{"id":61717,"date":"2026-05-20T11:30:39","date_gmt":"2026-05-20T09:30:39","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=61717"},"modified":"2026-05-20T11:30:39","modified_gmt":"2026-05-20T09:30:39","slug":"medunarodni-simpozij-kad-slike-uzvrate-pogled","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=61717","title":{"rendered":"Me\u0111unarodni simpozij: Kad slike uzvrate pogled"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>U Splitu se 28., 29. i 30. svibnja 2026. odr\u017eava me\u0111unarodni simpozij Kad slike uzvrate pogled \/\/ When Images Stare Back at Us. Simpozij okuplja filmske radnice i istra\u017eiva\u010dice koje \u0107e sa zainteresiranom publikom podijeliti svoj istra\u017eiva\u010dki i umjetni\u010dki rad. U simpoziju sudjeluju Karla Crn\u010devi\u0107 (Hrvatska), Ana\u00eds C\u00f3rdova-P\u00e1ez (Ekvador), Alia Ayman (Egipt), Laura Alhach (Kolombija), Bilge Emir (Turska), Ver\u00f3nica Boggio i Lorena Garc\u00eda &#8211; Open River Archive (Peru), behshad tajammol (Iran), Sita Magfira (Indonezija), Kumjana Novakova (Makedonija), Mirjana Radovanovi\u0107 &#8211; KURS (Srbija) i Ivana Peri\u0107 (Hrvatska).<\/strong><\/p>\n<p style=\"text-align: justify;\">Izlaganja \u0107e se odr\u017eavati u Kino klubu Split, izuzev izlaganja Ivane Peri\u0107 koje \u0107e se odr\u017eati u Dru\u0161tvu arhitekata Splita 29.5. s po\u010detkom u 20 sati.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/kinoklubsplit.hr\/wp-content\/uploads\/2026\/05\/Copy-of-Still018-1536x864.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\" https:\/\/kinoklubsplit.hr\/dogadanja\/medunarodni-simpozij-kad-slike-uzvrate-pogled-when-images-stare-back-at-us\/ \" target=\"_blank\" rel=\"noopener noreferrer\"> KKS<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Sportski arhivi kao platforme otpora \/ Od Hajduka do Palestine<\/strong><\/p>\n<p style=\"text-align: justify;\">Izlaganje Ivane Peri\u0107 fokusira povijest lokalnog sporta i njegove izbrisane ili izmijenjene arhive, promatraju\u0107i ga kao platformu otpora koja je oduvijek bila kolektivno stvarana. Taj je otpor bio potaknut i pro\u0161iren me\u0111unarodnim organiziranjem i kolegijalno\u0161\u0107u, \u0161to \u0107e se vidjeti prolaskom kroz pri\u010de od Hajdukovih nastojanja 1940-ih do dana\u0161njih palestinskih poziva na bojkot sporta. Ovo izlaganje pro\u0161iruje programsko promi\u0161ljanje arhiva, slike i svjedo\u010denja kroz povijest sporta, shva\u0107enog kao platforme koja je, poput kulture, komunicirala s masama i stvarala kolektivne oblike otpora. Kroz lokalne sportske arhive koji su nakon 90ih u na\u0161em kontekstu brisani, mijenjani ili pre\u0161u\u0107ivani, prati kako se solidarnost gradila preko granica: od Hajdukovih nastojanja 1940-ih do suvremenih poziva na sportski bojkot.<\/p>\n<p style=\"text-align: justify;\"><strong>Op\u0107enito o programu<\/strong><\/p>\n<p style=\"text-align: justify;\">\u0160to se doga\u0111a kada slike prestanu biti samo dokumenti, objekti \u010duvanja ili materijal za tuma\u010denje, i po\u010dnu zahtijevati odgovor? Kada ih vi\u0161e ne promatramo isklju\u010divo kao reprezentacije pro\u0161losti, nego kao mjesta na kojima se pregovaraju odnosi prema sje\u0107anju, mo\u0107i, vidljivosti i odgovornosti.<\/p>\n<p style=\"text-align: justify;\">U tom smislu, oslanjamo se na misao Arielle A\u00efshe Azoulay i njezino razumijevanje fotografije ne kao zatvorenog dokumenta, nego kao prostora politi\u010dkog odnosa. Slika ne uklju\u010duje samo ono \u0161to prikazuje, nego i one koji je proizvode, one koji su njome izlo\u017eeni, one koji je gledaju te institucije koje odlu\u010duju \u0161to \u0107e biti sa\u010duvano, dostupno ili izbrisano. Iz te perspektive, rad sa slikama postaje pitanje odgovornosti: tko ima pravo gledati, tko ostaje nevidljiv, tko odlu\u010duje o pristupu i \u0161to arhiv mo\u017ee u\u010diniti vidljivim danas.