{"id":35447,"date":"2018-04-08T14:40:41","date_gmt":"2018-04-08T12:40:41","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=35447"},"modified":"2018-04-17T11:12:07","modified_gmt":"2018-04-17T09:12:07","slug":"film-tri-plakata-izvan-grada-krimidrama-osvrt-robert-jukic","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=35447","title":{"rendered":"FILM: TRI PLAKATA IZVAN GRADA, krimidrama [osvrt Robert Juki\u0107]"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Three Billboards Outside Ebbing, Missouri (2017.)<\/strong><br \/>\nRedatelj: Martin McDonagh<\/p>\n<p style=\"text-align: justify;\">Film koji je bio nominiran za sedam Oscara !, \u0161to je bila dovoljna preporuka za uo\u010dljiv prijem na velikom ekranu. Nisam osobiti fan redatelja Martina McDonagha, njegovi filmovi \u2018In Bruges\u2019 (2008.) i \u2018Sedam psihopata\u2019 (2012.) nisu mi se osobito svidjeli, ali nekima jesu (vidi <a href=\"http:\/\/film-mag.net\/wp\/?p=6435\">LINK<\/a>)\u00a0 O\u010dekivanja u pogledu \u2018Tri plakata izvan grada\u2019 mo\u017eda su bila prevelika.<\/p>\n<p style=\"text-align: justify;\">Ali \u010dak ni dva Oscara, za glavnu \u017eensku ulogu i sporednu mu\u0161ku ulogu ne \u010dine odli\u010dan film, a u ovogodi\u0161njoj konkurenciji bilo je i boljih gluma\u010dkih ostvarenja. Intrigantna pri\u010da izgubila se u neuvjerljivim detaljima, i nakon gledanja filma ostaje dojam nedore\u010denosti.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/s25.postimg.cc\/ooampd5a7\/Tri_plakata_izvan_grada.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Tri plakata izvan grada ; Ustupio Blitz Film &amp; Video<\/p>\n<p style=\"text-align: justify;\">Prvih pola sata filma je odli\u010dno, upoznavanje s likovima kao i po\u010detak zapleta u kojem jedna majka, Mildred (Frances McDormand) nakon uzaludne potrage za ubojicom njezine k\u0107erke financira postavljanje tri plakata kao poruku \u0161erifu i njegovom uredu da se vi\u0161e potrude kako bi prona\u0161li ubojicu. Jedan od \u0161erifovih pomo\u0107nika, Dixon (Sam Rockwell) frustrirani je ruralni samac koji \u017eivi s dominantnom majkom, \u0161to je jedan od razloga za nasilno pona\u0161anje prema onima koje smatra ni\u017eima od sebe. \u0160erif Willoughby (Woody Harrelson) poku\u0161at \u0107e rije\u0161iti slu\u010daj, ali i sam ima slu\u010daj koji ne mo\u017ee rije\u0161iti, te\u0161ko je bolestan i pitanje je koliko \u0107e izdr\u017eati na poslu\u2026<\/p>\n<p style=\"text-align: justify;\">Film se gubi u stilizacijama koje bi vi\u0161e odgovarale bra\u0107i Coen (ali onda bi bile i izvedene na \u2018njihov na\u010din\u2019). Nakon prve polovice filma i sjajnog preokreta, kada du\u017enost preuzima novi \u0161erif, Afroamerikanac koji nije po volji podre\u0111enima, i koji promptno nastavlja istragu ubojstva njezine k\u0107erke, Mildred se ponovo obru\u0161ava na \u0161erifov ured, \u0161to je kontraproduktivno, jer svojom uporno\u0161\u0107u gubi empatiju kao \u017ertva. A onda dolazi nepotrebna epizoda s lokalnim patuljkom koji joj je potreban za alibi te skretanje pa\u017enje na usputnog sumnjivog lika, do zavr\u0161nice koju ne\u0107u otkriti, jer film ipak treba vidjeti. Tko zna kako bi izgledalo da je pri\u010du obradila druga autorska ekipa, primjerice, ve\u0107 spomenuta bra\u0107a Coen, na koju se McDonagh i tako referira, uklju\u010divo i izbor glavne glumice.<\/p>\n<p style=\"text-align: justify;\">Vratimo se Oscarima. Uz nespornu vrijednost gluma\u010dkih ostvarenja, va\u017ean je stjecaj okolnosti tko \u0107e na kraju dobiti nagradu. U ovogodi\u0161njoj podjeli definitivno je bilo boljih uloga u, \u0161to je bitno, boljim filmovima. Akademijini glasa\u010di su se odlu\u010dili za Frances McDormand i Sama Rockwella, iako je (po mi\u0161ljenju autora ovog teksta) Woody Harrelson zaslu\u017eio vi\u0161e od nominacije za Oscara. I to u ulozi koja je kao pisana za Oscara! Ali ni dobitnici nisu u najboljoj poziciji kad su vezani za film koji \u0107e vjerojatno uskoro biti zaboravljen.<\/p>\n<p style=\"text-align: justify;\"><strong>Robert Juki\u0107, Oxford, 30.03.2018.<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Detalji o filmu:<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Tri plakata izvan grada<\/strong><br \/>\nBlueprint Pictures, Film 4, Fox Searchlight Pictures, 2017.<br \/>\nTrajanje: 115 min.