{"id":59731,"date":"2025-09-26T22:17:33","date_gmt":"2025-09-26T20:17:33","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=59731"},"modified":"2025-09-26T22:17:33","modified_gmt":"2025-09-26T20:17:33","slug":"roboti-surogat-izvodaci-i-posthumani-koncerti-listopad-2025-u-kontejner-u-donosi-izvedbe-koja-pomicu-granice-glazbe-tehnologije-i-umjetnosti","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=59731","title":{"rendered":"Roboti, surogat izvo\u0111a\u010di i posthumani koncerti \u2013 listopad 2025. u KONTEJNER-u donosi izvedbe koja pomi\u010du granice glazbe tehnologije i umjetnosti"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Po\u010detak listopada u KONTEJNER-u (Odranska 1\/1) donosi \u010detiri izvanredna i neuobi\u010dajena performansa koji pomi\u010du granice glazbe, tehnologije i umjetnosti. Program otvara audiovizualni performans Drugo ja umjetnica Nien Tzu Weng i Myriam Bleau koji propituje kako tehnologija postaje na\u0161e \u201cdrugo ja\u201d, nastavlja ga meditativni, roboti\u010dki koncert Moritza Simona Geista Ne gledaj u mene, dok bio-zvu\u010dni performansi Guya Ben-Aryja i suradnika predstavljaju koncerte s razli\u010ditim surogat izvo\u0111a\u010dima koji po prvi put nastupaju kod nas. Na jednom od koncerata pridru\u017eit \u0107e im se i cijenjeni hrvatski gitarist Pavle Jovanovi\u0107.<\/strong><\/p>\n<p style=\"text-align: justify;\">Audiovizualni performans Drugo ja, prva suradnja koreografkinje i izvo\u0111a\u010dice Nien Tzu Weng i skladateljice i digitalne umjetnice Myriam Bleau, bit \u0107e izveden u srijedu, 1. listopada 2025. u 20 sati u KONTEJNER-u. Predstava spaja pokret, zvuk i video, istra\u017euju\u0107i ekran kao su\u010delje, masku i ogledalo. Umjetnice na tijelu nose LED ekrane koji reagiraju na njihove pokrete i pretvaraju ih u svjetlosne i zvu\u010dne efekte, bri\u0161u\u0107i granicu izme\u0111u stvarnog i virtualnog. Autorice propituju kako tehnologija postaje na\u0161e \u201cdrugo ja\u201d \u2013 ogledalo kroz koje oblikujemo sliku o sebi.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/www.kontejner.org\/images\/modules\/tn_large_1758892378-kontejner_guy-ben-ary_social_web-1.png \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\" https:\/\/www.kontejner.org\/program\/bio-zvucni-perfomans-glazba-za-surogat-izvodjaca-guya-ben-arya-nathana-thompsona-darrena-moorea-andrewa-fitcha-i-stuarta-hodgettsa-au\/ \" target=\"_blank\" rel=\"noopener noreferrer\"> Kintejner<\/a><\/strong> &#8211; Dizajn: kuna zlatica, fotografija: Guy Ben-Ary<\/p>\n<p style=\"text-align: justify;\">Dva dana kasnije, u petak 3.10.2025. u 20 sati, u KONTEJNER-u \u0107e gostovati cijenjeni glazbeni producent i istra\u017eiva\u010d Moritz Simon Geist i izvesti roboti\u010dki koncert Ne gledaj u mene na kojem robotski instrumenti generiraju sinusne valove i harmoni\u010dke teksture bez ljudske ruke, stvaraju\u0107i pulsiraju\u0107i zvu\u010dni pejza\u017e koji poziva publiku na introspektivno slu\u0161anje. Tijekom svoje karijere, Moritz Simon Geist sura\u0111ivao je s Mouse On Mars, Tyondai Braxton, Robertom Lippokom i Thie\u00df Mynther, a njegovi radovi izvo\u0111eni su na Venecijanskom bijenalu, u Pari\u0161koj filharmoniji i Elbphilharmonieu.<\/p>\n<p style=\"text-align: justify;\">Ulaznice po pretprodajnoj cijeni od 4,00 EUR za pojedine izvedbe Drugo ja i Ne gledaj u mene mogu se kupiti putem sustava Entrio, dok \u0107e cijena na ulazu biti 7,00 EUR, koliko iznosi i cijena dvodnevne ulaznice za obje izvedbe.<\/p>\n<p style=\"text-align: justify;\">Samo nekoliko dana nakon robotskog koncerta, KONTEJNER donosi dvije nesvakida\u0161nje bio-zvu\u010dne izvedbe. Prva je Glazba za surogat izvo\u0111a\u010da, performans australskog umjetnika Guya Ben-Aryja i suradnika Nathana Thompsona, Darrena Moorea, Andrewa Fitcha i Stuarta Hodgettsa, koji \u0107e se odr\u017eati u \u010detvrtak, 9. listopada 2025. u 20 sati. Projekt je posve\u0107en legendarnom skladatelju Alvinu Lucieru i njegovoj kultnoj skladbi Music for Solo Performer (1965.), u kojoj su mo\u017edani valovi pokretali rezonantne udaraljke. Naru\u010den za Venecijanski bijenale 2023., projekt je nastao nakon \u0161to je Lucier 2020. umjetnicima darovao uzorak krvi iz kojeg su uzgojene \u017eive neuronske mre\u017ee \u2013 njegov \u201cin vitro mozak\u201d.<\/p>\n<p style=\"text-align: justify;\">Povezane s istim udaraljkama koje je koristio prije 60 godina, omogu\u0107uju mu da i nakon smrti nastupa na pozornici. Time je o\u010duvana njegova kognitivna esencija i stvoren novi, organski instrument koji bri\u0161e granicu izme\u0111u \u017eivota, sje\u0107anja i izvedbe. U subotu 11. listopada 2025. u 20 sati, isti ansambl nastupa ponovno, ovaj put s hrvatskim gitaristom Pavlom Jovanovi\u0107em, u performansu cellF, ujedno i prvom svjetskom neuronskom sintesajzeru i jedinstvenom \u201esurogatu izvo\u0111a\u010du\u201c. Njegov \u201emozak\u201c \u010dine \u017eive neuronske mre\u017ee uzgojene iz Ben-Aryjevih stanica koje u stvarnom vremenu upravljaju modularnim sintesajzerima i ulaze u dijalog s ljudskim glazbenicima, stvaraju\u0107i neponovljiva posthumana zvu\u010dna iskustva.