{"id":57231,"date":"2024-11-28T01:01:56","date_gmt":"2024-11-28T00:01:56","guid":{"rendered":"https:\/\/film-mag.net\/wp\/?p=57231"},"modified":"2024-11-28T01:01:56","modified_gmt":"2024-11-28T00:01:56","slug":"premijera-opere-arijadne-na-naksosu-u-rijeckom-zajcu","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=57231","title":{"rendered":"Premijera opere &#8216;Arijadne na Naksosu&#8217; u rije\u010dkom Zajcu"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Opro\u0161tajni projekt intendanta Marina Bla\u017eevi\u0107a: Premijera \u201eArijadne na Naksosu\u201c, jednog od najoriginalnijih i najatraktivnijih djela Richarda Straussa<\/strong><\/p>\n<p style=\"text-align: justify;\">Nakon hvaljene Straussove \u201cElektre\u201d, i niza drugih opernih naslova koji nikada nisu bili izvo\u0111eni na pozornici rije\u010dke Opere, a mnogi niti u Hrvatskoj, ponovno se na rije\u010dkoj pozornici postavlja operni naslov koji rije\u010dka publika nije jo\u0161 imala prilike vidjeti i \u010duti u svom gradu. Rije\u010d je o operi \u201eArijadna na Naxosu\u201c Richarda Straussa koja \u0107e, pod ravnanjem maestra Villea Matvejeffa i u re\u017eiji Marina Bla\u017eevi\u0107a, premijerno biti izvedena u petak, 29. studenoga 2024. s po\u010detkom u 19 sati.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/hnk-zajc.hr\/wp-content\/uploads\/2024\/07\/Arijadna-na-Naksosu_vizual-994x800.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio <strong><a href=\"https:\/\/hnk-zajc.hr\/predstava\/arijadna-na-naksosu\/\" target=\"_blank\" rel=\"noopener noreferrer\"> HNK Ivan pl. Zajc<\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">\u201eArijadna na Naksosu\u201d je virtuozno glazbeno-dramsko djelo i jedan od vrhunaca Straussova stvarala\u0161tva, tre\u0107a od \u0161est opera na kojima je sura\u0111ivao s dramskim piscem i libretistom Hugom von Hofmannsthalom, opera koja otvara nove repertoarne horizonte.<\/p>\n<p style=\"text-align: justify;\">\u0160to se dogodi kada se u istoj predstavi isprepletu i sudare (naizgled) uzvi\u0161ena glazbena tragedija i (naizgled) lagana, tek zabavlja\u010dka gluma\u010dka igra; kada skladatelj i libretist ingeniozno kontrapunktiraju dva naizgled nespojiva kazali\u0161na \u017eanra, kao \u0161to su\u00a0opera seria\u00a0i\u00a0commedia dell\u2019arte? \u201eArijadna na Naksosu\u201c do danas ostaje jedan od najintrigantnijih, najkompleksnijih i najduhovitijih primjera provedbe dramatur\u0161ke figure \u201eteatra u teatru\u201c u opernoj literaturi. Opera je naslov dobila po k\u0107eri kretskog kralja koja se zaljubljuje u Tezeja, sina atenskog kralja. U zamjenu za obe\u0107anje da \u0107e ju o\u017eeniti, Arijadna poma\u017ee Tezeju ubiti Minotaura. Na putu za Atenu zaustavljaju se na otoku Naksosu gdje ju Tezej napu\u0161ta. Ova mitska pri\u010da pojavljuju se u svijetu opere od Monteverdija do Orffa, no Strauss i Hofmannsthal ju postavljaju u komi\u010dan i ironi\u010dan okvir, razigrani Prolog tijekom kojega se \u010dini da \u0107e izved ba opere \u201eArijadna na Naksosu\u201c propasti i prije nego je zapo\u010dela.<\/p>\n<p style=\"text-align: justify;\">\u201e\u201eArijadna na Naksosu\u201c\u00a0ironi\u010dno\u00a0upozorava i\u00a0na ovisnost opere o kapitalu, o financijskoj mo\u0107i. Ne\u00a0misli se pritom\u00a0samo\u00a0na\u00a0glazbeno-scensku\u00a0formu, nego i\u00a0na\u00a0operu\u00a0kao instituciju. Straussova\u00a0\u201eArijadna\u201c problematizira\u00a0svojevrsno\u00a0prokletstvo opere\u201c, isti\u010de redatelj Marin Bla\u017eevi\u0107.