{"id":58196,"date":"2025-04-02T01:23:56","date_gmt":"2025-04-01T23:23:56","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=58196"},"modified":"2025-04-02T01:25:29","modified_gmt":"2025-04-01T23:25:29","slug":"film-i-serija-tocka-pucanja-i-tocka-pucanja-osvrt-darko-plesa","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=58196","title":{"rendered":"FILM I SERIJA: To\u010dka pucanja i To\u010dka pucanja [osvrt Darko Ple\u0161a]"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>U nedostatku novih ideja, a u \u017eelji za gledano\u0161\u0107u ameri\u010dki tv studiji po\u010deli su u jednom trenutku posezati za snimanjem serija utemeljenih na filmovima: &#8216;Smrtonosno oru\u017eje&#8217; (Lethal Weapon), &#8216;Gas do daske&#8217; (Rush Hour), &#8217;12 majmuna&#8217; (Twelve Monkeys), &#8216;Od sumraka do zore&#8217; (From Dusk Till Dawn) i ostali. Imamo i slu\u010dajeve gdje su neki studiji \u017eivot serije produ\u017eavali sa snimanjem, tv ili kino filmova nakon zavr\u0161etka emitiranja: &#8216;Dosjei X&#8217; (The X Files), &#8216;Ray Donovan&#8217;, &#8216;Monk&#8217;, &#8216;Seks i grad&#8217; (Seks and the City),&#8230;<\/strong><\/p>\n<p style=\"text-align: justify;\">U tom kontekstu svakako je zanimljivo i spomenuti film &#8216;Community&#8217; koji se nalazi u pred produkciji, a koji bi trebao do\u0107i kao dio kampanje &#8220;#ANDAMOVIE&#8221; , koju su pokrenuli fanovi serije inspirirani re\u010denicom, &#8220;Six Seasons and a Movie!&#8221;, koju je Abed jedan od glavnih likova serije izrekao u seriji, te se fraza u vi\u0161e navrata i ponovila, i postala svojevrsni za\u0161titni znak serije. Serija zaista ima \u0161est sezona (iako je \u010detvrta sezona progla\u0161ena sezonom curenja plina od strane glumaca i fanova, zbog izostanka Dana Harmona, kreatora serije uslijed neslaganja s tv ku\u0107om). Serija se ina\u010de kod nas prikazivala pod apsolutno krivim naslovom &#8216;Klub otpisanih&#8217;.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/media.themoviedb.org\/t\/p\/w1066_and_h600_bestv2\/he0XbwtxDiRnPERvboWMkvXFdAJ.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">To\u010dka pucanja &#8211; Film ; Fotografiju ustupio <strong><a href=\" https:\/\/www.themoviedb.org\/movie\/807196-boiling-point \" target=\"_blank\" rel=\"noopener noreferrer\"> TMDB<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">Razlog za ovaj podu\u017ei uvod je nedavno emitiranje britanske serije &#8216;To\u010dka pucanja&#8217; (Boiling Point ) iz 2023. godine, a potom i istoimenog filma Philipa Barantinia iz 2021., godine, s istom autorskom i donekle gluma\u010dkom ekipom, na HRT-u. Nelogi\u010dan slijed emitiranja, kao ni adekvatne obavijesti o \u201evezi\u201c izme\u0111u filma i serije, emitiranje na razli\u010ditim kanalima (serija je i\u0161la na HRT1, a film na HRT3), od strane nacionalne televizije, nije ba\u0161 olak\u0161ao gledanje onima koji se prvi puta susre\u0107u s &#8216;Boiling Pointom&#8217;, s obzirom na to da se radnja iz serije ve\u017ee na radnju iz filma. Bitno je napomenuti da na britanskoj televiziji nije \u010dest slu\u010daj da filmovi dobivaju svoje serije, kao ni da serije dobivaju svoje filmove (ina\u010de ba\u0161 ove godine bi trebao iza\u0107i film &#8216;Peaky Blinders&#8217;, kao nastavak istoimene, iznimno popularne serije). Film je u na\u0161oj zemlji prvi put prikazan na Zagreb Film Festivalu 2021. godine. Svakako treba napomenuti da je &#8216;To\u010dka pucanja&#8217; prvo realizirana kao kratki film 2019. godine. Philip Barantini koji je karijeru zapo\u010deo kao glumac, uz Jamesa Cummingsa, ujedno je i autor scenarija, i za filmove i za seriju.