<\/p>\n<p style=\"text-align: justify;\">Ovaj trodnevni susret polazi od pitanja \u0161to danas zna\u010di raditi sa slikama: u arhivu, na filmu, u institucijama i u javnom prostoru. Gradi se iz svijesti da slika nije neutralna, da vidljivost sama po sebi ne proizvodi razumijevanje, niti nu\u017eno vodi djelovanju. Upravo tu napetost otvaramo kao prostor rada: izme\u0111u \u010duvanja i interpretacije, dokumenta i intervencije, povijesti i politi\u010dke odgovornosti.<\/p>\n<p style=\"text-align: justify;\">Program je na engleskom jeziku (osim izlaganja Ivane Peri\u0107)<\/p>\n<p style=\"text-align: justify;\">Raspored izlaganja i \u017eivotopise sudionica mo\u017eete prona\u0107i <b><a href=\"https:\/\/kinoklubsplit.hr\/dogadanja\/medunarodni-simpozij-kad-slike-uzvrate-pogled-when-images-stare-back-at-us\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/kinoklubsplit.hr\/dogadanja\/medunarodni-simpozij-kad-slike-uzvrate-pogled-when-images-stare-back-at-us\/&amp;source=gmail&amp;ust=1779203048252000&amp;usg=AOvVaw26OotZMPzzjcZFQSFhBWLd\">na poveznici<\/a><\/b>.<\/p>\n<p style=\"text-align: justify;\">Vizual: Nikola Kri\u017eanac<\/p>\n<p style=\"text-align: justify;\">Doga\u0111anje organiziraju umjetni\u010dka organizacija Antena kolektiv i Kino Unseen u suradnji s Kino klubom Split i Dru\u0161tvom arhitekata Splita.<\/p>\n<p style=\"text-align: justify;\">Program financiraju Zaklada Kultura nova, HAVC, Grad Split i DHFA. Organizatorice programa su Karla Crn\u010devi\u0107 i Sun\u010dica Fradeli\u0107.<\/p>\n<p style=\"text-align: justify;\">[izvor informacije <strong><a href=\"https:\/\/kinoklubsplit.hr\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Kino klub Split<\/a><\/strong>]<\/p>\n<p><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid02wjk3UcwXmrUbF6nrPzXhHpTqdGqaXzJFUmJemvKt4URp5U3XcbVUMG7T2ZdKXhQ2l&amp;show_text=true&amp;width=500\" width=\"500\" height=\"372\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=61717\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>U Splitu se 28., 29. i 30. svibnja 2026. odr\u017eava me\u0111unarodni simpozij Kad slike uzvrate pogled \/\/ When Images Stare Back at Us. Simpozij okuplja filmske radnice i istra\u017eiva\u010dice koje \u0107e sa zainteresiranom publikom podijeliti svoj istra\u017eiva\u010dki i umjetni\u010dki rad. U simpoziju sudjeluju Karla Crn\u010devi\u0107 (Hrvatska), Ana\u00eds C\u00f3rdova-P\u00e1ez (Ekvador), Alia Ayman (Egipt), Laura Alhach (Kolombija), [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[116,9,21,49,17050,81],"tags":[],"class_list":["post-61717","post","type-post","status-publish","format-standard","hentry","category-drustveni-dogadjaji","category-film","category-filmske-novosti","category-filmski-dogadjaji","category-press","category-stvarnost"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Me\u0111unarodni simpozij: Kad slike uzvrate pogled - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=61717\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Me\u0111unarodni simpozij: Kad slike uzvrate pogled - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"U Splitu se 28., 29. i 30. svibnja 2026. odr\u017eava me\u0111unarodni simpozij Kad slike uzvrate pogled \/\/ When Images Stare Back at Us. Simpozij okuplja filmske radnice i istra\u017eiva\u010dice koje \u0107e sa zainteresiranom publikom podijeliti svoj istra\u017eiva\u010dki i umjetni\u010dki rad. U simpoziju sudjeluju Karla Crn\u010devi\u0107 (Hrvatska), Ana\u00eds C\u00f3rdova-P\u00e1ez (Ekvador), Alia Ayman (Egipt), Laura Alhach (Kolombija), [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/film-mag.net\/wp\/?p=61717\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-20T09:30:39+00:00\" \/>\n<meta