{"id":41570,"date":"2020-01-24T23:35:23","date_gmt":"2020-01-24T22:35:23","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=41570"},"modified":"2020-01-24T23:38:33","modified_gmt":"2020-01-24T22:38:33","slug":"the-criterion-channel-alex-ross-perry-meets-paul-schrader","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=41570","title":{"rendered":"The Criterion Channel: Alex Ross Perry meets Paul Schrader…"},"content":{"rendered":"

Alex Ross Perry meets Paul Schrader . . . Plus: Jane Campion, Khalik Allah, and more<\/strong><\/p>\n\n\n\n
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What\u2019s New<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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A guide to the latest from\u00a0the Criterion Channel. If you haven\u2019t already subscribed,\u00a0click here<\/a>\u00a0for a 14-day free trial and explore the more than 1,800 titles and thousands of supplemental features available to stream.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Meet the Filmmakers: Paul Schrader<\/a><\/p>\n

In Paul Schrader: Man in a Room, <\/strong><\/em>the latest entry in our Meet the Filmmakers series, director Alex Ross Perry (Her Smell<\/em>) visits the ever-iconoclastic auteur during the making of his 2017 masterpiece First Reformed.<\/em> On set and at home, Schrader\u00a0reflects on the highs and lows of his legendary career, the challenges and rewards of slow cinema, and his often controversial social-media presence.<\/p>\n

Along with this insightful portrait, we\u2019re proud to present a selection of highlights from Schrader\u2019s extensive body of work, including Hardcore, <\/strong><\/em>a\u00a0seedy excursion into America\u2019s sexual underworld,\u00a0and\u00a0the unconventional biopic\u00a0Mishima: A Life in Four Chapters<\/strong><\/em>.<\/strong><\/em><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Directed by Jane Campion<\/a><\/span><\/p>\n

Jane Campion explores female subjectivity and desire with piercing psychological insight and radiantly expressive imagery.\u00a0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Jackpot!<\/a><\/span><\/p>\n

Jacques Demy and Louis Malle spin the roulette wheel of fate in these tales of love and gambling, both featuring the mesmerizing music of Michel Legrand.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Four Films by Khalik Allah<\/a><\/span><\/p>\n

An audiovisual alchemist who transforms unvarnished truth into ecstatic poetry, Khalik Allah is one of the most exciting young filmmakers working today.\u00a0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Federico Fellini &\u00a0Giulietta Masina<\/a><\/span><\/p>\n

Critic Michael Sragow pays tribute to cinema\u2019s greatest husband-and-wife carnival act.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Great Expectations<\/a><\/span><\/em><\/p>\n

David Lean brings Charles Dickens\u2019s beloved coming-of-age novel to the big screen in an adaptation starring John Mills and Alec Guinness.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Last Call for \u201970s Sci-Fi<\/a><\/span><\/p>\n

Don\u2019t miss the final week of our \u201970s Sci-Fi retrospective, with awe-inducing visions of the future from\u00a0Stanley Kubrick, George Lucas, John Carpenter, David Cronenberg, and George Miller.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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EDITION #955<\/strong><\/p>\n

Panique<\/span><\/a><\/em><\/p>\n

Michel Simon plays an antisocial scapegoat in this tensely noirish thriller, director Julien Duvivier\u2019s first film made in France after World War II.<\/span><\/p>\n

SPECIAL FEATURES: <\/strong>An interview with Pierre Simenon, the son of novelist Georges Simenon; a program on the history of film subtitling; and more.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Leaving January 31<\/h3>\n

The clock is ticking on a number of great movies we\u2019ve programmed on the Criterion\u00a0Channel. Here are some of the most popular titles:<\/p>\n

The Conversation<\/strong><\/em>\u00a0(Francis Ford Coppola, 1974)
\n12 Angry Men\u00a0<\/em><\/strong>(Sidney Lumet, 1957)
\nJust Another Girl on the I.R.T.\u00a0<\/em><\/strong>(Leslie Harris, 1992)
\nBlow Out\u00a0<\/strong><\/em>(Brian De Palma, 1981)
\nThe Last Detail\u00a0<\/em><\/strong>(Hal Ashby, 1973)
\nThey Live by Night\u00a0<\/strong><\/em>(Nicholas Ray, 1948)<\/p>\n

Click here<\/strong><\/a> for a full list of films\u00a0leaving\u00a0the service January 31.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[izvor informacije The Criterion Channel<\/strong><\/a>]<\/p>\n

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