{"id":61484,"date":"2026-04-25T21:49:46","date_gmt":"2026-04-25T19:49:46","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=61484"},"modified":"2026-04-25T21:49:46","modified_gmt":"2026-04-25T19:49:46","slug":"zagrebdox-2026-nagrade","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=61484","title":{"rendered":"ZagrebDox 2026: Nagrade"},"content":{"rendered":"<p style=\"text-align: justify;\"><b><span lang=\"HR\">Veliki pe\u010dat osvojio je film <i>Lisica pod ru\u017ei\u010dastim Mjesecom<\/i>, Mehrdada Oskoueija i Soraye Akhlaghi u Me\u0111unarodnoj te <i>Planina se ne\u0107e pomaknuti<\/i>, Petre Seli\u0161kar u Regionalnoj konkurenciji, dok je Mali pe\u010dat za najbolji kratkometra\u017eni film osvojio film <i>Omama<\/i>, Martina Herra<\/span><\/b><\/p>\n<p style=\"text-align: justify;\">U subotu, 26. travnja 2026., s po\u010detkom u 18 sati, na sve\u010danoj dodjeli nagrada progla\u0161eni su pobjedni\u010dki filmovi dvadeset drugog izdanja Me\u0111unarodnog festivala dokumentarnog filma ZagrebDox. Na festivalu koji je u kinu Kaptol Boutique Cinema otvoren pro\u0161le nedjelje publika je imala priliku pogledati \u010dak 112 dokumentarnih ostvarenja u \u0161esnaest programskih cjelina, a za slu\u017ebenu festivalsku nagradu Veliki pe\u010dat natjecalo se dvadeset filmova u Me\u0111unarodnoj\u00a0 i osamnaest filmova u Regionalnoj konkurenciji.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/media.themoviedb.org\/t\/p\/w1066_and_h600_face\/sdMLtTxADRF3WAHmtL9oUFNY5wt.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\" https:\/\/www.themoviedb.org\/movie\/951018 \" target=\"_blank\" rel=\"noopener noreferrer\"> TMDB<\/a><\/strong> &#8211; A Fox Under a Pink Moon (2025)<\/p>\n<p style=\"text-align: justify;\">Me\u0111unarodni \u017eiri \u010diji su \u010dlanovi bili <strong>David Borenstein<\/strong>, <strong>Christian Frei<\/strong> i <strong>Oliver Serti\u0107<\/strong> dodijelio je Veliki pe\u010dat filmu <em>Lisica pod ru\u017ei\u010dastim Mjesecom<\/em>, <strong>Mehrdada Oskoueija<\/strong> <strong>i Soraye Akhlaghi<\/strong>. \u201eSna\u017ean i poeti\u010dan film nastao prema fascinantnoj suradnji. Svi formalni elementi filma imaju jasnu svrhu u prikazivanju aktualne globalne teme kroz sirovu i intimnu perspektivu jednog nezaboravnog lika. Sorayin iskreni portret njezine borbe jo\u0161 \u0107emo dugo pamtiti\u201c stoji u obrazlo\u017eenju \u017eirija.<\/p>\n<p style=\"text-align: justify;\">Posebno priznanje u Me\u0111unarodnoj konkurenciji 22. ZagrebDoxa dobio je film <em>Srebro<\/em>, <strong>Natalie Koniarz<\/strong> \u201eZadivila nas je gotovo taktilna slikovnost u prikazivanju pre\u017eivljavanja pod pritiskom okrutnih uvjeta rada.\u201c<\/p>\n<p style=\"text-align: justify;\">U Regionalnoj konkurenciji Veliki pe\u010dat oti\u0161ao je filmu <em>Planina se ne\u0107e pomaknuti<\/em>, <strong>Petre Seli\u0161kar<\/strong>, a odluku je donio Regionalni \u017eiri \u010diji su \u010dlanovi bili <strong>Dalija Dozet<\/strong> i <strong>Clara Trischler<\/strong>. \u201eDok polako razotkriva tradiciju koja nestaje u suvremenim dru\u0161tvu, redateljica atmosferi\u010dno bilje\u017ei i surovi planinski krajolik i nje\u017ene veze me\u0111u glavnim likovima, bra\u0107om koja se me\u0111usobno oslovljavaju kao direktor, heroj, kauboj i \u0161egrt. Kroz \u010desto duhovite ali i prerano odrasle