{"id":14881,"date":"2014-05-20T20:38:45","date_gmt":"2014-05-20T18:38:45","guid":{"rendered":"http:\/\/film-mag.net\/wp\/?p=14881"},"modified":"2014-05-20T20:38:45","modified_gmt":"2014-05-20T18:38:45","slug":"michael-glawogger-trilogija-radnih-stvarnosti-u-dokukinu","status":"publish","type":"post","link":"http:\/\/film-mag.net\/wp\/?p=14881","title":{"rendered":"Michael Glawogger: Trilogija radnih stvarnosti u Dokukinu"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>MICHAEL GLAWOGGER: TRILOGIJA RADNIH STVARNOSTI<\/strong><\/p>\n<p style=\"text-align: justify;\">MEGAGRADOVI <em>srijeda 21.05. u 21:15h\/<\/em><strong> <\/strong>SMRT RADNIKA<strong> <\/strong><em>\u00a0\u010detvrtak 22.05. u 21:00h\/ <\/em>SLAVA KURVI<em> petak 23.05. u 21:00h.\u00a0<\/em>Ovaj tjedan u Dokukinu mo\u017eete pogledati dokumentarnu trilogiju Michaela Glawoggera \u2013 &#8216;Megagradovi&#8217; iz 1988., &#8216;Smrt radnika&#8217; iz 2005. i &#8216;Slava kurvi&#8217; iz 2011. Autrijski redatelj Michael Glawogger bio je u potrazi za ljudima na pogubnim marginama tranzicijske ere &#8211; i prona\u0161ao je predivna, neobi\u010dna stvorenja i njihove svakodnevnice; bilo da je rije\u010d o brodskoj olupini u Pakistanu ili o burlesknom kazali\u0161tu u Meksiku, opasnim ulicama New Yorka ili klaonici u Nigeriji, bordelu u Banglade\u0161u ili rudniku ugljena u Ukrajini.<\/p>\n<p style=\"text-align: justify;\">Michael Glawogger volio je gubitnike \u2013 upravo koliko je volio i pse lutalice.<\/p>\n<div class=\"mceTemp\" style=\"text-align: justify;\">\n<dl id=\"attachment_14882\" class=\"wp-caption alignnone\" style=\"width: 560px;\">\n<dt class=\"wp-caption-dt\"><a href=\"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2014\/05\/dokukino_michael_glawogger.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-14882\" title=\"Michael Glawogger ; Ustupilo Dokukino\" src=\"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2014\/05\/dokukino_michael_glawogger.jpg\" alt=\"Michael Glawogger ; Ustupilo Dokukino\" width=\"550\" height=\"309\" srcset=\"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2014\/05\/dokukino_michael_glawogger.jpg 550w, http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2014\/05\/dokukino_michael_glawogger-300x168.jpg 300w, http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2014\/05\/dokukino_michael_glawogger-195x110.jpg 195w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/dt>\n<dd class=\"wp-caption-dd\">Michael Glawogger ; Ustupilo Dokukino<\/dd>\n<\/dl>\n<\/div>\n<p style=\"text-align: justify;\">Kamera Glawoggera i njegovih snimatelja (posebice Wolfganga Thalera koji je sura\u0111ivao na sva tri filma) obi\u010dno oduzima dah \u2013 iritantna je koliko i lijepa. Gledaju\u0107i njegove filmove, \u010dovjek se uvijek osje\u0107a kao da viri kroz klju\u010danicu i \u010dudi se kako je samo uspio snimiti sve te dragocjene trenutke. \u00a0Unato\u010d \u010darobnoj estetici, Glawoggerovi filmovi nisu imali tendenciju uljep\u0161avati, niti banalizirati \u017eivote svojih protagonista. Naprotiv, njegova trilogija je potraga za stvarnim \u017eivotima ma kako te\u0161ki i slo\u017eeni oni bili \u2013 no ipak sadr\u017ei trenutke koje je Glawogger nazivao &#8220;ljudskim ljepotama&#8221; a koje nevjerojatno humaniziraju i oboga\u0107uju ove filmove. Glawogger je tako rekao &#8216;Platon ka\u017ee<em> Ljepota je sjaj istine<\/em>. Dakle, ako ima istine u toj stvarnosti, trudim se pokazati da ljepota dolazi od tamo.&#8217;<\/p>\n<p style=\"text-align: justify;\">Ulaz na sve projekcije je slobodan a filmovi se prikazuju s engleskim titlovima.