{"id":44587,"date":"2021-01-13T11:14:50","date_gmt":"2021-01-13T10:14:50","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=44587"},"modified":"2021-01-13T11:14:50","modified_gmt":"2021-01-13T10:14:50","slug":"posljednji-ovosezonski-orasari-u-rijeckom-zajcu","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=44587","title":{"rendered":"Posljednji ovosezonski &#8216;Ora\u0161ari&#8217; u rije\u010dkom Zajcu"},"content":{"rendered":"<p style=\"text-align: justify;\"><b>POSLJEDNJI OVOSEZONSKI\u00a0 \u201eORA\u0160ARI\u201c U \u201eZAJCU\u201c U ZNAKU DEBIJA MAO FUJITE U ULOZI MARIE<\/b><\/p>\n<p style=\"text-align: justify;\">Rije\u010dko Hrvatsko narodno kazali\u0161te Ivana pl. Zajca je u doba razme\u0111e dviju godina publici osiguralo mogu\u0107nost da u prosina\u010dke i sije\u010danjske dane u\u017eiva u izvedbama blistavog \u201eOra\u0161ara\u201c, popularnog baletnog obiteljskog klasika Petra Ilji\u010da \u010cajkovskog u koreografiji Maura de Candije. Posljednje dvije ovosezonske izvedbe popularnog baleta koji odu\u0161evljava sve generacije na programu su <b>12. i 13. sije\u010dnja 2021.<\/b> s po\u010detkom u 19.30 sati.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" http:\/\/hnk-zajc.hr\/wp-content\/uploads\/2019\/12\/Ora%C5%A1ar-7.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Fotografiju ustupio HNK Ivan pl. Zajc<\/p>\n<p style=\"text-align: justify;\">Nakon Marije Matarranz i Marte Kanazir, u glavnoj \u017eenskoj ulozi, ulozi djevoj\u010dice Marie u ovim dvjema izvedbama po prvi \u0107e put nastupiti nova \u010dlanica rije\u010dkog Baleta, <b>Mao Fujita<\/b>. Ro\u0111ena 2001. godine u Tokiju, u Japanu, baletom se po\u010dela baviti u dobi od \u010detiri godine u lokalnom baletnom studiju. Kasnije je baletno \u0161kolovanje nastavila pod vodstvom Kiyoko Kimura. Godine 2014. osvojila je tre\u0107u nagradu na NBA Ballet Competition, da bi ve\u0107 2016. godine osvojila drugu nagradu na baletnom natjecanju Tokyo Art Bridge. Godine 2014. seli s obitelji u Melbourne, u Australiju. Iste godine primljena je u Australsku baletnu \u0161kolu, gdje je u prosincu 2019. godine i diplomirala. Kao \u010dlanica Australskog baleta plesala je u predstavi \u201eGiselle\u201d koja je izvedena vi\u0161e od dvadeset puta u Sydney Opera Houseu. S baletom \u201eCopp\u00e9lia\u201d gostovala je diljem Australije.<\/p>\n<p style=\"text-align: justify;\">Tijekom svoje plesne edukacije imala je priliku plesati u razli\u010ditim ulogama i produkcijama poput princeze Florine u \u201eUspavanoj ljepotici\u201d, te u \u201eWho cares?\u201d i \u201eSerenadi\u201d Georgea Balanchinea. Plesala je i u koreografijama Simona Dowa, Margaret Wilson, Stephena Baynesa, Marka Anneara, Maina Gielguda itd. U rujnu 2020. godine pridru\u017eila se Baletu rije\u010dkog HNK Ivana pl. Zajca.<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/AEYPXOtFrko\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Uz Mao Fujita u ulozi Marie, Ora\u0161ara \u0107e plesati Tilman Patzak, a Drosselmeyera Michele Pastorini. U ulogama Majke i Oca nastupit \u0107e Marta Voinea \u010cavrak\u00a0 i Svebor Zguri\u0107, a u ulogama Kraljice i Kralja Irina i Andrei K\u00f6teles. Ulogu Kraljice mi\u0161eva plesat \u0107e Ksenija Krutova, a u ulozi Pirlipat nastupit \u0107e Carlos Huerta Pardo. Kao Gosti, Pahuljice, Mi\u0161evi, Vojnici i Dvorske dame nastupit \u0107e ostale \u010dlanice i \u010dlanovi rije\u010dkog baletnog ansambla: Marta Kanazir, Maria Matarranz, Tea Ru\u0161in, Soyoko Iwata, Ali Tabbouch, Francesco Benedictis i Jody Bet. U predstavi sudjeluju u\u010denice rije\u010dke O\u0160 za balet i suvremeni ples pri O\u0160 Ve\u017eica.