<\/p>\n<p style=\"text-align: justify;\">Film koji je snimljen u jednom kadru, s jednom kamerom (vrhunski rad snimatelja Matthewa Lewisa), po\u010dinje dolaskom chefa Andyja Jonesa (Stephen Graham) na posao u restoran, u kojem je ujedno i suvlasnik, pred sam Bo\u017ei\u0107. On vodi razgovor preko mobitela iz kojeg zaklju\u010dujemo da je pred razvodom, te ve\u0107 pod stresom i s ka\u0161njenjem ulazi u restoran. \u010cim u\u0111e u restoran saznaje da mu je sanitarni inspektor snizio ocjenu restorana za dvije zvjezdice jer nije redovno ispunjavao potrebnu dokumentaciju vezanu za higijenu objekta, a nama se daje naslutiti da njegova ka\u0161njenja i nisu rijetkost, i da Carly, sous chef (Vinette Robinson), preuzima ve\u0107inu odgovornosti na sebe. Kroz sat i pol, koliko film traje upoznajemo djelatnike koji rade i kuhinji, konobare, \u010ditavu galeriju razli\u010ditih gostiju (od kojih su neki pasivno agresivni rasisti) i influencere. Andyju posebno te\u0161ko te ve\u010deri pada dolazak celebrity kuhara Alistair Skyea (Jason Flamyng) , biv\u0161eg Andyjevog \u0161efa u dru\u0161tvu poznate gastronomske kriti\u010darke Sare Southwort (Lourdes Faberes), koji je posudio novce Andyju da otvori restoran. Ve\u010der u svojem stresnom ritmu dovodi do neizbje\u017enih pogre\u0161aka koje mogu biti i kobne, te do jednako stresnog kraja filma. Ipak najbolji dijelovi filma su oni koji se bave kuhinjskim osobljem i njihovom me\u0111usobnom interakcijom. Andy Jones, cijelo se vrijeme istresa na svoje kolege pa se ispri\u010dava, povremeno se sukobljavaju\u0107i s temperamentnim kolegom Freemanom (Ray Panthaki), \u0161to prijeti da izraste u ve\u0107i sukob. U tim scenama do izra\u017eaja dolazi odli\u010dan gluma\u010dki ansambl predvo\u0111en Stephenom Grahamom, koji je ujedno i jedan od producenata filma, a kasnije i serije.<\/p>\n<p style=\"text-align: justify;\">Serija, kao svojevrsni nastavak filma, snimljena je 2023.godine, a radnja se odvija neposredno nakon radnje filma. U njoj ponovo nalazimo ve\u0107inu likova koji su bili i u filmu, uz neke nove. Neki od likova su u sasvim novim \u017eivotnim ulogama u odnosu na film. Novi je i restoran, Point North, u kojem se serija doga\u0111a, kao \u0161to je i ovaj puta novi glavni kuhar, tj. kuharica Carly, koju smo upoznali u filmu kao pouzdanog souse chefa. Carly je i suvlasnica restorana, koji u ponudi ima kuhinju sjeverne obale, \u0161to novi potencijalni ulaga\u010di ne smatraju dovoljno primamljivim te samim time ni ekonomski isplativim. Prva epizoda serije po\u010dinje s neprekinutim kadrom, \u0161to nas uvodi u seriju, a ujedno i povezuje s filmom. Kasnije kroz \u010detiri epizode, neprekinuti kadrovi snimaju se samo u kuhinji, dok je izvan kuhinje ,kamera tradicionalna te na trenutke pomalo i stati\u010dna. Serija se na film nastavlja na onaj na\u010din kao \u0161to i sam \u017eivot te\u010de, bez davanja kona\u010dnih odgovora. Pojedine djelatnike iz kuhinje upoznajemo kroz zasebne pri\u010de (neke pri\u010de su ve\u0107 i lagano nazna\u010dene filmu) i njihove \u017eivotne probleme. Alkoholizam, mentalne bolesti, bolesti, slabo imovinsko stanje unato\u010d zaposlenju (\u0161to je ujedno i tiha kritika posljedica Brexita na standard obi\u010dnih Britanaca), obiteljski problemi, seksualno uznemiravanje na radnom mjestu i sli\u010dno, sve je ono s \u010dime se neki od \u010dlanova kuhinje moraju suo\u010davati van svojega posla, a i sam posao je ve\u0107 dovoljno stresan. Posebnu te\u017einu likovi dobivaju time \u0161to nisu prikazani crni ili bijeli, dobivaju\u0107i time jo\u0161 vi\u0161e na vjerodostojnosti.<\/p>\n<p style=\"text-align: justify;\">Ekipa koja je od kratkog filma do serije \u010ditavu pri\u010du dovela do to\u010dke klju\u010danja, i sudjelovala u sve tri pri\u010de su Phillip Barantini kao redatelj i koscenarist, James Cummings kao koscenarist i Matthew Lewis kao snimatelj. Od glumaca u sve tri pri\u010de se pojavljuju Alice Feetham kao menad\u017eerica Beth (u seriji se pojavljuje samo usputno), Hannah Walters kao bri\u017ena slasti\u010darka Emily (ina\u010de supruga Stephena Grahama u stvarnom \u017eivotu) i naravno Stephen Graham kao kuhar Andy i sredi\u0161nja figura projekta. Trenutno ista ekipa, osim James Cummingsa, sudjeluje u aktualnoj hit seriji &#8216;Adolescencija&#8217; (Adolescence), koju su kreirali Jack Thorne i Stephen Graham, koji naravno igra i jednu od glavnih uloga.