{"id":51202,"date":"2023-02-18T22:51:15","date_gmt":"2023-02-18T21:51:15","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=51202"},"modified":"2023-02-18T22:51:15","modified_gmt":"2023-02-18T21:51:15","slug":"fraktura-predstavlja-zena-bez-imena","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=51202","title":{"rendered":"Fraktura predstavlja: \u017dena bez imena"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Koliko je \u017eena u sjeni mu\u0161karaca koji su bili potpisani na njihova djela? Nakon hit-knjige <em>\u017dene koje kupuju cvije\u0107e<\/em> Vanessa Montfort napisala je jo\u0161 jedan nevjerojatan roman koji se \u010dita u dahu, ovoga puta o pre\u0161u\u0107enoj \u017eenskoj povijesti, pisanju, \u017ertvi i upornosti.<\/strong><\/p>\n<p style=\"text-align: justify;\"><em>\u017dena bez imena<\/em> maestralna je knjiga o prvoj \u0161panjolskoj dramati\u010darki Mar\u00edji Lej\u00e1rragi, koju je povijest zametnula, da bi se tek nedavno otkrilo kako je bila suautorica, a nerijetko i jedina autorica djela koja je potpisivao njezin suprug, jedan od najve\u0107ih \u0161panjolskih dramati\u010dara.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 50%;\" src=\" https:\/\/fraktura.hr\/media\/catalog\/product\/cache\/38b20320c57ba6ea11385c2a53cdbc4c\/_\/e\/_ena_bez_imena_300dpi.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupila <a href=\"https:\/\/fraktura.hr\/zena-bez-imena.html\"><strong>Fraktura<\/strong><\/a><\/p>\n<p style=\"text-align: justify;\">Prate\u0107i dvije paralelne radnje, Mar\u00edjin nepredvidiv \u017eivot s po\u010detka pro\u0161log stolje\u0107a i mladu redateljicu Noeliju koja u sada\u0161njosti poku\u0161ava postaviti predstavu za koju vjeruje da je djelo Mar\u00edjina mu\u017ea, <em>\u010cini<\/em>, rasple\u0107e se velika pri\u010da o ljubavi, knji\u017eevnosti i kazali\u0161tu, ali i o \u017eenskom stvarala\u0161tvu i njegovu nepriznavanju.<\/p>\n<p style=\"text-align: justify;\">Pri\u010da je to i o Madridu s po\u010detka dvadesetog stolje\u0107a, o velikim knji\u017eevnim imenima koja prvi put izlaze na scenu, poput Garc\u00edje Lorce ili Jimeneza, o velikim glazbenicima poput Falle i Stravinskog. Uz bok najve\u0107ima, Mar\u00eda je pisala povijest, bore\u0107i se tada i za pravo glasa \u017eena, nikad ne pristaju\u0107i na politi\u010dke ucjene. Vanessi Montfort bit \u0107emo kroz cijeli roman zahvalni na hrabrosti da u <em>\u017deni bez imena <\/em>ispri\u010da ovu izvanrednu pri\u010du o nepravedno zaboravljenoj spisateljici.<\/p>\n<p style=\"text-align: justify;\">\u201c<em>\u017dena bez imena<\/em> jedno je od najambicioznijih djela Vanesse Monfort u kojemu nam autorica s velikim knji\u017eevnim umije\u0107em i dokumentaristi\u010dkom pouzdano\u0161\u0107u pribli\u017eava lik jedne od najplodnijih spisateljica iz sjene u 20. stolje\u0107u. Roman proni\u010de u odgovore koji le\u017ee iza misterija \u0161to ga predstavljaju mnogobrojna Mar\u00edjina imena \u2013 obiteljsko Mar\u00eda de la O Lej\u00e1rraga Garc\u00eda, pa Mar\u00eda Mart\u00ednez Sierra po suprugu, da bi poku\u0161ala vratiti vlastito autorstvo i vidljivost svojih djela postaju\u0107i Mar\u00eda Lej\u00e1rraga. Upoznat \u0107emo njezinu kreativnost i duh koji su je vodili u osvajanje svjetova i s kojima je napisala ponajbolja djela onog doba ne potpisuju\u0107i ih. Montfort nam u toj romansiranoj biografiji donosi umjetni\u010dki Madrid dvadesetih godina i likove epohe s kojima je Mar\u00eda prijateljevala ili sura\u0111ivala, od kazali\u0161ne impresarije Mar\u00edje Guerrero do slavnog pisca Benita P\u00e9reza Gald\u00f3sa.\u201d<br \/>\n\u2013 Manuela Vicente Fern\u00e1ndez, <em>Moon Magazine<\/em><\/p>\n<p style=\"text-align: justify;\">\u201cIzvanredna pri\u010da o \u017eeni koja je iz sjene napisala neka od najva\u017enijih djela \u0161panjolske knji\u017eevnosti 20. stolje\u0107a. Od autorice <em>\u017dena koje kupuju cvije\u0107e<\/em> sti\u017ee fascinantna pustolovina o \u017eeni koju je povijest pre\u0161u\u0107ivala&#8230; sve dosad.\u201d<br \/>\n\u2013 Casa del libro<\/p>\n<p style=\"text-align: justify;\">\u201cVanessa Montfort uzela je gotovo nepoznat lik iz na\u0161e kulturne povijesti kako bi napisala strastven i prekrasan roman.