{"id":36593,"date":"2018-08-01T18:05:00","date_gmt":"2018-08-01T16:05:00","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=36593"},"modified":"2018-08-01T18:06:34","modified_gmt":"2018-08-01T16:06:34","slug":"ljeto-klasike-rijecke-opere-u-pulskoj-areni-osvrt-ada-jukic","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=36593","title":{"rendered":"&#8216;LJETO KLASIKE&#8217; RIJE\u010cKE OPERE U PULSKOJ ARENI [osvrt Ada Juki\u0107]"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong><em>Sinergija sadr\u017eaja i prostora u nastupu rije\u010dke Opere u Puli<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">Spektakl je naj\u010de\u0161\u0107i termin u najavi i opisu glazbenih, filmskih i drugih doga\u0111aja u pulskoj Areni. Inflacija superlativa u odnosu na grandiozni kontekst priredbe koristi se u svrhu publiciteta, ali kao i druga marketin\u0161ka pretjerivanja, mo\u017ee dovesti do suprotnog efekta, postavljaju\u0107i prevelika o\u010dekivanja i slo\u017eene tehni\u010dke uvjete.<\/p>\n<p style=\"text-align: justify;\">Veli\u010dina arhitektonskog kadra u kojem se odvija predstava mo\u017ee pridonijeti percepciji monumentalnosti, ali mo\u017ee je vlastitom monumentalno\u0161\u0107u &#8216;potisnuti&#8217; ili &#8216;uti\u0161ati&#8217;.Za pravi spektakl u Areni potreban je sadr\u017eaj koji svojom vrijedno\u0161\u0107u i veli\u010dinom opravdava &#8216;povla\u0161teni smje\u0161taj&#8217; \u00a0u jedinstvenu, gotovo zastra\u0161uju\u0107u povijesnu pozornicu. Upravo ta sinergija dimenzija sadr\u017eaja i prostora \u00a0dogodila se nastupom Rije\u010dke opere u Puli.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/s25.postimg.cc\/t7zyt0qtb\/Carmina_Burana_u_pulskoj_Areni_-_Foto_AJ.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Carmina Burana u pulskoj Areni ; Fotot AJ<\/p>\n<p style=\"text-align: justify;\"><strong><em>Opera &#8216;AIDA&#8217; i kantata &#8216;CARMINA BURANA&#8217; rije\u010dkog HNK Ivana pl. Zajca <\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">Opera rije\u010dkog HNK Ivana pl. Zajca izvedela je operu &#8216;Aida&#8217; te &#8216;Carmina Burana&#8217; Carla Orffa, a i taj izbor djela u skladu je s kontekstom ne samo prostora, Arene, ve\u0107 i publike, turisti\u010dki ispunjene, me\u0111unarodne srpanjske Pule. Veli\u010dina i profesionalnost ansambla HNK Rijeka, \u00a0uz ekspresiju glazbenih djela, dojmila se i publike koja je manje upu\u0107ena u repertoar klasi\u010dne glazbe, a poznavatelji Verdijeva i Orffovog opusa mogli su poznata djela ostvariti do\u017eivjeti u jedinstvenoj kompoziciji s otvorenim nebom i arkadama anti\u010dke konstrukcije.<\/p>\n<p style=\"text-align: justify;\">Verdijeva &#8216;Aida&#8217;, u dramaturgiji i re\u017eiji Marina Bla\u017eevi\u0107a, obnovljena\u00a0 i izmijenjena u odnosu na pro\u0161logodi\u0161nju &#8216;Aidu&#8217; tako\u0111er izvedenu na otvorenom (Ljetna pozornica u Opatiji), osobito anga\u017emanom probranih solisti\u010dkih\u00a0 imena, izvedena je u Areni u petak, 27. srpnja 2018. \u00a0Proslavljena Kristina Kolar dojmila se u naslovnoj ulozi, Dubravka \u0160eparovi\u0107 ostvarila je \u00a0ambivalentnu i intrigantnu Amneris, Walter Fraccaro bio je Radames, Ramfisa je tuma\u010dio Carlo Colombara, a prvak rije\u010dke Opere Giorgio Surian istaknuo se kao Amonastro. Uz temperamentni dirigentski stil maestra Ville Matvejeffa, te rasko\u0161no kostimografsko i apstraktno scenografsko rje\u0161enje (trokut jedra, asocijacija na piramidu) i koreografske ulomke Baleta rije\u010dkog &#8216;Zajca&#8217;, ostvaren je reprezentativni trosatni glazbenoscenski amalgam i impresivna reakcija golemog korpusa publike koja je ispunila Arenu.<\/p>\n<p style=\"text-align: justify;\">Sna\u017eni audioefekt ostvarila je kultna scenska kantata &#8216;Carmina Burana&#8217; Carla Orffa izvedena 29. srpnja, uz monumentalni casting vrhunskih solista, orkestra Opere (70 \u010dlanova), Akademskog zbora &#8216;Ivan Goran Kova\u010di\u0107&#8217; (120 \u010dlanova)\u00a0 te rije\u010dke dje\u010dje zborove Kap i Toretta (ukupno 150 zborista).