{"id":62545,"date":"2026-08-08T11:54:25","date_gmt":"2026-08-08T09:54:25","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=62545"},"modified":"2026-08-08T11:54:25","modified_gmt":"2026-08-08T09:54:25","slug":"film-u-sumi-festivalski-pobjednici-japanski-klasici-i-anthony-bourdain","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=62545","title":{"rendered":"Film u \u0161umi: Festivalski pobjednici, japanski klasici i Anthony Bourdain"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Film u \u0161umi donosi nekoliko atraktivnih pretpremijera, uklju\u010duju\u0107i laureate Berlina i Cannesa, biografski film o Anthonyju Bourdainu te japanske klasike iz 1960-ih i 1980-ih.<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Pobjednici Cannesa i Berlina<\/strong><\/p>\n<p style=\"text-align: justify;\">Na Ljetnoj pozornici Tu\u0161kanac pretpremijerno i premijerno mo\u017eete pogledati filmove koji su obilje\u017eili selekcije najva\u017enijih svjetskih festivala. Prvi me\u0111u njima je drama <a href=\"https:\/\/ljepotu.hr\/program\/zuta-pisma\/\"><strong><em>\u017duta pisma<\/em><\/strong><\/a><em>,<\/em> pri\u010da o paru kazali\u0161nih umjetnika koji se zbog kriti\u010dkih objava na dru\u0161tvenim mre\u017eama na\u0111u na meti vlasti, zbog \u010dega gube posao i povlastice. Ovaj napeti film tursko-njema\u010dkog redatelj Ilkera \u00c7ataka, \u010diji je prethodni <em>Zakon zbornice<\/em> (2023) bio nominiran za Oscara, bavi se temama konformizma, slobode govora i osobnog integriteta u represivnoj dru\u0161tvenoj klimi, a vje\u0161to ispri\u010dana pri\u010da donijela mu je Zlatnog medvjeda na ovogodi\u0161njem Berlinaleu.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/image.tmdb.org\/t\/p\/original\/odE2OHGFAPwbgXnZlkxE31GRcrz.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\" https:\/\/www.themoviedb.org\/movie\/1422041-la-bola-negra \" target=\"_blank\" rel=\"noopener noreferrer\"> TMDB<\/a><\/strong> &#8211; La Bola Negra (2026)<\/p>\n<p style=\"text-align: justify;\">Festivalskim lovorikama mo\u017ee se pohvaliti i <a href=\"https:\/\/ljepotu.hr\/program\/crna-kugla\/\"><strong><em>Crna kugla<\/em><\/strong><\/a>, rasko\u0161an povijesni spektakl \u0161panjolskih redatelja Javiera Calva i Javiera Ambrossija, koji istra\u017euje skrivene povijesti te veze izme\u0111u pro\u0161losti i sada\u0161njosti, stvarnosti i fikcije. Kroz tri vremenska razdoblja \u2014 republikansku \u0160panjolsku 1932., ratnu 1937. i suvremenu 2017. godinu \u2014 film ispisuje mozaik \u017eivota trojice mladi\u0107a, koje povezuje izgubljeno djelo Federica Garc\u00edje Lorce. Premijera <em>Crne kugle<\/em> u Cannesu je bila ispra\u0107ena 18-minutnim ovacijama, Calvo i Ambrossi osvojili su nagradu za najbolju re\u017eiju, a kritiku je osvojio svojom ambicioznom, pametno ispri\u010danom i emocionalno anga\u017eiranom pri\u010dom. <em>Crna kugla<\/em> osvojila je i Nagradu Kino mre\u017ee na nedavnom Pulskom filmskom festivalu.<\/p>\n<p style=\"text-align: justify;\">U Cannesu je odli\u010dno do\u010dekan i <a href=\"https:\/\/ljepotu.hr\/program\/6363\/\"><strong><em>Tinejd\u017eerski seks i smrt u Kampu Miasma<\/em><\/strong><\/a>, novi film Jane Schoenbrun, \u010diji prethodni <em>I Saw the TV Glow<\/em> (2024) u\u017eiva kultni status. Film prati redateljicu koja dobiva priliku snimiti novi nastavak popularne horor-fran\u0161ize, koja se upu\u0161ta u bizaran psihoseksualni odnos s glumicom iz originala. Premijerno prikazan u sekciji Izvjestan pogled Filmskog festivala u Cannesu, <em>Kamp Miasma<\/em> nagra\u0111en je Queer Palmom, a kritika je posebice hvalila Schoenbrunin originalni pristup \u017eanru te karizmati\u010dan nastup Gillian Anderson u ulozi Billy Presley.<\/p>\n<p style=\"text-align: justify;\">Schoenbrunin film je jo\u0161 jedna posveta osloba\u0111aju\u0107oj mo\u0107i fantazije i transformativnoj mo\u0107i popularne kulture. Sli\u010dnom se temom bavi i <a href=\"https:\/\/ljepotu.hr\/program\/6297\/\"><strong><em>Gorki Bo\u017ei\u0107<\/em><\/strong><\/a>, novi film Pedra Almod\u00f3vara o redatelju koji pi\u0161e scenarij nadahnut osobnim iskustvima i pri\u010dama svojih prijatelja. Film istra\u017euje \u017ealovanje te eti\u010dku stranu umjetni\u010dkog stvaranja, a za\u010dinjen je prepoznatljivom kombinacijom sjete, humora i izvrsnih gluma\u010dkih nastupa.