{"id":6170,"date":"2013-01-08T22:34:01","date_gmt":"2013-01-08T21:34:01","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=6170"},"modified":"2013-01-08T22:34:22","modified_gmt":"2013-01-08T21:34:22","slug":"iza-ogledala-jagode-kaloper-i-presuda-dure-gavrana-u-programu-prestiznog-rotterdama","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=6170","title":{"rendered":"&#8216;Iza ogledala&#8217; Jagode Kaloper i &#8216;Presuda&#8217; \u0110ure Gavrana u programu presti\u017enog Rotterdama"},"content":{"rendered":"<p style=\"text-align: justify;\">Dokumentarni film\u00a0<em><strong>Iza ogledala<\/strong><\/em>\u00a0(<em>Behind the Looking Glass<\/em>) redateljice\u00a0<strong>Jagode Kaloper<\/strong>\u00a0nastao u produkciji\u00a0<strong><a href=\"http:\/\/factum.com.hr\/\" target=\"_blank\">Factuma<\/a>\u00a0<\/strong>uvr\u0161ten je u program Signals Regained, a kratkometra\u017eni dokumentarac\u00a0<em><strong>Presuda<\/strong><\/em>(<em>The Verdict<\/em>)\u00a0<strong>\u0110ure Gavrana<\/strong>\u00a0nastao u produkciji zagreba\u010dke tvrtke\u00a0<strong><a href=\"http:\/\/www.pipser.hr\/\" target=\"_blank\">PIPSER d.o.o<\/a>\u00a0<\/strong>uvr\u0161ten je u program Spectrum Shorts\u00a0<strong>42.\u00a0<a href=\"http:\/\/www.filmfestivalrotterdam.com\/nl\/\" target=\"_blank\">Me\u0111unarodnog filmskog festivala u Rotterdamu<\/a>\u00a0<\/strong>(23. sije\u010dnja &#8211; 3. velja\u010de 2013).<strong><br \/>\n<\/strong><br \/>\n<a href=\"http:\/\/factum.com.hr\/hr\/filmovi_i_autori\/svi_filmovi\/iza_ogledala\" target=\"_blank\"><strong><em>Iza ogledala<\/em><\/strong><\/a>\u00a0je filmski autoportret napravljen kombinacijom filmskih inserata od 1965. do nedavno koji pokazuju kako su autoricu vidjeli drugi i introspektivno snimljenih videoradova same autorice nastalih u zadnjem desetlje\u0107u.\u00a0<strong>Jagoda Kaloper<\/strong>, svestrana hrvatska likovna umjetnica, glumica i filmska autorica osvojila je za film\u00a0<em>Iza ogledala<\/em>\u00a0Nagradu MSU za 2010. godinu.<\/p>\n<p style=\"text-align: justify;\"><strong>Signals Regained<\/strong>\u00a0je nenatjecateljski program posve\u0107en promi\u0161ljanju prirode filma i filmskog naslje\u0111a iz suvremene perspektive. Unutar njega mogu se vidjeti rijetko prikazivani klasici i remek-djela filmske avangarde i dokumentarni filmovi koji se bave samom filmskom umjetno\u0161\u0107u.<\/p>\n<div class=\"mceTemp\" style=\"text-align: justify;\">\n<dl id=\"attachment_6171\" class=\"wp-caption alignnone\" style=\"width: 576px;\">\n<dt class=\"wp-caption-dt\"><a href=\"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2013\/01\/HAVC_IFFR_logo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-6171\" title=\"IFFR - logo\" src=\"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2013\/01\/HAVC_IFFR_logo.jpg\" alt=\"IFFR - logo\" width=\"566\" height=\"500\" srcset=\"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2013\/01\/HAVC_IFFR_logo.jpg 566w, http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2013\/01\/HAVC_IFFR_logo-300x265.jpg 300w\" sizes=\"auto, (max-width: 566px) 100vw, 566px\" \/><\/a><\/dt>\n<dd class=\"wp-caption-dd\">IFFR &#8211; logo<\/dd>\n<\/dl>\n<\/div>\n<p style=\"text-align: justify;\"><strong><em>Iza ogledala<\/em><\/strong>\u00a0bit \u0107e prikazan u programskoj jedinici pod nazivom\u00a0<em><strong>To recite and recycle, to recollect and reflect\u00a0<\/strong><\/em>zajedno s dokumentarcem\u00a0<em>A Pervert\u2019s Guide to Ideology<\/em>\u00a0redateljice Sophie Fiennes u kojem poznati slovenski filozof Slavoj \u017di\u017eek izla\u017ee i interpretira svoje omiljene filmske minute te\u00a0<em>Final Cut: Ladies and Gentlemen<\/em>\u00a0u re\u017eiji ma\u0111arskog redatelja Gy\u00f6rgyja P\u00e1lfija. Odabranim radovima zajedni\u010dko je to da se bave ve\u0107 postoje\u0107im filmskim materijalom, ali koriste\u0107i razli\u010ditu filmsku sintaksu.