{"id":60069,"date":"2025-11-02T12:47:08","date_gmt":"2025-11-02T11:47:08","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=60069"},"modified":"2025-11-02T12:47:08","modified_gmt":"2025-11-02T11:47:08","slug":"premijera-plesne-venezuele-u-rijeckom-zajcu-energija-kojoj-se-ne-moze-odoljeti","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=60069","title":{"rendered":"Premijera plesne &#8216;Venezuele&#8217; u rije\u010dkom Zajcu: Energija kojoj se ne mo\u017ee odoljeti"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Premijera plesne predstave \u201eVenezuela\u201c slavnog, jednog od vode\u0107ih svjetskih koreografa Ohada Naharina na programu je HNK-a Ivana pl. Zajca u petak, 14. studenoga. 2025. Ansambl rije\u010dkog Baleta izvest \u0107e djelo koje je New York Times nazvao \u201esvojim vlastitim svijetom i odrazom jednog jo\u0161 ve\u0107eg\u201c, a S\u00fcddeutsche Zeitung \u201enadnaravnim\u2026 kada sedamnaest plesa\u010da sat i pol zapljuskuje pozornicu energijom koju nitko ne mo\u017ee izbje\u0107i niti joj odoljeti.\u201c<\/strong><\/p>\n<p style=\"text-align: justify;\">\u201eTemeljena na dupliciranju, \u201eVenezuela\u201c predstavlja dva izvo\u0111enja iste koreografije. U svakoj iteraciji, plesa\u010dka postava, glazba i rasvjeta mijenjaju se, pro\u017eimaju\u0107i iste pokrete razli\u010ditim energijama koje onda kod publike izazivaju druga\u010dije \u010ditanje.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/hnk-zajc.hr\/wp-content\/uploads\/2025\/10\/5145-scaled.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\" https:\/\/hnk-zajc.hr\/premijera-plesne-venezuele-u-zajcu-energija-kojoj-se-ne-moze-odoljeti\/ \" target=\"_blank\" rel=\"noopener noreferrer\"> HNK Ivan pl. Zajc<\/a><\/strong> &#8211; Foto Dra\u017een \u0160ok\u010devi\u0107<\/p>\n<p style=\"text-align: justify;\">U studiji mogu\u0107nosti, Naharin pokazuje kako se razli\u010dita podru\u010dja mogu utjeloviti u istoj gesti, ako je povjerena drugom tijelu. Djelo je pro\u017eeto kulturnim i politi\u010dkim referencama: gregorijanski zbor pjeva himnu duboke tuge, plesa\u010di izbacuju iz sebe razuzdane hip-hop taktove pokojnog repera Notoriousa B.I.G.-a , a bijele zastave-pokrovi natopljene su bojom i politi\u010dkim tonovima.<\/p>\n<p style=\"text-align: justify;\">\u201eVenezuela\u201c istra\u017euje stvarnost i pokret koji prelijevaju, ali se i uru\u0161avaju pod pljuskom zna\u010denja, iznova i iznova jure\u0107i prema praznini. Ponavljaju\u0107i i puni proturje\u010dja, nagla\u0161avaju nasilje uz ljepotu, intenzitet u odsutnosti pokreta i eleganciju kaoti\u010dnog pokreta\u201c, pi\u0161e Shira Vitaly<\/p>\n<p style=\"text-align: justify;\">Predstava je prvi put izvedena 2017. godine u Tel Avivu.<\/p>\n<p style=\"text-align: justify;\">Ohad Naharin tvorac je novog plesnog jezika poznatog kao Gaga. Svoj je jezik plesnog pokreta razvijao dugi niz godina, a nastala je iz njegove potrebe za komunikacijom s plesa\u010dima i njegove znati\u017eelje u kontinuiranom istra\u017eivanju pokreta. Gaga se temelji na dubokoj aktivaciji tijela i fizi\u010dkih osjeta, kako bi se pove\u0107ala i dodatno poja\u010dala svijest o osjetu.<\/p>\n<p style=\"text-align: justify;\">\u201eSvi moji radovi proizlaze iz istra\u017eivanja mog jezika pokreta i ljubavi prema njemu. Nikada ne govorim plesa\u010dima \u0161to da osje\u0107aju, to naprosto ne mo\u017eete&#8230; ali poku\u0161avam stvoriti prostor za sna\u017ene osje\u0107aje, pozdravljam te sna\u017ene emocije i dopu\u0161tam im da utje\u010du na moje izbore\u201c, ka\u017ee Ohad Naharin u jednom razgovoru i dodaje kako voli kada razli\u010diti plesni ansambli izvode njegova djela jer su, kada se djela izvode, uvijek u koreografskom procesu, \u0161to mu tako\u0111er omogu\u0107ava da upozna mnoge plesa\u010de i pomogne im prije\u0107i njihove poznate granice i napisati vlastitu pri\u010du u njegovu djelu.