{"id":45930,"date":"2021-07-01T00:47:51","date_gmt":"2021-06-30T22:47:51","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=45930"},"modified":"2021-07-01T00:47:51","modified_gmt":"2021-06-30T22:47:51","slug":"izlozba-ivan-kozaric-retrospektiva-jedna-od-mogucih-100-u-msu","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=45930","title":{"rendered":"Izlo\u017eba &#8216;Ivan Ko\u017eari\u0107: Retrospektiva  \u2013 Jedna od mogu\u0107ih 100&#8217; u MSU"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Ivan Ko\u017eari\u0107: Retrospektiva \u2013 Jedna od mogu\u0107ih 100<\/strong><br \/>\n<strong>MSU, 2. i 3 kat<\/strong><br \/>\n<strong>otvorenje u \u010detvrtak, 1. srpnja 2021. u 20 sati<\/strong><\/p>\n<p style=\"text-align: justify;\">Retrospektiva u povodu stogodi\u0161njice ro\u0111enja Ivana Ko\u017eari\u0107a (Petrinja, 10. lipnja Petrinja, 1921.\u2013Zagreb, 15. studenoga 2020.) samo je jedna od mno\u0161tva mogu\u0107ih na\u010dina predstavljanja stvarala\u0161tva posve netipi\u010dne i upravo zbog toga iznimne umjetni\u010dke osobnosti u svijetu novije hrvatske i europske umjetnosti. Od samog po\u010detka umjetni\u010dkog puta, odbijaju\u0107i zamrznuti likovni jezik u nekoj prepoznatljivoj ina\u010dici stila, Ivan Ko\u017eari\u0107 neumorno je tragao za najboljim na\u010dinom kojim \u0107e materijalizirati svoju umjetni\u010dku misao \u2013 ideju. \u201eAko djelo sadr\u017ei ideju,\u201c govorio je \u201eima sve, ima \u017eivot.\u201c U tom duhu zauzeo je stav neslaganja \u2013 ne samo s konvencijama struke ili bilo kojeg oblika dogmatizma &#8211;\u00a0 nego i sa samim sobom,\u00a0 uz\u00a0 jednako \u010dvrstu odluku o svakodnevnom zapo\u010dinjanju iz po\u010detka.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" http:\/\/www.msu.hr\/upload\/dogadanja\/2021\/03\/2021-03-09\/629\/snimiladoroteajendricmsukozaric12010.JPG \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio MSU<\/p>\n<p style=\"text-align: justify;\">Po\u010detkom 1950-ih kada po\u010dinje samostalno izlagati, njegova djela posve su sinkrona progresivnoj struji poratnog egzistencijalizma. Humanu formu osloba\u0111a svakog suvi\u0161ka naracije i pretvara u univerzalni znak. Jo\u0161 u to vrijeme, uz istra\u017eivanje mogu\u0107nosti bogatog vokabulara koje je u naslije\u0111e ostavila umjetnost moderne, eksperimentira s posve apstraktnim formama, da bi krajem 1950-ih kada boravi na stipendiji u Parizu, po\u010deo jo\u0161 radikalnije sa\u017eimati i apstrahirati skulpturalni izraz, intenzivno zaokupljen negativnom formom \u2013 prazninom. Upravo \u0107e ga\u00a0 ta djela pribli\u017eiti tek formiranoj neoavangardnoj grupi Gorgona (1959. -1966.), kojoj se priklju\u010duje povratkom u Zagreb, 1960. godine.<\/p>\n<p style=\"text-align: justify;\">Od sedamdesetih godina pro\u0161loga stolje\u0107a priklanja se otvorenom djelu, na\u010delu procesualnosti koje se u njegovu opusu o\u010dituje kao artikuliran umjetni\u010dki stav koji \u0107e materijalizirati brojnim postupcima me\u0111u kojima su i radikalne geste negiranja i poni\u0161tavanja vlastite pro\u0161losti u ime onoga \u0161to je tek trebalo nastati. Izokretanjem sustava vrijednosti alkemijskim procesima preobrazbe \u201esme\u0107a u zlato\u201c, strategijama recikliranja, prisvajanja, otvaranja novih potencijala promjenama odnosa me\u0111u djelima\u2026 Ivan Ko\u017eari\u0107 neprestano je mobilizirao pitanja naravi i granica umjetnosti kao ne\u010deg \u0161to \u201euvijek izmi\u010de\u201c i \u201euvijek je ne\u0161to drugo\u201c.