a povremeno i ljute interakcije, bratska bliskost prelazi platno i postaje opipljiva. Ovi su likovi morali odrasti prebrzo, provode\u0107i mjesece tamo gore, u\u010de\u0107i se kako psovati, pu\u0161iti i biti kauboji. Bez signala, bez cesta, bez \u0161kole i s vrlo malo drugih ljudskih kontakata, \u010dini se da su posljednji koji su ostali. I kao takvi, prisiljeni su prona\u0107i svoje mjesto u svijetu. O\u010daravaju\u0107i vizualni jezik i zvu\u010dni krajolik filma odvodi nas u meditativno stanje, dok istovremeno duboko propituje napetost \u017eivota uhva\u0107enog izme\u0111u slobode i svrhe vlastitog postojanja.\u201c<\/p>\n<p style=\"text-align: justify;\">Posebno priznanje u Regionalnoj konkurenciji pripalo je filmu <em>Mirna dolina<\/em>, <strong>Sebastijana Borov\u010daka<\/strong>. \u201eFilm posve\u0107en mnogim nevidljivim ljudima me\u0111u nama koji iza sebe nisu ostavili nikakav trag, kre\u010du\u0107i se kroz minska polja, guste \u0161ume i ledene zime, ostavljaju\u0107i svoje najdra\u017ee iza sebe. Ovaj dramatur\u0161ki elokventan film precizno prati protagonisticu u \u017eelji da otkrije odjeke nestalih, nude\u0107i nam nje\u017enu i poetsku perspektivu, dok istodobno postavlja va\u017ena pitanja o ljudima koje europski migracijski sustav odlu\u010duje zaboraviti.\u201c<\/p>\n<p style=\"text-align: justify;\">Mali pe\u010dat za najbolji kratki film iz natjecateljskog programa, o \u010demu su odlu\u010dili <strong>Jamillah van der Hulst<\/strong>,\u00a0 <strong>Jozo Schmuch<\/strong> i <strong>Oleksii Yeroshenko<\/strong> osvojio je film <em>Omama<\/em>, <strong>Martina Herra<\/strong>. \u201eZa izvrsnu uporabu kombinirane tehnike kojom se slika dirljiv i iskren portret \u010dlanice obitelji koja razmi\u0161lja o \u017eivotu, smrti i samo\u0107i.\u201c<\/p>\n<p style=\"text-align: justify;\">Posebno priznanje istog \u017eirija dobio je film <em>Zemlja mu\u0161karaca<\/em>, <strong>Mariam Bakacho Khatchvani<\/strong>. \u201c Za gorak prikaz hrabrosti u jeku sistemske opresije i kulturnih uvjerenja, \u017eiri nagra\u0111uje posebnim priznanjem film <em>Zemlja mu\u0161karaca<\/em>. Kroz intimne v\u00e9rit\u00e9 opservacije, ovaj film donosi rijedak pogled na unutarnji sukob unutar zajednice, omogu\u0107uju\u0107i likovima da u potpunosti budu ono \u0161to jesu.\u201c<\/p>\n<p style=\"text-align: justify;\">U istom sastavu, dakle Jamillah van der Hulst, Jozo Schmuch i Oleksii Yeroshenko odlu\u010divao je i Mladi \u017eiri, a Mali pec\u030cat za najbolji film mladog\/e autora\/ice do 35 godina dobio je film <em>Srebro<\/em>, <strong>Natalie Koniarz<\/strong> \u201eEkipa i kamera kao da su zbilja bili uronjeni u selo. Upravo je zato mikrokozmos grada prikazan vrlo dobro i razli\u010diti aspekti \u017eivota prikazani su realisti\u010dno. Zvuk je bio va\u017ean aspekt koji je u\u010dinio rudnik zasebnim likom u filmu.