<\/p>\n<p style=\"text-align: justify;\">U glazbenom smislu \u201eArijadna na Naksosu\u201c slavi razigranost, profinjenost i melodioznost. Naslovnu ulogu pjevat \u0107e Edit Haller, jedna od najuglednijih i najtra\u017eenijih sopranistica svoje generacije, poznata po svom sna\u017enom, blistavom glasu i izvanrednoj scenskoj prisutnosti. U svojoj impresivnoj biografiji nanizala je nastupe u nekima od najpoznatijih opernih ku\u0107a, me\u0111u kojima su Metropolitan Opera New York, Op\u00e9ra National de Paris, London Royal Opera House Covent Garden, Wiener Staatsoper\u2026<\/p>\n<p style=\"text-align: justify;\">Uz nju \u0107e nastupiti i poznati meksi\u010dki tenor Luis Chapa, slovenska sopranistica Nina Dominko, potom Michaela Selinger, Giorgio Surian i Robert Kolar u alternaciji, Jure Po\u010daj, Alja\u017e \u017dgavc, Luka Ortar, Gregor Ravnik, Karla Mazzarolli, Stefany Findrik, Anamarija Knego, Sergej Kiselev i Matei Vovk u alternaciji, i drugi.<\/p>\n<p style=\"text-align: justify;\">Autorski tim \u010dine i kostimografkinja Sandra Dekani\u0107, scenograf i oblikovatelj svjetla Alan Vukeli\u0107 te Mila \u010cukljak koja potpisuje koreografiju i scenski pokret. Produkciju (re\u017eiju, kostime, scenografiju) rije\u010dkom je HNK-u posudila Opera Slovenskog narodnog gledali\u0161\u010da iz Ljubljane.<\/p>\n<p style=\"text-align: justify;\">\u201eArijadna na Naksosu\u201c \u0107e ujedno biti i opro\u0161tajni projekt intendanta Marina Bla\u017eevi\u0107a od rije\u010dkog HNK-a i desetogodi\u0161njeg mandata (ravnateljskog i intendantskog), a od rije\u010dke publike oprostit \u0107e se i maestro Ville Matvejeff.<\/p>\n<p style=\"text-align: justify;\">Reprizna izvedba koja je na programu 3. prosinca ve\u0107 je rasprodana, a za premijernu se jo\u0161 mogu nabaviti zadnje preostale ulaznice.<\/p>\n<p style=\"text-align: justify;\">[izvor informacije <strong><a href=\"https:\/\/hnk-zajc.hr\/\" target=\"_blank\" rel=\"noopener noreferrer\"> HNK Ivan pl. Zajc<\/a><\/strong>]<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid0d5PRBsBvDnytmnLTWiUexBbtq1qxVug5DPUTH6oCd1BrjtM7a7d81rGqigJSsfojl&amp;show_text=true&amp;width=500\" width=\"500\" height=\"250\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=57231\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Opro\u0161tajni projekt intendanta Marina Bla\u017eevi\u0107a: Premijera \u201eArijadne na Naksosu\u201c, jednog od najoriginalnijih i najatraktivnijih djela Richarda Straussa Nakon hvaljene Straussove \u201cElektre\u201d, i niza drugih opernih naslova koji nikada nisu bili izvo\u0111eni na pozornici rije\u010dke Opere, a mnogi niti u Hrvatskoj, ponovno se na rije\u010dkoj pozornici postavlja operni naslov koji rije\u010dka publika nije jo\u0161 imala prilike [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[11,33,10,6000,17050],"tags":[26823,7131,137,8476,10199,1170,10474,2684,662,10309],"class_list":["post-57231","post","type-post","status-publish","format-standard","hentry","category-glazba","category-kazalisne-premijere","category-kazaliste","category-opera-glazba","category-press","tag-edith-haller","tag-hnk-ivan-pl-zajc","tag-kazalisna-premijera","tag-luis-chapa","tag-marin-blazevic","tag-opera","tag-operna-premijera","tag-richard-strauss","tag-rijeka","tag-ville-matvejeff"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Premijera opere &#039;Arijadne na Naksosu&#039; 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