\u00a0 Dirigent \u00a0Ville Matvejeff odu\u0161evio je energi\u010dnim entuzijazmom, a u solisti\u010dkoj podjeli isticala se svjetska diva Sumi Jo. Dojmljivu izvedbu ostvarili su i bariton Robert Kolar te kontratenor Franko Klisovi\u0107. Publika je grmljavinom aplauza ishodila bis (O, fortuna), te uspravljeni ovacijama ispratili izvo\u0111a\u010de.<\/p>\n<p style=\"text-align: justify;\">Ukupni dojam dviju ve\u010deri &#8216;Ljeta klasike&#8217; rije\u010dkog HNK Ivana pl. Zajca u pulskoj Areni mo\u017ee se bez pretjerivanja, ponavljanja ili konvencije obilje\u017eiti atributom spektakularnog.<\/p>\n<p style=\"text-align: justify;\"><strong>Ada Juki\u0107, U Puli, 31. srpnja 2018.<\/strong><\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/film-mag.net\/wp\/?p=36573\"><strong>Orffova kantata \u2018Carmina Burana\u2019 u pulskoj Areni<\/strong><\/a><br \/>\n<a href=\"http:\/\/film-mag.net\/wp\/?p=36559\"><strong>Verdijeva \u2018Aida\u2019 u pulskoj Areni<\/strong><\/a><br \/>\n<a href=\"http:\/\/film-mag.net\/wp\/?p=36536\"><strong>Verdijeva \u2018Aida\u2019 i Orffova \u2018Carmina Burana\u2019 u pulskoj Areni<\/strong><\/a><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=36593\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Sinergija sadr\u017eaja i prostora u nastupu rije\u010dke Opere u Puli Spektakl je naj\u010de\u0161\u0107i termin u najavi i opisu glazbenih, filmskih i drugih doga\u0111aja u pulskoj Areni. Inflacija superlativa u odnosu na grandiozni kontekst priredbe koristi se u svrhu publiciteta, ali kao i druga marketin\u0161ka pretjerivanja, mo\u017ee dovesti do suprotnog efekta, postavljaju\u0107i prevelika o\u010dekivanja i slo\u017eene [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5955,11,51,4,10,6000,63],"tags":[204,8396,18292,6068,17762,4844,12900,665,18293,10309],"class_list":["post-36593","post","type-post","status-publish","format-standard","hentry","category-autorski-tekstovi","category-glazba","category-glazbeni-osvrti","category-istaknuto","category-kazaliste","category-opera-glazba","category-osvrti-na-predstave","tag-ada-jukic","tag-ada-jukic-osvrt-na-koncert","tag-ada-jukic-osvrt-na-operu","tag-autorski-tekst","tag-carl-orff","tag-giuseppe-verdi","tag-osvrt-na-operu","tag-osvrti","tag-sosvrt-na-koncert","tag-ville-matvejeff"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&#039;LJETO KLASIKE&#039; RIJE\u010cKE OPERE U PULSKOJ ARENI [osvrt Ada Juki\u0107] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=36593\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&#039;LJETO KLASIKE&#039; RIJE\u010cKE OPERE U PULSKOJ ARENI [osvrt Ada Juki\u0107] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Sinergija sadr\u017eaja i prostora u nastupu rije\u010dke Opere u Puli Spektakl je naj\u010de\u0161\u0107i termin u najavi i opisu glazbenih, filmskih i drugih doga\u0111aja u pulskoj Areni. Inflacija superlativa u odnosu na grandiozni kontekst priredbe koristi se u svrhu publiciteta, ali kao i druga marketin\u0161ka pretjerivanja, mo\u017ee dovesti do suprotnog efekta, postavljaju\u0107i prevelika o\u010dekivanja i slo\u017eene [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/film-mag.net\/wp\/?p=36593\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2018-08-01T16:05:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-08-01T16:06:34+00:00\" \/>\n<meta name=\"author\" content=\"Ada Juki\u0107\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ada Juki\u0107\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/film-mag.net\/wp\/?p=36593\",\"url\":\"http:\/\/film-mag.net\/wp\/?p=36593\",\"name\":\"'LJETO KLASIKE' RIJE\u010cKE OPERE U PULSKOJ ARENI [osvrt Ada