{"id":40502,"date":"2019-10-09T21:09:02","date_gmt":"2019-10-09T19:09:02","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=40502"},"modified":"2019-10-09T21:09:02","modified_gmt":"2019-10-09T19:09:02","slug":"na-17-zff-u-gledamo-prva-filmska-ostvarenja-varde-formana-makavejeva-romera-i-roega","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=40502","title":{"rendered":"Na 17. ZFF-u gledamo prva filmska ostvarenja Varde, Formana, Makavejeva, Romera i Roega"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Moj prvi film: In Memoriam &#8211; ZFF-ov filmski opro\u0161taj od najve\u0107ih redatelja. Na 17. ZFF-u gledamo prva filmska ostvarenja Varde, Formana, Makavejeva, Romera i Roega<\/strong><\/p>\n<p style=\"text-align: justify;\"><b>Agn\u00e8s Vardi, Milo\u0161u Formanu, Du\u0161anu Makajevu<\/b>, <b>Georgeu A. Romeru<\/b> i <b>Nicolasu Roegu<\/b>, redateljima \u010dije \u0107emo prve filmove gledati u posebnom ovogodi\u0161njem <b>IN MEMORIAM<\/b> izdanju stalnog popratnog programa <b>Zagreb Film Festivala<\/b>, <b>MOJ PRVI FILM<\/b>, zajedni\u010dka je \u010dinjenica da su odigrali klju\u010dne pionirske uloge u svojim kinematografskim sredinama pa time i u sveukupnoj povijesti filma, ali i da su nas napustili u posljednje dvije godine.\u00a0<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" http:\/\/zff.hr\/wp-content\/uploads\/2019\/10\/No%C4%87-%C5%BEivih-mrtvaca_George-A.-Romero.jpg \" \/><\/p>\n<p>No\u0107 \u017eivih mrtvaca ; Fotografiju ustupio ZFF<\/p>\n<p style=\"text-align: justify;\">Tim povodom i njima u \u010dast, selektor programa, filmski kriti\u010dar <b>Nenad Polimac<\/b>, ovogodi\u0161nje izdanje programa posve\u0107uje njihovim prvim filmovima kao opro\u0161taj od redatelja i jedne redateljice \u010diji je rad trajno obilje\u017eio povijest filma i \u010dije su pionirske estetike uvele svoje domicilne kinematografije u novo doba modernih tendencija i mogu\u0107nosti filmskog izraza.\u00a0<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/1yI6eE1kHT8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"text-align: justify;\">Debitantski film Agn\u00e8s Varde <b><i>La Pointe Courte<\/i><\/b> (1955.) smatra se tako avangardnim djelom \u010dija je pojava prethodila francuskom novom valu, <b><i>Crni Petar<\/i><\/b> (1963.) Milo\u0161a Formana klju\u010dno je djelo \u010dehoslova\u010dkog novog vala, <b><i>\u010covek nije tica<\/i><\/b> Du\u0161ana Makavejeva prakti\u010dno je ozna\u010dio po\u010detak jugoslavenskog \u201ecrnog talasa\u201c, dok je s prvijencem <b><i>No\u0107 \u017eivih mrtvaca<\/i><\/b> (1968.) George A. Romero etablirao termin \u201ekultnog filma\u201c te prometnuo zombije u nove filmske junake. <b><i>Performance <\/i><\/b>(1970.) redateljskog dvojca Donalda Cammella i Nicolasa Roega po izlasku je nai\u0161ao na toliku konsternaciju zbog brutalnog prikaza londonske narko-scene da ga je Warner Bros dr\u017eao \u201eu bunkeru\u201c skoro dvije godine. Film prikazujemo povodom nedavne smrti Nicolasa Roega, jednog od najbeskompromisnijeg filma\u0161a britanske kinematografije.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/e8Vz_VDUm9A\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"text-align: justify;\"><b><i>Crni Petar<\/i><\/b>, Formanov iznimni dugometra\u017eni prvijenac o generacijskoj otu\u0111enosti, sniman u maniri <i>cin\u00e9ma v\u00e9rit\u00e9a<\/i>, s kamerom koja zuji oko likova koje tuma\u010de neprofesionalni glumci, do\u010darava atmosferu obi\u010dnog ljeta u malenom \u010de\u0161kom gradu po\u010detkom 60-ih. Osje\u0107aj sve ve\u0107eg buntovni\u0161tva me\u0111u mladima u Isto\u010dnom bloku prikazan je u liku neposlu\u0161nog mladi\u0107a okrenutog vlastitim zadovoljstvima i nevoljnog da bude puki informant re\u017eima.