{"id":58852,"date":"2025-06-12T12:24:39","date_gmt":"2025-06-12T10:24:39","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=58852"},"modified":"2025-06-12T12:24:39","modified_gmt":"2025-06-12T10:24:39","slug":"europska-premijera-multimedijskog-jazz-oratorija","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=58852","title":{"rendered":"Europska premijera multimedijskog JAZZ-oratorija"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Multimedijski JAZZ-oratorij PROJECT \u201eKEROUAC\u201c &#8211; Ponedjeljak, 16. lipnja 2025. u 20:00 sati<\/strong><\/p>\n<p style=\"text-align: justify;\">Najavljujemo europsku premijeru multimedijskog jazz-oratorija ameri\u010dkog skladatelja Toma Borasa, napisanog za glazbenu predstavu njujor\u0161koga dramskog pisca Jamesa Mirrionea \u201cPosljednja stanica, oporuka i testament svetog Jacka Kerouaca\u201d (1995). Predstava je inspirirana \u017eivotom i djelom najpoznatijeg ameri\u010dkog bitnika (engl. beatnik), romanopisca i pjesnika koji je za sobom ostavio bogato nasljedstvo knji\u017eevnih djela u kojima se zalagao za liberalnu, iskrenu i istinoljubivu Ameriku punu ideja, ideala, filozofije i poezije, samospoznaje, glazbe i slobode.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/kuctravno.hr\/wp-content\/uploads\/2025\/05\/unnamed.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\" https:\/\/kuctravno.hr\/events\/multimedijski-jazz-oratorij\/ \" target=\"_blank\" rel=\"noopener noreferrer\"> KUC Travno<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">Ovaj multimedijski jazz-oratorij koncertna je ina\u010dica spomenute predstave i u ovom \u0107e se obliku prvi put izvesti izvan granica Sjedinjenih Ameri\u010dkih Dr\u017eava!<\/p>\n<p style=\"text-align: justify;\">Lela Kaplowitz \u2013 vokal<br \/>\nMario Bo\u010di\u0107 \u2013 tenor saksofon<br \/>\nJoe Kaplowitz \u2013 klavir<br \/>\nZvonimir \u0160estak \u2013 kontrabas<br \/>\nJanko Novoseli\u0107 \u2013 bubnjevi<br \/>\nAutor teksta: James P. Mirrione<br \/>\nAutor glazbe: Tom Boras<br \/>\nVizuali: James P. Mirrione i Lela Kaplowitz<\/p>\n<p style=\"text-align: justify;\">Ulaz slobodan. Rezervacije bez numeracije na broj 01 \/ 6601-619.<\/p>\n<p style=\"text-align: justify;\"><strong>Jean Louis Lebris de Kerouac, poznat kao JACK KEROUAC<\/strong><\/p>\n<p style=\"text-align: justify;\">Rodio se u gradi\u0107u Lowellu, dr\u017eava Massachusetts, 12. o\u017eujka 1922. godine. Knji\u017eevna publika ponajvi\u0161e ga poznaje po romanu &#8220;Na cesti&#8221;.<\/p>\n<p style=\"text-align: justify;\">Klju\u010dni moment za stvarala\u0161tvo bilo je upoznavanje s piscima Allenom Ginsbergom i Williamom Burroughsom koji su predvodili takozvanu beat generaciju. S njima je dijelio prijezir prema konformizmu, materijalizmu i samozadovoljstvu ameri\u010dkoga poslijeratna razdoblja.<\/p>\n<p style=\"text-align: justify;\">Kerouacov drugi roman Na cesti (On the Road, 1957) najistaknutije je ostvarenje beat generacije i jedan od zapa\u017eenijih ameri\u010dkih romana druge polovice XX. stolje\u0107a. Napisao ga je za tri tjedna u travnju 1951. na 37 m duga\u010dkome smotuljku papira, kako bi stvarao bez prekida u intenzitetu i ritmu pisanja. Djelo je to izrazite autobiografske podloge a utjelovljuje filozofiju beat pokreta stalne stimulacije osjetila i ekstremnih du\u0161evnih stanja u potrazi za istinskim \u017eivotom. Osim seksa, droge, opijata i hedonizma \u010diji se motivi prote\u017eu kroz djelo, ovdje je bitnija re\u010denica i njezina melodi\u010dnost nalik na jazz glazbu odsviranu u jednome dahu. Upravo ona osloba\u0111a likove od okova te testira granice o percepciji ideje o ameri\u010dkom snu. Zbog ljubavi prema toj vrsti glazbe \u0161to je pro\u017eeo kroz roman, Kerouac je kasnije utjecao na mnoga glazbena imena rock glazbe: Boba Dylana, Jima Morrisona, Simona &amp; Garfunkela, \u010dije skladbe danas slu\u0161aju mnogi u playerima svojih automobila kada se zapute na neki roadtrip po Americi.<\/p>\n<p style=\"text-align: justify;\">Kerouac je umro je 21. listopada 1969. godine u St. Petersburgu, Florida, a tog dana kre\u0107e pri\u010da jazz oratorija kojim autor James P. Mirrione i Joseph Kaplowitz reinterpretiraju originalnu jazz glazbu Toma Borasa off-broadwayske predstave, Jack&#8217;s Last Ride.