{"id":60912,"date":"2026-02-16T00:42:46","date_gmt":"2026-02-15T23:42:46","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=60912"},"modified":"2026-02-16T00:42:46","modified_gmt":"2026-02-15T23:42:46","slug":"tjedan-u-kinoteci-otapanje-vladara","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=60912","title":{"rendered":"Tjedan u Kinoteci: Otapanje vladara"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Zagreb, 16.02.2026. &#8211; Ciklus Hrana na filmu nastavljamo pri\u010dama o okusu uspjeha, me\u0111u kojima su\u00a0<em>Mildred Pierce<\/em>\u00a0Michaela Curtiza i<em>\u00a0Tampopo<\/em>\u00a0Juza Itamija, a me\u0111u novitete sti\u017eu\u00a0<em>Otapanje vladara<\/em>\u00a0Ivana Salati\u0107a,\u00a0<em>Miroirs No. 3<\/em>\u00a0Christiana Petzolda i\u00a0<em>Glavonja<\/em>\u00a0Marine Andree \u0160kop i Vanea Ra\u00fdmanove.<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Hrana na filmu:\u00a0<em>Okus uspjeha<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">Gastronomsko putovanje povije\u0161\u0107u kinematografije nastavljamo pri\u010dama o\u00a0<strong>okusu uspjeha<\/strong>: filmovima u kojima gastronomski projekti postaju sredstvom za postizanje dru\u0161tvenog statusa, osobnog ili profesionalnog razvoja. U temu kre\u0107emo s\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=cd43b96478&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3Dcd43b96478%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw0a-Lpj_VfHZkL8XazWzwr3\"><em><strong>Mildred Pierce<\/strong><\/em><\/a>, remek-djelom Michaela Curtiza o \u017eeni koja nakon \u0161to je ostavi mu\u017e pokre\u0107e uspje\u0161an lanac restorana, dok joj privatni \u017eivot prati niz tragedija. Curtizov film vje\u0161to spaja\u00a0<em>film noir<\/em>\u00a0i melodramu kako bi se pozabavio promjenama u rodnim odnosima u ameri\u010dkom dru\u0161tvu 1940-ih, a Joan Crawford donio je jedinog Oscara.<br \/>\n<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=70becffd69&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3D70becffd69%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw1zc_xHW_JJIewIhF8xG5GE\"><em><strong>Kako pojesti Raoula<\/strong><\/em><\/a>\u00a0urnebesna je satira Paula Bartela, koja kroz pri\u010du o paru koji ubijaju\u0107i svingere nastoji skupiti novac za pokretanje vlastitog restorana pru\u017ea kriti\u010dki pogled na kapitalizam 1980-ih.\u00a0Kultni film i jedna od najboljih satira desetlje\u0107a u kojem je \u017eelja za neposrednim zadovoljavanjem gladi\u00a0prodrla u sve sfere \u017eivota.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/image.tmdb.org\/t\/p\/original\/3pjVOeOLHd0wTy3XT5OYsnkBgyW.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\" https:\/\/www.themoviedb.org\/movie\/3309-mildred-pierce \" target=\"_blank\" rel=\"noopener noreferrer\"> TMDB<\/a><\/strong> &#8211; Mildred Pierce (1945)<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=4c3fda7050&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3D4c3fda7050%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw2Nw5GcUlqzGx-obpOR8Q4Y\"><em><strong>To\u010dka pucanja<\/strong><\/em><\/a>\u00a0impresivni je dugometra\u017eni prvijenac Philipa Barantinija, redatelja koji je pa\u017enju \u0161ire javnosti stekao Netflixovom hit-serijom\u00a0<em>Adolescence<\/em>\u00a0(2025). Pri\u010da prati glavnog kuhara presti\u017enog londonskog restorana neposredno uo\u010di Bo\u017ei\u0107a, kada \u0107e niz profesionalnih propusta dovesti tenzije me\u0111u osobljem do klju\u010danja. Film je snimljen u jednome kadru, \u010dime se gledatelje efektno uranja u atmosferu zbivanja, a glavu je ulogu maestralno odigrao Stephen Graham.<br \/>\nTjedan zaklju\u010duje\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=66ed49e92b&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3D66ed49e92b%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw3GSW_KLNv2RPejN8LrmZIK\"><em><strong>Tampopo<\/strong><\/em><\/a>\u00a0J\u00fbza Itamija, gastro-filmski klasik o potrazi za savr\u0161enim receptom za ramen, koji \u0107e tre\u0107erazredno svrati\u0161te pretvoriti u prvoklasni restoran. Itami koristi sredi\u0161nju pri\u010du kao odsko\u010dnu dasku za niz duhovitih, \u010desto nadrealnih vinjeta u kojima istra\u017euje povezanost putenih i gastronomskih u\u017eitaka, a zahvaljuju\u0107i originalnosti kojom koristi hranu kao polazi\u0161nu to\u010dku za istra\u017eivanje kulture s pravom ga se uvr\u0161tava me\u0111u najbolje kulinarske filmove svih vremena.