{"id":57889,"date":"2025-02-27T13:43:26","date_gmt":"2025-02-27T12:43:26","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=57889"},"modified":"2025-03-19T10:27:09","modified_gmt":"2025-03-19T09:27:09","slug":"film-brutalist-drama-osvrt-ada-jukic","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=57889","title":{"rendered":"FILM: Brutalist, drama [osvrt Ada Juki\u0107]"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Rije\u010d uz film<\/strong><\/p>\n<p style=\"text-align: justify;\"><em>Uloga investitora<\/em><\/p>\n<p style=\"text-align: justify;\">Me\u0111u dilemama koje otvara ovaj film koji traje tri i pol sata i ima, a ne treba, stanku, jer ne osje\u0107amo kako prolazi vrijeme, dilema je o odnosu umjetnika i mecene, naru\u010ditelja, investitora u &#8216;umjetni\u010dkom poduzetni\u0161tvu&#8217;.<\/p>\n<p style=\"text-align: justify;\">Taj odnos uvijek je bio slo\u017een, jer onaj tko pla\u0107a ono \u0161to umjetnik mo\u017ee stvoriti ima odre\u0111eni ukus i o\u010dekivanja te smatra da njegova uloga treba biti presudna, dok je umjetnik po prirodi beskompromisan tip. Osobito je nagla\u0161ena me\u0111uovisnost u podru\u010djima umjetnosti u kojima sredstva za realizaciju nisu u rukama samog autora, kao \u0161to je arhitektura.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/image.tmdb.org\/t\/p\/original\/mScIQS1hdi8A0Lt2D0aIn5esO31.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\"https:\/\/www.themoviedb.org\/movie\/549509-the-brutalist\" target=\"_blank\" rel=\"noopener noreferrer\"> TMDB<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">Rascjep izme\u0111u jakih egoa, od kojih svaki (a jedan s pravom) mo\u017ee smatrati da je &#8216;glavni&#8217;, razumljiv je i u bla\u017eoj formi uobi\u010dajen, ali mo\u017ee i isklju\u010diti rezultat. Stoga je, uz autorov prioritet, istaknuta i uloga onih koji su mu omogu\u0107ili stvaranje napose avangardnih djela, onih koji su izdr\u017eali pritisak postoje\u0107eg (pa i vlastitog) ukusa i neizvjesnost ishoda.<\/p>\n<p style=\"text-align: justify;\">Nije za\u010du\u0111uju\u0107e \u0161to se odnos autora i naru\u010ditelja mo\u017ee razviti u neslaganje i sukob, \u0161to se u cijelom nizu to\u010daka tijekom nastanka djela ili po njegovu zavr\u0161etku, taj sponzor, mecena, jednostavno kupac djela mo\u017ee iznenaditi, razo\u010darati ili ogor\u010diti zbog onoga \u0161to je dobio. Za\u010du\u0111uju\u0107e je da se ipak toliko toga ipak ostvarilo. Sve \u0161to je nastalo u toj opreci, svi spomenici i tornjevi i izuzetna ostvarenja, pa i ona koju su svojevremeno odbijali i slu\u017ebeni esteti\u010dari, sve to \u0161to obilazimo, slikamo i &#8216;selfiramo&#8217;, rezultat je sinergije tih dviju &#8216;suprotivih strana.<\/p>\n<p style=\"text-align: justify;\">Ovaj film ne donosi afirmativni lik investitora, naprotiv, on se (u dojmljivoj ulozi Guya Piercea) gradacijom spu\u0161ta od lika bahatog bogata\u0161a do negativca u posve specifi\u010dnom i danas osobito osjetljivom podru\u010dju zlostavljanja, ali u odnosu na djelo koje nastaje pokazuje &#8216;stvarala\u010dku strast&#8217;. On uspijeva amortizirati nepovjerenje konvencionalne sredine i mogu\u0107u blokadu projekta zadr\u017eavaju\u0107i racionalan duh (koji se u odnosu na autorovu iracionalnost (samo) \u010dini vrijednim prezira). I \u0161to je najva\u017enije, a zapravo, neprimjetno, zanesen autorovim rje\u0161enjem koje mo\u017eda i ne razumije, uhva\u0107en za gu\u0161u autorove vizije i djelom u razvoju, on odustaje od vlastite namjere. Jer njegov cilj je bio izgradnja centra u kojem \u0107e se ljudi okupljati, dru\u017eiti i rekreirati. A dobio je fantasti\u010dan, ali klaustrofobi\u010dan objekt kontemplativne, refleksivne i simboli\u010dne snage.<\/p>\n<p style=\"text-align: justify;\">To \u0161to objekt nije dovr\u0161en &#8216;u njegovoj smjeni&#8217;, nije rezultat njegovog odustajanja (privremeno je odustajao i prije), ve\u0107 okolnosti koje nisu imale veze s njegovim umjetni\u010dkim opredjeljenjima. A umjetni\u010dko djelo koje nije dovr\u0161eno, mo\u017ee se dovr\u0161iti. Umjetnik koji, slikovito re\u010deno, nije realizirao &#8216;projektni zadatak&#8217;, mo\u017ee dobiti priznanje.<\/p>\n<p style=\"text-align: justify;\"><strong>Ada Juki\u0107<\/strong><br \/>\nZagreb, 27 2 2025<\/p>\n<h3 style=\"text-align: justify;\"><strong>Informacije o filmu:<\/strong><\/h3>\n<p style=\"text-align: justify;\"><strong>Brutalist<\/strong><br \/>\n<strong>The Brutalist (2024.)<\/strong><br \/>\nRedatelj: Brady Corbet<br \/>\nGlume: Felicity Jones, Raffey Cassidy, Stacy Martin, Guy Pearce, Joe Alwyn, Adrien Brody, Alessandro Nivola, Emma Laird, Isaach De Bankol\u00e9<br \/>\n\u017danr: epski, drama<br \/>\nTrajanje: 214 min.