{"id":43232,"date":"2020-08-08T19:03:00","date_gmt":"2020-08-08T17:03:00","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=43232"},"modified":"2020-08-08T19:04:24","modified_gmt":"2020-08-08T17:04:24","slug":"announcing-criterions-october-2020-new-releases-whats-playing","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=43232","title":{"rendered":"Announcing Criterion\u2019s October 2020 New Releases & What\u2019s Playing"},"content":{"rendered":"\n\n\n
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Our October\u00a0Titles<\/h1>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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For our October releases, we\u2019re bringing together the most widely celebrated movie of 2019 and two groundbreaking classics: a bighearted portrait of Black working-class family life and a brooding, subversive tale of the American frontier. Plus: The Hit<\/em>\u00a0gets a\u00a0Blu-ray edition, and Pierrot le fou<\/em> returns!<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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What\u2019s Playing<\/h1>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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A guide to the Criterion<\/span> Channel. If you haven\u2019t already subscribed, click\u00a0here<\/a>\u00a0for a 14-day free trial and explore the more than 2,000 titles and thousands of supplemental features available to stream.<\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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100 Years of Olympic Films: 1912\u20132012<\/a><\/h3>\n

The Tokyo Olympic Games have been postponed until next year, but you can still celebrate a century of Olympic glory with this monumental collection.\u00a0These documentaries cast a cinematic eye on some of the most iconic moments in the history of modern sports: Jesse Owens shattering world records on the track in 1936 Berlin, Jean-Claude Killy dominating the Grenoble slopes in 1968, Joan Benoit breaking away to win the Games\u2019 first women\u2019s marathon in Los Angeles in 1984.\u00a0Traversing continents and decades, reflecting the social, cultural, and political changes that have shaped our recent history, this remarkable movie marathon showcases a hundred years of human endeavor.<\/p>\n

Looking for a place to start?<\/strong>
\nThe last time the Olympic Games were held in Tokyo, Kon Ichikawa captured the spectacle in glorious widescreen images suffused with lyrical, idiosyncratic poetry in Tokyo Olympiad,<\/strong><\/em> one of the greatest films ever made about sports. For an eclectic sampler of directorial approaches, check out Visions of Eight,<\/strong><\/em> in which an octet of filmmakers\u2014incluiding\u00a0Milo\u0161 Forman, John Schlesinger, and Arthur Penn\u2014offers a series of vignettes from the 1972 Munich Games.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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We\u2019re Here to Help<\/h3>\n

If you have questions, comments, or feedback about the Criterion<\/span> Channel, please reach out to channelhelp@criterion<\/span>.com<\/a>! We\u2019d love to hear from you.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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Directed by Miranda July<\/a><\/h3>\n

One of American independent cinema\u2019s most distinctive voices, this bold, relentlessly imaginative artist finds cosmic insight in the everyday.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Nostalgia for the Light<\/a><\/em><\/h3>\n

Melding the celestial and the earthly, Patricio Guzm\u00e1n\u2019s late-career masterpiece\u00a0is a gorgeous, moving, and deeply personal odyssey into both Chilean history and the furthest reaches of space.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Three Starring Jane Fonda<\/a><\/h3>\n

Made at the peak of her zeitgeist-defining career, these three films showcase Jane Fonda\u2019s nuance, impeccable comic timing, and versatility.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Miss Annie Rooney<\/a><\/em><\/h3>\n

As Shirley Temple grew up before the eyes of America, this delightful comeback vehicle offered her a chance to shine in\u00a0a charming teenage romance, complete with jive-talking, jitterbug-mad bobby soxers.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Girls and the Gang<\/a><\/h3>\n

Two 1980s crime classics distinguish themselves with ingredients all too rare for the genre: heart, humor, and strong female protagonists, memorably portrayed by Cathy Tyson and Gena Rowlands.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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Atom Egoyan\u2019s narrative mosaics . . . Plus: Radical visions from Med Hondo and Lizzie Borden<\/h3>\n\n\n\n
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What\u2019s Playing<\/h1>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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A guide to the Criterion<\/span> Channel. If you haven\u2019t already subscribed, click\u00a0here<\/a>\u00a0for a 14-day free trial and explore the more than 2,000 titles and thousands of supplemental features available to stream.<\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Directed by Atom Egoyan<\/a><\/h3>\n

