{"id":41885,"date":"2020-02-24T01:08:48","date_gmt":"2020-02-24T00:08:48","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=41885"},"modified":"2020-02-24T01:08:48","modified_gmt":"2020-02-24T00:08:48","slug":"the-collaboration-that-defined-the-french-new-wave","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=41885","title":{"rendered":"The collaboration that defined the French New Wave . . ."},"content":{"rendered":"

Plus: A visit to the Jacob Burns Film Center, three by Allison Anders, and more.<\/strong><\/p>\n\n\n\n
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What\u2019s New<\/h1>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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A guide to the<\/span> latest from\u00a0the<\/span> Criterion<\/span> Channel<\/span>. If you haven\u2019t already subscribed,\u00a0click here<\/a>\u00a0for a 14-day free trial and explore the<\/span> more than 2,000 titles and thousands of supplemental features available to stream.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Starring Anna Karina<\/a><\/p>\n

One of the<\/span> most iconic faces of the<\/span> French New Wave, the<\/span> late Anna Karina was a movie star for a new era of cinema, embodying the<\/span> free-spirited insouciance, effortless cool, and fierce intelligence that defined the<\/span> movement. This eight-film tribute gathers seven of her revolutionary collaborations with Jean-Luc Godard, as well as a controversial period piece directed by Jacques Rivette.<\/p>\n

Looking for a place to start?<\/strong>
\nFew images come closer to defining the<\/span> essence of the<\/span> French New Wave than Karina\u2019s tear-stained face, lit by the<\/span> flickering light of a movie screen, in Godard\u2019s tragic character study Vivre sa vie.<\/strong><\/em> And in Rivette\u2019s The<\/span> Nun, <\/strong><\/em>she delivers a wrenching performance as a woman who rebels against the<\/span> strictures of convent life.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Directed by Jean-Luc Godard<\/a><\/span><\/p>\n

At the<\/span> vanguard of auteur filmmaking for six decades and counting, French New Wave titan Jean-Luc Godard has amassed a radical body of work like no other.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Art-House America: Jacob Burns Film Center<\/a><\/span><\/p>\n

The<\/span> latest entry in our Art-House America series visits the<\/span> Westchester cinema that Jonathan Demme called \u201ca force for social change disguised as a movie theater.\u201d<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Three by Allison Anders<\/a><\/span><\/p>\n

Independent writer-director Allison Anders makes deeply personal films grounded in the<\/span> experiences of women and infused with a punk-rock sensibility.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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PlayTime<\/a><\/span><\/em><\/p>\n

Jacques Tati\u2019s gloriously choreographed, nearly wordless comedy about confusion in an age of high technology\u00a0thrusts the<\/span> lovably old-fashioned Monsieur Hulot into a baffling modern world.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Starring Wendy Hiller<\/a><\/span><\/p>\n

This British stage and screen legend was renowned for her supremely controlled, unsentimental performance style and her ability to imbue strong-willed heroines with intelligence and vigor.\u00a0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Matters of Perspective<\/a><\/span><\/p>\n

Truth is in the<\/span> eye of the<\/span> beholder in two films\u00a0that explore the<\/span> subjective nature of reality and the<\/span> myriad ways in which a single event can be understood, interpreted, and misconstrued.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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EDITION #800<\/strong><\/p>\n

The<\/span> Graduate<\/span><\/a><\/em><\/p>\n

One of the<\/span> most beloved American films of all time, The<\/span> Graduate<\/em>\u00a0brought the<\/span> music of Simon & Garfunkel to a wider audience and introduced the<\/span> world to a young actor named Dustin Hoffman.<\/span><\/p>\n

SPECIAL FEATURES: <\/strong>An audio commentary featuring Mike Nichols and Steven Soderbergh, an interview with screenwriter Buck Henry, and more.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Leaving February 29<\/h3>\n

The<\/span> clock is ticking on a number of great movies we\u2019ve programmed on the<\/span> Criterion<\/span>\u00a0Channel<\/span>. Here are some of the<\/span> most popular titles:<\/p>\n

Cach\u00e9<\/strong><\/em>\u00a0(Michael Haneke, 2005)
\nGrand Illusion\u00a0<\/em><\/strong>(Jean Renoir, 1937)
\nEscape from New York\u00a0<\/em><\/strong>(John Carpenter, 1981)
\n35 Shots of Rum\u00a0<\/strong><\/em>(Claire Denis, 2008)
\nBarbara\u00a0<\/em><\/strong>(Christian Petzold, 2012)
\nThe<\/span> Best Years of Our Lives\u00a0<\/strong><\/em>(William Wyler, 1946)<\/p>\n

Click here<\/strong><\/a> for a full list of films\u00a0leaving\u00a0the<\/span> service February 29.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[izvor informacije The Criterion Channel<\/strong><\/a>]<\/p>\n

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