajperist_1.jpg","datePublished":"2015-02-03T22:20:49+00:00","dateModified":"2015-02-03T22:23:03+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/92729891bbbc5097f13d47bdec3da0aa"},"breadcrumb":{"@id":"http:\/\/film-mag.net\/wp\/?p=19655#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/film-mag.net\/wp\/?p=19655"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/film-mag.net\/wp\/?p=19655#primaryimage","url":"https:\/\/film-mag.net\/wp\/wp-content\/uploads\/2015\/02\/CineStar_Snajperist_1.jpg","contentUrl":"https:\/\/film-mag.net\/wp\/wp-content\/uploads\/2015\/02\/CineStar_Snajperist_1.jpg","width":"450","height":"675","caption":"Snajperist ; 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