{"id":42306,"date":"2020-04-11T22:01:06","date_gmt":"2020-04-11T20:01:06","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=42306"},"modified":"2020-04-11T22:01:06","modified_gmt":"2020-04-11T20:01:06","slug":"cooped-up-with-gary-cooper-plus-the-return-of-columbia-noir","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=42306","title":{"rendered":"Cooped up with Gary Cooper… Plus: The return of Columbia Noir"},"content":{"rendered":"\n\n\n
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What\u2019s Playing<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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A guide to the Criterion Channel. If you haven\u2019t already subscribed,\u00a0click here<\/a>\u00a0for a 14-day free trial and explore the more than 2,000 titles and thousands of supplemental features available to stream.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Starring Gary Cooper<\/a><\/p>\n

For over three decades, Gary Cooper was Hollywood\u2019s consummate everyman, a refreshingly sincere, unaffected screen presence who imbued his common heroes with authenticity and simple dignity.\u00a0Emerging as a leading man in the late silent era, the lanky, strikingly handsome Cooper went on to star in westerns, dramas, war films, and comedies, his charm serving him well no matter the genre.<\/p>\n

Looking for a place to start?<\/strong>
\nWatch Cooper embody all-American decency and courage in the Lou Gehrig biopic\u00a0The Pride of the Yankees\u00a0<\/em><\/strong>and Frank Capra\u2019s\u00a0Mr. Deeds Goes to Town.\u00a0<\/em><\/strong>Then see him serve as the perfect comic foil to Barbara Stanwyck in the screwball riot\u00a0Ball of Fire.<\/em><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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We\u2019re Here to Help<\/p>\n

If you have questions, comments, or feedback about the Criterion Channel, please reach out to channelhelp@criterion.com<\/a>! We\u2019d love to hear from you.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Columbia Noir<\/a><\/span><\/em><\/p>\n

One year later, one of our most popular collections returns to the Channel, featuring new additions like\u00a0The Crimson Kimono, Johnny O\u2019Clock,\u00a0<\/em><\/strong>and Gilda.<\/i><\/b><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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I Am Not a Witch<\/a><\/span><\/em><\/p>\n

The acclaimed debut feature from Rungano Nyoni is a daring, sharply satiric feminist fairy tale that examines the clash between tradition and modernity in present-day Zambia.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Dark Desires<\/a><\/span><\/p>\n

Alain Guiraudie, one of contemporary French cinema\u2019s most fearless and endlessly fascinating provocateurs, delivers a\u00a0mesmerizing erotic thriller and a surreal sexual odyssey.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Pixote<\/a><\/span><\/em><\/p>\n

A major new restoration of H\u00e9ctor Babenco electrifying look at the bottom rung of Brazilian society premieres on the Channel, with an introduction by filmmaker Mira Nair.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Human Tides<\/a><\/span><\/p>\n

These haunting, poetic meditations on the European refugee crisis speak eloquently and urgently to the harrowing human cost of a global tragedy.\u00a0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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EDITION #388<\/strong><\/p>\n

The Two of Us<\/a><\/span><\/em><\/p>\n

Claude Berri\u2019s debut feature, based on his childhood experiences, gave Michel Simon\u00a0one of his most memorable roles in the twilight of his career.<\/span><\/p>\n

SUPPLEMENTAL FEATURES: <\/strong>Interviews with Berri and Simon, an Oscar-winning short by Berri, and more.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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[izvor informacije The Criterion Channel<\/strong><\/a>]<\/p>\n

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