{"id":62746,"date":"2026-09-05T11:15:10","date_gmt":"2026-09-05T09:15:10","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=62746"},"modified":"2026-09-05T11:15:10","modified_gmt":"2026-09-05T09:15:10","slug":"u-zkm-stize-predstava-s-avignonskog-festivala-when-i-saw-the-sea","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=62746","title":{"rendered":"U ZKM sti\u017ee predstava s Avignonskog festivala: When I Saw the Sea"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>U \u010detvrtak, 17. rujna 2026. u 20 sati, u Zagreba\u010dkom kazali\u0161tu mladih odr\u017eat \u0107e se hrvatska premijera predstave &#8216;When I Saw the Sea&#8217;, bejrutskog koreografa i redatelja Alija Chahroura, koja je svoju svjetsku premijeru imala na Avignonskom festivalu 2025. godine. Predstava je koprodukcija Udruge Domino, a kroz ples, glazbu i kazali\u0161te donosi sna\u017ene osobne pri\u010de radnica migrantkinja u Libanonu te otvara pitanja rada, migracije, slobode i dostojanstva.<\/strong><\/p>\n<p style=\"text-align: justify;\">U sredi\u0161tu predstave su Rania, Zena i Tenei, tri \u017eene koje su u Libanon do\u0161le kao radnice migrantkinje i koje kroz vlastita iskustva progovaraju o \u017eivotu i radu unutar sustava koji ih \u010dini posebno ranjivima.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/thisisadominoproject.org\/wp-content\/uploads\/2026\/08\/Copy-of-250704_Christophe-Raynaud-De-Lage-8-1000x500.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\" https:\/\/thisisadominoproject.org\/hrvatska-premijera-predstave-when-i-saw-the-sea-u-zkm-u\/ \" target=\"_blank\" rel=\"noopener noreferrer\"> Domino<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">Njihove se pri\u010de isprepli\u0107u s iskustvima stotina tisu\u0107a radnica migrantkinja koje u Libanonu \u017eive i rade bez odgovaraju\u0107e pravne i institucionalne za\u0161tite. Njihove pri\u010de istodobno otvaraju pitanje Kafala sustava, sustava sponzorstva koji u Libanonu i drugim zemljama regije pravni status i boravak radnika i radnica migrantkinja ve\u017ee uz poslodavca. Radnice, osobito one zaposlene u ku\u0107anstvima, \u010desto su izlo\u017eene oduzimanju putovnica, ograni\u010davanju kretanja, lo\u0161im uvjetima rada i \u017eivota, neisplati pla\u0107a te razli\u010ditim oblicima nasilja i diskriminacije. Budu\u0107i da njihov pravni status u velikoj mjeri ovisi o poslodavcu, sustav stvara izrazitu neravnote\u017eu mo\u0107i i otvara prostor za razli\u010dite oblike eksploatacije i zlostavljanja.<\/p>\n<p style=\"text-align: justify;\">Upravo se u takvom kontekstu odvijaju pri\u010de triju \u017eena u predstavi. Tijekom rata u Libanonu 2024. godine njihova se ranjivost dodatno produbila: dok su mnogi poslodavci napu\u0161tali zemlju, brojne radnice migrantkinje ostale su bez za\u0161tite, putovnica i sigurnog uto\u010di\u0161ta. Neke su, bje\u017ee\u0107i od bombardiranja, uto\u010di\u0161te prona\u0161le uz obalu Bejruta, gdje su prvi put ugledale more \u2013 horizont koji je u okolnostima rata postao neo\u010dekivani simbol slobode.<\/p>\n<p style=\"text-align: justify;\">Predstava je na Avignonskom festivalu izazvala sna\u017ene reakcije kritike. \u201eTri \u017eene, Etiopljanke i Libanonke. Sustav legalnog ropstva. Prijetnja bombama. I umjetnost kao potresan, otporan i iscjeljuju\u0107i val. Prvo i sna\u017eno odu\u0161evljenje festivala u Avignonu\u201c, napisala je Marie Baudet za La Pointe. Jean-Yves Potel u ENA-i istaknuo je da je rije\u010d o \u201enedvojbeno najja\u010doj, najiskrenijoj i najdirljivijoj predstavi na po\u010detku ovogodi\u0161njeg festivala\u201c, dok je Jean-Marie Wynants u Le Soiru zapisao: \u201eIstodobno je te\u0161ko, nasilno i, u pojedinim trenucima, nevjerojatno nje\u017eno i iznimno lijepo. (\u2026) Ostajemo bez daha pred prisutno\u0161\u0107u i izvedbom ove tri \u017eene.\u201c<\/p>\n<p style=\"text-align: justify;\">Ro\u0111en u Bejrutu, Ali Chahrour jedan je od istaknutih autora suvremene libanonske izvedbene scene, \u010diji rad propituje kulturne, dru\u0161tvene, politi\u010dke i religijske kontekste iz kojih proizlazi. Njegove predstave su predstavljene na Avignonskom festivalu 2016., 2018., 2022. i 2025. godine, kao i na brojnim festivalima diljem svijeta.