<\/p>\n<p style=\"text-align: justify;\">Vlastitu pri\u010du u \u201eVenezuelu\u201c u Rijeci \u0107e upisati Sephora Ferrillo, Yurika Kimura, Ksenija Krutova, Sonja Milovanov, Laura Orli\u0107, Tea Ru\u0161in, Alessia Tacchini, Isabelle Zabot , Jody Bet, Leonard Cela, Benjamin Cockwell, Giovanni Liverani, Giorgio Otranto, Federico Rubisse, Ali Tabbouch, Samuele Taccone \/ Marta Kanazir, Marta Voinea \u010cavrak, Alessio Alfonsi i Simon Boley.<\/p>\n<p style=\"text-align: justify;\">Autorsku ekipu \u010dine Avi Yona (Bambi) Bueno koji potpisuje dizajn svjetla, Maxim Waratt zadu\u017een za dizajn zvuc\u030cnog zapisa i montaz\u030cu, glazbeni savjetnik Nadav Barnea, kostimografkinja Eri Nakamura, asistenti koreografa za kreaciju Eri Nakamura i Ariel Cohen te asistenti na postavljanju na pozornicu rije\u010dkog HNK-a Hanna Sirkis i Kyle Carr Scheurich.<\/p>\n<p style=\"text-align: justify;\">Predstava \u0107e biti na programu 15., 17., 19., 21., 22. i 24. studenoga 2025. Ulaznice dostupne na blagajni ili putem mre\u017enih stranica rije\u010dkog \u201eZajca\u201c.<\/p>\n<p style=\"text-align: justify;\">[izvor informacije <strong><a href=\"https:\/\/hnk-zajc.hr\/\" target=\"_blank\" rel=\"noopener noreferrer\"> HNK Ivan pl. Zajc<\/a><\/strong>]<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fweb.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid0XwysQqTnnJAfouSXDGq4w69CpvGa3cRBx6ZTzmjfnYgbb4vANS4tkj4aW2tw6KAWl&amp;show_text=true&amp;width=500\" width=\"500\" height=\"684\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=60069\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Premijera plesne predstave \u201eVenezuela\u201c slavnog, jednog od vode\u0107ih svjetskih koreografa Ohada Naharina na programu je HNK-a Ivana pl. Zajca u petak, 14. studenoga. 2025. Ansambl rije\u010dkog Baleta izvest \u0107e djelo koje je New York Times nazvao \u201esvojim vlastitim svijetom i odrazom jednog jo\u0161 ve\u0107eg\u201c, a S\u00fcddeutsche Zeitung \u201enadnaravnim\u2026 kada sedamnaest plesa\u010da sat i pol zapljuskuje [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[33,10,17050],"tags":[],"class_list":["post-60069","post","type-post","status-publish","format-standard","hentry","category-kazalisne-premijere","category-kazaliste","category-press"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Premijera plesne &#039;Venezuele&#039; u rije\u010dkom Zajcu: Energija kojoj se ne mo\u017ee odoljeti - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=60069\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Premijera plesne &#039;Venezuele&#039; u rije\u010dkom Zajcu: Energija kojoj se ne mo\u017ee odoljeti - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Premijera plesne predstave \u201eVenezuela\u201c slavnog, jednog od vode\u0107ih svjetskih koreografa Ohada Naharina na programu je HNK-a Ivana pl. Zajca u petak, 14. studenoga. 2025. Ansambl rije\u010dkog Baleta izvest \u0107e djelo koje je New York Times nazvao \u201esvojim vlastitim svijetom i odrazom jednog jo\u0161 ve\u0107eg\u201c, a S\u00fcddeutsche Zeitung \u201enadnaravnim\u2026 kada sedamnaest plesa\u010da sat i pol zapljuskuje [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/film-mag.net\/wp\/?p=60069\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2025-11-02T11:47:08+00:00\" \/>\n<meta name=\"author\" content=\"PRESS\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PRESS\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/film-mag.net\/wp\/?p=60069\",\"url\":\"http:\/\/film-mag.net\/wp\/?p=60069\",\"name\":\"Premijera plesne 'Venezuele' u