<\/p>\n<p style=\"text-align: justify;\"><strong><a href=\"http:\/\/www.imdb.com\/title\/tt0169024\/?ref_=nm_flmg_dr_12\">MEGAGRADOVI<\/a>, Austrija\/\u0160vicarska, 1988., 90&#8242;<\/strong><br \/>\n<em>srijeda 21.05. u 21:15h<\/em><br \/>\nBombay, Mexico City, Moskva, New York: zavodljiva, ali i odbojna \u010dudovi\u0161ta. Tu kontradikciju svakodnevno osje\u0107aju ljudi koji \u017eive u tim megagradovima. U 12 poglavlja, film nam pri\u010da o Shankaru, \u010dovjeku iz kina; Modestu, prodava\u010du koko\u0161jih nogu; Babu Khanu, sija\u010du boja; Nestoru, sakuplja\u010du otpada; uli\u010dnim dje\u010dacima Olegu, Borji, Kolji i Mi\u0161i; glumici Cassandri; dizali\u010darki Larisi i varalici Tonyju. Domi\u0161ljato\u0161\u0107u, inteligencijom i ponosom, oni se iz dana u dan bore za pre\u017eivljavanje. I svi sanjaju o istoj stvari: boljem \u017eivotu.<br \/>\nME\u0110UNARODNI FF U SAO PAULU -nagrada za najbolji dokumentarni film\/ VIENNALE- filmska nagrada Grada Be\u010da\u00a0\/ME\u0110UNARODNI FF U SAN FRANCISCU- nagrada Golden Spire\/ ME\u0110UNARODNI FF U VANCOUVERU- nagrada NFB za najbolji dokumentarni film\/ ARSENAL FF, Riga- nagrada za najboljeg redatelja\u00a0\/ CINEECO- ekolo\u0161ko-antropolo\u0161ka nagrada i nagrada za najbolji dokumentarni film<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/VrXjXhwTzEM\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p style=\"text-align: justify;\"><strong><a href=\"http:\/\/www.imdb.com\/title\/tt0478331\/?ref_=nm_flmg_dr_7\">SMRT RADNIKA<\/a>, <\/strong><strong>Austrija, Njema\u010dka, 2005.,122\u2019 <\/strong><br \/>\n<em>\u010detvrtak 22.05. u 21:00h<\/em><br \/>\nFilm Smrt radnika prati junake ilegalnih rudnika u Ukrajini, nju\u0161i duhove me\u0111u kopa\u010dima sumpora u Indoneziji, nalazi se licem u lice s lavovima u nigerijskoj klaonici, dru\u017ei se s bra\u0107om koja u komade re\u017eu golemi tanker u Pakistanu i pridru\u017euje se radnicima u kineskoj \u010deli\u010dani koji se nadaju svjetlijoj budu\u0107nosti. Za to vrijeme, ta se budu\u0107nost doga\u0111a u Njema\u010dkoj, gdje je jedna velika biv\u0161a talionica pretvorena u lijepi park za odmor i rekreaciju.<br \/>\nIDA, nagrada za izuzetno dokumentarno ostvarenje- posebna nagrada \u017eirija\/FESTIVAL &#8220;Poruka \u010dovjeku&#8221;- najbolji dokumentarni film\u00a0\/ ME\u0110UNARODNI FF, Durban- najbolji dokumentarni film\/ ME\u0110UNARODNI FF U SAN FRANCISCU \u2013 nagrada Golden Gate za najbolji cjelove\u010dernji dokumentarni film\/ DIAGONALE- nagrada za najboljeg\u00a0 snimatelja u dokumentarnom filmu (Wolfgang Thaler), nagrada za inovativnu produkciju (Lotus Film)\/ FUL FRAME FF- nagrada Seeds of War\u00a0\/ CPH:DOX 2005. \u2013 najbolji dokumentarni film \/LONDON FF- nagrada Grierson\/ GIJON FF- posebna nagrada \u017eirija\/ LEIPZIG DOK- nagrada FIPRESCI-evog \u017eirija<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/7G2oAjGCt0o\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p style=\"text-align: justify;\"><strong><a href=\"http:\/\/www.imdb.com\/title\/tt1327628\/?ref_=nm_flmg_dr_3\">SLAVA KURVI<\/a>, <\/strong>Austrija\/Njema\u010dka, 2011., 110&#8242;<br \/>\n<em>petak 23.05. u 21:00h<br \/>\n<\/em>Posljednji dio Glawoggerove trilogije o globalizaciji, &#8216;Slava kurvi&#8217; &#8211; filmski je triptih o najstarijem zanatu na svijetu koji se fokusira na tri dr\u017eave, tri jezika i tri religije. Bez senzacionalizma, la\u017ene patetike i osu\u0111ivanja te uz nevjerojatno blizak pristup protagonistima (kako prostitutkama tako i klijentima), Glawogger je snimio film o \u017eenama, prostitutkama i seksualnim radnicama u Tajlandu, Banglade\u0161u i Meksiku. U svijetu u kojem je najintimniji ljudski \u010din roba, ove \u017eene su psihi\u010dki i fizi\u010dki iskusile sve \u0161to se mo\u017ee dogoditi izme\u0111u mu\u0161karca i \u017eene. Soundtrack koju potpusuju PJ Harvey i CocoRosie, \u010dini se, funkcionira kao neizgovoreni Glawoggerov komentar.