<\/p>\n<p style=\"text-align: justify;\">Opus umjetnika koji je gotovo paralelno uspijevao biti anakron i posve suvremen, ponekad i preduhitriti pojave u umjetnosti koje su se tek trebale dogoditi, precizno sa\u017eet terminom \u201eanarhi\u010dni diskontinuitet\u201c ova retrospektiva ne podcrtava stvaranjem novog diskontinuiteta, ponavljaju\u0107i ono \u0161to se posve prirodno doga\u0111alo i prepoznato je kao glavna supstanca <em>Atelijera Ko\u017eari\u0107<\/em> &#8211; mjesta od kojega je sve i po\u010delo. Koncepcija retrospektive kre\u0107e suprotnim putem, poku\u0161ajem da se njegov opus prika\u017ee kontinuitetom diskontinuiteta &#8211; uspostavljanjem \u0161to preciznijeg redoslijeda iznenadnih mijena na tom skoro 70 godina dugom umjetni\u010dkom putu.<\/p>\n<p style=\"text-align: justify;\"><strong>Ivan Ko\u017eari\u0107<\/strong> rodio se u Petrinji1921. u kojoj je proveo djetinjstvo do 1931. Potom se s obitelji seli u Zagreb. Kiparstvo na Akademiji likovnih umjetnosti u Zagrebu upisuje 1943.godine, diplomirao je 1947. u klasi prof. Frane Kr\u0161ini\u0107a i Vanje Radau\u0161a. Specijalku je zavr\u0161io 1949. kod prof. Antuna Augustin\u010di\u0107a. Izlagati po\u010dinje 1953. godine. Kao stipendist Fonda Mo\u0161a Pijade boravi u Parizu 1959.\/1960. godine. Usprkos ponu\u0111enoj mogu\u0107nosti da u Parizu ostvari europsku karijeru, vra\u0107a se u Zagreb te se pridru\u017euje neoavangardnoj grupi Gorgona (1959.\u20131966.). Izlagao je na stotinjak samostalnih i oko dvije stotine skupnih izlo\u017eaba u zemlji i inozemstvu. Me\u0111u va\u017enijima su Venecijanski bijenale, 1976.; Bijenale u Sao Paolu, 1979<em>.; <\/em><em>Mus\u00e9e d<\/em><strong>&#8216;<\/strong><em>Art Moderne de la Ville u Parizu, 2002.; <\/em>Documenta u Kasselu, 2002.; Pari\u0161ko trijenale 2012. Velika retrospektivna izlo\u017eba prire\u0111ena mu je u <em>Haus der Kunst u M\u00fcnchenu 2013 godine. <\/em><\/p>\n<p style=\"text-align: justify;\">Autor je brojnih javnih skulptura u Zagrebu, Sisku, Rijeci, Portoro\u017eu, Mariboru, Aran\u0111elovcu, Bochumu i Issy les Moulineauxu pokraj Pariza. Redoviti je \u010dlan Hrvatske akademije znanosti i umjetnosti od 1997. godine, a u razdoblju od 1997. do 2011. godine obna\u0161a du\u017enost voditelja Gliptoteke HAZU. Dobitnik je mnogih nagrada, izme\u0111u ostalih Nagrade grada Zagreba (1960.) i nagrade Vladimir Nazor za \u017eivotno djelo (1997.). Ko\u017eari\u0107eva djela nalaze se u brojnim privatnim i muzejskim zbirkama u zemlji i svijetu me\u0111u kojima su <em>MoMA u New Yorku<\/em><em>, <\/em><em>Mus\u00e9e d<\/em><strong>&#8216;<\/strong><em>Art Moderne de la Ville u Parizu i M HKA u Antwerpenu. <\/em>Grad Zagreb 2007. godine u cijelosti je otkupio Ko\u017eari\u0107ev atelijer s vi\u0161e od 6.000 djela i ostalih predmeta te ga povjerio na trajno \u010duvanje Muzeju suvremene umjetnosti Zagreb.<\/p>\n<p style=\"text-align: justify;\">Uz odabir djela iz fundusa Atelijera Ko\u017eari\u0107, u vlasni\u0161tvu Grada Zagreba i zbirki MSU-a, djela na izlo\u017ebi posu\u0111ena su iz Gliptoteke HAZU, Nacionalnog muzeja moderne umjetnosti, Laube \u2013 ku\u0107e za ljude i umjetnost,\u00a0 Galerije umjetnina u Splitu, zbirke obitelji Ko\u017eari\u0107, Kolekcije Marinko Sudac, Zbirke Bi\u0161kupi\u0107 te drugih privatnih zbirki.<\/p>\n<p style=\"text-align: justify;\"><strong>Partner izlo\u017ebe: Gliptoteka HAZU<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Autori koncepcije i postava izlo\u017ebe: Vladimir \u010cajkovac i Radmila Iva Jankovi\u0107<\/strong><br \/>\n<strong>Kustosica izlo\u017ebe: Radmila Iva Jankovi\u0107 <\/strong><br \/>\n<strong>Suradnici (Gliptoteka HAZU):\u00a0 Tihana Boban i Filip Turkovi\u0107-Krnjak <\/strong><br \/>\n<strong>Asistentica kustosice: Dora Peternel<\/strong><\/p>\n<p style=\"text-align: justify;\">Vizualni identitet: Hamper studio<\/p>\n<p style=\"text-align: justify;\">Realizaciju izlo\u017ebe omogu\u0107ili su Grad Zagreb, Ministarstvo kulture i medija RH i Turisti\u010dka zajednica grada Zagreba.<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" style=\"border: none; 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