<\/p>\n<p style=\"text-align: justify;\">Ulaznice za premijerne izvedbe ovih nesvakida\u0161njih glazbenih postavki dostupne su putem Entria po pretprodajnoj cijeni od 6,00 EUR za pojedina\u010dnu izvedbu, i 10 EUR za obje izvedbe. Instalacija cellF ostaje u KONTEJNER-u, i mo\u0107i \u0107e se razgledati od 13. do 18. listopada 2025. (pon\u2013pet 16\u201320 h, sub 11\u201315 h), uz besplatan ulaz.<\/p>\n<p style=\"text-align: justify;\">Uzbudljiv, poticajan i nesvakida\u0161nji KONTEJNER-ov program u listopadu zaklju\u010dit \u0107e dva glazbena doga\u0111anja: 25. i 26.10.2025. Tin Do\u017ei\u0107 s Ivanom Bojani\u0107, Androm Giuniom i Miodragom Gladovi\u0107em izvodi zvu\u010dni performans Alkemija kristala, dok \u0107e 30.10.2025. Isabelle Duthoit, Alen i Nenad Sinkauz imati koncertnu promociju albuma Circuit Breath.<\/p>\n<p style=\"text-align: justify;\">[izvor informacije <strong><a href=\"https:\/\/www.kontejner.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Kontejner<\/a><\/strong>]<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid0udQUhWH9gy8eBkusBTwRyegH7xSWkTnyCCzpmw3aToP3D3x7sN16fh3z28pFWQ2kl&amp;show_text=true&amp;width=500\" width=\"500\" height=\"684\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=59731\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Po\u010detak listopada u KONTEJNER-u (Odranska 1\/1) donosi \u010detiri izvanredna i neuobi\u010dajena performansa koji pomi\u010du granice glazbe, tehnologije i umjetnosti. Program otvara audiovizualni performans Drugo ja umjetnica Nien Tzu Weng i Myriam Bleau koji propituje kako tehnologija postaje na\u0161e \u201cdrugo ja\u201d, nastavlja ga meditativni, roboti\u010dki koncert Moritza Simona Geista Ne gledaj u mene, dok bio-zvu\u010dni performansi [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[11,474,29,37,17050],"tags":[125,875,27964],"class_list":["post-59731","post","type-post","status-publish","format-standard","hentry","category-glazba","category-glazbene-vijesti","category-koncerti","category-najave-glazbenih-dogadanja","category-press","tag-koncerti-2","tag-kontejner","tag-kontejner-2025"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Roboti, surogat izvo\u0111a\u010di i posthumani koncerti \u2013 listopad 2025. u KONTEJNER-u donosi izvedbe koja pomi\u010du granice glazbe tehnologije i umjetnosti - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=59731\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Roboti, surogat izvo\u0111a\u010di i posthumani koncerti \u2013 listopad 2025. u KONTEJNER-u donosi izvedbe koja pomi\u010du granice glazbe tehnologije i umjetnosti - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Po\u010detak listopada u KONTEJNER-u (Odranska 1\/1) donosi \u010detiri izvanredna i neuobi\u010dajena performansa koji pomi\u010du granice glazbe, tehnologije i umjetnosti. Program otvara audiovizualni performans Drugo ja umjetnica Nien Tzu Weng i Myriam Bleau koji propituje kako tehnologija postaje na\u0161e \u201cdrugo ja\u201d, nastavlja ga meditativni, roboti\u010dki koncert Moritza Simona Geista Ne gledaj u mene, dok bio-zvu\u010dni performansi [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/film-mag.net\/wp\/?p=59731\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2025-09-26T20:17:33+00:00\" \/>\n<meta name=\"author\" content=\"PRESS\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PRESS\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=59731#article\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=59731\"},\"author\":{\"name\":\"PRESS\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"headline\":\"Roboti, surogat izvo\u0111a\u010di i posthumani koncerti \u2013 listopad 2025. u KONTEJNER-u donosi izvedbe koja pomi\u010du granice glazbe tehnologije i umjetnosti\",\"datePublished\":\"2025-09-26T20:17:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=59731\"},\"wordCount\":656,\"keywords\":[\"koncerti\",\"kontejner\",\"kontejner 2025\"],\"articleSection\":[\"Glazba\",\"Glazbene vijesti\",\"Koncerti\",\"Najave glazbenih doga\u0111anja\",\"PRESS\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=59731\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=59731\",\"name\":\"Roboti, surogat izvo\u0111a\u010di i posthumani koncerti \u2013 listopad 2025. u KONTEJNER-u donosi izvedbe koja pomi\u010du granice glazbe tehnologije i umjetnosti - 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