{"id":23638,"date":"2015-10-12T22:22:33","date_gmt":"2015-10-12T20:22:33","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=23638"},"modified":"2015-10-12T22:35:52","modified_gmt":"2015-10-12T20:35:52","slug":"nova-izdanja-multimedijalnog-instituta-bela-tarr-vrijeme-od-poslije","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=23638","title":{"rendered":"Nova izdanja Multimedijalnog instituta: B\u00e9la Tarr, vrijeme od poslije&#8230;"},"content":{"rendered":"<p style=\"text-align: justify;\">Multimedijalni institut objavio je dva nova naslova &#8211; Ranci\u00e8reov esej o odnosu vremena i umjetnosti &#8220;<strong>B\u00e9la Tarr, vrijeme od poslije<\/strong>&#8221; i knjigu Kazimira Majorinca &#8220;<strong>Mo\u0107an koliko je god mogu\u0107e<\/strong>&#8221; koja donosi povijest Lispa, programskog jezika gotovo pa kultnog statusa.<\/p>\n<p style=\"text-align: justify;\">U pripremi su jo\u0161 \u010detiri knji\u0161ka izdanja koja objavljujemo u narednim tjednima:<\/p>\n<ul style=\"text-align: justify;\">\n<li><strong>Quentin Meillassoux<\/strong>: Poslije kona\u010dnosti<\/li>\n<li><strong>Franco Moretti<\/strong>: Bur\u017euj &#8211; izme\u0111u povijesti i literature<\/li>\n<li><strong>Alain Badiou<\/strong>: Metafizika stvarne sre\u0107e<\/li>\n<li><strong>Dubravka Ugre\u0161i\u0107<\/strong>: Karaoke kultura<\/li>\n<\/ul>\n<p style=\"text-align: justify;\"><strong><a href=\"http:\/\/mi2.us6.list-manage1.com\/track\/click?u=87de5ccd1f45983b5403c5131&amp;id=3a94aa2872&amp;e=e5458b5f84\" target=\"_blank\">Jacques Ranci\u00e8re: B\u00e9la Tarr, vrijeme od poslije<\/a><\/strong><br \/>\n[2015 \/\/ 104 str. \/\/ prijevod: Sana Peri\u0107]<\/p>\n<div class=\"mceTemp\" style=\"text-align: justify;\">\n<dl id=\"attachment_23639\" class=\"wp-caption alignnone\" style=\"width: 460px;\">\n<dt class=\"wp-caption-dt\"><a href=\"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2015\/10\/mama_vrijeme_od_poslije.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23639\" title=\"Naslovnica knjige 'B\u00e9la Tarr, vrijeme od poslije\" src=\"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2015\/10\/mama_vrijeme_od_poslije.jpg\" alt=\"Naslovnica knjige 'B\u00e9la Tarr, vrijeme od poslije\" width=\"450\" height=\"719\" srcset=\"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2015\/10\/mama_vrijeme_od_poslije.jpg 450w, http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2015\/10\/mama_vrijeme_od_poslije-187x300.jpg 187w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><\/dt>\n<dd class=\"wp-caption-dd\">Naslovnica knjige &#8216;B\u00e9la Tarr, vrijeme od poslije<\/dd>\n<\/dl>\n<\/div>\n<p style=\"text-align: justify;\">Jacques Ranci\u00e8re, kao mislilac emancipacije, posljednjih se godina okrenuo istra\u017eivanju odnosa vremena i umjetnosti \u2013 bilo da je rije\u010d o \u017eivotu umjetnosti u povijesnom vremenu ili o vremenu kao materijalu umjetni\u010dkog stvaranja. No, Ranci\u00e8reove analize ne staju na tom pitanju kao ne\u010demu \u0161to je va\u017eno samo za umjetni\u010dku praksu, nego ga filozof dovodi u vezu sa svojim dosada\u0161njim razmi\u0161ljanjima o demokraciji i jednakosti, otvaraju\u0107i time intelektualni obzor kojeg se mo\u017ee zamisliti jedino u vrijeme slobode. Po\u010detnu to\u010dku tih Ranci\u00e8rovovih razmatranja predstavlja esej \u201cB\u00e9la Tarr, vrijeme od poslije\u201d, o poznatome ma\u0111arskom redatelju.<\/p>\n<p style=\"text-align: justify;\">Tekst je podijeljen u 5 poglavlja, a knjiga je izvorno na francuskom objavljena 2011. godine, povodom Tarrove retrospektive u pari\u0161kom Centre Pompidou.<\/p>\n<p style=\"text-align: justify;\"><strong><a href=\"http:\/\/mi2.us6.list-manage.com\/track\/click?u=87de5ccd1f45983b5403c5131&amp;id=b7101e5377&amp;e=e5458b5f84\" target=\"_blank\">Kazimir Majorinc: Mo\u0107an koliko je god mogu\u0107e<\/a><\/strong><br \/>\n[2015 \/\/ 208 str \/\/ hrvatsko izdanje]<\/p>\n<p style=\"text-align: justify;\">Ve\u0107ina programera se prvi puta susre\u0107e s Lispom preko nekog od brojnih citata i aforizama u kojima se, ponekad i preko mjere, isti\u010du ljepota, elegancija i mo\u0107 jezika. Tako se, primjerice, razumijevanje Lispa naziva prosvjet\u00adljenjem; tvrdi se da iskustvo programiranja u Lispu \u010dini programera boljim, \u010dak i ako nikad u \u017eivotu ne bude ko\u00adristio Lisp. Jeziku se, dodu\u0161e u \u0161ali, pripisuju misti\u010dna svojstva; bog (ili bogovi) su svijet napisali u Lispu, a Lisp zajednica se opisuje kao kult.