<\/p>\n<p style=\"text-align: justify;\">Mauro de Candia svojom verzijom \u201eOra\u0161ara\u201d u elegantnim scenografskim i kostimografskim rje\u0161enjima, uz dozu humora, pru\u017ea novi pogled na ovu bajku. Prema originalnom Hoffmannovom knji\u017eevnom djelu i glazbi \u010cajkovskoga, de Candia stvara novi svijet izme\u0111u stvarnosti i sna u kojem je sveprisutna \u010darolija. Premijerno je izveden pro\u0161le godine, a kritika ga je ocijenila \u201evrhunskim baletnim spektaklom u svakom smislu\u201c. Dramaturgija i koreografija, koncentrirani na istra\u017eivanje skrivenih \u010darolija u originalnoj bajci, \u010dine rije\u010dkog \u201cOra\u0161ara\u201d posebnijim i suvremenijim, no ni\u0161ta manje magi\u010dnim i snovitim, ve\u0107 pomalo nalik diznijevskoj bajci.<\/p>\n<p style=\"text-align: justify;\">Scenografkinja i kostimografkinja je Margrit Flagner, oblikovatelji svjetla su Mauro de Candia i Dalibor Fugo\u0161i\u0107, a dramaturginja je Patricia St\u00f6ckemann.<\/p>\n<p style=\"text-align: justify;\">[izvor informacije\u00a0<a href=\"http:\/\/hnk-zajc.hr\/naslovnica\/\"><strong>HNK Ivan pl. Zajc<\/strong><\/a>]<\/p>\n<p style=\"text-align: justify;\"><strong><a href=\"https:\/\/www.facebook.com\/FILMmagnet\/posts\/3800870853284893\">Facebook<\/a><\/strong><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=44587\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>POSLJEDNJI OVOSEZONSKI\u00a0 \u201eORA\u0160ARI\u201c U \u201eZAJCU\u201c U ZNAKU DEBIJA MAO FUJITE U ULOZI MARIE Rije\u010dko Hrvatsko narodno kazali\u0161te Ivana pl. Zajca je u doba razme\u0111e dviju godina publici osiguralo mogu\u0107nost da u prosina\u010dke i sije\u010danjske dane u\u017eiva u izvedbama blistavog \u201eOra\u0161ara\u201c, popularnog baletnog obiteljskog klasika Petra Ilji\u010da \u010cajkovskog u koreografiji Maura de Candije. Posljednje dvije ovosezonske [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[36,10,279,17050],"tags":[1164,7131,345,21335,10473,662],"class_list":["post-44587","post","type-post","status-publish","format-standard","hentry","category-kazalisne-najave","category-kazaliste","category-ples-kazaliste","category-press","tag-balet","tag-hnk-ivan-pl-zajc","tag-kazalisna-predstava","tag-mao-fujita","tag-petar-iljic-cajkovski","tag-rijeka"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Posljednji ovosezonski &#039;Ora\u0161ari&#039; u rije\u010dkom Zajcu - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=44587\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Posljednji ovosezonski &#039;Ora\u0161ari&#039; u rije\u010dkom Zajcu - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"POSLJEDNJI OVOSEZONSKI\u00a0 \u201eORA\u0160ARI\u201c U \u201eZAJCU\u201c U ZNAKU DEBIJA MAO FUJITE U ULOZI MARIE Rije\u010dko Hrvatsko narodno kazali\u0161te Ivana pl. Zajca je u doba razme\u0111e dviju godina publici osiguralo mogu\u0107nost da u prosina\u010dke i sije\u010danjske dane u\u017eiva u izvedbama blistavog \u201eOra\u0161ara\u201c, popularnog baletnog obiteljskog klasika Petra Ilji\u010da \u010cajkovskog u koreografiji Maura de Candije. Posljednje dvije ovosezonske [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/film-mag.net\/wp\/?p=44587\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2021-01-13T10:14:50+00:00\" \/>\n<meta name=\"author\" content=\"PRESS\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PRESS\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=44587#article\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=44587\"},\"author\":{\"name\":\"PRESS\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"headline\":\"Posljednji ovosezonski &#8216;Ora\u0161ari&#8217; u rije\u010dkom Zajcu\",\"datePublished\":\"2021-01-13T10:14:50+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=44587\"},\"wordCount\":526,\"keywords\":[\"balet\",\"HNK Ivan pl. Zajc\",\"kazali\u0161na predstava\",\"Mao Fujita\",\"Petar Ilji\u010d \u010cajkovski\",\"rijeka\"],\"articleSection\":[\"Kazali\u0161ne najave\",\"Kazali\u0161te\",\"Ples\",\"PRESS\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=44587\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=44587\",\"name\":\"Posljednji