<\/p>\n<p style=\"text-align: justify;\">Film\u00a0<strong><a href=\"http:\/\/www.pipser.hr\/#\/projects\/theverdict\" target=\"_blank\"><em>Presuda<\/em><\/a>\u00a0\u0110ure Gavrana<\/strong>\u00a0prikazat \u0107e se u nenatjecateljskom programu\u00a0<strong>Spectrum Shorts<\/strong>. Program Spectrum Shorts svojevrsni je festival unutar festivala i najve\u0107e predstavljanje kratkometra\u017enog filma u Europi. Posve\u0107en je filmovima u kojima su na\u010dinjeni tematski, idejni, estetski odnosno tehni\u010dki iskoraci u opusima pojedinih redatelja ili kinematografija.<\/p>\n<p style=\"text-align: justify;\">U 11-minutnom filmu \u0110ure Gavrana pratimo nekoliko tisu\u0107a ljudi koji su se 16 godina nakon rata okupili na glavnom zagreba\u010dkom trgu kako bi gledali televizijski prijenos izricanja prvostupanjske presude hrvatskim generalima. Kroz niz krupnih kadrova film prati erupciju emocija izazvanih presudom. \u0110uro Gavran re\u017eirao je dva eksperimentalna filma i pet dokumentarnih filmova. Njegov dokumentarac\u00a0<em><strong>Veliki dan<\/strong><\/em>\u00a0osvojio je Grand prix i Nagradu za najbolju re\u017eiju na Danima hrvatskog filma 2012 i nagradu publike na festivalu DOKUart u Bjelovaru.<\/p>\n<p style=\"text-align: justify;\"><strong>Me\u0111unarodni filmski festival u Rotterdamu<\/strong>\u00a0jedan je od festivala prve kategorije.\u00a0Njegov program nudi uvid u \u0161irok spektar inovativnih filmskih ostvarenja \u010diji su autori talentirani debitanti ili ve\u0107 etablirani autori. U oko 12 dana trajanja prikazuje nekoliko stotina filmova. Festivalski program je podijeljen u tri glavne sekcije:\u00a0<strong>Bright Future<\/strong>\u00a0posve\u0107ena je nadolaze\u0107im talentima u dugometra\u017enom i kratkometra\u017enom filmu (a u sklopu ovoga odr\u017eava se i natjecateljski program u obe kategorije),<strong>Spectrum<\/strong>\u00a0je sekcija posve\u0107ena ve\u0107 etabliranim autorim i umjetnicima koji zna\u010dajno doprinose filmskoj umjetnosti, a u sekciji\u00a0<strong>Signals<\/strong>\u00a0mogu se vidjeti posebni programi i retrospektive posve\u0107ene posebnim temama i vje\u010dnim idejama u filmu.<\/p>\n<p style=\"text-align: justify;\">[izvor informacije\u00a0<a href=\"http:\/\/www.havc.hr\/index_h_box.php\"><strong>HAVC<\/strong><\/a>]<\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=6170\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Dokumentarni film\u00a0Iza ogledala\u00a0(Behind the Looking Glass) redateljice\u00a0Jagode Kaloper\u00a0nastao u produkciji\u00a0Factuma\u00a0uvr\u0161ten je u program Signals Regained, a kratkometra\u017eni dokumentarac\u00a0Presuda(The Verdict)\u00a0\u0110ure Gavrana\u00a0nastao u produkciji zagreba\u010dke tvrtke\u00a0PIPSER d.o.o\u00a0uvr\u0161ten je u program Spectrum Shorts\u00a042.\u00a0Me\u0111unarodnog filmskog festivala u Rotterdamu\u00a0(23. sije\u010dnja &#8211; 3. velja\u010de 2013). Iza ogledala\u00a0je filmski autoportret napravljen kombinacijom filmskih inserata od 1965. do nedavno koji pokazuju kako su [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":6171,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[9,21,22],"tags":[94,200,1227,1226],"class_list":["post-6170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-filmske-novosti","category-filmski-festivali","tag-filmski-festivali-2","tag-havc","tag-jagoda-kaloper","tag-totterdam"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&#039;Iza ogledala&#039; Jagode Kaloper i &#039;Presuda&#039; \u0110ure Gavrana u programu presti\u017enog Rotterdama - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=6170\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&#039;Iza ogledala&#039; Jagode Kaloper i &#039;Presuda&#039; \u0110ure Gavrana u programu presti\u017enog Rotterdama - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Dokumentarni film\u00a0Iza ogledala\u00a0(Behind the Looking Glass) redateljice\u00a0Jagode Kaloper\u00a0nastao u produkciji\u00a0Factuma\u00a0uvr\u0161ten je u program Signals Regained, a kratkometra\u017eni dokumentarac\u00a0Presuda(The Verdict)\u00a0\u0110ure Gavrana\u00a0nastao u produkciji zagreba\u010dke tvrtke\u00a0PIPSER d.o.o\u00a0uvr\u0161ten je u program Spectrum Shorts\u00a042.