<br \/>\nProgramsku knji\u017eicu ciklusa\u00a0<strong>Hrana na filmu<\/strong>\u00a0u pdf-u preuzmite\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=ea90b62444&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3Dea90b62444%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw2Xbn_5ISOKOsMbn4bnUppJ\"><strong>ovdje<\/strong><\/a>, a od utorka i na blagajni kina.<\/p>\n<p style=\"text-align: justify;\"><strong>Noviteti:\u00a0<\/strong><em><strong>Miroirs No. 3<\/strong><\/em><br \/>\n<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=ef8beb4166&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3Def8beb4166%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw3n1upbfwdG_MhE2Au-tH06\"><em><strong>Miroirs No. 3<\/strong><\/em><\/a>\u00a0novi je film nagra\u0111ivanog njema\u010dkog redatelja Christiana Petzolda. Pri\u010da o \u017eeni koja nakon prometne nesre\u0107e dolazi pod skrb jedne od svjedokinja doga\u0111aja intrigantna je psiholo\u0161ka izme\u0111u ko\u0161mara i bajke o traumi, sje\u0107anju i mitu.<br \/>\nFilm je premijerno prikazan u programu 15 dana autora u Cannesu.<\/p>\n<p style=\"text-align: justify;\"><strong>Noviteti:\u00a0<\/strong><em><strong>Otapanje vladara<\/strong><\/em><br \/>\nU tjedan kre\u0107emo s\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=f79a773f3e&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3Df79a773f3e%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw3jKeBLNqJeAWIoCUkAGR1L\"><em><strong>Otapanjem vladara<\/strong><\/em><\/a>, povijesnom dramom Ivana Salati\u0107a inspiriranom \u017eivotom pjesnika Petra II Petrovi\u0107a Njego\u0161a. Rije\u010d je o neobi\u010dnom filmu sugestivne atmosfere, sa specifi\u010dnim pristupom glumi, kompoziciji kadra i rekonstrukciji razdoblja. Ova poetska studija raspadanja mo\u0107i svjetsku je premijeru imala na Me\u0111unarodnom filmskom festivalu u Rotterdamu.<br \/>\nProjekciji \u0107e prisustvovati dio autorske ekipe, a nakon filma slijedi razgovor s redateljem Ivanom Salati\u0107em i glavnim glumcem Markom Poga\u010darom, koji \u0107e moderirati Ivica Prtenja\u010da.<\/p>\n<p style=\"text-align: justify;\"><strong>Ostali noviteti<\/strong><br \/>\nNa repertoaru i dalje igra\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=7a98c88d97&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3D7a98c88d97%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw0gkihG_YNpkSqBog5-j6Lx\"><em><strong>Svadba<\/strong><\/em><\/a>\u00a0Igora \u0160eregija, komedija koja je prerasla u regionalni fenomen.<br \/>\nVrlo su tra\u017eene i filmovi \u010diji autori donose nove interpretacije knji\u017eevnih klasika:\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=7a71213af6&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3D7a71213af6%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw0FvF2XYOBj5YyQugG-eRMm\"><em><strong>Orkanski visovi<\/strong><\/em><\/a>\u00a0Emerald Fennel,\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=b8e3eaf08d&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3Db8e3eaf08d%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw0TJnyY9i4RNJe5heDlKnsA\"><em><strong>Stranac<\/strong><\/em><\/a>\u00a0Francoisa Ozona\u00a0te\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=7619c0f93b&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3D7619c0f93b%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw30cNnTo0XQd_pgofE3BGFF\"><em><strong>Hamnet<\/strong><\/em><\/a>\u00a0Chloe Zhao.