{"id":42813,"date":"2020-06-14T19:57:06","date_gmt":"2020-06-14T17:57:06","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=42813"},"modified":"2020-06-14T19:57:06","modified_gmt":"2020-06-14T17:57:06","slug":"pride-and-protest-plus-cheryl-dunye-and-chantal-akerman","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=42813","title":{"rendered":"Pride and protest… Plus: Cheryl Dunye and Chantal Akerman"},"content":{"rendered":"\n\n\n
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A guide to the Criterion<\/span> Channel. If you haven\u2019t already subscribed, click\u00a0here<\/a>\u00a0for a 14-day free trial and explore the more than 2,000 titles and thousands of supplemental features available to stream.<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Queersighted: Turn the Gaze Around<\/a><\/h3>\n

For the second installment of Queersighted, a series from guest programmer Michael Koresky that views film history through a distinctly queer lens, we turn our sights to a handful of filmmakers who have turned their gazes away from convention, using cinema to eroticize the unexpected and subvert objectification.\u00a0In a new conversation, Koresky and food and film writer Mayukh Sen explore the work of artists from Jean Cocteau to Cheryl Dunye who have subverted the heterosexual male gaze.\u00a0Men looking at men, women looking at women: the result is, of course, pure pleasure.<\/p>\n

Looking for a place to start?<\/strong>
\nGus Van Sant\u2019s New Queer Cinema\u00a0classic My Own Private Idaho\u00a0<\/em><\/strong>stars Keanu Reeves and River Phoenix as a pair of wayward hustlers drifting through the Pacific Northwest. Then\u00a0Cheryl Dunye devises a brilliantly reflexive mockumentary style to investigate the intersection of race and sexuality in\u00a0The Watermelon Woman.\u00a0<\/strong><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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We\u2019re Here to Help<\/h3>\n

If you have questions, comments, or feedback about the Criterion<\/span> Channel, please reach out to channelhelp@criterion<\/span>.com<\/a>! We\u2019d love to hear from you.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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Black Lives<\/a><\/h3>\n

We\u2019ve lifted the subscription\u00a0paywall\u00a0on films from our library that\u00a0center on the experiences, dreams, struggles, desires, and art of black people in the United States and beyond.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Voices of Protest<\/a><\/h3>\n

Power to the people! The films collected<\/span> here\u00a0show ordinary people rising up in the factories of Turin, the banlieus of Paris, the coal mines of Kentucky, and the streets of Algiers.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Directed by Chantal Akerman<\/a><\/h3>\n

One of cinema\u2019s boldest visionaries, Chantal Akerman used film\u00a0to investigate geography and identity, space and time, sexuality and alienation.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Italy Uncloseted<\/a><\/h3>\n

Filmmaker Paul Rowley introduces a double bill about the persecution of gay men\u00a0in Mussolini\u2019s Italy, pairing his short with Ettore Scola\u2019s tender drama starring Marcello Mastroianni and Sophia Loren.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Directed by Cheryl Dunye<\/a><\/h3>\n

These inventive, self-reflexive \u201cDunyementaries\u201d offer multilayered, sharply funny commentaries on the intersections of black and queer identity.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Synonyms<\/a><\/em><\/h3>\n

Exclusive streaming premiere: Nadav Lapid\u2019s deliriously unhinged dark comedy evokes the whiplash disorientation of the immigrant experience with both ferocious intensity and unexpected poetry.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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[izvor informacije The Criterion Channel<\/strong><\/a>]<\/p>\n

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