{"id":63129,"date":"2026-10-13T23:58:50","date_gmt":"2026-10-13T21:58:50","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=63129"},"modified":"2026-10-13T23:58:50","modified_gmt":"2026-10-13T21:58:50","slug":"film-omaha-osvrt-darko-plesa","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=63129","title":{"rendered":"FILM: Omaha [osvrt Darko Ple\u0161a]"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Trenuta\u010dno \u017eivimo u vremenima kad streaming servisi sve vi\u0161e postaju dijelovi na\u0161ih \u017eivota, filmovi i serije po izboru sve vi\u0161e udaljavaju publiku od klasi\u010dnih televizijskih sadr\u017eaja, ali po mnogima i od odlazaka u kino. Razdoblje dolaska nekog filma na neku od platformi za gledanje televizije nakon prikazivanja u kinima sve je kra\u0107e, \u0161to zasigurno daje za pravo onima koji tvrde da streaming servisi prijete postojanju pa i egzistenciji kino dvorana. Ipak postoji i druga strana medalje, filmovi koji nemaju distribuciju ili je nemaju u svim dijelovima svijeta a vrijedni su gledanja, svoju priliku da do\u0111u do publike imaju upravo preko streaming servisa.<\/strong><\/p>\n<p style=\"text-align: justify;\">Na malom tr\u017ei\u0161tu kao \u0161to je hrvatsko, i gdje je lako nabrojati kina po dr\u017eavi koja nisu u sklopu vode\u0107eg multipleksa a jo\u0161 posluju, neke smo nagra\u0111ene i odli\u010dne filmove imali priliku pogledati samo na streaming servisima. Filmovi kao &#8216;Snje\u017eno bratstvo&#8217;, &#8216;Njegove tri k\u0107eri&#8217;, &#8216;Snovi na tra\u010dnicama&#8217;, &#8216;Red&#8217; (koji se u prijevodu ispravno trebao zvati Poredak a ne Red) i jo\u0161 mnogo onih koje zasigurno jo\u0161 nisam ni primijetio. Tako se od nedavno na jednom servisu u hrvatskoj mo\u017ee pogledati i film &#8216;Omaha&#8217;.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/image.tmdb.org\/t\/p\/original\/rf8V9z28gJre58U9ObHN3NJph4A.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\" https:\/\/www.themoviedb.org\/movie\/1233655-omaha \" target=\"_blank\" rel=\"noopener noreferrer\"> TMDB<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">&#8216;Omaha&#8217; je svoju premijeru imao pro\u0161le godine na Sundance Film Festivalu, da bi se nakon sudjelovanja na nizu festivala, ove godine i pojavio na Cannesu s nominacijom za Cannes Junior Award. Film po\u010dinje jednim jutrom 2008. godine, gdje otac svoju djecu budi ili odnosi jo\u0161 pospane u auto, nose malo stvari, a s njima ide i pas. Prije samog polaska do ku\u0107e dolazi i policajka s kojom otac ne\u0161to pri\u010da, djeca su u autu i ne \u010duju \u0161to. Nakon toga kre\u0107u na put autom koji nije u najboljem stanju i kojega treba valjda prije svakog paljenja neko vrijeme gurati da bi uop\u0107e krenuo. Dok se auto udaljava vidimo da policajka neki papir zakucava na vrata. Martin, kako se zove otac, djeci je rekao samo da idu u Nebrasku, a on kad je sam ili pred spavanje pri\u010da sa svojom pokojnom suprugom. John Magaro, koji malim ali sigurnim koracima postaje glumac kojega se sve vi\u0161e tra\u017ei, svakako je najja\u010da karika filma. On nam donosi svu tjeskobu koja nastanjuje njegov lik bez pretjeranih gesti.