<\/p>\n<p style=\"text-align: justify;\"><strong>Komedije, biografije i napetice<\/strong><\/p>\n<p style=\"text-align: justify;\">Na Ljetnoj pozornici Tu\u0161kanac pretpremijerno prikazujemo film <a href=\"https:\/\/ljepotu.hr\/program\/tony\/\"><strong><em>Tony<\/em><\/strong><\/a>, biografsku pri\u010du o jednom od najpoznatijih \u0161efova kuhinje \u2013 Anthonyju Bourdainu. <em>Tony<\/em> je smje\u0161ten u 1975. godinu, kada devetnaestogodi\u0161nji Bourdain prihva\u0107a ljetni posao u restoranu na Cape Codu, gdje u\u010di pod mentorstvom brazilskog ugostitelja. Film Matta Johnonsona inspiriran je Bourdainovim memoarima <em>Dosje kuhinja<\/em>, a zadr\u017eao je njegov britki i duhoviti pripovjedni odnos prema poslu vrhunskih kuhara. Bourdaina je odigrao Dominic Sessa (<em>The Holdovers<\/em>, 2023), a u ostalim se ulogama pojavljuju i Emilia Jones i Antonio Banderas.<\/p>\n<p style=\"text-align: justify;\">Za ljubitelje filmskih napetica tu je <a href=\"https:\/\/ljepotu.hr\/program\/kraj-hrastove-ulice\/\"><strong><em>Kraj hrastove ulice<\/em><\/strong><\/a>, novi triler Davida Roberta Mitchella, o obitelji koja se uslijed neobi\u010dnog kozmi\u010dkog doga\u0111aja na\u0111e u susjedstvu prethistorijskih be\u0161tija. Nastao u produkciji hit-mahera J. J.-a Abramsa, ova uzbudljiva pri\u010da neobi\u010dnog koncepta mo\u017ee se opisati kao kri\u017eanac <em>Jurskog parka<\/em> i <em>Zone sumraka<\/em>, a glavne uloge igraju Anne Hathaway i Ewan McGregor.<\/p>\n<p style=\"text-align: justify;\"><strong>Regionalne uspje\u0161nice: <em>Koke<\/em> i <em>Yugo Florida<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">Filmovi hrvatskih i regionalnih autora izazivaju velik interes doma\u0107e publike. Najpopularniji me\u0111u njima je <a href=\"https:\/\/ljepotu.hr\/program\/koke-2\/\"><strong><em>Koke<\/em><\/strong><\/a>, pri\u010da o dvije sestre \u010dije se obitelji posva\u0111aju zbog nekretnine koju bi trebali dobiti u naslje\u0111e. Rije\u010d je o sjajnoj analizi obiteljske dinamike i mediteranskog mentaliteta, predvo\u0111enoj izvrsnim gluma\u010dkim nastupima, koja je na Pulskom filmskom festivalu nagra\u0111ena Velikom zlatnom arenom za najbolji film te Zlatnim arenama za scenarij i Snje\u017eanu Sinov\u010di\u0107-\u0160i\u0161kov u glavnoj i Aleksandru Jankovi\u0107 u sporednoj ulozi.<\/p>\n<p style=\"text-align: justify;\">Sjajnu analizu obiteljskih odnosa nudi i <a href=\"https:\/\/ljepotu.hr\/program\/yugo-florida\/\"><strong><em>Yugo Florida<\/em><\/strong><\/a>, debitantski film Vladimira Tagi\u0107a o mu\u0161karcu u srednjim godinama kojeg \u017eivotne okolnosti dovode u vezu s otu\u0111enim ocem. Tagi\u0107 je postao poznat kao kreator serije <em>Jutro \u0107e promijeniti sve<\/em> (2018), a njegov dugometra\u017eni debi tako\u0111er se mo\u017ee pohvaliti uvjerljivim i empati\u010dnim prikazom likova i njihovih odnosa, kroz \u0161to stvara dojmljivu sliku suvremenog \u017eivota. Film je premijerno prikazan na pro\u0161logodi\u0161njem filmskom festivalu u Sarajevu gdje je Andrija Kuzmanovi\u0107 osvojio nagradu Srce Sarajeva za najboljeg glumca.<\/p>\n<p style=\"text-align: justify;\"><strong>Kinoteka u \u0161umi: Japanski klasici<\/strong><\/p>\n<p style=\"text-align: justify;\">Kinoteka u \u0161umi na veliko platno donosi dva japanska klasika. Prvi me\u0111u njima je <a href=\"https:\/\/ljepotu.hr\/program\/onibaba\/\"><strong><em>Onibaba<\/em><\/strong><\/a> \u2013 vizualno impresivan i krajnje nepredvidiv film smje\u0161ten u vrijeme \u0161ogunskih ratova, a prati dvije \u017eene koje pre\u017eivljavaju ubijaju\u0107i zalutale samuraje i mijenjaju\u0107i njihove oklop i oru\u017eje za hranu. Inspiriran budisti\u010dkim i \u0161intoisti\u010dkim predajama i simbolikom, film Kaneta Shinda i danas osvaja nepredvidivom pri\u010dom, sugestivnim vizualima i mahnitim jazz <em>soundtrackom<\/em>, koji gledatelje uranjaju u erotske tenzije i jezu zapleta. Izuzetno provokativan za vrijeme u kojem je nastao, Shindova vizija mra\u010dne strane ljudske prirode jedan je od najoriginalnijih japanskih filmova 1960-ih.