<\/p>\n<p style=\"text-align: justify;\"><strong>Tom Boras<\/strong> bio je svestrani skladatelj, aran\u017eer i saksofonist poznat po svom radu u jazz, klasi\u010dnoj i suvremenoj glazbi. Ro\u0111en u Chicagu, glazbom se po\u010deo baviti jo\u0161 kao dijete, a kasnije je stekao ugled nastupaju\u0107i s ansamblima poput North Texas One O\u2019Clock Lab Banda i orkestra Woodyja Hermana. Doktorirao je kompoziciju na Sveu\u010dili\u0161tu Columbia te je obna\u0161ao du\u017enost ravnatelja Odsjeka za jazz i suvremenu glazbu na Sveu\u010dili\u0161tu New York (NYU). Tijekom karijere skladao je za jazz orkestre, orkestre, film i kazali\u0161te, te sura\u0111ivao s umjetnicima kao \u0161to su Gerry Mulligan i Dave Liebman. Tom Boras preminuo je 2003. godine, ostaviv\u0161i iza sebe bogatu glazbenu ostav\u0161tinu.<\/p>\n<p style=\"text-align: justify;\"><strong>Dr. James P. Mirrione<\/strong> me\u0111unarodno je priznati dramati\u010dar, redatelj i pedagog \u010dija karijera traje vi\u0161e od \u010detiri desetlje\u0107a. Kao dugogodi\u0161nji rezidentni dramaturg pri Creative Arts Team na Sveu\u010dili\u0161tu New York (NYU), autor je 19 drama i jedan od vode\u0107ih autora kazali\u0161ta u obrazovanju (Theatre-In-Education). Njegova djela izvo\u0111ena su izvan Broadwaya, u regionalnim kazali\u0161tima te na me\u0111unarodnim pozornicama, uklju\u010duju\u0107i zna\u010dajne interkulturalne suradnje na Bliskom istoku, u Europi, Kini i Ujedinjenim Arapskim Emiratima. Me\u0111u njegovim najzna\u010dajnijim projektima su The Last Enemy, u produkciji ameri\u010dkog State Departmenta, i glazbeni komad Ambassador Satch, koji je gostovao diljem svijeta.<\/p>\n<p style=\"text-align: justify;\">Dr. Mirrione predavao je na brojnim sveu\u010dili\u0161tima, uklju\u010duju\u0107i NYU Shanghai, Sveu\u010dili\u0161te Leeds, UAE University i Sveu\u010dili\u0161te u Nottinghamu u Kini. I dalje je aktivan u kazali\u0161tu i umjetnosti, a djeluje i kao urednik za kulturu pri China Daily te je \u010dlan upravnog odbora Centra za umjetnost Dukea Ellingtona.<\/p>\n<p style=\"text-align: justify;\">KUC Travno &#8211; Va\u0161e mjesto za kulturu u kvartu!<\/p>\n<p style=\"text-align: justify;\">[izvor informacije <strong><a href=\"https:\/\/kuctravno.hr\/\" target=\"_blank\" rel=\"noopener noreferrer\"> KUC Travno<\/a><\/strong>]<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fweb.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid0NMUWnULGrnVyayi2SUMyPwyCevsmZNDToSnwqzFMoYQ9oHHfB1Hp7TQVXuGDBEY8l&amp;show_text=true&amp;width=500\" width=\"500\" height=\"608\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=58852\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Multimedijski JAZZ-oratorij PROJECT \u201eKEROUAC\u201c &#8211; Ponedjeljak, 16. lipnja 2025. u 20:00 sati Najavljujemo europsku premijeru multimedijskog jazz-oratorija ameri\u010dkog skladatelja Toma Borasa, napisanog za glazbenu predstavu njujor\u0161koga dramskog pisca Jamesa Mirrionea \u201cPosljednja stanica, oporuka i testament svetog Jacka Kerouaca\u201d (1995). Predstava je inspirirana \u017eivotom i djelom najpoznatijeg ameri\u010dkog bitnika (engl. beatnik), romanopisca i pjesnika koji je [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[11,474,33,10,37,17050],"tags":[27559,27561,27558,137,16097,27557,14801,27560],"class_list":["post-58852","post","type-post","status-publish","format-standard","hentry","category-glazba","category-glazbene-vijesti","category-kazalisne-premijere","category-kazaliste","category-najave-glazbenih-dogadanja","category-press","tag-dr-james-p-mirrione","tag-jack-kerouac","tag-jazz-oratorij","tag-kazalisna-premijera","tag-kuc-travno","tag-kuc-travno-2025","tag-oratorij","tag-tom-boras"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Europska premijera multimedijskog JAZZ-oratorija - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=58852\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Europska premijera multimedijskog JAZZ-oratorija - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Multimedijski JAZZ-oratorij PROJECT \u201eKEROUAC\u201c &#8211; Ponedjeljak, 16. lipnja 2025. u 20:00 sati Najavljujemo europsku premijeru multimedijskog jazz-oratorija ameri\u010dkog skladatelja Toma Borasa, napisanog za glazbenu predstavu njujor\u0161koga dramskog pisca Jamesa Mirrionea \u201cPosljednja