{"id":14573,"date":"2014-05-06T19:06:14","date_gmt":"2014-05-06T17:06:14","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=14573"},"modified":"2014-05-06T23:08:48","modified_gmt":"2014-05-06T21:08:48","slug":"think-space-environment-subtraction-mini-simpoziji-u-laubi","status":"publish","type":"post","link":"https:\/\/film-mag.net\/wp\/?p=14573","title":{"rendered":"Think Space: Environment – Subtraction mini simpoziji u Laubi"},"content":{"rendered":"

Think Space: Environment – Subtraction mini-simpoziji u Laubi, petak 9.5. u 19:00 sati<\/strong><\/p>\n

\u201eRazmotrite zadovoljstvo uklanjanja gra\u0111evine\u201c<\/strong><\/em><\/p>\n

Think Space program zagreba\u010dkog Dru\u0161tva arhitekata najavljuje posljednji mini.simpozij u ciklusu MONEY\/ NOVAC na kojem \u0107e o svojem radu na temu\u00a0<\/strong>oduzimanja u prostoru<\/strong><\/em>\u00a0govoriti Keller Easterling, ameri\u010dka arhitektica, urbanistica, istra\u017eiva\u010dica na polju arhitekture i profesorica na arhitektonskoj \u0161koli Sveu\u010dili\u0161ta Yale.\u00a0<\/strong><\/p>\n

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\n
\"HKA<\/a><\/dt>\n
HKA SSU Keller Easterling<\/dd>\n<\/dl>\n<\/div>\n

Zavr\u0161en je posljednji natje\u010daj ovosezonskog izdranja Think Space programa, Environment \/ Subtraction(Okoli\u0161 \/ subtrakcija). Njegove rezultate u petak \u0107e u Laubi objaviti Keller Easterling koja je natje\u010daj \u017eirirala u suradnji s gostima kustosima ciklusa, \u0161panjolskim arhitektima, Ethel Baraonom Pohl i Cesarom Reyesom Najera. Uz objavu rezultata i predstavljanje nagra\u0111enih radova, koje \u0107e nam i ovaj put pribli\u017eiti njihovi me\u0111unarodni autori uklju\u010denjima u\u017eivo iz razli\u010ditih vremenskih zona, u programu doga\u0111anja u petak imat \u0107ete prilike u\u017eivo poslu\u0161ati i ostale zanimljive go\u0161\u0107e programa, Baraonu Pohl i Anu Danu Bero\u0161 u panel raspravi koju \u0107e moderirati Tomislav Pletenac s Filozofskog fakulteta u Zagrebu. Pozivamo Vas da nam se pridru\u017eite u razgovoru od 19:00h te neformalnom dru\u017eenju od 21:00 h na adresi Baruna Filipovi\u0107a 23a.<\/p>\n

Sudjelovanje ne mini-simpoziju boduje se u sklopu Programa stalnog stru\u010dnog usavr\u0161avanja Hrvatske komore arhitekata s tri (3) boda.<\/em><\/strong><\/p>\n

Besplatne ulaznice rezervirajte putem Entrio sustava\u00a0ovdje<\/a>.<\/strong><\/p>\n

Keller Esterling, ameri\u010dka arhitektica, urbanistica i istra\u017eiva\u010dica na polju arhitekture, koja trenutno predaje na Sveu\u010dili\u0161tu Yale \u017eiratorica je posljednjeg u nizu ovogodi\u0161njih Think Space natje\u010daja \u2013 Environment\/ Subtraction. Easterling je autorica je nekoliko knjiga koje se bave istra\u017eivanjem globalnih fenomena u arhitektonskom kontekstu, suburbijom i urbanisti\u010dkim problematikama ameri\u010dkih predgra\u0111a, dok se u zadnje vrijeme bavi pojmom subtrakcije u arhitekturi. Predstaviv\u0161i temu natje\u010daja u okviru\u00a0<\/em>mini.simpozija Culture & Society<\/em><\/a><\/strong>, Easterling je ukazala na \u010dinjenicu zapostavljenog dijela arhitektonske struke \u2013 uklanjanja zgrada.\u00a0<\/em><\/p>\n

Na\u010dini, metodologije uzroci, kao i tr\u017ei\u0161ni i ekolo\u0161ki mehanizmi samo su neki od aspekata ovog relativno zapostavljenog djela \u2013 izme\u0111u ostalog \u2013 i arhitektonske djelatnosti.\u00a0Ratovi i planirano ru\u0161enje, odnosno uklanjanje imaju po prvi put podjednak u\u010dinak na izgra\u0111eni okoli\u0161. Pitanje je na koji na\u010din iz kojih razloga i s kojim reperkusijama se zgrade uklanjaju, kakve su posljedice na okoli\u0161 i da li je ovo segment arhitektonske struke koji \u0107e dobiti na zna\u010daju u budu\u0107nosti.\u00a0<\/em><\/p>\n

Keller Easterling:\u00a0<\/span><\/em>Subtrakcija<\/span><\/em><\/strong><\/p>\n

Zamislite zadovoljstvo uklanjanja zgrada. Kakvi god bili golemi napori povezani uz podizanje arhitekture, umjetnost uklanjanja mora biti jednako nasilna, neodoljiva I zadovoljavaju\u0107a.<\/em><\/em><\/p>\n

Metode demoliranja, implozije ili drugog na\u010dina subtrakcije gra\u0111evinskog materijala su esencijalne vje\u0161tine arhitektonske edukacije. Iako se gra\u0111enje smatra primarno konstruktivnom aktivno\u0161\u0107u, disciplina jo\u0161 uvijek nije institucionalizirala posebne studije uklanjanja. U biti arhitektonski odgovor na gotovo sve probleme je gradnja, a uklanjanje je samo priprema tabula rase.<\/em><\/p>\n