<\/p>\n<p style=\"text-align: justify;\">Inspiriran japanskom tradicijom \u2013 ali u humornom klju\u010du \u2013 je <a href=\"https:\/\/ljepotu.hr\/program\/tempopo\/\"><strong><em>Tampopo<\/em><\/strong><\/a>, gastro-filmski klasik J\u00fbza Itamija, koji ve\u0107 \u010detiri desetlje\u0107a uspje\u0161no golica nepca novih generacija gledatelja. Pri\u010da je to o vlasnici restorana i njezinih prijatelja, koji poku\u0161avaju tre\u0107erazredni restoran preobraziti u mjesto koje slavi umije\u0107e tradicionalnih jela, i to tako \u0161to \u0107e krenuti u potragu za savr\u0161enim receptom za ramen. Prepun duhovitih, \u010desto nadrealnih vinjeta kroz koje se istra\u017euje specifi\u010dnost japanskog odnosa prema spravljanju i konzumiranju hrane te povezanost putenih i gastronomskih u\u017eitaka, Itamijev se film s razlogom nalazi na vrhovima najboljih kulinarskih filmova svih vremena.<\/p>\n<p style=\"text-align: justify;\"><strong>Prakti\u010dne informacije<\/strong><\/p>\n<p style=\"text-align: justify;\">Blagajna se otvara sat i pol prije prve projekcije. Preporu\u010damo do\u0107i barem pola sata ranije, kako bi se izbjegle gu\u017eve. Ulaznice je mogu\u0107e kupiti i online.<\/p>\n<p style=\"text-align: justify;\">Vi\u0161e informacija o filmovima, programu i ulaznicama potra\u017eite na www.ljepotu.hr<\/p>\n<p style=\"text-align: justify;\">[izvor informacije <strong><a href=\"https:\/\/ljepotu.hr\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Ljetna pozornica Tu\u0161kanac<\/a><\/strong>]<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid0Av9knTw9HnhYihdNMrTYtoLKvuqNGkjHLQXbFBXK3Ro2HDsSYTEYQWguR2NBkyiil&amp;show_text=true&amp;width=500\" width=\"500\" height=\"609\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=62545\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Film u \u0161umi donosi nekoliko atraktivnih pretpremijera, uklju\u010duju\u0107i laureate Berlina i Cannesa, biografski film o Anthonyju Bourdainu te japanske klasike iz 1960-ih i 1980-ih. Pobjednici Cannesa i Berlina Na Ljetnoj pozornici Tu\u0161kanac pretpremijerno i premijerno mo\u017eete pogledati filmove koji su obilje\u017eili selekcije najva\u017enijih svjetskih festivala. Prvi me\u0111u njima je drama \u017duta pisma, pri\u010da o paru [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[9,20347,17050],"tags":[],"class_list":["post-62545","post","type-post","status-publish","format-standard","hentry","category-film","category-kino-program","category-press"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Film u \u0161umi: Festivalski pobjednici, japanski klasici i Anthony Bourdain - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=62545\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Film u \u0161umi: Festivalski pobjednici, japanski klasici i Anthony Bourdain - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Film u \u0161umi donosi nekoliko atraktivnih pretpremijera, uklju\u010duju\u0107i laureate Berlina i Cannesa, biografski film o Anthonyju Bourdainu te japanske klasike iz 1960-ih i 1980-ih. Pobjednici Cannesa i Berlina Na Ljetnoj pozornici Tu\u0161kanac pretpremijerno i premijerno mo\u017eete pogledati filmove koji su obilje\u017eili selekcije najva\u017enijih svjetskih festivala. Prvi me\u0111u njima je drama \u017duta pisma, pri\u010da o paru [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/film-mag.net\/wp\/?p=62545\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-08T09:54:25+00:00\" \/>\n<meta name=\"author\" content=\"PRESS\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PRESS\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=62545#article\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=62545\"},\"author\":{\"name\":\"PRESS\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"headline\":\"Film u \u0161umi: Festivalski pobjednici, japanski