<br \/>\nDr\u017eava: SAD, Velika Britanija, Kanada<br \/>\nDistribucija: Editus<\/p>\n<p style=\"text-align: justify;\"><strong><a href=\"https:\/\/a24films.com\/films\/the-brutalist\" target=\"_blank\" rel=\"noopener noreferrer\">Brutalist \u2013 A24<\/a><\/strong><br \/>\n<strong><a href=\"https:\/\/www.imdb.com\/title\/tt8999762\/?ref_=nv_sr_srsg_1_tt_7_nm_0_in_0_q_The%2520Brutalist\" target=\"_blank\" rel=\"noopener noreferrer\"> The Brutalist \u2013 IMDb<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">Film je pogledan u <strong><a href=\"https:\/\/cinestarcinemas.hr\/zagreb-branimir-mingle-mall\" target=\"_blank\" rel=\"noopener noreferrer\"> CineStaru Branimir Centru<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid0hG6yRecKeQFmif8inkXj3hEKUConSvVCziWm6P9qdDUtNL19uskwB77D3D2SDXkhl&amp;show_text=true&amp;width=500\" width=\"500\" height=\"665\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid0TaFoFh5fAXysWgDBk2qVebHLRMAUnrb6qDxCQKZTYF4kVFfvTACyfJ9XGecuaDZGl&amp;show_text=true&amp;width=500\" width=\"500\" height=\"665\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid02B5aEys4fNxSX6SsvT4frccGXiXD1hZaqTe7Hv5CLsLbFK6kbUEL7GqBTChuga7Ynl&amp;show_text=true&amp;width=500\" width=\"500\" height=\"412\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=57889\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Rije\u010d uz film Uloga investitora Me\u0111u dilemama koje otvara ovaj film koji traje tri i pol sata i ima, a ne treba, stanku, jer ne osje\u0107amo kako prolazi vrijeme, dilema je o odnosu umjetnika i mecene, naru\u010ditelja, investitora u &#8216;umjetni\u010dkom poduzetni\u0161tvu&#8217;. Taj odnos uvijek je bio slo\u017een, jer onaj tko pla\u0107a ono \u0161to umjetnik mo\u017ee [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[27187,5955,9,4,48],"tags":[26520,204,25082,5082,6068,6154,12064,214,27130,27128,1955,1284,531,24345,27129,12099,665,12042,27131,5847],"class_list":["post-57889","post","type-post","status-publish","format-standard","hentry","category-ada-pise","category-autorski-tekstovi","category-film","category-istaknuto","category-osvrti-na-filmove","tag-aada-jukic-osvrt-na-film","tag-ada-jukic","tag-adrien-brody","tag-alessandro-nivola","tag-autorski-tekst","tag-autorski-tekstovi-2","tag-brady-corbet","tag-drama","tag-emma-laird","tag-epski-film","tag-felicity-jones","tag-filmska-kritika","tag-guy-pearce","tag-isaach-de-bankole","tag-joe-alwyn","tag-osvrt-na-film","tag-osvrti","tag-raffey-cassidy","tag-rijec-uz-film","tag-stacy-martin"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>FILM: Brutalist, drama [osvrt Ada Juki\u0107] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=57889\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FILM: Brutalist, drama [osvrt Ada Juki\u0107] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Rije\u010d uz film Uloga investitora Me\u0111u dilemama koje otvara ovaj film koji traje tri i pol sata i ima, a ne treba, stanku, jer ne osje\u0107amo kako prolazi vrijeme, dilema je o odnosu umjetnika i mecene, naru\u010ditelja, investitora u &#8216;umjetni\u010dkom poduzetni\u0161tvu&#8217;. 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Taj odnos uvijek je bio slo\u017een, jer onaj tko pla\u0107a ono \u0161to umjetnik mo\u017ee [&hellip;]","og_url":"http:\/\/film-mag.net\/wp\/?p=57889","og_site_name":"FILM-mag.net","article_published_time":"2025-02-27T12:43:26+00:00","article_modified_time":"2025-03-19T09:27:09+00:00","author":"Ada Juki\u0107","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Ada Juki\u0107","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"http:\/\/film-mag.net\/wp\/?p=57889","url":"http:\/\/film-mag.net\/wp\/?p=57889","name":"FILM: Brutalist, drama [osvrt Ada Juki\u0107] - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"datePublished":"2025-02-27T12:43:26+00:00","dateModified":"2025-03-19T09:27:09+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/92729891bbbc5097f13d47bdec3da0aa"},"breadcrumb":{"@id":"http:\/\/film-mag.net\/wp\/?p=57889#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/film-mag.net\/wp\/?p=57889"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/film-mag.net\/wp\/?p=57889#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"FILM: Brutalist, drama [osvrt Ada Juki\u0107]"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/92729891bbbc5097f13d47bdec3da0aa","name":"Ada Juki\u0107","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/ff805cd2008031a3678e7e97fa628ef9?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/ff805cd2008031a3678e7e97fa628ef9?s=96&d=mm&r=g","caption":"Ada Juki\u0107"},"url":"http:\/\/film-mag.net\/wp\/?author=3"}]}},"_links":{"self":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/57889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=57889"}],"version-history":[{"count":1,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/57889\/revisions"}],"predecessor-version":[{"id":57890,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/57889\/revisions\/57890"}],"wp:attachment":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=57889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=57889"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=57889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}