\u201c<\/p>\n<p style=\"text-align: justify;\">Nagrada Movies That Matter, za ostvarenje koje na najbolji na\u010din promi\u010de ljudska prava dodijelio je \u017eiri u sastavu: <strong>Ondrej Kamenicky<\/strong>, <strong>Maja Prettner<\/strong> i <strong>Lidija Zelovi\u0107<\/strong>, a pripala je filmu <em>Lome\u0107i prepreke<\/em>, <strong>Mohammadreze Eynija <\/strong>i<strong> Sare Khaki. <\/strong>\u201cNagradu Movies That Matter odlu\u010dili smo dati filmu koji otkriva svakodnevnu borbu za dostojanstvo, jednakost i slobodu kroz intimna razmi\u0161ljanja glavnog lika. Lika koji na po\u010detku osna\u017euje svoju neposrednu okolinu, no njezina se osna\u017eenost zatim po\u010dinje \u0161iriti. Ona daje nadu, ne samo onima u filmu, nego i gledateljima. Film pa\u017eljivo prikazuje sukob glasa pojedinca i represivnog sustava, a rezultat je rad koji je i osoban i univerzalan \u2013 svjedo\u010danstvo snage otpora, ali i njezine cijene. Portret nesvakida\u0161nje odlu\u010dne \u017eene na motociklu u zaba\u010denom selu u Iranu. S nepokolebljivom energijom ona se hrabro suprotstavlja izazovima duboko usidrenima u tradicionalnom dru\u0161tvu. Nagradu dobiva film koji ne pri\u010da samo pri\u010du o jednoj \u017eeni, nego ujedno donosi i aktualno promi\u0161ljanje o svijetu gdje temeljna prava \u017eena jo\u0161 uvijek nisu datost.\u201c<\/p>\n<p style=\"text-align: justify;\">\u010clanice me\u0111unarodne federacije filmskih kriti\u010dara FIPRESCI, <strong>Petra Belc<\/strong>, <strong>Isabel Jacobs<\/strong> i <strong>Ana Stani\u0107<\/strong> dodijelile su istoimenu nagradu filmu <em>Slet 1988<\/em>, <strong>Marte Popivoda<\/strong>. \u201eMarta Popivoda dovodi vi\u0161estruke slojeve u dijalog opisuju\u0107i luk izme\u0111u pro\u0161losti i sada\u0161njosti kroz tijelo plesa\u010dice. U sa\u017eetoj formi na granici eksperimentalnog i dokumentarnog filma, <em>Slet 1988<\/em> pokazuje koliko sna\u017eno film mo\u017ee reartikulirati slo\u017eena, nerije\u0161ena politi\u010dka pitanja. Potaknuo je \u017eustru raspravu me\u0111u nama, ukazuju\u0107i na pun eksplozivan potencijal medija kada se upotrijebi s jasnom umjetni\u010dkom vizijom\u201c stoji u obja\u0161njenju.<\/p>\n<p style=\"text-align: justify;\">O nagradi Teen Dox, koja se dodjeljuje filmu iz istoimenog programa odlu\u010divali su u\u010denici zagreba\u010dke X. gimnazije Ivan Supek, a nagradu je osvojio film <em>Sje\u0107anja prozora<\/em>, <strong>Mehraneh Salimian<\/strong> i <strong>Amina Pakparvara<\/strong>. \u201cU sredi\u0161tu filma nalazi se suvremena stvarnost obilje\u017eena dru\u0161tvenim nemirima i osobnim borbama, no ono \u0161to ga \u010dini posebnim jest na\u010din na koji tu stvarnost pribli\u017eava gledatelju. Film umjetni\u010dki prikazuje dru\u0161tvene nemire i osobne borbe. Gledatelja uvla\u010di u stvarnost likova i stvara sna\u017ean emotivni dojam.\u201c Posebno priznanje Teen \u017eirija osvojio je film <em>Ono \u0161to mi krade san<\/em>, <strong>Niklasa Gyberg Ivarssona<\/strong>. \u201eIntiman i sna\u017ean dokumentarac koji se ne oslanja na radnju, ve\u0107 na iskrene ispovijedi protagonista o strahovima, nesigurnostima i svakodnevnim borbama. Razli\u010dite perspektive likova iz vi\u0161e zemalja omogu\u0107uju poistovje\u0107ivanje i osvje\u0161tavanje vlastitih tjeskoba.\u201d<\/p>\n<p style=\"text-align: justify;\">Nagradu Po\u010dasni Veliki pe\u010dat koja se dodjeljuje autorima koji su kvalitetom svojih radova prisutni i presudni u dokumentarizmu godinama, pa i decenijama, a dodjeljuje je umjetni\u010dki direktor festivala <strong>Nenad Puhovski<\/strong>, dodijeljena je \u0161vicarskom redatelju i producentu <strong>Christianu Freiju<\/strong> jednom od najutjecajnijih suvremenih dokumentarista \u010diji odva\u017eni i istinoljubivi filmovi donose prodorne i intimne portrete ljudi u ekstremnim situacijama te pokrivaju \u0161irok spektar tema koje optere\u0107uju sudbinu \u010dovje\u010danstva poput rata, tehnologije i velikih dru\u0161tvenih mijena. Na ZagrebDoxu smo u sklopu retrospektivnog programa imali priliku pogledati pet njegovih filma \u2013 <em>Krivica<\/em>, <em>Besani u New Yorku<\/em>, <em>Ratni fotoreporter<\/em>, <em>Svemirski turisti<\/em> i <em>Postanak 2.0<\/em>.