The formally adventurous, psychologically intricate films of renowned Canadian auteur Atom Egoyan unfold according to complex, time-scrambling structures that heighten their searing emotional impact. Exploring issues of identity (including Egoyan\u2019s Armenian heritage), loss, alienation, and technology, these films\u2014presented with a new introduction by the director\u2014frequently revolve around people struggling to make sense of their own shattered sense of self in the wake of profound personal tragedies.<\/p>\n

Looking for a place to start?<\/strong>
\nConsidered among the greatest Canadian movies ever made, Egoyan\u2019s twin masterpieces Exotica<\/strong><\/em> and The Sweet Hereafter <\/strong><\/em>are both built around virtuoso flashback structures, their complex narrative mosaics resolving into searing portraits of grief and longing.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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We\u2019re Here to Help<\/h3>\n

If you have questions, comments, or feedback about the Criterion<\/span> Channel, please reach out to channelhelp@criterion<\/span>.com<\/a>! We\u2019d love to hear from you.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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Soleil \u00d4<\/a><\/em><\/h3>\n

Exclusive streaming premiere: A landmark of\u00a0political cinema, Med Hondo\u2019s bitterly funny, stylistically explosive feature debut is a shattering vision of awakening Black consciousness.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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The Hard-Boiled Way<\/a><\/h3>\n

B-movie master Joseph H. Lewis turns the ingredients of dime-store pulp into existentialist poetry in these essential noirs,\u00a0two of the most stylish examples of the genre ever made.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Born in Flames<\/a><\/em><\/h3>\n

Presented with a new interivew with director\u00a0Lizzie Borden, this\u00a0postpunk provocation is a DIY science-fiction fantasia that\u2019s both an essential document of its time and radically ahead of it.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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12 O\u2019Clock Boys<\/em><\/a><\/h3>\n

Lotfy Nathan\u2019s stunningly kinetic\u00a0documentary plunges\u00a0into\u00a0the thrilling, dangerous world of Baltimore\u2019s\u00a0urban dirt bikers through the eyes of a young adolescent.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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A Day in the Life<\/a><\/h3>\n

Filmmaker Myna Joseph and actor Lucy Owen present their short film alongside the Agn\u00e8s Varda classic whose sensitive portraiture of a woman\u2019s everyday experience inspired it.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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EDITION #155<\/strong><\/h4>\n

Tokyo Olympiad<\/a><\/em><\/h3>\n

A spectacle of massive proportions and remarkable intimacy, Kon Ichikawa\u2019s influential documentary remains one of the greatest sports films ever made.<\/p>\n

SUPPLEMENTAL FEATURES: <\/strong>Over eighty minutes of additional material from the 1964 Tokyo Games, commentary by film historian Peter Cowie, and more.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Leaving July 31<\/h3>\n

The clock is ticking on a number of great movies we\u2019ve programmed on the Criterion<\/span>\u00a0Channel. Here are some of the most popular titles:<\/p>\n

Aguirre, the Wrath of God<\/strong><\/em>\u00a0(Werner Herzog, 1972)
\nContempt\u00a0<\/em><\/strong>(Jean-Luc Godard, 1963)
\nDown in the Delta\u00a0<\/em><\/strong>(Maya Angelou, 1998)
\nBut I\u2019m a Cheerleader\u00a0<\/strong><\/em>(Jamie Babbit, 1999)
\nWest Side Story\u00a0<\/em><\/strong>(Robert Wise and Jerome Robbins, 1961)
\nGloria\u00a0<\/strong><\/em>(John Cassavetes, 1980)<\/p>\n

Click here<\/a> for a full list of films\u00a0leaving\u00a0the service July 31.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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[izvor informacije Criterion<\/strong><\/a>]<\/p>\n

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