{"id":42945,"date":"2020-07-01T10:12:33","date_gmt":"2020-07-01T08:12:33","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=42945"},"modified":"2020-07-01T10:15:18","modified_gmt":"2020-07-01T08:15:18","slug":"mike-leighs-everyday-people-plus-bette-gordon-gregg-araki-and-d-a-pennebaker","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=42945","title":{"rendered":"Mike Leigh\u2019s everyday people… Plus: Bette Gordon, Gregg Araki, and D. A. Pennebaker"},"content":{"rendered":"\n\n\n
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What\u2019s Playing<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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A guide to the Criterion<\/span> Channel. If you haven\u2019t already subscribed, click\u00a0here<\/a>\u00a0for a 14-day free trial and explore the more than 2,000 titles and thousands of supplemental features available to stream.<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Directed by Mike Leigh<\/a><\/h3>\n

The great prickly humanist of British cinema, Mike Leigh has forged a body of work unique in its concern for the struggles of ordinary people and the social fabric of working-class London. Famously born from a process of extensive improvisation with his powerhouse actors, Leigh\u2019s films inhabit a register of tragicomic despair that, thanks to their unwavering compassion, never slips into miserabilism.<\/p>\n

Looking for a place to start?<\/strong>
\nTake your pick from among Leigh\u2019s\u00a0family portraits: Meantime, <\/em><\/strong>an\u00a0unflinching look at life on the dole;\u00a0Life Is Sweet,<\/strong>\u00a0<\/i>a melancholy comedy of the everyday;\u00a0the Palme d\u2019Or\u2013winning career highlight\u00a0Secrets & Lies; <\/strong><\/em>or Another Year,\u00a0<\/strong><\/em>a Chekhovian cycle through life\u2019s\u00a0seasons.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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We\u2019re Here to Help<\/h3>\n

If you have questions, comments, or feedback about the Criterion<\/span> Channel, please reach out to channelhelp@criterion<\/span>.com<\/a>! We\u2019d love to hear from you.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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Original Cast Album: \u201cCompany\u201d<\/a><\/em><\/h3>\n

D. A. Pennebaker\u2019s long-unavailable documentary is accompanied by a new conversation with the cast and crew of Documentary Now!<\/em>\u2019s parody episode.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Directed by Bette Gordon<\/a><\/h3>\n

Bette Gordon revisits her restless career\u2014from her early experimental shorts to the\u00a0provocative feminist\u00a0classic Variety<\/strong><\/em>\u2014in a new interview.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Queer Britannia<\/a><\/h3>\n

Two groundbreaking period dramas explore forbidden desire and the struggle to live as one\u2019s true self amid the repression of early-twentieth-century British society.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Three by Gregg Araki<\/a><\/h3>\n

Fearlessly raw, angry, and unrestrained, this trio of stylistically explosive films\u00a0from New Queer Cinema auteur Gregg Araki plays alongside a new interview with the filmmaker.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Black Lives<\/a><\/h3>\n

Celebrate Juneteenth with these films centering on the experiences, dreams, struggles, desires, and art of black people, all available to watch without a Criterion<\/span> Channel subscription.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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EDITION #424<\/strong><\/h4>\n

Mafioso<\/a><\/em><\/h3>\n

One of the first Italian films to look frankly at the Mafia, this devastatingly funny character study is equal parts culture-clash farce and existential nightmare.<\/p>\n

SUPPLEMENTAL FEATURES: <\/strong>Interviews with director Alberto Lattuada; his wife, actor Carla Del Poggio; and their son Alessandro Lattuada.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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[izvor informacije Criterion.com<\/strong><\/a>]<\/p>\n

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