\u00a0Me\u0111unarodnog filmskog festivala u Rotterdamu\u00a0(23. sije\u010dnja &#8211; 3. velja\u010de 2013). Iza ogledala\u00a0je filmski autoportret napravljen kombinacijom filmskih inserata od 1965. do nedavno koji pokazuju kako su [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/film-mag.net\/wp\/?p=6170\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2013-01-08T21:34:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2013-01-08T21:34:22+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2013\/01\/HAVC_IFFR_logo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"566\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"PRESS\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PRESS\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=6170#article\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=6170\"},\"author\":{\"name\":\"PRESS\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"headline\":\"&#8216;Iza ogledala&#8217; Jagode Kaloper i &#8216;Presuda&#8217; \u0110ure Gavrana u programu presti\u017enog Rotterdama\",\"datePublished\":\"2013-01-08T21:34:01+00:00\",\"dateModified\":\"2013-01-08T21:34:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=6170\"},\"wordCount\":494,\"image\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=6170#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/wp-content\\\/uploads\\\/2013\\\/01\\\/HAVC_IFFR_logo.jpg\",\"keywords\":[\"filmski festivali\",\"HAVC\",\"jagoda kaloper\",\"totterdam\"],\"articleSection\":[\"Film\",\"FIlmske novosti\",\"Filmski festivali\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=6170\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=6170\",\"name\":\"'Iza ogledala' Jagode Kaloper i 'Presuda' \u0110ure Gavrana u programu presti\u017enog Rotterdama - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=6170#primaryimage\"},\"image\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=6170#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/wp-content\\\/uploads\\\/2013\\\/01\\\/HAVC_IFFR_logo.jpg\",\"datePublished\":\"2013-01-08T21:34:01+00:00\",\"dateModified\":\"2013-01-08T21:34:22+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"breadcrumb\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=6170#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=6170\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=6170#primaryimage\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/wp-content\\\/uploads\\\/2013\\\/01\\\/HAVC_IFFR_logo.jpg\",\"contentUrl\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/wp-content\\\/uploads\\\/2013\\\/01\\\/HAVC_IFFR_logo.jpg\",\"width\":\"566\",\"height\":\"500\",\"caption\":\"IFFR - logo\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=6170#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"&#8216;Iza ogledala&#8217; Jagode Kaloper i &#8216;Presuda&#8217; \u0110ure Gavrana u programu presti\u017enog Rotterdama\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\",\"name\":\"PRESS\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"caption\":\"PRESS\"},\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?author=8\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"'Iza ogledala' Jagode Kaloper i 'Presuda' \u0110ure Gavrana u programu presti\u017enog Rotterdama - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/film-mag.net\/wp\/?p=6170","og_locale":"en_US","og_type":"article","og_title":"'Iza ogledala' Jagode Kaloper i 'Presuda' \u0110ure Gavrana u programu presti\u017enog Rotterdama - FILM-mag.net","og_description":"Dokumentarni film\u00a0Iza ogledala\u00a0(Behind the Looking Glass) redateljice\u00a0Jagode Kaloper\u00a0nastao u produkciji\u00a0Factuma\u00a0uvr\u0161ten je u program Signals Regained, a kratkometra\u017eni dokumentarac\u00a0Presuda(The Verdict)\u00a0\u0110ure Gavrana\u00a0nastao u produkciji zagreba\u010dke tvrtke\u00a0PIPSER d.o.o\u00a0uvr\u0161ten je u program Spectrum Shorts\u00a042.