\u201d<br \/>\n\u2013 Julia Navarro<\/p>\n<p style=\"text-align: justify;\"><strong>Vanessa Montfort<\/strong> (1975.) \u0161panjolska je spisateljica, dramati\u010darka i novinarka. Za svoj prvi roman <em>El Ingrediente Secreto<\/em> dobila je 2006. nagradu za mlade pisce XI Ateneo de Sevilla. Autorica je scenarija <em>Quijote Show<\/em> (2000.), <em>Paisaje Transportado<\/em> (2003.), <em>Est\u00e1bamos destinadas a ser \u00e1ngeles<\/em> (2006.), eseja <em>De Galatea a Barbie<\/em>: <em>aut\u00f3matas, robots y otras figuras de la construcci\u00f3n femenina<\/em> (2009.) i vi\u0161e nagra\u0111ivanih romana: <em>Mitolog\u00eda de Nueva York<\/em> (2010.), <em>La leyenda de la isla sin voz<\/em> (2014.) i <em>El sue\u00f1o de la cris\u00e1lida<\/em> (2019.), <em>\u017dene koje kupuju cvije\u00ad\u00ad\u0107e<\/em> (<em>Mujeres que compran flores<\/em>, 2016.) i <em>\u017dena bez imena<\/em> (<em>La mujer sin nombre<\/em>, 2020.). Svjetsku slavu stekla je romanom <em>\u017dene koje kupuju cvije\u0107e<\/em>, a najnovijim romanom <em>\u017dena bez imena<\/em> potvr\u0111uje se kao jedna od najzanimljivijih \u0161panjolskih spisateljica.<\/p>\n<p style=\"text-align: justify;\">Intenzivno se bavi dr\u017eanjem radionica za pisce u \u0160panjolskoj i diljem svijeta. Dio je umjetni\u010dkog kolektiva Djeca Mary Shelley koji se bavi odavanjem po\u010dasti feministi\u010dkoj pionirki Mary Wollstonecraft, a osnovala je i producentsku ku\u0107u.<\/p>\n<h3 style=\"text-align: justify;\"><strong>Informacija o knjizi:<\/strong><\/h3>\n<p style=\"text-align: justify;\"><strong>Vanessa Montfort<\/strong><br \/>\n<strong>\u017dena bez imena<\/strong><\/p>\n<p style=\"text-align: justify;\">Naslov izvornika: La mujer sin nombre<br \/>\nJezik izvornika: \u0161panjolski<br \/>\nPrijevod: Tamara Horvat Kanjera<br \/>\nDatum izdanja: sije\u010danj 2023.<br \/>\nBroj stranica: 552<br \/>\nVrsta uveza: meki<br \/>\nVisina: 225 mm<br \/>\nTe\u017eina: 680 g<br \/>\nISBN: 978-953358537-6<br \/>\nCijena: 20,99 \u20ac \/ 158,15 kn<\/p>\n<p style=\"text-align: justify;\">[izvor informacije\u00a0<strong><a href=\"https:\/\/fraktura.hr\/\">Fraktura<\/a><\/strong>]<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2FFILMmagnet%2Fposts%2Fpfbid02N4ZkACxiSKZrv5bzqViu8y6xfSHeUXXzvRmvjmKtmosVQV3gvA51pK9tVrUfS3ol&amp;show_text=true&amp;width=500\" width=\"500\" height=\"589\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=51202\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Koliko je \u017eena u sjeni mu\u0161karaca koji su bili potpisani na njihova djela? Nakon hit-knjige \u017dene koje kupuju cvije\u0107e Vanessa Montfort napisala je jo\u0161 jedan nevjerojatan roman koji se \u010dita u dahu, ovoga puta o pre\u0161u\u0107enoj \u017eenskoj povijesti, pisanju, \u017ertvi i upornosti. \u017dena bez imena maestralna je knjiga o prvoj \u0161panjolskoj dramati\u010darki Mar\u00edji Lej\u00e1rragi, koju [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[4,38,19650,12,17050],"tags":[86,19292,85,7101,19690],"class_list":["post-51202","post","type-post","status-publish","format-standard","hentry","category-istaknuto","category-knjige","category-knjige-istaknuto","category-knjizevnost","category-press","tag-fraktura","tag-fraktura-predstavlja","tag-knjiga","tag-roman","tag-vanessa-montfort"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fraktura predstavlja: \u017dena bez imena - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=51202\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fraktura predstavlja: \u017dena bez imena - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Koliko je \u017eena u sjeni mu\u0161karaca koji su bili potpisani na njihova djela? Nakon hit-knjige \u017dene koje kupuju cvije\u0107e Vanessa Montfort napisala je jo\u0161 jedan nevjerojatan roman koji se \u010dita u dahu, ovoga puta o pre\u0161u\u0107enoj \u017eenskoj povijesti, pisanju, \u017ertvi i upornosti. \u017dena bez imena maestralna je knjiga o prvoj \u0161panjolskoj dramati\u010darki Mar\u00edji Lej\u00e1rragi, koju [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/film-mag.net\/wp\/?p=51202\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2023-02-18T21:51:15+00:00\" \/>\n<meta name=\"author\" content=\"PRESS\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PRESS\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=51202#article\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=51202\"},\"author\":{\"name\":\"PRESS\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"headline\":\"Fraktura