rije\u010dkom Zajcu: Energija kojoj se ne mo\u017ee odoljeti - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\/\/film-mag.net\/wp\/#website\"},\"datePublished\":\"2025-11-02T11:47:08+00:00\",\"author\":{\"@id\":\"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"breadcrumb\":{\"@id\":\"http:\/\/film-mag.net\/wp\/?p=60069#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/film-mag.net\/wp\/?p=60069\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/film-mag.net\/wp\/?p=60069#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/film-mag.net\/wp\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Premijera plesne &#8216;Venezuele&#8217; u rije\u010dkom Zajcu: Energija kojoj se ne mo\u017ee odoljeti\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/film-mag.net\/wp\/#website\",\"url\":\"http:\/\/film-mag.net\/wp\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/film-mag.net\/wp\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f\",\"name\":\"PRESS\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g\",\"caption\":\"PRESS\"},\"url\":\"http:\/\/film-mag.net\/wp\/?author=8\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Premijera plesne 'Venezuele' u rije\u010dkom Zajcu: Energija kojoj se ne mo\u017ee odoljeti - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/film-mag.net\/wp\/?p=60069","og_locale":"en_US","og_type":"article","og_title":"Premijera plesne 'Venezuele' u rije\u010dkom Zajcu: Energija kojoj se ne mo\u017ee odoljeti - FILM-mag.net","og_description":"Premijera plesne predstave \u201eVenezuela\u201c slavnog, jednog od vode\u0107ih svjetskih koreografa Ohada Naharina na programu je HNK-a Ivana pl. Zajca u petak, 14. studenoga. 2025. Ansambl rije\u010dkog Baleta izvest \u0107e djelo koje je New York Times nazvao \u201esvojim vlastitim svijetom i odrazom jednog jo\u0161 ve\u0107eg\u201c, a S\u00fcddeutsche Zeitung \u201enadnaravnim\u2026 kada sedamnaest plesa\u010da sat i pol zapljuskuje [&hellip;]","og_url":"http:\/\/film-mag.net\/wp\/?p=60069","og_site_name":"FILM-mag.net","article_published_time":"2025-11-02T11:47:08+00:00","author":"PRESS","twitter_card":"summary_large_image","twitter_misc":{"Written by":"PRESS","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"http:\/\/film-mag.net\/wp\/?p=60069","url":"http:\/\/film-mag.net\/wp\/?p=60069","name":"Premijera plesne 'Venezuele' u rije\u010dkom Zajcu: Energija kojoj se ne mo\u017ee odoljeti - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"datePublished":"2025-11-02T11:47:08+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"breadcrumb":{"@id":"http:\/\/film-mag.net\/wp\/?p=60069#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/film-mag.net\/wp\/?p=60069"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/film-mag.net\/wp\/?p=60069#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"Premijera plesne &#8216;Venezuele&#8217; u rije\u010dkom Zajcu: Energija kojoj se ne mo\u017ee odoljeti"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f","name":"PRESS","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g","caption":"PRESS"},"url":"http:\/\/film-mag.net\/wp\/?author=8"}]}},"_links":{"self":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/60069","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=60069"}],"version-history":[{"count":1,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/60069\/revisions"}],"predecessor-version":[{"id":60070,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/60069\/revisions\/60070"}],"wp:attachment":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=60069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=60069"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=60069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}