\u00a0<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/47p7czI-EZA\" width=\"560\" height=\"288\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"text-align: justify;\">U svom debitantskom ostvarenju <b><i>\u010covjek nije tica<\/i><\/b>, Du\u0161an Makavejev kao klju\u010dna figura \u201ecrnog talasa\u201c ve\u0107 je nazna\u010dio temeljne osobine svog radikalnog autorskog pristupa sklonog naturalizmu i primatu biologije nad ideologijom, a \u010diji je vrhunac ostvaren u kultnim <i>Misterijima organizama<\/i>. U glavnoj \u017eenskoj ulozi prva je dama jugoslavenskog filma, <b>Milena Dravi\u0107<\/b> koja nas je tako\u0111er nedavno napustila.\u00a0<\/p>\n<p style=\"text-align: justify;\">Sa samo 25 godina i bez prethodnog redateljskog iskustva, Agn\u00e8s Varda snimila je svoj prvi film i ve\u0107 s njim stvorila sasvim novu estetiku. Bez obzira na zanimljivost i inovativnost, <b><i>La Pointe Courte<\/i><\/b> do\u017eivio je tako potpuni komercijalni neuspjeh, no kasnije je progla\u0161en prethodnikom francuskog novog vala.\u00a0<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5gUKvmOEGCU\" width=\"559\" height=\"419\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Filmski debi Georgea A. Romera <b><i>No\u0107 \u017eivih mrtvaca<\/i><\/b> snimljen je doslovno za \u0161aku dolara, ali je zahvaljuju\u0107i usmenoj predaji i pono\u0107nim projekcijama postao hit. Danas mjesto u povijesti ima kao prijelomni horor film s kojim je Romero prakti\u010dki izumio \u017eanr filmova o zombijima meso\u017ederima, \u0161to je rezultiralo nebrojenim nastavcima i <i>remakeovima<\/i>.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/wFxfn3LakeM\" width=\"559\" height=\"419\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Podjednako utjecajan bio je i <b><i>Performance<\/i><\/b> redateljskog dvojca Nicholasa Roega i Donalda Cammella, s Mickom Jaggerom u glavnoj ulozi. Isprva su ga napadali zbog spoja nasilja i <i>rock&#8217;n&#8217;rolla<\/i>, no danas je u panteonu modernog filmskog izri\u010daja.\u00a0<\/p>\n<p style=\"text-align: justify;\"><b>Zagreb Film Festival<\/b>, najve\u0107a zagreba\u010dka filmska avantura, odr\u017eat \u0107e se sedamnaesti put od <b>7. do 17. studenog<\/b> u <b>kinu Tu\u0161kanac, MSU, dvorani KIC, KUC Travno, NS Dubrava i Laubi<\/b>.<\/p>\n<p>[izvor informacije\u00a0<a href=\"http:\/\/zff.hr\/\"><strong>Zagreb film festival<\/strong><\/a>]<\/p>\n<p><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2Fmedia%2Fset%2F%3Fset%3Da.2617490114956312%26type%3D3&amp;width=500\" width=\"500\" height=\"689\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=40502\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Moj prvi film: In Memoriam &#8211; ZFF-ov filmski opro\u0161taj od najve\u0107ih redatelja. Na 17. ZFF-u gledamo prva filmska ostvarenja Varde, Formana, Makavejeva, Romera i Roega Agn\u00e8s Vardi, Milo\u0161u Formanu, Du\u0161anu Makajevu, Georgeu A. Romeru i Nicolasu Roegu, redateljima \u010dije \u0107emo prve filmove gledati u posebnom ovogodi\u0161njem IN MEMORIAM izdanju stalnog popratnog programa Zagreb Film Festivala, [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[9,21,22,170,17050],"tags":[94,16763,828,19972],"class_list":["post-40502","post","type-post","status-publish","format-standard","hentry","category-film","category-filmske-novosti","category-filmski-festivali","category-kalendar","category-press","tag-filmski-festivali-2","tag-moj-prvi-film","tag-zagreb-film-festival","tag-zagreb-film-festival-2019"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Na 17. 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