<br \/>\nTu su i\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=73d02d3c99&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3D73d02d3c99%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw2elKTUdGUf04S3m1LCPVYK\"><em><strong>Ljubav koja ostaje<\/strong><\/em><\/a>\u00a0Hlynura P\u00e1lmasona, bolno iskren, ali i duhovit portret para koji uslijed razvoda nastoji spasiti obitelj te\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=d056b5fba2&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3Dd056b5fba2%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw2l9srDN0wCdIxIPnb5JfAE\"><em><strong>La grazia<\/strong><\/em><\/a>\u00a0Paola Sorrentina, jo\u0161 jedno rasko\u0161no putovanje eti\u010dkim i politi\u010dkim krajolikom suvremene Italije sa sjajnim Tonijem Servillom u ulozi introspektivnog predsjednika.<\/p>\n<p style=\"text-align: justify;\"><strong>Matineja za djecu:\u00a0<\/strong><em><strong>Glavonja<\/strong><\/em><br \/>\n<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=4e81ffb4de&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3D4e81ffb4de%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw0b9Q9vf1eGUJYfcQ-sjAQs\"><em><strong>Glavonja<\/strong><\/em><\/a>\u00a0je film za djecu koji re\u017eijski potpisuju Marina Andree \u0160kop i Vanda Ra\u00fdmanov\u00e1. Kroz formu dje\u010dje krimi-komedije na suptilno se bave temom neurorazli\u010ditosti, inkluzije i predrasuda koje dru\u0161tvo i institucije jo\u0161 uvijek gaje prema djeci u neurodivergentnom spektru. U suradnji s inicijativom KinoKino projekciji \u0107e prisustvovati redateljica Marina Andree \u0160kop te dio gluma\u010dke ekipe, a nakon filma slijede razgovor i prilika za upoznavanje.<\/p>\n<p style=\"text-align: justify;\"><strong>Matineja za odrasle:\u00a0<\/strong><em><strong>Tajni agent<\/strong><\/em><br \/>\nNa\u00a0<strong>Matineji za odrasle<\/strong>\u00a0pogledajte\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=3ac3234e5e&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3D3ac3234e5e%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw0gtDrcWgoRGHyv_l_E5_oY\"><em><strong>Tajnog agenta<\/strong><\/em><\/a>, novi film redatelja Klebera Mendon\u00e7e Filha, intrigantnu kombinaciju povijesne drame i politi\u010dkog trilera smje\u0161tenu u Brazil 1970-ih. Film je jo\u0161 u Cannesu osigurao status jednog od filmova godine, a za Oscara se natje\u010de u \u010detiri kategorije, uklju\u010duju\u0107i onima za najbolji film, strani film i Wagnera Mouru u glavnoj ulozi.<\/p>\n<p style=\"text-align: justify;\"><strong>Prakti\u010dne informacije<\/strong><br \/>\nFilmove iz ciklusa\u00a0<strong>Hrana na filmu\u00a0<\/strong>pogledajte uz\u00a0<strong>Filmski pokaz<\/strong>, nove rute do va\u0161eg mjesta u kinu! Vi\u0161e o svemu saznajte\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=a95c90e670&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3Da95c90e670%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw2OQ4GFEPRiN_pCdq699HJQ\"><strong>ovdje<\/strong><\/a>.<\/p>\n<p style=\"text-align: justify;\">Ulaznice je mogu\u0107e kupiti online na\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=6430c0270c&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3D6430c0270c%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw3ubxZtmcnMd0dG4ooQPQ3o\"><strong>www.ulaznice.hr<\/strong><\/a>,\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=6c0bda3654&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3D6c0bda3654%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw02E34iz_X7U_2-5JvdOfgs\"><strong>www.kinokinoteka.hr<\/strong><\/a> ili svakodnevno u radno vrijeme blagajne kina.<\/p>\n<p style=\"text-align: justify;\">Raspored projekcija:\u00a0<a href=\"https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u=3cc3bf4f015ad007a38f3ac2c&amp;id=6f7f43a35b&amp;e=24ce6b5f7a\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/centarcesarec.us15.list-manage.com\/track\/click?u%3D3cc3bf4f015ad007a38f3ac2c%26id%3D6f7f43a35b%26e%3D24ce6b5f7a&amp;source=gmail&amp;ust=1771177335687000&amp;usg=AOvVaw0RtFbrOnthsgaRayfKIyDW\"><strong>KinoKinoteka<\/strong><\/a><\/p>\n<p style=\"text-align: justify;\">[izvor informacije <strong><a href=\"https:\/\/kinokinoteka.hr\/program\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Kino