<br \/>\nVENICE FF- Special Orizzonti nagrada \u017eirija<br \/>\n<em>Mnogo je filmova koji se usput ili kao sredi\u0161njom temom bave prostitucijom, no ako postoji film koji se mo\u017ee smatrati nezaobilaznom filmskom \u201cbiblijom\u201d prostitucije, onda je taj film ovog tjedna mogla vidjeti publika na filmskom festivalu u Veneciji. <\/em><strong>Jurica Pavi\u010di\u0107<\/strong><em><\/em><\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/eM0TVI2o0jk\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Vi\u0161e o programu kina na <a href=\"http:\/\/www.dokukino.net\">www.dokukino.net<\/a><\/p>\n<p style=\"text-align: justify;\">[izvor informacije\u00a0<strong><a href=\"http:\/\/www.dokukino.net\/\">Dokukino<\/a><\/strong>]<\/p>\n<div id=\"fb_share_1\" style=\"float: right; margin-left: 10px;\"><a name=\"fb_share\" type=\"box_count\" share_url=\"http:\/\/film-mag.net\/wp\/?p=14881\" href=\"http:\/\/www.facebook.com\/sharer.php\">Share<\/a><\/div><div><script src=\"http:\/\/static.ak.fbcdn.net\/connect.php\/js\/FB.Share\" type=\"text\/javascript\"><\/script><\/div><div style=\"clear:both\"><\/div>","protected":false},"excerpt":{"rendered":"<p>MICHAEL GLAWOGGER: TRILOGIJA RADNIH STVARNOSTI MEGAGRADOVI srijeda 21.05. u 21:15h\/ SMRT RADNIKA \u00a0\u010detvrtak 22.05. u 21:00h\/ SLAVA KURVI petak 23.05. u 21:00h.\u00a0Ovaj tjedan u Dokukinu mo\u017eete pogledati dokumentarnu trilogiju Michaela Glawoggera \u2013 &#8216;Megagradovi&#8217; iz 1988., &#8216;Smrt radnika&#8217; iz 2005. i &#8216;Slava kurvi&#8217; iz 2011. Autrijski redatelj Michael Glawogger bio je u potrazi za ljudima na [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":14882,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[9,21,170],"tags":[895,384,103,1787],"class_list":["post-14881","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-filmske-novosti","category-kalendar","tag-austrijski-film","tag-dokukino","tag-dokumentarni-film","tag-michael-glawogger"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Michael Glawogger: Trilogija radnih stvarnosti u Dokukinu - FILM-mag.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/film-mag.net\/wp\/?p=14881\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Michael Glawogger: Trilogija radnih stvarnosti u Dokukinu - FILM-mag.net\" \/>\n<meta property=\"og:description\" content=\"MICHAEL GLAWOGGER: TRILOGIJA RADNIH STVARNOSTI MEGAGRADOVI srijeda 21.05. u 21:15h\/ SMRT RADNIKA \u00a0\u010detvrtak 22.05. u 21:00h\/ SLAVA KURVI petak 23.05. u 21:00h.\u00a0Ovaj tjedan u Dokukinu mo\u017eete pogledati dokumentarnu trilogiju Michaela Glawoggera \u2013 &#8216;Megagradovi&#8217; iz 1988., &#8216;Smrt radnika&#8217; iz 2005. i &#8216;Slava kurvi&#8217; iz 2011. Autrijski redatelj Michael Glawogger bio je u potrazi za ljudima na [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/film-mag.net\/wp\/?p=14881\" \/>\n<meta property=\"og:site_name\" content=\"FILM-mag.net\" \/>\n<meta property=\"article:published_time\" content=\"2014-05-20T18:38:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/film-mag.net\/wp\/wp-content\/uploads\/2014\/05\/dokukino_michael_glawogger.