{"id":34908,"date":"2018-02-12T21:37:11","date_gmt":"2018-02-12T20:37:11","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=34908"},"modified":"2018-04-13T17:23:08","modified_gmt":"2018-04-13T15:23:08","slug":"film-oblik-vode-osvrt-ada-jukic","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=34908","title":{"rendered":"FILM: OBLIK VODE [osvrt Ada Juki\u0107]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>Suvremena bajka o nemogu\u0107oj ljubavi i nepopustljivom dru\u0161tvu<\/em><\/p>\n<p style=\"text-align: justify;\">Poetski naslov filma upu\u0107uje na te\u0161ko\u0107u vizualizacije. Kakav je &#8216;oblik vode&#8217;? Kako prikazati ono \u0161to je bez oblika ili mo\u017ee poprimiti bilo koji oblik? U antologijskoj po\u010detnoj sceni potopljen je svijet stvari i likova koje \u0107emo tijekom filma upoznati i razumjeti. Jednako kreativan je postupak kojim del Toro vizualizira bajkovito vrijeme. Bajke pripadaju neodre\u0111enoj pro\u0161losti. Bilo jednom&#8230; Kako bajku prikazati uvjerljivo kao da je zabilje\u017eena arhivskim snimkama?<\/p>\n<p style=\"text-align: justify;\"><em>OBLIK vremena<\/em><\/p>\n<p style=\"text-align: justify;\">Guillermo del Toro pribli\u017eava vrijeme bajke na\u0161em vremenu i umjesto srednjovjekovnih dvoraca smje\u0161ta radnju u poznate \u0161ezdesete godine pro\u0161loga stolje\u0107a. Me\u0111utim, ne ve\u017ee se rekonstrukcijskom pedanterijom, ve\u0107 slobodnim intervencijama poni\u0161tava vremenski determinizam. Malim odmacima od definiranog vremena ili umecima izvan toga vremena, nastaje novo, slobodno i univerzalno vrijeme bajke u kojem je sve mogu\u0107e, pa i nemogu\u0107a ljubav u podijeljenom svijetu.<\/p>\n<p style=\"text-align: justify;\"><img decoding=\"async\" style=\"border: none; width: 100%;\" src=\" https:\/\/s25.postimg.cc\/e4zh4u3jj\/Oblik_vode_A.jpg \" \/><\/p>\n<p style=\"text-align: justify;\">Oblik vode ; Ustupio Blitz Film &amp; Video<\/p>\n<p style=\"text-align: justify;\">U cjelovitoj rekonstrukciji oblika i duha vremena hladnoratovskih \u0161ezdesetih, del Toro raspola\u017ee svim rekvizitima koja mu do danas stoje na raspolaganju, pa se ne pitamo jesu li nadzorne kamere postojale u to vrijeme i jesu li izgledale kao danas. \u010cak i ta dilema doprinosi efektu &#8216;uncanny valley&#8217;, a sli\u010dnost uznemiruje kao sjena &#8216;zone sumraka&#8217;. Smje\u0161taj bajke u bliskoj, &#8216;televizijskoj pro\u0161losti&#8217; omogu\u0107uje filmu gustu faktografiju opisa, a fantasti\u010dni doga\u0111aji u tom kontekstu pokazuju da je svako vrijeme &#8216;vrijeme za bajke&#8217;.<\/p>\n<p style=\"text-align: justify;\"><em>Oblik ljubavi<\/em><\/p>\n<p style=\"text-align: justify;\">U punoj slobodi i bez straha od malogra\u0111anskog nerazumijevanja, del Toro povremeno, inspiracijom skulptora, prikazuje aktove. Ta bajkovita golotinja u nekoliko kadrova, nenagla\u0161ena i integrirana u vizualnu cjelinu, ostvaruje dojam prirodnog stanja, a ne bludnih potreba. I jutarnja masturbacija glavnog \u017eenskog lika djeluje kao sastavni dio njenog bu\u0111enja, a ne erotski kuriozitet. Dojmljiva je baletna scena ljubavi Elise i Vodozemca u prostoriji ispunjenoj vodom. S druge strane, seksualno op\u0107enje glavnog negativca otkriva, uz njegovu stra\u017enjicu, njegove frustracije i psiholo\u0161ke deformacije.