Kinoteka<\/a><\/strong>]<\/p>\n<p><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid08R8dAM4PsvH45N2B7h4pk96YEWtfVKnGKyFiC7wchMHzWodDd2VC5YxEyAZgmF7bl&amp;show_text=true&amp;width=500\" width=\"500\" height=\"609\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=60912\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Zagreb, 16.02.2026. &#8211; Ciklus Hrana na filmu nastavljamo pri\u010dama o okusu uspjeha, me\u0111u kojima su\u00a0Mildred Pierce\u00a0Michaela Curtiza i\u00a0Tampopo\u00a0Juza Itamija, a me\u0111u novitete sti\u017eu\u00a0Otapanje vladara\u00a0Ivana Salati\u0107a,\u00a0Miroirs No. 3\u00a0Christiana Petzolda i\u00a0Glavonja\u00a0Marine Andree \u0160kop i Vanea Ra\u00fdmanove. Hrana na filmu:\u00a0Okus uspjeha Gastronomsko putovanje povije\u0161\u0107u kinematografije nastavljamo pri\u010dama o\u00a0okusu uspjeha: filmovima u kojima gastronomski projekti postaju sredstvom za postizanje [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[9,20347,17050],"tags":[],"class_list":["post-60912","post","type-post","status-publish","format-standard","hentry","category-film","category-kino-program","category-press"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Tjedan u Kinoteci: Otapanje vladara - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=60912\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tjedan u Kinoteci: Otapanje vladara - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Zagreb, 16.02.2026. &#8211; Ciklus Hrana na filmu nastavljamo pri\u010dama o okusu uspjeha, me\u0111u kojima su\u00a0Mildred Pierce\u00a0Michaela Curtiza i\u00a0Tampopo\u00a0Juza Itamija, a me\u0111u novitete sti\u017eu\u00a0Otapanje vladara\u00a0Ivana Salati\u0107a,\u00a0Miroirs No. 3\u00a0Christiana Petzolda i\u00a0Glavonja\u00a0Marine Andree \u0160kop i Vanea Ra\u00fdmanove. Hrana na filmu:\u00a0Okus uspjeha Gastronomsko putovanje povije\u0161\u0107u kinematografije nastavljamo pri\u010dama o\u00a0okusu uspjeha: filmovima u kojima gastronomski projekti postaju sredstvom za postizanje [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/film-mag.net\/wp\/?p=60912\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2026-02-15T23:42:46+00:00\" \/>\n<meta name=\"author\" content=\"PRESS\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PRESS\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/film-mag.net\/wp\/?p=60912\",\"url\":\"http:\/\/film-mag.net\/wp\/?p=60912\",\"name\":\"Tjedan u Kinoteci: Otapanje vladara - FILM-mag.net\",\"isPartOf\":{\"@id\":\"https:\/\/film-mag.net\/wp\/#website\"},\"datePublished\":\"2026-02-15T23:42:46+00:00\",\"author\":{\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"breadcrumb\":{\"@id\":\"http:\/\/film-mag.net\/wp\/?p=60912#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/film-mag.net\/wp\/?p=60912\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/film-mag.net\/wp\/?p=60912#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/film-mag.net\/wp\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Tjedan u Kinoteci: Otapanje vladara\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/film-mag.net\/wp\/#website\",\"url\":\"https:\/\/film-mag.net\/wp\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/film-mag.net\/wp\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f\",\"name\":\"PRESS\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g\",\"caption\":\"PRESS\"},\"url\":\"http:\/\/film-mag.net\/wp\/?author=8\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Tjedan u Kinoteci: Otapanje vladara - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/film-mag.net\/wp\/?p=60912","og_locale":"en_US","og_type":"article","og_title":"Tjedan u Kinoteci: Otapanje vladara - FILM-mag.net","og_description":"Zagreb, 16.02.2026. &#8211; Ciklus Hrana na filmu nastavljamo pri\u010dama o okusu uspjeha, me\u0111u kojima su\u00a0Mildred Pierce\u00a0Michaela Curtiza i\u00a0Tampopo\u00a0Juza Itamija, a me\u0111u novitete sti\u017eu\u00a0Otapanje vladara\u00a0Ivana Salati\u0107a,\u00a0Miroirs No. 3\u00a0Christiana Petzolda i\u00a0Glavonja\u00a0Marine Andree \u0160kop i Vanea Ra\u00fdmanove. 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