ovosezonski 'Ora\u0161ari' u rije\u010dkom Zajcu - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\"},\"datePublished\":\"2021-01-13T10:14:50+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"breadcrumb\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=44587#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=44587\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?p=44587#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Posljednji ovosezonski &#8216;Ora\u0161ari&#8217; u rije\u010dkom Zajcu\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\",\"name\":\"PRESS\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"caption\":\"PRESS\"},\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?author=8\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Posljednji ovosezonski 'Ora\u0161ari' u rije\u010dkom Zajcu - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/film-mag.net\/wp\/?p=44587","og_locale":"en_US","og_type":"article","og_title":"Posljednji ovosezonski 'Ora\u0161ari' u rije\u010dkom Zajcu - FILM-mag.net","og_description":"POSLJEDNJI OVOSEZONSKI\u00a0 \u201eORA\u0160ARI\u201c U \u201eZAJCU\u201c U ZNAKU DEBIJA MAO FUJITE U ULOZI MARIE Rije\u010dko Hrvatsko narodno kazali\u0161te Ivana pl. Zajca je u doba razme\u0111e dviju godina publici osiguralo mogu\u0107nost da u prosina\u010dke i sije\u010danjske dane u\u017eiva u izvedbama blistavog \u201eOra\u0161ara\u201c, popularnog baletnog obiteljskog klasika Petra Ilji\u010da \u010cajkovskog u koreografiji Maura de Candije. Posljednje dvije ovosezonske [&hellip;]","og_url":"http:\/\/film-mag.net\/wp\/?p=44587","og_site_name":"FILM-mag.net","article_published_time":"2021-01-13T10:14:50+00:00","author":"PRESS","twitter_card":"summary_large_image","twitter_misc":{"Written by":"PRESS","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/film-mag.net\/wp\/?p=44587#article","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/?p=44587"},"author":{"name":"PRESS","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"headline":"Posljednji ovosezonski &#8216;Ora\u0161ari&#8217; u rije\u010dkom Zajcu","datePublished":"2021-01-13T10:14:50+00:00","mainEntityOfPage":{"@id":"http:\/\/film-mag.net\/wp\/?p=44587"},"wordCount":526,"keywords":["balet","HNK Ivan pl. Zajc","kazali\u0161na predstava","Mao Fujita","Petar Ilji\u010d \u010cajkovski","rijeka"],"articleSection":["Kazali\u0161ne najave","Kazali\u0161te","Ples","PRESS"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"http:\/\/film-mag.net\/wp\/?p=44587","url":"http:\/\/film-mag.net\/wp\/?p=44587","name":"Posljednji ovosezonski 'Ora\u0161ari' u rije\u010dkom Zajcu - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"datePublished":"2021-01-13T10:14:50+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"breadcrumb":{"@id":"http:\/\/film-mag.net\/wp\/?p=44587#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/film-mag.net\/wp\/?p=44587"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/film-mag.net\/wp\/?p=44587#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"Posljednji ovosezonski &#8216;Ora\u0161ari&#8217; u rije\u010dkom Zajcu"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f","name":"PRESS","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","caption":"PRESS"},"url":"http:\/\/film-mag.net\/wp\/?author=8"}]}},"_links":{"self":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/44587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=44587"}],"version-history":[{"count":1,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/44587\/revisions"}],"predecessor-version":[{"id":44588,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/44587\/revisions\/44588"}],"wp:attachment":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=44587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=44587"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=44587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}