U \u010desto indiferentnim ekologijama subtrakcije zgrada, tr\u017ei\u0161ni i financijski eksperti, urbanisti i politi\u010dari imaju na raspolaganju nekoliko metoda daljinskog upravljanja detoniranja zgrada i okoli\u0161a, stvaraju\u0107i destrukciju i politi\u010dke okolnosti samo neznatno druga\u010dije od rata. (\u2026)<\/em><\/p>\n

Svaki akt gra\u0111enja je ve\u0107 i akt subtrakcije. Mnoge zgrade su danas projektirane kao repetativni prostorni produkti s kratkim ciklusima zastarijevanja. Financijska industrija obavija prividno stati\u010dnu i otpornu zgradu ranjivim balonom napuhavanjem ili sni\u017eavanjem vrijednosti, bilo da se radi o maloj ku\u0107i ili o sportskoj areni ili kasinu. Populacije migriraju u i iz gradova uzrokuju\u0107i i rast i ubrzani pad. Zgrade zamjenjuju druge zgrade, ali mogu svojom toksi\u010dnom nazo\u010dno\u0161\u0107u uzrokovati propast za okolinu i krajobraz.<\/em><\/p>\n

U jeku recentne krize, katastrofa i populacijskih migracija, kada se zgrade mijenjaju i zra\u010de negativnost, zna\u010dajni segment te\u0161ke ma\u0161inerije se koristi za ru\u0161enje. Uni\u0161tenje i propadanje imaju vlastitu pornografiju. Emisije o demoliranju. (\u2026)<\/em><\/em><\/p>\n

Ekonomija subtrakcije bi mogla ozna\u010diti kraj ere u kojoj je gradnja tretirana primarno kao financijski instrument. Dok postoje razvijene sheme manipuliranja virtualnim vrijednostima zgrada i krajobraza \u2013 na tr\u017ei\u0161tu nekretnina ili tr\u017ei\u0161tu ugljika \u2013 postoji manje prostornih varijabli vrijednosti. Materijalizacijom rizika i nagrada u fizi\u010dkom, prostornom konstruktu, udjelima i mehanizmima alternativnih portfolia vrijednosti se mo\u017ee trgovati na paralelnim tr\u017ei\u0161tima. (\u2026)<\/em><\/p>\n

Financijski sustavi su dobri u haphazardnom brisanju zgrada i krajobraza, ali s obzirom na \u010dinjenicu da su arhitekti obu\u010deni za pokretanje gra\u0111evinske ma\u0161inerije prema naprijed, mo\u017eda bi mogli I znati ne\u0161to o tome kako je staviti u rikverc.<\/em><\/p>\n

<\/em>Territories<\/a><\/strong>
\nJuror<\/strong>
\n David Garcia<\/strong>
\nDavid Garcia is editor and publisher of the international publication MAP, now in it\u2019s sixth issue and is founder of The Institute of Architecture and the Extreme Environment. He is a Degree Course director at The Bartlett School of Architecture,\u00a0Unit 3<\/a><\/strong>, since 2010 and Master Course director at Lund\u2019s School of Architecture (AAD Course<\/a><\/strong>), LTH, Sweden since 2010, having taught at LTH since 2002. He lectures regularly and is a guest jury at international architecture schools, and exhibits worldwide. Garcia is a graduate from The Bartlett School of Architecture. He worked at Foster and Partners, London, and has been an Associate Partner at Henning Larsen Architects in Copenhagen.\u00a0In 2007 he was awarded a prestigious 3-year bursary grant from the Danish Art Council, and was the Frits Schlegel Architectural Prize winner in 2013. He was selected to represent the Danish Pavilion in the 13th\u00a0International Architecture Biennale in Venice.<\/p>\n

Culture & Society<\/a><\/strong>
\n Juror<\/strong>
\n Pedro Gadanho<\/strong>
\nPedro Gadanho\u00a0is the Curator of Contemporary Architecture in the Department of Architecture and Design at the Museum of Modern Art, New York. Since he joined MoMA in 2012, he curated the exhibition\u00a09+1 Ways of Being Political\u00a0and is responsible for the\u00a0Young Architects Program.\u00a0Previously, he divided his activity between architecture, teaching, writing and curating. Gadanho holds an MA in art and architecture and PhD in architecture and mass media. He is the author of\u00a0Interiores 01-\u00ad\u2010010and of\u00a0Arquitetura em P\u00fablico,a recipient of the FAD Prize for Thought and Criticism in 2012. He was the editor of\u00a0BEYOND\u00a0bookazine, curated\u00a0Metaflux\u00a0at the 2004 Venice Architecture Biennale and exhibitions such as\u00a0Post.Rotterdam, Space Invaders,\u00a0and Pancho Guedes, An Alternative Modernist.\u00a0He was also a chief curator of Experimenta Design. He is also a widely published practicing architect.<\/p>\n

Environment<\/a><\/strong>
\n Juror<\/strong>
\n Keller Easterling<\/strong>
\nKeller\u00a0Easterling\u00a0is an architect and writer from New York City and a professor at Yale University.\u00a0Her book,\u00a0Enduring Innocence: Global Architecture and its Political Masquerades\u00a0(MIT, 2005) researches familiar spatial products \u00a0in difficult or hyperbolic political situations around the world. A previous book\u00a0Organization Space: Landscapes, Highways and Houses in America\u00a0(MIT, 1999)\u00a0applies network theory to a discussion of American infrastructure and development formats. A forthcoming book,\u00a0Extrastatecraft: The Power of Matrix Space\u00a0(Verso, 2014),\u00a0examines global infrastructure networks as a medium of polity.<\/p>\n

[izvor informacije HKA<\/a><\/strong>]<\/p>\n

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