<\/p>\n<p style=\"text-align: justify;\">Me\u0111unarodni festival dokumentarnog filma ZagrebDox odr\u017eava se u kinima Kaptol Boutiquea do 26. travnja 2026. godine.<\/p>\n<p style=\"text-align: justify;\">ZagrebDox se odr\u017eava uz potporu Grada Zagreba, Hrvatskog audiovizualnog centra, Dru\u0161tva hrvatskih filmskih autora i Turisti\u010dke zajednice Grada Zagreba.<\/p>\n<p style=\"text-align: justify;\">Sve novosti i informacije o ZagrebDoxu dostupne su na slu\u017ebenoj stranici <a href=\"http:\/\/zagrebdox.net\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/zagrebdox.net\/&amp;source=gmail&amp;ust=1777232140528000&amp;usg=AOvVaw1DIxmbSvnYJq22CXpy3Zii\">http:\/\/zagrebdox.net\/<\/a> te na dru\u0161tvenim mre\u017eama festivala.<\/p>\n<p style=\"text-align: justify;\">[izvor informacije <strong><a href=\"https:\/\/zagrebdox.net\/hr\" target=\"_blank\" rel=\"noopener noreferrer\"> ZagrebDox<\/a><\/strong>]<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fweb.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid02SGUuGpFrnrrvyZtTkZD3w3bow159eWjysXZVkx6sHcmEmvmEFvpoNUK19tS2Fx1wl&amp;show_text=true&amp;width=500\" width=\"500\" height=\"444\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=61484\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Veliki pe\u010dat osvojio je film Lisica pod ru\u017ei\u010dastim Mjesecom, Mehrdada Oskoueija i Soraye Akhlaghi u Me\u0111unarodnoj te Planina se ne\u0107e pomaknuti, Petre Seli\u0161kar u Regionalnoj konkurenciji, dok je Mali pe\u010dat za najbolji kratkometra\u017eni film osvojio film Omama, Martina Herra U subotu, 26. travnja 2026., s po\u010detkom u 18 sati, na sve\u010danoj dodjeli nagrada progla\u0161eni su [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[9,22,17050],"tags":[],"class_list":["post-61484","post","type-post","status-publish","format-standard","hentry","category-film","category-filmski-festivali","category-press"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ZagrebDox 2026: Nagrade - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=61484\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ZagrebDox 2026: Nagrade - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Veliki pe\u010dat osvojio je film Lisica pod ru\u017ei\u010dastim Mjesecom, Mehrdada Oskoueija i Soraye Akhlaghi u Me\u0111unarodnoj te Planina se ne\u0107e pomaknuti, Petre Seli\u0161kar u Regionalnoj konkurenciji, dok je Mali pe\u010dat za najbolji kratkometra\u017eni film osvojio film Omama, Martina Herra U subotu, 26. travnja 2026., s po\u010detkom u 18 sati, na sve\u010danoj dodjeli nagrada progla\u0161eni su [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/film-mag.net\/wp\/?p=61484\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-25T19:49:46+00:00\" \/>\n<meta name=\"author\" content=\"PRESS\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PRESS\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/film-mag.net\/wp\/?p=61484\",\"url\":\"https:\/\/film-mag.net\/wp\/?p=61484\",\"name\":\"ZagrebDox 