<\/p>\n<p style=\"text-align: justify;\"><em>Oblik priznanja<\/em><\/p>\n<p style=\"text-align: justify;\">U fantasti\u010dnom nizu autorskih i gluma\u010dkih ostvarenja ovog filma koji su pokriveni brojnim prijedlozima za Oscare, za\u010du\u0111uju\u0107i je izostanak nominacije za Michaela Schannona u ulozi zastra\u0161uju\u0107eg Stricklanda. Mo\u017eda je razlog tome \u0161to glavni negativac nema u pravom smislu glavnu ulogu, a uloga nije ni sporedna, pa se u nedoumici kategorije uloge izgubi kandidat. Ipak, jedan od likova koji \u0107e se citirati iz &#8216;Oblika vode&#8217; kompleksni je glavni sporedni lik Richarda Stricklanda koji svakom svojom predrasudom i osobinom odra\u017eava vrijeme i prostor u kojem \u017eivi, a ne \u017eivi samo u tom vremenu ni prostoru.<\/p>\n<p style=\"text-align: justify;\"><strong>Ada Juki\u0107, 10 2 2018.<\/strong><\/p>\n<h3 style=\"text-align: justify;\"><strong>Detalji o filmu:<\/strong><\/h3>\n<p style=\"text-align: justify;\"><strong>Oblik vode<\/strong><br \/>\n<strong> The Shape of Water (2017.)<\/strong><br \/>\nBull Productions, Double Dare You (DDY), Fox Searchlight Pictures, 2017.<br \/>\nTrajanje: 123 min.<br \/>\nFormat: 1.85 : 1<br \/>\nColor: Color | Black and White (dream sequence)<br \/>\nZvuk: D-Cinema 48kHz 5.1<br \/>\nRedatelj: Guillermo del Toro<br \/>\nGlume: Sally Hawkins, Michael Shannon, Richard Jenkins, Octavia Spencer, Michael Stuhlbarg, Doug Jones, David Hewlett, Nick Searcy, Stewart Arnott, Nigel Bennett, Lauren Lee Smith, Martin Roach, Allegra Fulton, John Kapelos, Morgan Kelly<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.foxsearchlight.com\/theshapeofwater\/\"><strong>Oblik vode \u2013 Movie Site<\/strong><\/a><br \/>\n<a href=\"http:\/\/www.imdb.com\/title\/tt5580390\/?ref_=nv_sr_1\"><strong>The Shape of Water \u2013 IMDb<\/strong><\/a><\/p>\n<p style=\"text-align: justify;\"><em>Kino u kojem sam gledala film: CineStar Branimir centar Zagreb<\/em><\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=34908\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Suvremena bajka o nemogu\u0107oj ljubavi i nepopustljivom dru\u0161tvu Poetski naslov filma upu\u0107uje na te\u0161ko\u0107u vizualizacije. Kakav je &#8216;oblik vode&#8217;? Kako prikazati ono \u0161to je bez oblika ili mo\u017ee poprimiti bilo koji oblik? U antologijskoj po\u010detnoj sceni potopljen je svijet stvari i likova koje \u0107emo tijekom filma upoznati i razumjeti. Jednako kreativan je postupak kojim del [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5955,9,4,48],"tags":[204,1171,6068,568,17422,17423,12128,567,1284,17424,2923,3323,7922,665,2731,5302],"class_list":["post-34908","post","type-post","status-publish","format-standard","hentry","category-autorski-tekstovi","category-film","category-istaknuto","category-osvrti-na-filmove","tag-ada-jukic","tag-ada-jukic-osvrt-na-film","tag-autorski-tekst","tag-bajka","tag-bull-productions","tag-double-dare-you-ddy","tag-doug-jones","tag-filmska-bajka","tag-filmska-kritika","tag-fox-searchlight-pictures","tag-guillermo-del-toro","tag-michael-shannon","tag-octavia-spencer","tag-osvrti","tag-richard-jenkins","tag-sally-hawkins"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>FILM: OBLIK VODE [osvrt Ada Juki\u0107] - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=34908\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FILM: OBLIK VODE [osvrt Ada Juki\u0107] - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Suvremena bajka o nemogu\u0107oj ljubavi i nepopustljivom dru\u0161tvu Poetski naslov filma upu\u0107uje na te\u0161ko\u0107u vizualizacije. Kakav je &#8216;oblik vode&#8217;? Kako prikazati ono \u0161to je bez oblika ili mo\u017ee poprimiti bilo koji oblik? U antologijskoj po\u010detnoj sceni potopljen je svijet stvari i likova koje \u0107emo tijekom filma upoznati i razumjeti. 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