Juki\u0107] - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\/\/film-mag.net\/wp\/#website\"},\"datePublished\":\"2018-08-01T16:05:00+00:00\",\"dateModified\":\"2018-08-01T16:06:34+00:00\",\"author\":{\"@id\":\"http:\/\/film-mag.net\/wp\/#\/schema\/person\/92729891bbbc5097f13d47bdec3da0aa\"},\"breadcrumb\":{\"@id\":\"http:\/\/film-mag.net\/wp\/?p=36593#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/film-mag.net\/wp\/?p=36593\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/film-mag.net\/wp\/?p=36593#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/film-mag.net\/wp\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"&#8216;LJETO KLASIKE&#8217; RIJE\u010cKE OPERE U PULSKOJ ARENI [osvrt Ada Juki\u0107]\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/film-mag.net\/wp\/#website\",\"url\":\"http:\/\/film-mag.net\/wp\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/film-mag.net\/wp\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/film-mag.net\/wp\/#\/schema\/person\/92729891bbbc5097f13d47bdec3da0aa\",\"name\":\"Ada Juki\u0107\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/ff805cd2008031a3678e7e97fa628ef9?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/ff805cd2008031a3678e7e97fa628ef9?s=96&d=mm&r=g\",\"caption\":\"Ada Juki\u0107\"},\"url\":\"http:\/\/film-mag.net\/wp\/?author=3\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"'LJETO KLASIKE' RIJE\u010cKE OPERE U PULSKOJ ARENI [osvrt Ada Juki\u0107] - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/film-mag.net\/wp\/?p=36593","og_locale":"en_US","og_type":"article","og_title":"'LJETO KLASIKE' RIJE\u010cKE OPERE U PULSKOJ ARENI [osvrt Ada Juki\u0107] - FILM-mag.net","og_description":"Sinergija sadr\u017eaja i prostora u nastupu rije\u010dke Opere u Puli Spektakl je naj\u010de\u0161\u0107i termin u najavi i opisu glazbenih, filmskih i drugih doga\u0111aja u pulskoj Areni. Inflacija superlativa u odnosu na grandiozni kontekst priredbe koristi se u svrhu publiciteta, ali kao i druga marketin\u0161ka pretjerivanja, mo\u017ee dovesti do suprotnog efekta, postavljaju\u0107i prevelika o\u010dekivanja i slo\u017eene [&hellip;]","og_url":"http:\/\/film-mag.net\/wp\/?p=36593","og_site_name":"FILM-mag.net","article_published_time":"2018-08-01T16:05:00+00:00","article_modified_time":"2018-08-01T16:06:34+00:00","author":"Ada Juki\u0107","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Ada Juki\u0107","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"http:\/\/film-mag.net\/wp\/?p=36593","url":"http:\/\/film-mag.net\/wp\/?p=36593","name":"'LJETO KLASIKE' RIJE\u010cKE OPERE U PULSKOJ ARENI [osvrt Ada Juki\u0107] - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"datePublished":"2018-08-01T16:05:00+00:00","dateModified":"2018-08-01T16:06:34+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/92729891bbbc5097f13d47bdec3da0aa"},"breadcrumb":{"@id":"http:\/\/film-mag.net\/wp\/?p=36593#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/film-mag.net\/wp\/?p=36593"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/film-mag.net\/wp\/?p=36593#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"&#8216;LJETO KLASIKE&#8217; RIJE\u010cKE OPERE U PULSKOJ ARENI [osvrt Ada Juki\u0107]"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/92729891bbbc5097f13d47bdec3da0aa","name":"Ada Juki\u0107","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/ff805cd2008031a3678e7e97fa628ef9?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/ff805cd2008031a3678e7e97fa628ef9?s=96&d=mm&r=g","caption":"Ada Juki\u0107"},"url":"http:\/\/film-mag.net\/wp\/?author=3"}]}},"_links":{"self":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/36593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=36593"}],"version-history":[{"count":1,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/36593\/revisions"}],"predecessor-version":[{"id":36594,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/36593\/revisions\/36594"}],"wp:attachment":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=36593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=36593"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=36593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}