klasici i Anthony Bourdain\",\"datePublished\":\"2026-08-08T09:54:25+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=62545\"},\"wordCount\":1036,\"articleSection\":[\"Film\",\"Kino program\",\"PRESS\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=62545\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=62545\",\"name\":\"Film u \u0161umi: Festivalski pobjednici, japanski klasici i Anthony Bourdain - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\"},\"datePublished\":\"2026-08-08T09:54:25+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"breadcrumb\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=62545#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=62545\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=62545#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Film u \u0161umi: Festivalski pobjednici, japanski klasici i Anthony Bourdain\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\",\"name\":\"PRESS\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"caption\":\"PRESS\"},\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?author=8\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Film u \u0161umi: Festivalski pobjednici, japanski klasici i Anthony Bourdain - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/film-mag.net\/wp\/?p=62545","og_locale":"en_US","og_type":"article","og_title":"Film u \u0161umi: Festivalski pobjednici, japanski klasici i Anthony Bourdain - FILM-mag.net","og_description":"Film u \u0161umi donosi nekoliko atraktivnih pretpremijera, uklju\u010duju\u0107i laureate Berlina i Cannesa, biografski film o Anthonyju Bourdainu te japanske klasike iz 1960-ih i 1980-ih. Pobjednici Cannesa i Berlina Na Ljetnoj pozornici Tu\u0161kanac pretpremijerno i premijerno mo\u017eete pogledati filmove koji su obilje\u017eili selekcije najva\u017enijih svjetskih festivala. Prvi me\u0111u njima je drama \u017duta pisma, pri\u010da o paru [&hellip;]","og_url":"http:\/\/film-mag.net\/wp\/?p=62545","og_site_name":"FILM-mag.net","article_published_time":"2026-08-08T09:54:25+00:00","author":"PRESS","twitter_card":"summary_large_image","twitter_misc":{"Written by":"PRESS","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/film-mag.net\/wp\/?p=62545#article","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/?p=62545"},"author":{"name":"PRESS","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"headline":"Film u \u0161umi: Festivalski pobjednici, japanski klasici i Anthony Bourdain","datePublished":"2026-08-08T09:54:25+00:00","mainEntityOfPage":{"@id":"http:\/\/film-mag.net\/wp\/?p=62545"},"wordCount":1036,"articleSection":["Film","Kino program","PRESS"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"http:\/\/film-mag.net\/wp\/?p=62545","url":"http:\/\/film-mag.net\/wp\/?p=62545","name":"Film u \u0161umi: Festivalski pobjednici, japanski klasici i Anthony Bourdain - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"datePublished":"2026-08-08T09:54:25+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"breadcrumb":{"@id":"http:\/\/film-mag.net\/wp\/?p=62545#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/film-mag.net\/wp\/?p=62545"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/film-mag.net\/wp\/?p=62545#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"Film u \u0161umi: Festivalski pobjednici, japanski klasici i Anthony Bourdain"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f","name":"PRESS","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","caption":"PRESS"},"url":"http:\/\/film-mag.net\/wp\/?author=8"}]}},"_links":{"self":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=62545"}],"version-history":[{"count":1,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62545\/revisions"}],"predecessor-version":[{"id":62546,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62545\/revisions\/62546"}],"wp:attachment":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=62545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=62545"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=62545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}