<\/p>\n<p style=\"text-align: justify;\">U uvjetima fragmentacije zajednice i postojanja broj\u00adnih tuma\u010denja osnovnih ideja, onaj tko \u017eeli razumjeti Lisp te\u0161ko mo\u017ee izbje\u0107i povijesni pristup; upoznavanje s idejama u obliku koji su imale kad su nastajale. Najzanimljivi\u00adji period je pri tome, u pravilu, onaj najraniji. Ova knjiga poku\u0161ava izlo\u017eiti nastajanje i razvoj glavnih ideja Lispa tijekom prvih nekoliko godina u kojima je John McCarthy vodio razvoj jezika.<\/p>\n<p style=\"text-align: justify;\">Tijekom pisanja knjige, autor je odr\u017eao nekoliko dese\u00adtaka izlaganja u Hacklabu MaMe u Zagrebu. Diskusije s \u010dlanovima Hacklaba su u velikoj mjeri utjecale na sadr\u017eaj i oblik knjige.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/mi2.us6.list-manage.com\/track\/click?u=87de5ccd1f45983b5403c5131&amp;id=e285fdccbb&amp;e=e5458b5f84\" target=\"_blank\"><strong>Vi\u0161e o ostalim izdanjima Multimedijalnog instituta \u2192<\/strong><\/a><\/p>\n<p style=\"text-align: justify;\"><strong><a href=\"http:\/\/mi2.us6.list-manage2.com\/track\/click?u=87de5ccd1f45983b5403c5131&amp;id=ef5b0b73c8&amp;e=e5458b5f84\" target=\"_blank\">Sve po\u010dinje od estetskog \u0161oka<\/a><\/strong><br \/>\nNeven Svilar u razgovoru sa Jacquesom Ranci\u00e8reom<\/p>\n<p style=\"text-align: justify;\">Povodom gostovanja Jacquesa Ranci\u00e8rea u Zagrebu, te nakon njegovog predavanja u MSU, Neven Svilar razgovarao je s na\u0161im gostom o temporalnosti i vremenu u filmu. Intervju je objavljen na portalu Booksa, a u cijelosti ga mo\u017eete prona\u0107i\u00a0<strong><a href=\"http:\/\/mi2.us6.list-manage.com\/track\/click?u=87de5ccd1f45983b5403c5131&amp;id=e2440a87d0&amp;e=e5458b5f84\" target=\"_blank\">ovdje<\/a><\/strong>.<\/p>\n<p style=\"text-align: justify;\">[izvor informacije\u00a0<strong><a href=\"http:\/\/www.mi2.hr\/\">net.kulturni klub mama<\/a><\/strong>]<\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=23638\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Multimedijalni institut objavio je dva nova naslova &#8211; Ranci\u00e8reov esej o odnosu vremena i umjetnosti &#8220;B\u00e9la Tarr, vrijeme od poslije&#8221; i knjigu Kazimira Majorinca &#8220;Mo\u0107an koliko je god mogu\u0107e&#8221; koja donosi povijest Lispa, programskog jezika gotovo pa kultnog statusa. U pripremi su jo\u0161 \u010detiri knji\u0161ka izdanja koja objavljujemo u narednim tjednima: Quentin Meillassoux: Poslije kona\u010dnosti [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":23639,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[4,38,12],"tags":[12752,320,834,12751,12585,12753,152,10535,12586,1623,12750],"class_list":["post-23638","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-istaknuto","category-knjige","category-knjizevnost","tag-alain-badiou","tag-bela-tarr","tag-dubravka-ugresic","tag-franco-moretti","tag-jacques-ranciere","tag-kazimir-majorinc","tag-knjige-2","tag-mama","tag-multimedijalni-institut","tag-net-kulturni-klub-mama","tag-quentin-meillassoux"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Nova izdanja Multimedijalnog instituta: B\u00e9la Tarr, vrijeme od poslije... - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/film-mag.net\/wp\/?p=23638\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nova izdanja Multimedijalnog instituta: B\u00e9la Tarr, vrijeme od poslije... - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"Multimedijalni institut objavio je dva nova naslova &#8211; Ranci\u00e8reov esej o odnosu vremena i umjetnosti &#8220;B\u00e9la Tarr, vrijeme od poslije&#8221; i knjigu Kazimira Majorinca &#8220;Mo\u0107an koliko je god mogu\u0107e&#8221; koja donosi povijest Lispa, programskog jezika gotovo pa kultnog statusa. 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