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"550\" \/>\n\t<meta property=\"og:image:height\" content=\"309\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"PRESS\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PRESS\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=14881#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=14881\"},\"author\":{\"name\":\"PRESS\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"headline\":\"Michael Glawogger: Trilogija radnih stvarnosti u Dokukinu\",\"datePublished\":\"2014-05-20T18:38:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=14881\"},\"wordCount\":770,\"image\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=14881#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/wp-content\\\/uploads\\\/2014\\\/05\\\/dokukino_michael_glawogger.jpg\",\"keywords\":[\"austrijski film\",\"Dokukino\",\"dokumentarni film\",\"Michael Glawogger\"],\"articleSection\":[\"Film\",\"FIlmske novosti\",\"Kalendar\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=14881\",\"url\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=14881\",\"name\":\"Michael Glawogger: Trilogija radnih stvarnosti u Dokukinu - FILM-mag.net\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=14881#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=14881#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/wp-content\\\/uploads\\\/2014\\\/05\\\/dokukino_michael_glawogger.jpg\",\"datePublished\":\"2014-05-20T18:38:45+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=14881#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=14881\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=14881#primaryimage\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/wp-content\\\/uploads\\\/2014\\\/05\\\/dokukino_michael_glawogger.jpg\",\"contentUrl\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/wp-content\\\/uploads\\\/2014\\\/05\\\/dokukino_michael_glawogger.jpg\",\"width\":\"550\",\"height\":\"309\",\"caption\":\"Michael Glawogger ; Ustupilo Dokukino\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/film-mag.net\\\/wp\\\/?p=14881#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Michael Glawogger: Trilogija radnih stvarnosti u Dokukinu\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#website\",\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/\",\"name\":\"FILM-mag.net\",\"description\":\"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/#\\\/schema\\\/person\\\/a8dd3a5b76a5bbde974e03510a205c2f\",\"name\":\"PRESS\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g\",\"caption\":\"PRESS\"},\"url\":\"http:\\\/\\\/film-mag.net\\\/wp\\\/?author=8\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Michael Glawogger: Trilogija radnih stvarnosti u Dokukinu - FILM-mag.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/film-mag.net\/wp\/?p=14881","og_locale":"en_US","og_type":"article","og_title":"Michael Glawogger: Trilogija radnih stvarnosti u Dokukinu - FILM-mag.net","og_description":"MICHAEL GLAWOGGER: TRILOGIJA RADNIH STVARNOSTI MEGAGRADOVI srijeda 21.05. u 21:15h\/ SMRT RADNIKA \u00a0\u010detvrtak 22.05. u 21:00h\/ SLAVA KURVI petak 23.05. u 21:00h.