predstavlja: \u017dena bez imena\",\"datePublished\":\"2023-02-18T21:51:15+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=51202\"},\"wordCount\":680,\"keywords\":[\"fraktura\",\"Fraktura predstavlja\",\"knjiga\",\"roman\",\"Vanessa Montfort\"],\"articleSection\":[\"Istaknuto\",\"Knjige\",\"Knjige istaknuto\",\"Knji\u017eevnost\",\"PRESS\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=51202\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=51202\",\"name\":\"Fraktura predstavlja: \u017dena bez imena - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\"},\"datePublished\":\"2023-02-18T21:51:15+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"breadcrumb\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=51202#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=51202\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=51202#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Fraktura predstavlja: \u017dena bez imena\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\",\"name\":\"PRESS\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"caption\":\"PRESS\"},\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?author=8\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Fraktura predstavlja: \u017dena bez imena - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/film-mag.net\/wp\/?p=51202","og_locale":"en_US","og_type":"article","og_title":"Fraktura predstavlja: \u017dena bez imena - FILM-mag.net","og_description":"Koliko je \u017eena u sjeni mu\u0161karaca koji su bili potpisani na njihova djela? Nakon hit-knjige \u017dene koje kupuju cvije\u0107e Vanessa Montfort napisala je jo\u0161 jedan nevjerojatan roman koji se \u010dita u dahu, ovoga puta o pre\u0161u\u0107enoj \u017eenskoj povijesti, pisanju, \u017ertvi i upornosti. \u017dena bez imena maestralna je knjiga o prvoj \u0161panjolskoj dramati\u010darki Mar\u00edji Lej\u00e1rragi, koju [&hellip;]","og_url":"http:\/\/film-mag.net\/wp\/?p=51202","og_site_name":"FILM-mag.net","article_published_time":"2023-02-18T21:51:15+00:00","author":"PRESS","twitter_card":"summary_large_image","twitter_misc":{"Written by":"PRESS","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/film-mag.net\/wp\/?p=51202#article","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/?p=51202"},"author":{"name":"PRESS","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"headline":"Fraktura predstavlja: \u017dena bez imena","datePublished":"2023-02-18T21:51:15+00:00","mainEntityOfPage":{"@id":"http:\/\/film-mag.net\/wp\/?p=51202"},"wordCount":680,"keywords":["fraktura","Fraktura predstavlja","knjiga","roman","Vanessa Montfort"],"articleSection":["Istaknuto","Knjige","Knjige istaknuto","Knji\u017eevnost","PRESS"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"http:\/\/film-mag.net\/wp\/?p=51202","url":"http:\/\/film-mag.net\/wp\/?p=51202","name":"Fraktura predstavlja: \u017dena bez imena - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"datePublished":"2023-02-18T21:51:15+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"breadcrumb":{"@id":"http:\/\/film-mag.net\/wp\/?p=51202#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/film-mag.net\/wp\/?p=51202"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/film-mag.net\/wp\/?p=51202#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"Fraktura predstavlja: \u017dena bez imena"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f","name":"PRESS","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","caption":"PRESS"},"url":"http:\/\/film-mag.net\/wp\/?author=8"}]}},"_links":{"self":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/51202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=51202"}],"version-history":[{"count":1,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/51202\/revisions"}],"predecessor-version":[{"id":51205,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/51202\/revisions\/51205"}],"wp:attachment":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=51202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=51202"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=51202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}