<\/p>\n<p style=\"text-align: justify;\">&#8216;Boiling Point&#8217;, film i serija, prevedeni su kao to\u010dka pucanja, iako bi u duhu radnje (i naravno engleskog jezika) puno smislenije bilo to\u010dka klju\u010danja ili to\u010dka vrenja. Od filma u kojem dominira (me\u0111u)igra kamere i glumaca, na granici kazali\u0161ne predstave, do serije u kojoj vi\u0161e do izra\u017eaja dolaze unutarnji \u017eivoti likova, njihovi problemi (od kojih su nam neki suptilno nazna\u010deni u filmu) i kako se likovi nose s istima. U dana\u0161nje vrijeme kada je izraz i stanje burnout (sagorijevanje) postao svakodnevica, lako nam se poistovjeti i osjetiti razumijevanje za likove iz serije i filma (koji su svi odreda odli\u010dno odglumljeni), jer njihovi problemi su i problemi koji nam se doga\u0111aju ili mogu dogoditi. U maniri najboljih engleskih socijalnih drama, &#8216;Boiling Point&#8217; nam svjedo\u010di o tome kako osobni trud \u010desto nije dovoljan da sami kreiramo svoju sudbinu.<\/p>\n<p style=\"text-align: justify;\">Uvijek je pitanje: \u0161to \u0107e prije proklju\u010dati, ru\u010dak ili na\u0161a osobna to\u010dka pucanja.<\/p>\n<p style=\"text-align: justify;\"><strong>Darko Ple\u0161a<\/strong><br \/>\n02.04.2025.<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid02e9AFnxG2r1hDkuSnZUNd3jwwAiTiCTPdy6LdFhNR1MqbYRGxbBDEzKA4p5FDQ2Mil&amp;show_text=true&amp;width=500\" width=\"500\" height=\"684\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=58196\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>U nedostatku novih ideja, a u \u017eelji za gledano\u0161\u0107u ameri\u010dki tv studiji po\u010deli su u jednom trenutku posezati za snimanjem serija utemeljenih na filmovima: &#8216;Smrtonosno oru\u017eje&#8217; (Lethal Weapon), &#8216;Gas do daske&#8217; (Rush Hour), &#8217;12 majmuna&#8217; (Twelve Monkeys), &#8216;Od sumraka do zore&#8217; (From Dusk Till Dawn) i ostali. Imamo i slu\u010dajeve gdje su neki studiji \u017eivot [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5955,9,4,48],"tags":[27273,6068,20357,26414,1284,12099,27271,10506,27272],"class_list":["post-58196","post","type-post","status-publish","format-standard","hentry","category-autorski-tekstovi","category-film","category-istaknuto","category-osvrti-na-filmove","tag-alice-feetham","tag-autorski-tekst","tag-darko-plesa","tag-darko-plesa-osvrt-na-film","tag-filmska-kritika","tag-osvrt-na-film","tag-philip-barantini","tag-stephen-graham","tag-vinette-robinson"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>FILM I SERIJA: To\u010dka pucanja i To\u010dka pucanja [osvrt Darko Ple\u0161a] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=58196\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FILM I SERIJA: To\u010dka pucanja i To\u010dka pucanja [osvrt Darko Ple\u0161a] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"U nedostatku novih ideja, a u \u017eelji za gledano\u0161\u0107u ameri\u010dki tv studiji po\u010deli su u jednom trenutku posezati za snimanjem serija utemeljenih na filmovima: &#8216;Smrtonosno oru\u017eje&#8217; (Lethal Weapon), &#8216;Gas do daske&#8217; (Rush Hour), &#8217;12 majmuna&#8217; (Twelve Monkeys), &#8216;Od sumraka do zore&#8217; (From Dusk Till Dawn) i ostali. Imamo i slu\u010dajeve gdje su neki studiji \u017eivot [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/film-mag.net\/wp\/?p=58196\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2025-04-01T23:23:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-01T23:25:29+00:00\" \/>\n<meta name=\"author\" content=\"Suradnik\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Suradnik\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=58196#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=58196\"},\"author\":{\"name\":\"Suradnik\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/9ffa18a59c8bc69aa9c3cacd71c61f3e\"},\"headline\":\"FILM I SERIJA: To\u010dka pucanja i To\u010dka pucanja [osvrt Darko Ple\u0161a]\",\"datePublished\":\"2025-04-01T23:23:56+00:00\",\"dateModified\":\"2025-04-01T23:25:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=58196\"},\"wordCount\":1246,\"keywords\":[\"Alice Feetham\",\"autorski tekst\",\"Darko Ple\u0161a\",\"Darko Ple\u0161a osvrt na film\",\"filmska kritika\",\"osvrt na film\",\"Philip Barantini\",\"Stephen Graham\",\"Vinette Robinson\"],\"articleSection\":[\"Autorski tekstovi\",\"Film\",\"Istaknuto\",\"Osvrti na filmove\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=58196\",\"url\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=58196\",\"name\":\"FILM I SERIJA: To\u010dka pucanja i To\u010dka pucanja [osvrt Darko