<\/p>\n<h3 style=\"text-align: justify;\"><strong>CREDITS<\/strong><\/h3>\n<p style=\"text-align: justify;\">Predstava se odvija u sklopu Perforacije festivala i Sounded Bodies festivala.<\/p>\n<p style=\"text-align: justify;\"><strong>AUTORSKI I IZVO\u0110A\u010cKI TIM<\/strong><\/p>\n<p style=\"text-align: justify;\">Re\u017eija i koreografija: Ali Chahrour \/ Izvo\u0111a\u010dice: Zena Moussa, Tenei Ahmad, Rania Jamal \/ Glazbu skladali i izvode: Lynn Adib, Abed Kobeissy \/ Asistent re\u017eije i koreografije: Chadi Aoun \/ Oblikovanje svjetla i tehni\u010dko vodstvo: Guillaume Tesson \/ Asistent tehni\u010dkog vodstva: Pol Seif \/ Oblikovanje zvuka: Beno\u00eet Rave \/ Scenografija: Guillaume Tesson, Ali Chahrour \/ Komunikacija: Chadi Aoun \/ Fotografija: Lea Skayem \/ Grafi\u010dko oblikovanje: Christina Atik \/ Urednica teksta: Hala Omran \/ Prijevod teksta: Marianne Noujeim<\/p>\n<p style=\"text-align: justify;\"><strong>PRODUKCIJA<\/strong><\/p>\n<p style=\"text-align: justify;\">Producent: Ali Chahrour<br \/>\nVoditelji produkcije: Christel Salem, Chadi Aoun<\/p>\n<p style=\"text-align: justify;\"><strong>KOPRODUKCIJA<\/strong><\/p>\n<p style=\"text-align: justify;\">Le Festival d\u2019Avignon \/ Ibsen Scope \/ HAU Hebbel am Ufer, Berlin \/ Arab Fund for Arts and Culture (AFAC) \/ Al Mawred al Thaqafi \/ DeSingel, Antwerpen \/ Domino, Zagreb \/ Perforations Festival \/ Holland Festival \/ Z\u00fcrcher Theater Spektakel \/ Al Madina Theater<\/p>\n<p style=\"text-align: justify;\"><strong>UZ POTPORU<\/strong><\/p>\n<p style=\"text-align: justify;\">Beryte Theater \/ L\u2019Institut Fran\u00e7ais de Beyrouth \/ Wicked Solutions \/ WASL Productions \/ Beit el Laff\u00e9 \/ Raseef, Beirut \/ Houna Center \/ Orient 499<\/p>\n<p style=\"text-align: justify;\"><strong>POSEBNE ZAHVALE<\/strong><\/p>\n<p style=\"text-align: justify;\">Kafa \/ Megaphone \/ Daraj Media \/ Hammana Artist House \/ Zoukak Theatre \/ Seenaryo \/ Mohana Ishak \/ Hussein Hajj \/ Abdallah Hatoum \/ Anthony Sahyoun \/ Ali Khedr \/ Eric Deniaud \/ Chryst\u00e8le Khodr \/ Raymond Zakaria \/ Hind Hamdan \/ Viany Mariam Sesay \/ Sarie Teshome \/ Aisha Temam \/ Raheel Teshome \/ Mihret Birhane \/ Laurentine Mbekati \/ Sophie Ndongo \/ Jouma Fay\u00e9 \/ Mar Ndongo<\/p>\n<p style=\"text-align: justify;\">[izvor informacije <strong><a href=\"https:\/\/thisisadominoproject.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Domino<\/a><\/strong>]<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid0tdcEY4zxTFJtKixoW8K9838dwFEchUu9pDaMnQa4MYTGVSQX4JmTYw78Hwia9z9jl&amp;show_text=true&amp;width=500\" width=\"500\" height=\"665\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=62746\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>U \u010detvrtak, 17. rujna 2026. u 20 sati, u Zagreba\u010dkom kazali\u0161tu mladih odr\u017eat \u0107e se hrvatska premijera predstave &#8216;When I Saw the Sea&#8217;, bejrutskog koreografa i redatelja Alija Chahroura, koja je svoju svjetsku premijeru imala na Avignonskom festivalu 2025. godine. Predstava je koprodukcija Udruge Domino, a kroz ples, glazbu i kazali\u0161te donosi sna\u017ene osobne pri\u010de [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[133,10,17050],"tags":[],"class_list":["post-62746","post","type-post","status-publish","format-standard","hentry","category-kazalisni-festivali","category-kazaliste","category-press"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>U ZKM sti\u017ee predstava s Avignonskog festivala: When I Saw the Sea - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=62746\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"U ZKM sti\u017ee predstava s Avignonskog festivala: When I Saw the Sea - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"U \u010detvrtak, 17. rujna 2026. u 20 sati, u Zagreba\u010dkom kazali\u0161tu mladih odr\u017eat \u0107e se hrvatska premijera predstave &#8216;When I Saw the Sea&#8217;, bejrutskog koreografa i redatelja Alija Chahroura, koja je svoju svjetsku premijeru imala na Avignonskom festivalu 2025. godine. 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