\u00a0Ovaj tjedan u Dokukinu mo\u017eete pogledati dokumentarnu trilogiju Michaela Glawoggera \u2013 &#8216;Megagradovi&#8217; iz 1988., &#8216;Smrt radnika&#8217; iz 2005. i &#8216;Slava kurvi&#8217; iz 2011. Autrijski redatelj Michael Glawogger bio je u potrazi za ljudima na [&hellip;]","og_url":"https:\/\/film-mag.net\/wp\/?p=14881","og_site_name":"FILM-mag.net","article_published_time":"2014-05-20T18:38:45+00:00","og_image":[{"width":550,"height":309,"url":"https:\/\/film-mag.net\/wp\/wp-content\/uploads\/2014\/05\/dokukino_michael_glawogger.jpg","type":"image\/jpeg"}],"author":"PRESS","twitter_card":"summary_large_image","twitter_misc":{"Written by":"PRESS","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/film-mag.net\/wp\/?p=14881#article","isPartOf":{"@id":"https:\/\/film-mag.net\/wp\/?p=14881"},"author":{"name":"PRESS","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"headline":"Michael Glawogger: Trilogija radnih stvarnosti u Dokukinu","datePublished":"2014-05-20T18:38:45+00:00","mainEntityOfPage":{"@id":"https:\/\/film-mag.net\/wp\/?p=14881"},"wordCount":770,"image":{"@id":"https:\/\/film-mag.net\/wp\/?p=14881#primaryimage"},"thumbnailUrl":"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2014\/05\/dokukino_michael_glawogger.jpg","keywords":["austrijski film","Dokukino","dokumentarni film","Michael Glawogger"],"articleSection":["Film","FIlmske novosti","Kalendar"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/film-mag.net\/wp\/?p=14881","url":"https:\/\/film-mag.net\/wp\/?p=14881","name":"Michael Glawogger: Trilogija radnih stvarnosti u Dokukinu - FILM-mag.net","isPartOf":{"@id":"http:\/\/film-mag.net\/wp\/#website"},"primaryImageOfPage":{"@id":"https:\/\/film-mag.net\/wp\/?p=14881#primaryimage"},"image":{"@id":"https:\/\/film-mag.net\/wp\/?p=14881#primaryimage"},"thumbnailUrl":"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2014\/05\/dokukino_michael_glawogger.jpg","datePublished":"2014-05-20T18:38:45+00:00","author":{"@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f"},"breadcrumb":{"@id":"https:\/\/film-mag.net\/wp\/?p=14881#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/film-mag.net\/wp\/?p=14881"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/film-mag.net\/wp\/?p=14881#primaryimage","url":"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2014\/05\/dokukino_michael_glawogger.jpg","contentUrl":"http:\/\/film-mag.net\/wp\/wp-content\/uploads\/2014\/05\/dokukino_michael_glawogger.jpg","width":"550","height":"309","caption":"Michael Glawogger ; Ustupilo Dokukino"},{"@type":"BreadcrumbList","@id":"https:\/\/film-mag.net\/wp\/?p=14881#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/film-mag.net\/wp\/"},{"@type":"ListItem","position":2,"name":"Michael Glawogger: Trilogija radnih stvarnosti u Dokukinu"}]},{"@type":"WebSite","@id":"http:\/\/film-mag.net\/wp\/#website","url":"http:\/\/film-mag.net\/wp\/","name":"FILM-mag.net","description":"Prvi hrvatski portal o filmu i filmu bliskim podru\u010djima kulture","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/film-mag.net\/wp\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/film-mag.net\/wp\/#\/schema\/person\/a8dd3a5b76a5bbde974e03510a205c2f","name":"PRESS","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/17a1b89767e04e218db988da70146e8b91d92fd340369fe2d6accc41a885cc02?s=96&d=mm&r=g","caption":"PRESS"},"url":"http:\/\/film-mag.net\/wp\/?author=8"}]}},"_links":{"self":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/14881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14881"}],"version-history":[{"count":1,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/14881\/revisions"}],"predecessor-version":[{"id":14883,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/14881\/revisions\/14883"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=\/wp\/v2\/media\/14882"}],"wp:attachment":[{"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14881"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/film-mag.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}