<\/p>\n<p style=\"text-align: justify;\">Molly Belle Wright, mlada engleska glumica, koja igra njegovu devetogodi\u0161nju k\u0107erku Ellu, ravnopravno mu parira u ulozi djeteta koje shva\u0107a da ne\u0161to nije u redu i u njenim o\u010dima vidimo cijelo vrijeme zabrinutost i nagovje\u0161taj tuge. Wyatt Solis glumi \u0161estogodi\u0161njeg Charlia koji je jo\u0161 zaigran i u svom svijetu, ali i on po\u010dinje naslu\u0107ivati da ne\u0161to nije u redu. Redatelju filma Coleu Webleyu, nakon niza kratkih filmova i reklama ovo je prvi dugometra\u017eni film. Iz svijeta reklama i kratkih filmova dolazi i direktor fotografije, Paul Meyers, kojem je ovo tako\u0111er dugometra\u017eni prvijenac, a iskustvo je u projekt donio scenarist Robert Machoian. U filmu koji traje manje od sat i pol, ali koji je nakon \u201eputovanja\u201c poprili\u010dno intenzivan, oni ne donose u filmu svoje vi\u0111enje ili kritiku nego samo donose sliku stanja stvari u odre\u0111enom trenutku.<\/p>\n<p style=\"text-align: justify;\">Kao dje\u010da\u010di\u0107, sredinom osamdesetih, Ameriku sam do\u017eivljavao kao mjesto puno boja, gdje je sve puno sokova u limenci i cigareta tvrdo pakovanje (kojeg tada ba\u0161 i nije bilo u Jugoslaviji, pa su ih mnogi mladi skupljali), gdje se svi obla\u010de kao Don Johnson u seriji &#8216;Miami Vice&#8217; i tome sli\u010dno. S odrastanjem sam postajao svjestan one druge Amerike s velikim brojem besku\u0107nika, s ljudima koji \u017eive u naseljima s kamp prikolicama, droge, rasizma,&#8230;.<\/p>\n<p style=\"text-align: justify;\">U novom stolje\u0107u sve vi\u0161e izgleda kao da se ameri\u010dki san pretvara u no\u0107nu moru, ili kako je davno stihovima sro\u010dio Mile Rup\u010di\u0107, a otpjevala Azra: Pit i to je Amerika.<\/p>\n<p style=\"text-align: justify;\"><strong>Darko Ple\u0161a<\/strong><br \/>\nVukovar, 12.10.2026.<\/p>\n<p style=\"text-align: justify;\"><strong><a href=\" https:\/\/www.imdb.com\/title\/tt29253299\/?ref_=fn_t_1 \" target=\"_blank\" rel=\"noopener noreferrer\"> Omaha &#8211; IMDb<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">Film je pogledan u <strong><a href=\"https:\/\/www.hbomax.com\/hr\/en\" target=\"_blank\" rel=\"noopener noreferrer\"> HBO Maxu<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid0uF878vuqzKo2KDmWntrUUoPWLwSzcBKSGwijqM2FGxtUUnQoNPNwtBQBnmRZYt5ul&amp;show_text=true&amp;width=500\" width=\"500\" height=\"608\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=63129\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Trenuta\u010dno \u017eivimo u vremenima kad streaming servisi sve vi\u0161e postaju dijelovi na\u0161ih \u017eivota, filmovi i serije po izboru sve vi\u0161e udaljavaju publiku od klasi\u010dnih televizijskih sadr\u017eaja, ali po mnogima i od odlazaka u kino. Razdoblje dolaska nekog filma na neku od platformi za gledanje televizije nakon prikazivanja u kinima sve je kra\u0107e, \u0161to zasigurno daje [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5955,28,9,4,48],"tags":[],"class_list":["post-63129","post","type-post","status-publish","format-standard","hentry","category-autorski-tekstovi","category-cd-dvd","category-film","category-istaknuto","category-osvrti-na-filmove"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>FILM: Omaha [osvrt Darko Ple\u0161a] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=63129\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FILM: Omaha [osvrt Darko Ple\u0161a] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Trenuta\u010dno \u017eivimo u vremenima kad streaming servisi sve vi\u0161e postaju dijelovi na\u0161ih \u017eivota, filmovi i serije po izboru sve vi\u0161e udaljavaju publiku od klasi\u010dnih televizijskih sadr\u017eaja, ali po mnogima i od odlazaka u kino. 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