Ple\u0161a] - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\"},\"datePublished\":\"2025-04-01T23:23:56+00:00\",\"dateModified\":\"2025-04-01T23:25:29+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/9ffa18a59c8bc69aa9c3cacd71c61f3e\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=58196#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=58196\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=58196#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"FILM I SERIJA: To\u010dka pucanja i To\u010dka pucanja [osvrt Darko Ple\u0161a]\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/9ffa18a59c8bc69aa9c3cacd71c61f3e\",\"name\":\"Suradnik\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g\",\"caption\":\"Suradnik\"},\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?author=16\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"FILM I SERIJA: To\u010dka pucanja i To\u010dka pucanja [osvrt Darko Ple\u0161a] - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/film-mag.net\/wp\/?p=58196","og_locale":"en_US","og_type":"article","og_title":"FILM I SERIJA: To\u010dka pucanja i To\u010dka pucanja [osvrt Darko Ple\u0161a] - FILM-mag.net","og_description":"U nedostatku novih ideja, a u \u017eelji za gledano\u0161\u0107u ameri\u010dki tv studiji po\u010deli su u jednom trenutku posezati za snimanjem serija utemeljenih na filmovima: &#8216;Smrtonosno oru\u017eje&#8217; (Lethal Weapon), &#8216;Gas do daske&#8217; (Rush Hour), &#8217;12 majmuna&#8217; (Twelve Monkeys), &#8216;Od sumraka do zore&#8217; (From Dusk Till Dawn) i ostali. Imamo i slu\u010dajeve gdje su neki studiji \u017eivot [&hellip;]","og_url":"https:\/\/film-mag.net\/wp\/?p=58196","og_site_name":"FILM-mag.net","article_published_time":"2025-04-01T23:23:56+00:00","article_modified_time":"2025-04-01T23:25:29+00:00","author":"Suradnik","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Suradnik","Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/film-mag.net\/wp\/?p=58196#article","isPartOf":{"@id":"https:\/\/film-mag.net\/wp\/?p=58196"},"author":{"name":"Suradnik","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/9ffa18a59c8bc69aa9c3cacd71c61f3e"},"headline":"FILM I SERIJA: To\u010dka pucanja i To\u010dka pucanja [osvrt Darko Ple\u0161a]","datePublished":"2025-04-01T23:23:56+00:00","dateModified":"2025-04-01T23:25:29+00:00","mainEntityOfPage":{"@id":"https:\/\/film-mag.net\/wp\/?p=58196"},"wordCount":1246,"keywords":["Alice Feetham","autorski tekst","Darko Ple\u0161a","Darko Ple\u0161a osvrt na film","filmska kritika","osvrt na film","Philip Barantini","Stephen Graham","Vinette Robinson"],"articleSection":["Autorski tekstovi","Film","Istaknuto","Osvrti na filmove"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/film-mag.net\/wp\/?p=58196","url":"https:\/\/film-mag.net\/wp\/?p=58196","name":"FILM I SERIJA: To\u010dka pucanja i To\u010dka pucanja [osvrt Darko Ple\u0161a] - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"datePublished":"2025-04-01T23:23:56+00:00","dateModified":"2025-04-01T23:25:29+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/9ffa18a59c8bc69aa9c3cacd71c61f3e"},"breadcrumb":{"@id":"https:\/\/film-mag.net\/wp\/?p=58196#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/film-mag.net\/wp\/?p=58196"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/film-mag.net\/wp\/?p=58196#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"FILM I SERIJA: To\u010dka pucanja i To\u010dka pucanja [osvrt Darko Ple\u0161a]"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/9ffa18a59c8bc69aa9c3cacd71c61f3e","name":"Suradnik","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/645eae41403ee65fb2e87b2c2138697348f4262bb87f8a9aa5c6886013dde84e?s=96&d=mm&r=g","caption":"Suradnik"},"url":"http:\/\/film-mag.net\/wp\/?author=16"}]}},"_links":{"self":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/58196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=58196"}],"version-history":[{"count":2,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/58196\/revisions"}],"predecessor-version":[{"id":58198,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/58196\/revisions\/58198"}],"wp:attachment":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=58196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=58196"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=58196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}