<br \/>\nFormat: 2.40 : 1<br \/>\nColor: Color<br \/>\nZvuk: Dolby Digital<br \/>\nGlume: Frances McDormand, Sam Rockwell, Caleb Landry Jones, Kerry Condon, Alejandro Barrios, Jason Redford, Darrell Britt-Gibson, Woody Harrelson, Abbie Cornish, Riya May Atwood, Selah Atwood, Lucas Hedges, \u017deljko Ivanek, Amanda Warren, Malaya Rivera Drew<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.foxsearchlight.com\/threebillboardsoutsideebbingmissouri\/\"><strong>Tri plakata izvan grada \u2013 Movie Site<\/strong><\/a><br \/>\n<a href=\"http:\/\/www.imdb.com\/title\/tt5027774\/?ref_=fn_al_tt_1\"><strong>Three Billboards Outside Ebbing, Missouri \u2013 IMDb<\/strong><\/a><\/p>\n<p style=\"text-align: justify;\"><em>Film je pogledan u CineStaru Branimir<\/em><\/p>\n<p style=\"text-align: justify;\">\n<div id=\"fb-root\"><\/div>\n<p><script>(function(d, s, id) {  var js, fjs = d.getElementsByTagName(s)[0];  if (d.getElementById(id)) return;  js = d.createElement(s); js.id = id;  js.src = 'https:\/\/connect.facebook.net\/hr_HR\/sdk.js#xfbml=1&version=v2.12';  fjs.parentNode.insertBefore(js, fjs);}(document, 'script', 'facebook-jssdk'));<\/script><\/p>\n<div class=\"fb-post\" data-href=\"https:\/\/www.facebook.com\/FILMmagnet\/photos\/ms.c.eJxFkMkRAzAIAzvKcAgB~;TeWMY7Jg88OWmFrVjYYjsh0xEcHBCRbzyzA2UBgQagBavJA2AD1BZwI7AHXIy3ZCH1aWD9Aw3EItpZXKitNG6nxgfaJ5L9lgPoD9J6NjVBurW1tiRq86z2fyntH~;6X3P~_oLT6E~_ZA~-~-.bps.a.1787945274577471.1073742471.360984060606940\/1787946534577345\/?type=3\" data-width=\"750\">\n<blockquote cite=\"https:\/\/www.facebook.com\/FILMmagnet\/posts\/1787946534577345\" class=\"fb-xfbml-parse-ignore\">\n<p>FILM: TRI PLAKATA IZVAN GRADA, krimidrama [osvrt Robert Juki\u0107], &gt;http:\/\/film-mag.net\/wp\/?p=35447. Fotografije ustupio Blitz Film &amp; Video<\/p>\n<p>Objavljuje <a href=\"https:\/\/www.facebook.com\/FILMmagnet\/\">F.I.L.M.<\/a> u&nbsp;<a href=\"https:\/\/www.facebook.com\/FILMmagnet\/posts\/1787946534577345\">8. travnja 2018<\/a><\/p><\/blockquote>\n<\/div>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=35447\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Three Billboards Outside Ebbing, Missouri (2017.) Redatelj: Martin McDonagh Film koji je bio nominiran za sedam Oscara !, \u0161to je bila dovoljna preporuka za uo\u010dljiv prijem na velikom ekranu. Nisam osobiti fan redatelja Martina McDonagha, njegovi filmovi \u2018In Bruges\u2019 (2008.) i \u2018Sedam psihopata\u2019 (2012.) nisu mi se osobito svidjeli, ali nekima jesu (vidi LINK)\u00a0 O\u010dekivanja [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5955,9,4,48],"tags":[17785,6068,11470,17782,17781,4960,1284,17424,17371,17783,17784,4959,1283,665,104,1168,3788,3798],"class_list":["post-35447","post","type-post","status-publish","format-standard","hentry","category-autorski-tekstovi","category-film","category-istaknuto","category-osvrti-na-filmove","tag-alejandro-barrios","tag-autorski-tekst","tag-blueprint-pictures","tag-caleb-landry","tag-film-4","tag-filmska-krimidrama","tag-filmska-kritika","tag-fox-searchlight-pictures","tag-frances-mcdormand","tag-jones","tag-kerry-condon","tag-krimidrama","tag-martin-mcdonagh","tag-osvrti","tag-robert-jukic","tag-robert-jukic-osvrt-na-film","tag-sam-rockwell","tag-woody-harrelson"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>FILM: TRI PLAKATA IZVAN GRADA, krimidrama [osvrt Robert Juki\u0107] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=35447\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FILM: TRI PLAKATA IZVAN GRADA, krimidrama [osvrt Robert Juki\u0107] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Three Billboards Outside Ebbing, Missouri (2017.) Redatelj: Martin McDonagh Film koji je bio nominiran za sedam Oscara !, \u0161to je bila dovoljna preporuka za uo\u010dljiv prijem na velikom ekranu. Nisam osobiti fan redatelja Martina McDonagha, njegovi filmovi \u2018In Bruges\u2019 (2008.) i \u2018Sedam psihopata\u2019 (2012.) nisu mi se osobito svidjeli, ali nekima jesu (vidi LINK)\u00a0 O\u010dekivanja [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/film-mag.net\/wp\/?p=35447\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2018-04-08T12:40:41+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-04-17T09:12:07+00:00\" \/>\n<meta name=\"author\" content=\"Robert Juki\u0107\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Robert Juki\u0107\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/film-mag.net\/wp\/?p=35447\",\"url\":\"http:\/\/film-mag.net\/wp\/?p=35447\",\"name\":\"FILM: TRI PLAKATA IZVAN GRADA, krimidrama [osvrt Robert Juki\u0107] - FILM-mag.net\",\"isPartOf\":{\"@id\":\"https:\/\/film-mag.net\/wp\/#website\"},\"datePublished\":\"2018-04-08T12:40:41+00:00\",\"dateModified\":\"2018-04-17T09:12:07+00:00\",\"author\":{\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/e10d389a3570afa6990a544a560b5ddb\"},\"breadcrumb\":{\"@id\":\"http:\/\/film-mag.net\/wp\/?p=35447#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/film-mag.net\/wp\/?p=35447\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/film-mag.net\/wp\/?p=35447#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/film-mag.net\/wp\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"FILM: TRI PLAKATA IZVAN GRADA, krimidrama [osvrt Robert Juki\u0107]\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/film-mag.net\/wp\/#website\",\"url\":\"https:\/\/film-mag.net\/wp\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/film-mag.net\/wp\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/e10d389a3570afa6990a544a560b5ddb\",\"name\":\"Robert Juki\u0107\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/9af3800a835f9caf36c524ed299e09ee?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/9af3800a835f9caf36c524ed299e09ee?s=96&d=mm&r=g\",\"caption\":\"Robert Juki\u0107\"},\"url\":\"http:\/\/film-mag.net\/wp\/?author=2\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"FILM: TRI PLAKATA IZVAN GRADA, krimidrama [osvrt Robert Juki\u0107] - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/film-mag.net\/wp\/?p=35447","og_locale":"en_US","og_type":"article","og_title":"FILM: TRI PLAKATA IZVAN GRADA, krimidrama [osvrt Robert Juki\u0107] - FILM-mag.net","og_description":"Three Billboards Outside Ebbing, Missouri (2017.) Redatelj: Martin McDonagh Film koji je bio nominiran za sedam Oscara !, \u0161to je bila dovoljna preporuka za uo\u010dljiv prijem na velikom ekranu. Nisam osobiti fan redatelja Martina McDonagha, njegovi filmovi \u2018In Bruges\u2019 (2008.) i \u2018Sedam psihopata\u2019 (2012.) nisu mi se osobito svidjeli, ali nekima jesu (vidi LINK)\u00a0 O\u010dekivanja [&hellip;]","og_url":"http:\/\/film-mag.net\/wp\/?p=35447","og_site_name":"FILM-mag.net","article_published_time":"2018-04-08T12:40:41+00:00","article_modified_time":"2018-04-17T09:12:07+00:00","author":"Robert Juki\u0107","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Robert Juki\u0107","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"http:\/\/film-mag.net\/wp\/?p=35447","url":"http:\/\/film-mag.net\/wp\/?p=35447","name":"FILM: TRI PLAKATA IZVAN GRADA, krimidrama [osvrt Robert Juki\u0107] - FILM-mag.net","isPartOf":{"@id":"https:\/\/film-mag.net\/wp\/#website"},"datePublished":"2018-04-08T12:40:41+00:00","dateModified":"2018-04-17T09:12:07+00:00","author":{"@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/e10d389a3570afa6990a544a560b5ddb"},"breadcrumb":{"@id":"http:\/\/film-mag.net\/wp\/?p=35447#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/film-mag.net\/wp\/?p=35447"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/film-mag.net\/wp\/?p=35447#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"FILM: TRI PLAKATA IZVAN GRADA, krimidrama [osvrt Robert Juki\u0107]"}]},{"@type":"WebSite","@id":"https:\/\/film-mag.net\/wp\/#website","url":"https:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/e10d389a3570afa6990a544a560b5ddb","name":"Robert Juki\u0107","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/film-mag.net\/wp\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9af3800a835f9caf36c524ed299e09ee?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9af3800a835f9caf36c524ed299e09ee?s=96&d=mm&r=g","caption":"Robert Juki\u0107"},"url":"http:\/\/film-mag.net\/wp\/?author=2"}]}},"_links":{"self":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/35447","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=35447"}],"version-history":[{"count":2,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/35447\/revisions"}],"predecessor-version":[{"id":35539,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/35447\/revisions\/35539"}],"wp:attachment":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=35447"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=35447"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=35447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}