stanica, oporuka i testament svetog Jacka Kerouaca\u201d (1995). Predstava je inspirirana \u017eivotom i djelom najpoznatijeg ameri\u010dkog bitnika (engl. beatnik), romanopisca i pjesnika koji je [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/film-mag.net\/wp\/?p=58852\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2025-06-12T10:24:39+00:00\" \/>\n<meta name=\"author\" content=\"PRESS\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PRESS\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/film-mag.net\/wp\/?p=58852\",\"url\":\"http:\/\/film-mag.net\/wp\/?p=58852\",\"name\":\"Europska premijera multimedijskog JAZZ-oratorija - FILM-mag.net\",\"isPartOf\":{\"@id\":\"https:\/\/film-mag.net\/wp\/#website\"},\"datePublished\":\"2025-06-12T10:24:39+00:00\",\"author\":{\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"breadcrumb\":{\"@id\":\"http:\/\/film-mag.net\/wp\/?p=58852#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/film-mag.net\/wp\/?p=58852\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/film-mag.net\/wp\/?p=58852#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/film-mag.net\/wp\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Europska premijera multimedijskog JAZZ-oratorija\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/film-mag.net\/wp\/#website\",\"url\":\"https:\/\/film-mag.net\/wp\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/film-mag.net\/wp\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f\",\"name\":\"PRESS\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g\",\"caption\":\"PRESS\"},\"url\":\"http:\/\/film-mag.net\/wp\/?author=8\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Europska premijera multimedijskog JAZZ-oratorija - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/film-mag.net\/wp\/?p=58852","og_locale":"en_US","og_type":"article","og_title":"Europska premijera multimedijskog JAZZ-oratorija - FILM-mag.net","og_description":"Multimedijski JAZZ-oratorij PROJECT \u201eKEROUAC\u201c &#8211; Ponedjeljak, 16. lipnja 2025. u 20:00 sati Najavljujemo europsku premijeru multimedijskog jazz-oratorija ameri\u010dkog skladatelja Toma Borasa, napisanog za glazbenu predstavu njujor\u0161koga dramskog pisca Jamesa Mirrionea \u201cPosljednja stanica, oporuka i testament svetog Jacka Kerouaca\u201d (1995). Predstava je inspirirana \u017eivotom i djelom najpoznatijeg ameri\u010dkog bitnika (engl. beatnik), romanopisca i pjesnika koji je [&hellip;]","og_url":"http:\/\/film-mag.net\/wp\/?p=58852","og_site_name":"FILM-mag.net","article_published_time":"2025-06-12T10:24:39+00:00","author":"PRESS","twitter_card":"summary_large_image","twitter_misc":{"Written by":"PRESS","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"http:\/\/film-mag.net\/wp\/?p=58852","url":"http:\/\/film-mag.net\/wp\/?p=58852","name":"Europska premijera multimedijskog JAZZ-oratorija - FILM-mag.net","isPartOf":{"@id":"https:\/\/film-mag.net\/wp\/#website"},"datePublished":"2025-06-12T10:24:39+00:00","author":{"@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"breadcrumb":{"@id":"http:\/\/film-mag.net\/wp\/?p=58852#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/film-mag.net\/wp\/?p=58852"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/film-mag.net\/wp\/?p=58852#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"Europska premijera multimedijskog JAZZ-oratorija"}]},{"@type":"WebSite","@id":"https:\/\/film-mag.net\/wp\/#website","url":"https:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f","name":"PRESS","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/bf4ab1626f485b36c4f3650b1d351839?s=96&d=mm&r=g","caption":"PRESS"},"url":"http:\/\/film-mag.net\/wp\/?author=8"}]}},"_links":{"self":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/58852","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=58852"}],"version-history":[{"count":1,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/58852\/revisions"}],"predecessor-version":[{"id":58853,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/58852\/revisions\/58853"}],"wp:attachment":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=58852"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=58852"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=58852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}