name=\"author\" content=\"PRESS\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PRESS\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/film-mag.net\/wp\/?p=61717\",\"url\":\"http:\/\/film-mag.net\/wp\/?p=61717\",\"name\":\"Me\u0111unarodni simpozij: Kad slike uzvrate pogled - FILM-mag.net\",\"isPartOf\":{\"@id\":\"https:\/\/film-mag.net\/wp\/#website\"},\"datePublished\":\"2026-05-20T09:30:39+00:00\",\"author\":{\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"breadcrumb\":{\"@id\":\"http:\/\/film-mag.net\/wp\/?p=61717#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/film-mag.net\/wp\/?p=61717\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/film-mag.net\/wp\/?p=61717#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/film-mag.net\/wp\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Me\u0111unarodni simpozij: Kad slike uzvrate pogled\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/film-mag.net\/wp\/#website\",\"url\":\"https:\/\/film-mag.net\/wp\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/film-mag.net\/wp\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f\",\"name\":\"PRESS\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g\",\"caption\":\"PRESS\"},\"url\":\"http:\/\/film-mag.net\/wp\/?author=8\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Me\u0111unarodni simpozij: Kad slike uzvrate pogled - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/film-mag.net\/wp\/?p=61717","og_locale":"en_US","og_type":"article","og_title":"Me\u0111unarodni simpozij: Kad slike uzvrate pogled - FILM-mag.net","og_description":"U Splitu se 28., 29. i 30. svibnja 2026. odr\u017eava me\u0111unarodni simpozij Kad slike uzvrate pogled \/\/ When Images Stare Back at Us. Simpozij okuplja filmske radnice i istra\u017eiva\u010dice koje \u0107e sa zainteresiranom publikom podijeliti svoj istra\u017eiva\u010dki i umjetni\u010dki rad. U simpoziju sudjeluju Karla Crn\u010devi\u0107 (Hrvatska), Ana\u00eds C\u00f3rdova-P\u00e1ez (Ekvador), Alia Ayman (Egipt), Laura Alhach (Kolombija), [&hellip;]","og_url":"http:\/\/film-mag.net\/wp\/?p=61717","og_site_name":"FILM-mag.net","article_published_time":"2026-05-20T09:30:39+00:00","author":"PRESS","twitter_card":"summary_large_image","twitter_misc":{"Written by":"PRESS","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"http:\/\/film-mag.net\/wp\/?p=61717","url":"http:\/\/film-mag.net\/wp\/?p=61717","name":"Me\u0111unarodni simpozij: Kad slike uzvrate pogled - FILM-mag.net","isPartOf":{"@id":"https:\/\/film-mag.net\/wp\/#website"},"datePublished":"2026-05-20T09:30:39+00:00","author":{"@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"breadcrumb":{"@id":"http:\/\/film-mag.net\/wp\/?p=61717#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/film-mag.net\/wp\/?p=61717"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/film-mag.net\/wp\/?p=61717#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"Me\u0111unarodni simpozij: Kad slike uzvrate pogled"}]},{"@type":"WebSite","@id":"https:\/\/film-mag.net\/wp\/#website","url":"https:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f","name":"PRESS","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g","caption":"PRESS"},"url":"http:\/\/film-mag.net\/wp\/?author=8"}]}},"_links":{"self":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/61717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=61717"}],"version-history":[{"count":1,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/61717\/revisions"}],"predecessor-version":[{"id":61718,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/61717\/revisions\/61718"}],"wp:attachment":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=61717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=61717"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=61717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}