2026: Nagrade - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\/\/film-mag.net\/wp\/#website\"},\"datePublished\":\"2026-04-25T19:49:46+00:00\",\"author\":{\"@id\":\"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"breadcrumb\":{\"@id\":\"https:\/\/film-mag.net\/wp\/?p=61484#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/film-mag.net\/wp\/?p=61484\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/film-mag.net\/wp\/?p=61484#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/film-mag.net\/wp\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"ZagrebDox 2026: Nagrade\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/film-mag.net\/wp\/#website\",\"url\":\"http:\/\/film-mag.net\/wp\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/film-mag.net\/wp\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f\",\"name\":\"PRESS\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g\",\"caption\":\"PRESS\"},\"url\":\"http:\/\/film-mag.net\/wp\/?author=8\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"ZagrebDox 2026: Nagrade - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/film-mag.net\/wp\/?p=61484","og_locale":"en_US","og_type":"article","og_title":"ZagrebDox 2026: Nagrade - FILM-mag.net","og_description":"Veliki pe\u010dat osvojio je film Lisica pod ru\u017ei\u010dastim Mjesecom, Mehrdada Oskoueija i Soraye Akhlaghi u Me\u0111unarodnoj te Planina se ne\u0107e pomaknuti, Petre Seli\u0161kar u Regionalnoj konkurenciji, dok je Mali pe\u010dat za najbolji kratkometra\u017eni film osvojio film Omama, Martina Herra U subotu, 26. travnja 2026., s po\u010detkom u 18 sati, na sve\u010danoj dodjeli nagrada progla\u0161eni su [&hellip;]","og_url":"https:\/\/film-mag.net\/wp\/?p=61484","og_site_name":"FILM-mag.net","article_published_time":"2026-04-25T19:49:46+00:00","author":"PRESS","twitter_card":"summary_large_image","twitter_misc":{"Written by":"PRESS","Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/film-mag.net\/wp\/?p=61484","url":"https:\/\/film-mag.net\/wp\/?p=61484","name":"ZagrebDox 2026: Nagrade - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"datePublished":"2026-04-25T19:49:46+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"breadcrumb":{"@id":"https:\/\/film-mag.net\/wp\/?p=61484#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/film-mag.net\/wp\/?p=61484"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/film-mag.net\/wp\/?p=61484#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"ZagrebDox 2026: Nagrade"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f","name":"PRESS","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g","caption":"PRESS"},"url":"http:\/\/film-mag.net\/wp\/?author=8"}]}},"_links":{"self":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/61484","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=61484"}],"version-history":[{"count":1,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/61484\/revisions"}],"predecessor-version":[{"id":61485,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/61484\/revisions\/61485"}],"wp:attachment":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=61484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=61484"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=61484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}