\u00a0Me\u0111unarodnog filmskog festivala u Rotterdamu\u00a0(23. sije\u010dnja &#8211; 3. velja\u010de 2013). Iza ogledala\u00a0je filmski autoportret napravljen kombinacijom filmskih inserata od 1965. do nedavno koji pokazuju kako su [&hellip;]","og_url":"http:\/\/film-mag.net\/wp\/?p=6170","og_site_name":"FILM-mag.net","article_published_time":"2013-01-08T21:34:01+00:00","article_modified_time":"2013-01-08T21:34:22+00:00","og_image":[{"width":566,"height":500,"url":"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2013\/01\/HAVC_IFFR_logo.jpg","type":"image\/jpeg"}],"author":"PRESS","twitter_card":"summary_large_image","twitter_misc":{"Written by":"PRESS","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/film-mag.net\/wp\/?p=6170#article","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/?p=6170"},"author":{"name":"PRESS","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"headline":"&#8216;Iza ogledala&#8217; Jagode Kaloper i &#8216;Presuda&#8217; \u0110ure Gavrana u programu presti\u017enog Rotterdama","datePublished":"2013-01-08T21:34:01+00:00","dateModified":"2013-01-08T21:34:22+00:00","mainEntityOfPage":{"@id":"http:\/\/film-mag.net\/wp\/?p=6170"},"wordCount":494,"image":{"@id":"http:\/\/film-mag.net\/wp\/?p=6170#primaryimage"},"thumbnailUrl":"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2013\/01\/HAVC_IFFR_logo.jpg","keywords":["filmski festivali","HAVC","jagoda kaloper","totterdam"],"articleSection":["Film","FIlmske novosti","Filmski festivali"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"http:\/\/film-mag.net\/wp\/?p=6170","url":"http:\/\/film-mag.net\/wp\/?p=6170","name":"'Iza ogledala' Jagode Kaloper i 'Presuda' \u0110ure Gavrana u programu presti\u017enog Rotterdama - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"primaryImageOfPage":{"@id":"http:\/\/film-mag.net\/wp\/?p=6170#primaryimage"},"image":{"@id":"http:\/\/film-mag.net\/wp\/?p=6170#primaryimage"},"thumbnailUrl":"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2013\/01\/HAVC_IFFR_logo.jpg","datePublished":"2013-01-08T21:34:01+00:00","dateModified":"2013-01-08T21:34:22+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"breadcrumb":{"@id":"http:\/\/film-mag.net\/wp\/?p=6170#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/film-mag.net\/wp\/?p=6170"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/film-mag.net\/wp\/?p=6170#primaryimage","url":"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2013\/01\/HAVC_IFFR_logo.jpg","contentUrl":"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2013\/01\/HAVC_IFFR_logo.jpg","width":"566","height":"500","caption":"IFFR - logo"},{"@type":"BreadcrumbList","@id":"http:\/\/film-mag.net\/wp\/?p=6170#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"&#8216;Iza ogledala&#8217; Jagode Kaloper i &#8216;Presuda&#8217; \u0110ure Gavrana u programu presti\u017enog Rotterdama"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f","name":"PRESS","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","caption":"PRESS"},"url":"http:\/\/film-mag.net\/wp\/?author=8"}]}},"_links":{"self":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/6170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6170"}],"version-history":[{"count":3,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/6170\/revisions"}],"predecessor-version":[{"id":6174,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/6170\/revisions\/6174"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/media\/6171"}],"wp:attachment":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6170"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}